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Huntington Museum Fund, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Colombian", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1970.4.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1970.4.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1970.4.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1970.4.1.tif", "IsPrimary" : "1", "_SurrogateID" : "4963", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13939, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13939", "Disp_Access_No" : "P1969.9.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Gloucester: Landscape with Farm Buildings", "Alt_Title" : "", "Obj_Title" : "Gloucester: Landscape with Farm Buildings", "Series_Title" : "", "Disp_Maker_1" : "Peter Blume", "Sort_Artist" : "Blume, Peter", "Disp_Dimen" : "41 cm x 51 cm (16 1/8 in. x 20 1/16 in.)", "Disp_Height" : "41 cm", "Disp_Width" : "51 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Erect, truncated ship riggings against a foreboding sky; severe lines of architectonic forms; a contrast of caged and free chickens near a thorn bush in the center foreground: these introduce slight unrest into an otherwise traditional bucolic New England scene. 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Together with his wife, famed Depression-era photographer Dorothea Lange, he made numerous trips to Arizona and New Mexico, spending months living on a Hopi reservation. Dixon’s paintings of the West invoke a more modern sensibility than other depictions of the West in this gallery. “The melodramatic Wild West is not for me,” he once stated. “The more lasting qualities are in the quiet and more broadly human aspects of western life.” He was drawn to what he described as “the poetry and pathos of life of western people seen amidst the grandeur, sternness, and loneliness of their country.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. 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Dick", "Sort_Artist" : "Dick, George A.", "Disp_Dimen" : "52 cm x 62.5 cm (20 1/2 in. x 24 5/8 in.)", "Disp_Height" : "52 cm", "Disp_Width" : "62.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.5.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.5.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.5.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.5.tif", "IsPrimary" : "1", "_SurrogateID" : "4994", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13982, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13982", "Disp_Access_No" : "G1976.21.4", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Montana Encampment", "Alt_Title" : "", "Obj_Title" : "Montana Encampment", "Series_Title" : "", "Disp_Maker_1" : "Ransome Gillet Holdredge", "Sort_Artist" : "Holdredge, Ransome Gillet", "Disp_Dimen" : "68.7 cm x 108.6 cm (27 1/16 in. x 42 3/4 in.)", "Disp_Height" : "68.7 cm", "Disp_Width" : "108.6 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.4.tif", "IsPrimary" : "1", "_SurrogateID" : "2487", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13983, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13983", "Disp_Access_No" : "G1976.21.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1925-1929", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1929", "Disp_Title" : "Returning the Stray", "Alt_Title" : "", "Obj_Title" : "Returning the Stray", "Series_Title" : "", "Disp_Maker_1" : "Walter Ufer", "Sort_Artist" : "Ufer, Walter", "Disp_Dimen" : "74.9 cm x 87.6 cm (29 1/2 in. x 34 1/2 in.)", "Disp_Height" : "74.9 cm", "Disp_Width" : "87.6 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.36.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.36.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.36.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.36.tif", "IsPrimary" : "1", "_SurrogateID" : "2486", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13984, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13984", "Disp_Access_No" : "G1976.21.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1854", "_Disp_Start_Dat" : "1854", "_Disp_End_Date" : "1854", "Disp_Title" : "Huntsman with Deer, Horse and Rifle", "Alt_Title" : "Sporting in the Adirondaks", "Obj_Title" : "Huntsman with Deer, Horse and Rifle", "Series_Title" : "", "Disp_Maker_1" : "Arthur Fitzwilliam Tait", "Sort_Artist" : "Tait, Arthur Fitzwilliam", "Disp_Dimen" : "112.4 cm x 137.8 cm x 10.2 cm (44 1/4 in. x 54 1/4 in. x 4 in.)", "Disp_Height" : "112.4 cm", "Disp_Width" : "137.8 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "English", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.35.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.35.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.35.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.35.tif", "IsPrimary" : "1", "_SurrogateID" : "2485", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13987, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13987", "Disp_Access_No" : "G1976.21.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1958", "_Disp_Start_Dat" : "1958", "_Disp_End_Date" : "1958", "Disp_Title" : "Mallards in Flight", "Alt_Title" : "", "Obj_Title" : "Mallards in Flight", "Series_Title" : "", "Disp_Maker_1" : "Keith Shackleton", "Sort_Artist" : "Shackleton, Keith", "Disp_Dimen" : "78.1 cm x 93.3 cm (30 3/4 in. x 36 3/4 in.)", "Disp_Height" : "78.1 cm", "Disp_Width" : "93.3 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "particle board", "Disp_Medium" : "Oil on particle board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.32.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.32.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.32.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.32.tif", "IsPrimary" : "1", "_SurrogateID" : "3031", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13988, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13988", "Disp_Access_No" : "G1976.21.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1951", "_Disp_Start_Dat" : "1951", "_Disp_End_Date" : "1951", "Disp_Title" : "Uncle Dick Wootton - Indian Trader", "Alt_Title" : "", "Obj_Title" : "Uncle Dick Wootton - Indian Trader", "Series_Title" : "", "Disp_Maker_1" : "Harold Von Schmidt", "Sort_Artist" : "Von Schmidt, Harold", "Disp_Dimen" : "90.8 cm x 142.2 cm (35 3/4 in. x 56 in.)", "Disp_Height" : "90.8 cm", "Disp_Width" : "142.2 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.31.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.31.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.31.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.31.tif", "IsPrimary" : "1", "_SurrogateID" : "2482", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13989, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13989", "Disp_Access_No" : "G1976.21.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Medicine Man", "Alt_Title" : "", "Obj_Title" : "Medicine Man", "Series_Title" : "", "Disp_Maker_1" : "Charles Marion Russell", "Sort_Artist" : "Russell, Charles Marion", "Disp_Dimen" : "69.8 cm x 57.2 cm (27 1/2 in. x 22 1/2 in.)", "Disp_Height" : "69.8 cm", "Disp_Width" : "57.2 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Charles Russell’s name is synonymous with a dynamic artistic chronicle of the American West, and his lively canvases call to mind popular images of “cowboys and Indians.” But in his later years, Russell often painted to express his anger and regret about the rapid change that had overtaken the region. Unlike many artists of his era who were quick to caricature the ways of native peoples, Russell, a decades-long resident of the West, spent months living among the Blackfeet nation, whose traditions and values he greatly admired. In works like Medicine Man, he was meticulous about representing particular details of tribal customs—in this case those of the Piegan, who lived in central Montana. Even the horse bears distinctive tribal markings, including the red spots circled by blue on its neck, which signified successful raids against an enemy. The composition of the work—a mounted brave, his proud bearing signifying determination and courage, leading a procession across the barren plain, the sun setting behind them—symbolically conveys Russell’s late-in-life fear that American business interests, with their drive to expansion, had destroyed the indigenous civilizations of the western territories. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. 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Smith, 1976", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.22.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.22.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.22.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.22.tif", "IsPrimary" : "1", "_SurrogateID" : "2475", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13999, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13999", "Disp_Access_No" : "G1976.21.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "The Year it Rained", "Alt_Title" : "", "Obj_Title" : "The Year it Rained", "Series_Title" : "", "Disp_Maker_1" : "Tom Lea", "Sort_Artist" : "Lea, Tom", "Disp_Dimen" : "118.1 cm x 97.8 cm (46 1/2 in. x 38 1/2 in.)", "Disp_Height" : "118.1 cm", "Disp_Width" : "97.8 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "case by case basis.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.21.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.21.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.21.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.21.tif", "IsPrimary" : "1", "_SurrogateID" : "2474", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14000, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14000", "Disp_Access_No" : "G1976.21.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "Stampede", "Alt_Title" : "", "Obj_Title" : "Stampede", "Series_Title" : "", "Disp_Maker_1" : "Tom Lea", "Sort_Artist" : "Lea, Tom", "Disp_Dimen" : "36.5 cm x 87 cm (14 3/8 in. x 34 1/4 in.)", "Disp_Height" : "36.5 cm", "Disp_Width" : "87 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "case by case approval.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.20.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.20.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.20.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.20.TIF", "IsPrimary" : "1", "_SurrogateID" : "2473", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14002, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14002", "Disp_Access_No" : "G1976.21.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "On the Thornburgh Battlefield", "Alt_Title" : "", "Obj_Title" : "On the Thornburgh Battlefield", "Series_Title" : "", "Disp_Maker_1" : "Frank Tenney Johnson", "Sort_Artist" : "Johnson, Frank Tenney", "Disp_Dimen" : "125.1 cm x 150.5 cm (49 1/4 in. x 59 1/4 in.)", "Disp_Height" : "125.1 cm", "Disp_Width" : "150.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.19.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.19.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.19.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.19.tif", "IsPrimary" : "1", "_SurrogateID" : "2471", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14004, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14004", "Disp_Access_No" : "G1976.21.17", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1885", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1890", "Disp_Title" : "Indians at Campfire, Yosemite Valley, California", "Alt_Title" : "", "Obj_Title" : "Indians at Campfire, Yosemite Valley, California", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hill", "Sort_Artist" : "Hill, Thomas", "Disp_Dimen" : "75.3 x 115.6 cm (29 5/8 x 45 1/2 in.)", "Disp_Height" : "75.3 cm", "Disp_Width" : "115.6 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This impressive work by Thomas Hill depicts the majestic Yosemite Valley as seen from Inspiration Point, located three thousand feet above the valley floor, purportedly the most beautiful and striking vantage point in Yosemite. Whereas the massive, snow-capped mountain peaks in the far distance and the cascading waters of Bridalveil Falls just off-center of the composition appear as they might have been seen in the mid-1880s, the small party of figures in the lower quadrant is an artistic device symbolizing the romantic notion of a time when people lived in harmony with nature. In fact, the U.S. Army years earlier had evicted the Indians who once inhabited the valley. And in 1864 the federal government set aside a large tract of land there for public recreation, prohibiting settlement as well as future mining and development. Shortly after Hill’s earliest trip to Yosemite in 1862, his gorgeous mountain views began to enjoy both popular and critical success. In 1884 the British artist moved from his base in San Francisco and established a studio in Yosemite, where he produced an estimated five thousand paintings of the valley for the tourist market. 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Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.17.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.17.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.17.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.17.tif", "IsPrimary" : "1", "_SurrogateID" : "2469", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14007", "Disp_Access_No" : "G1976.21.14", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1910", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1915", "Disp_Title" : "The Hunter and His Dog ", "Alt_Title" : "", "Obj_Title" : "The Hunter and His Dog ", "Series_Title" : "", "Disp_Maker_1" : "William Gilbert Gaul", "Sort_Artist" : "Gaul, William Gilbert", "Disp_Dimen" : "64.6 cm x 76.8 cm (25 7/16 in. x 30 1/4 in.)", "Disp_Height" : "64.6 cm", "Disp_Width" : "76.8 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.14.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.14.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.14.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.14.tif", "IsPrimary" : "1", "_SurrogateID" : "4991", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14011, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14011", "Disp_Access_No" : "G1976.21.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1951", "_Disp_Start_Dat" : "1951", "_Disp_End_Date" : "1951", "Disp_Title" : "The Oregon Trail", "Alt_Title" : "", "Obj_Title" : "The Oregon Trail", "Series_Title" : "", "Disp_Maker_1" : "Oscar Edward Berninghaus", "Sort_Artist" : "Berninghaus, Oscar Edward", "Disp_Dimen" : "101 cm x 125.7 cm (39 3/4 in. x 49 1/2 in.)", "Disp_Height" : "101 cm", "Disp_Width" : "125.7 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2462", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14034, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14034", "Disp_Access_No" : "G1975.33.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Nude, Horse, Incinerator", "Alt_Title" : "[Desnudo, caballo, incinerador]", "Obj_Title" : "Nude, Horse, Incinerator", "Series_Title" : "", "Disp_Maker_1" : "Armando Morales", "Sort_Artist" : "Morales, Armando", "Disp_Dimen" : "130.4 cm x 162 cm (51 5/16 in. x 63 3/4 in.)", "Disp_Height" : "130.4 cm", "Disp_Width" : "162 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil with wax varnish", "Support" : "canvas", "Disp_Medium" : "Oil with wax varnish on canvas", "Info_Page_Comm" : "Armando Morales has often been associated with magical realism, an aesthetic born out of the 1960s Latin American literary “boom” led by authors such as the Colombian Gabriel García Márquez and the Cuban Alejo Carpentier. 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Smith, 1968", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1972.8.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1972.8.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1972.8.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1972.8.3.tif", "IsPrimary" : "1", "_SurrogateID" : "6342", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14136, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14136", "Disp_Access_No" : "G1968.72", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1943", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1948", "Disp_Title" : "Untitled (Girl with Kitten)", "Alt_Title" : "", "Obj_Title" : "Untitled (Girl with Kitten)", "Series_Title" : "", "Disp_Maker_1" : "Marsden Hartley", "Sort_Artist" : "Hartley, Marsden", "Disp_Dimen" : "102 cm x 77 cm (40 3/16 in. x 30 5/16 in.)", "Disp_Height" : "102 cm", "Disp_Width" : "77 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. 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Michener, 1968", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "German", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.68.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.68.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.68.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.68.tif", "IsPrimary" : "1", "_SurrogateID" : "2367", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14169, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14169", "Disp_Access_No" : "G1968.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Over and Above, No. 14", "Alt_Title" : "", "Obj_Title" : "Over and Above, No. 14", "Series_Title" : "", "Disp_Maker_1" : "Clarence Holbrook Carter", "Sort_Artist" : "Carter, Clarence Holbrook", "Disp_Dimen" : "191 cm x 196 cm (75 3/16 in. x 77 3/16 in.)", "Disp_Height" : "191 cm", "Disp_Width" : "196 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1968", "Copyright_Type" : "Non-exclusive", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.38.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.38.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.38.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.38.tif", "IsPrimary" : "1", "_SurrogateID" : "2345", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.38.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.38.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.38.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.38.mp3", "IsPrimary" : "0", "_SurrogateID" : "8434", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14241, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14241", "Disp_Access_No" : "G1964.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "Bird's Nest", "Alt_Title" : "", "Obj_Title" : "Bird's Nest", "Series_Title" : "", "Disp_Maker_1" : "Henri Gadbois", "Sort_Artist" : "Gadbois, Henri", "Disp_Dimen" : "91.4 cm x 96.5 cm (36 in. x 38 in.)", "Disp_Height" : "91.4 cm", "Disp_Width" : "96.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift Of D.D. Feldman, 1964", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.11.tif", "IsPrimary" : "1", "_SurrogateID" : "2292", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14329, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14329", "Disp_Access_No" : "1998.89", "_AccNumSort1" : "", "Disp_Create_DT" : "1970's", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Untitled (Landscape with 2 horses in front of house)", "Alt_Title" : "", "Obj_Title" : "Untitled (Landscape with 2 horses in front of house)", "Series_Title" : "", "Disp_Maker_1" : "Rev. 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Johnnie", "Disp_Dimen" : "40.4 cm x 61 cm (15 7/8 in. x 24 in.)", "Disp_Height" : "40.4 cm", "Disp_Width" : "61 cm", "Dimen_Extent" : "Board", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jehan Mitchell, 1998", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.87.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.87.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.87.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.87.tif", "IsPrimary" : "1", "_SurrogateID" : "4023", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14337, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14337", "Disp_Access_No" : "1998.83", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1982", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1987", "Disp_Title" : "Untitled (County Fair at Night)", "Alt_Title" : "", "Obj_Title" : "Untitled (County Fair at Night)", "Series_Title" : "", "Disp_Maker_1" : "Rev. 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Johnnie", "Disp_Dimen" : "71.1 cm x 106.7 cm (28 in. x 42 in.)", "Disp_Height" : "71.1 cm", "Disp_Width" : "106.7 cm", "Dimen_Extent" : "Board", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jehan Mitchell, 1998", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.83.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.83.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.83.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.83.tif", "IsPrimary" : "1", "_SurrogateID" : "4583", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14369, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14369", "Disp_Access_No" : "1994.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "Allegory of Truth", "Alt_Title" : "", "Obj_Title" : "Allegory of Truth", "Series_Title" : "", "Disp_Maker_1" : "Marc Solomon Dennis", "Sort_Artist" : "Dennis, Marc Solomon", "Disp_Dimen" : "178 cm (70 1/16 in.)", "Disp_Height" : "178 cm", "Disp_Width" : "", "Dimen_Extent" : "canvas diameter", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara and Mark Pardovich, 1994", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.37.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.37.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.37.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.37.tif", "IsPrimary" : "1", "_SurrogateID" : "3844", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14387", "Disp_Access_No" : "1993.177", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1963", "_Disp_Start_Dat" : "1958", "_Disp_End_Date" : "1968", "Disp_Title" : "Horses at the Gate", "Alt_Title" : "", "Obj_Title" : "Horses at the Gate", "Series_Title" : "", "Disp_Maker_1" : "Porfirio Salinas", "Sort_Artist" : "Salinas, Porfirio", "Disp_Dimen" : "61 cm x 76.9 cm (24 in. x 30 1/4 in.)", "Disp_Height" : "61 cm", "Disp_Width" : "76.9 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Jack F. Ritter, Sr., 1993", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.177.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.177.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.177.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.177.tif", "IsPrimary" : "1", "_SurrogateID" : "3836", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14409, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14409", "Disp_Access_No" : "1991.44", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1890-circa 1894", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1894", "Disp_Title" : "Buffalo Hunt", "Alt_Title" : "", "Obj_Title" : "Buffalo Hunt", "Series_Title" : "", "Disp_Maker_1" : "Walter Shirlaw", "Sort_Artist" : "Shirlaw, Walter", "Disp_Dimen" : "43.9 cm x 55.3 cm (17 5/16 in. x 21 3/4 in.)", "Disp_Height" : "43.9 cm", "Disp_Width" : "55.3 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil on primed paper on matboard, attached to paperboard", "Support" : "", "Disp_Medium" : "Oil on primed paper on matboard, attached to paperboard", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.44.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.44.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.44.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.44.tif", "IsPrimary" : "1", "_SurrogateID" : "1596", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14419, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14419", "Disp_Access_No" : "1991.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1971", "_Disp_Start_Dat" : "1971", "_Disp_End_Date" : "1971", "Disp_Title" : "Antelope on Alert, Madison Valley, Montana", "Alt_Title" : "", "Obj_Title" : "Antelope on Alert, Madison Valley, Montana", "Series_Title" : "", "Disp_Maker_1" : "Peter McIntyre", "Sort_Artist" : "McIntyre, Peter", "Disp_Dimen" : "61 cm x 85.1 cm (24 in. x 33 1/2 in.)", "Disp_Height" : "61 cm", "Disp_Width" : "85.1 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "New Zealander", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.39.tif", "IsPrimary" : "1", "_SurrogateID" : "1584", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14441, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14441", "Disp_Access_No" : "1991.323", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "Dave Steel's Barn", "Alt_Title" : "", "Obj_Title" : "Dave Steel's Barn", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "51.2 cm x 66.4 cm (20 3/16 in. x 26 1/8 in.)", "Disp_Height" : "51.2 cm", "Disp_Width" : "66.4 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.323.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.323.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.323.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.323.tif", "IsPrimary" : "1", "_SurrogateID" : "1570", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14454, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14454", "Disp_Access_No" : "1991.311", "_AccNumSort1" : "", "Disp_Create_DT" : "1951", "_Disp_Start_Dat" : "1951", "_Disp_End_Date" : "1951", "Disp_Title" : "Rome No. 4", "Alt_Title" : "", "Obj_Title" : "Rome No. 4", "Series_Title" : "", "Disp_Maker_1" : "Abraham Rattner", "Sort_Artist" : "Rattner, Abraham", "Disp_Dimen" : "95.9 cm x 129.6 cm (37 3/4 in. x 51 in.)", "Disp_Height" : "95.9 cm", "Disp_Width" : "129.6 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.311.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.311.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.311.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.311.tif", "IsPrimary" : "1", "_SurrogateID" : "1565", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14459, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14459", "Disp_Access_No" : "1991.29", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1890", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1895", "Disp_Title" : "Dakota Indians", "Alt_Title" : "", "Obj_Title" : "Dakota Indians", "Series_Title" : "", "Disp_Maker_1" : "William Gilbert Gaul", "Sort_Artist" : "Gaul, William Gilbert", "Disp_Dimen" : "40 cm x 61.5 cm (15 3/4 in. x 24 3/16 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "61.5 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.29.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.29.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.29.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.29.tif", "IsPrimary" : "1", "_SurrogateID" : "1560", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14513, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14513", "Disp_Access_No" : "1991.24", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1974", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1979", "Disp_Title" : "The Captive", "Alt_Title" : "", "Obj_Title" : "The Captive", "Series_Title" : "", "Disp_Maker_1" : "Ernest Chiriacka", "Sort_Artist" : "Chiriacka, Ernest", "Disp_Dimen" : "61.5 cm x 91.7 cm (24 3/16 in. x 36 1/8 in.)", "Disp_Height" : "61.5 cm", "Disp_Width" : "91.7 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "Chiriacka is a painter of western scenes reminiscent of the well-known late-nineteenth century western frontier paintings of Remington and Russell. The artist's style, while influenced by these artists, reveals other origins as well. The whitened palette is similar to the light-filled colors of the Impressionist painters and the sketchiness of his brushstroke may reflect the influence of American artists such as Robert Henri. Chiriacka creates a dramatic sense of tension in his composition through the juxtaposition of the severe stoicism of the captured Native American and the uneasiness of the guard following him.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.24.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.24.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.24.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.24.tif", "IsPrimary" : "1", "_SurrogateID" : "1538", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14524, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14524", "Disp_Access_No" : "1991.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1861", "_Disp_Start_Dat" : "1861", "_Disp_End_Date" : "1861", "Disp_Title" : "The Weak Never Started, October 19, 1861, after Charles Ferdinand Wimar", "Alt_Title" : "", "Obj_Title" : "The Weak Never Started, October 19, 1861, after Charles Ferdinand Wimar", "Series_Title" : "", "Disp_Maker_1" : "J.M. Boundy", "Sort_Artist" : "Boundy, J.M.", "Disp_Dimen" : "90.8 cm x 134 cm (35 3/4 in. x 52 3/4 in.)", "Disp_Height" : "90.8 cm", "Disp_Width" : "134 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil on canvas glued to masonite board", "Support" : "canvas", "Disp_Medium" : "Oil on canvas glued to masonite board on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.23.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.23.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.23.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.23.tif", "IsPrimary" : "1", "_SurrogateID" : "3461", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.23.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.23.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.23.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.23.tif", "IsPrimary" : "0", "_SurrogateID" : "3467", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14527, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14527", "Disp_Access_No" : "1991.225", "_AccNumSort1" : "", "Disp_Create_DT" : "1955", "_Disp_Start_Dat" : "1955", "_Disp_End_Date" : "1955", "Disp_Title" : "Golden Goat", "Alt_Title" : "", "Obj_Title" : "Golden Goat", "Series_Title" : "", "Disp_Maker_1" : "Morris Graves", "Sort_Artist" : "Graves, Morris", "Disp_Dimen" : "89.9 cm x 121 cm (35 3/8 in. x 47 5/8 in.)", "Disp_Height" : "89.9 cm", "Disp_Width" : "121 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil on canvas over masonite", "Support" : "canvas", "Disp_Medium" : "Oil on canvas over masonite on canvas", "Info_Page_Comm" : "Morris Graves’s depictions of nature have a strong spiritual quality that perhaps reflects his devotion to the principles of Zen Buddhism as well as his intensely private life, which he spent predominantly in the heavily forested landscape of his native Pacific Northwest. Animals are a consistent subject for Graves and serve as a kind of personal symbolism for the values and qualities of life that he most admired. Golden Goat was executed during a two-year stay in Ireland and represents Graves’s high esteem for the singular and independent Irish spirit. Rendered in a simple, linear style on a background of patterned brushwork, the work has a delicate, haunting quality reminiscent of Japanese painting. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.225.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.225.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.225.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.225.tif", "IsPrimary" : "1", "_SurrogateID" : "6386", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14533, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14533", "Disp_Access_No" : "1991.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1859", "_Disp_Start_Dat" : "1859", "_Disp_End_Date" : "1859", "Disp_Title" : "Sioux Village near Fort Laramie", "Alt_Title" : "", "Obj_Title" : "Sioux Village near Fort Laramie", "Series_Title" : "", "Disp_Maker_1" : "Albert Bierstadt", "Sort_Artist" : "Bierstadt, Albert", "Disp_Dimen" : "31.8 cm x 49.3 cm (12 1/2 in. x 19 7/16 in.)", "Disp_Height" : "31.8 cm", "Disp_Width" : "49.3 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "When Albert Bierstadt painted this intimate study of a native encampment in 1859, he was twenty-nine years old and on his first journey to the American West. Accompanying an army expedition as its recorder, he sketched firsthand impressions of the new landscape and its people in pencil and pen-and-ink. Bierstadt’s spectacular western landscapes would lead within a decade to his celebration as the leading American painter of the West, but in this modest early work, it was the comparatively mundane details of native family life that captured his interest. Certain features are rendered with notable virtuosity—the lone, tall tree and the left-most teepee—but in general this work embodies a sense of quiet repose and timelessness, different from the theatrical vistas and stunning sites for which the artist is best known. Bierstadt was one of the first American observers and recorders of native life, but his intent was less scientific and anthropological than artistic: back in the studio, where he composed his monumental oil paintings, he often combined images from very different locales for dramatic effect. The camera tripod visible in this work is a remnant of another study trip by Bierstadt, who inserted it presumably to testify to his presence at the scene.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. 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Smith, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.82.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.82.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.82.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.82.tif", "IsPrimary" : "1", "_SurrogateID" : "1331", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14820, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14820", "Disp_Access_No" : "1985.81", "_AccNumSort1" : "", "Disp_Create_DT" : "1866", "_Disp_Start_Dat" : "1866", "_Disp_End_Date" : "1866", "Disp_Title" : "Buffalo on the Platte River", "Alt_Title" : "", "Obj_Title" : "Buffalo on the Platte River", "Series_Title" : "", "Disp_Maker_1" : "Worthington Whittredge", "Sort_Artist" : "Whittredge, Worthington", "Disp_Dimen" : "49.2 cm x 71.8 cm (19 3/8 in. x 28 1/4 in.)", "Disp_Height" : "49.2 cm", "Disp_Width" : "71.8 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "Worthington Whittredge created this work after a survey expedition to the West. The plains landscape deeply affected the artist: “Whoever crossed the plains at that period…could hardly fail to be impressed with its vastness and silence.” This intimate painting depicts a herd of buffalo along the banks of Nebraska’s Platte River. Enabling a heightened sense of the vastness he had described, the artist kept the buffalo at a distance, a small, quiet presence. And yet, the ominous clouds could be taken as tacit symbols of the encroaching migration of white settlers to the region—a development that was accelerated by the First Transcontinental Railroad built along the Platte River. Just a decade after this work was painted, those traveling west by train would no longer witness Whittredge’s vision, as westward expansion and overhunting caused the near eradication of the American bison. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.81.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.81.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.81.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.81.tif", "IsPrimary" : "1", "_SurrogateID" : "3363", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14821, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14821", "Disp_Access_No" : "1985.80", "_AccNumSort1" : "", "Disp_Create_DT" : "1950", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1950", "Disp_Title" : "Morning in the Mining Camp", "Alt_Title" : "", "Obj_Title" : "Morning in the Mining Camp", "Series_Title" : "", "Disp_Maker_1" : "Oscar Edward Berninghaus", "Sort_Artist" : "Berninghaus, Oscar Edward", "Disp_Dimen" : "87.7 cm x 100.3 cm (34 1/2 in. x 39 1/2 in.)", "Disp_Height" : "87.7 cm", "Disp_Width" : "100.3 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1985", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.80.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.80.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.80.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.80.tif", "IsPrimary" : "1", "_SurrogateID" : "1330", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14836, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14836", "Disp_Access_No" : "1985.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "De la alegría y el amor [Of Happiness and Love]", "Alt_Title" : "[Of Happiness and Love]", "Obj_Title" : "De la alegría y el amor [Of Happiness and Love]", "Series_Title" : "", "Disp_Maker_1" : "Julio Alpuy", "Sort_Artist" : "Alpuy, Julio", "Disp_Dimen" : "125 cm x 162 cm (49 3/16 in. x 63 3/4 in.)", "Disp_Height" : "125 cm", "Disp_Width" : "162 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, 1985", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Uruguay", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.40.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.40.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.40.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.40.tif", "IsPrimary" : "1", "_SurrogateID" : "3393", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14841, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14841", "Disp_Access_No" : "1985.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "Dancing with an Old Pair of Legs", "Alt_Title" : "", "Obj_Title" : "Dancing with an Old Pair of Legs", "Series_Title" : "", "Disp_Maker_1" : "John Alexander", "Sort_Artist" : "Alexander, John", "Disp_Dimen" : "228.6 cm x 254.6 cm (90 in. x 100 1/4 in.)", "Disp_Height" : "228.6 cm", "Disp_Width" : "254.6 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1985", "Copyright_Type" : "all but internet (needs to be asked for internet)", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.24.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.24.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.24.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.24.tif", "IsPrimary" : "1", "_SurrogateID" : "1320", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14852, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14852", "Disp_Access_No" : "1985.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1740s", "_Disp_Start_Dat" : "1740", "_Disp_End_Date" : "1740", "Disp_Title" : "The Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "63.5 cm x 76.2 cm (25 in. x 30 in.)", "Disp_Height" : "63.5 cm", "Disp_Width" : "76.2 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Frost Brothers Benefit and Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Not in play Could be next to Anton Kern because it uses the same pigments and color values; in great condition (FC:jb 4/6/15) Ranking changed, in play (FC: jp 7/3/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.18.tif", "IsPrimary" : "1", "_SurrogateID" : "1319", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14855, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14855", "Disp_Access_No" : "1985.170", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "The Lead Steer", "Alt_Title" : "", "Obj_Title" : "The Lead Steer", "Series_Title" : "", "Disp_Maker_1" : "Tom Lea", "Sort_Artist" : "Lea, Tom", "Disp_Dimen" : "81.4 cm x 107.2 cm (32 1/16 in. x 42 3/16 in.)", "Disp_Height" : "81.4 cm", "Disp_Width" : "107.2 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1985", "Copyright_Type" : "case by case basis.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.170-Detail-Stretcher Inscrip", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.170-Detail-Stretcher Inscrip", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.170-Detail-Stretcher Inscrip", "IIIF_URL": "http://iiif.gallerysystems.com/1985.170-Detail-Stretcher Inscrip", "IsPrimary" : "0", "_SurrogateID" : "10347", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.170-2016new.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.170-2016new.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.170-2016new.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.170-2016new.tif", "IsPrimary" : "1", "_SurrogateID" : "14663", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14857, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14857", "Disp_Access_No" : "1985.169", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Zebras and Hyenas", "Alt_Title" : "", "Obj_Title" : "Zebras and Hyenas", "Series_Title" : "", "Disp_Maker_1" : "Melissa Miller", "Sort_Artist" : "Miller, Melissa", "Disp_Dimen" : "183.7 cm x 213.1 cm (72 5/16 in. x 83 7/8 in.)", "Disp_Height" : "183.7 cm", "Disp_Width" : "213.1 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "linen canvas", "Disp_Medium" : "Oil on linen canvas", "Info_Page_Comm" : "In Melissa Miller’s allegorical narratives, animal behavior mimics human foibles and follies. In this vividly expressive work completed early in her career, panicked hyenas have driven a herd of zebras into a stampede in response to a huge fire raging in the distance. Chaos ensues. One can almost hear the sounds of the animals’ terror, and smell the dust and acrid smoke in the claustrophobic scene. Teeming with sensory alerts, the lushly painted surface and the complex formal harmonies and contrasts of color and shape reinforce the image’s urgency. Miller poses tough painterly problems—all those stripes!—in a dramatic tableau that calls attention to catastrophic forces both within and beyond human control. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1985", "Copyright_Type" : "Blanton use only. Any outside use must go through artist.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.169.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.169.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.169.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.169.tif", "IsPrimary" : "1", "_SurrogateID" : "1315", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14874, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14874", "Disp_Access_No" : "1984.97", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Bird at the Window", "Alt_Title" : "", "Obj_Title" : "Bird at the Window", "Series_Title" : "", "Disp_Maker_1" : "William Lewis Lester", "Sort_Artist" : "Lester, William Lewis", "Disp_Dimen" : "114 cm x 88.7 cm (44 7/8 in. x 34 15/16 in.)", "Disp_Height" : "114 cm", "Disp_Width" : "88.7 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the artist to the Office of the President, The University of Texas at Austin, 1972; Transfer from the Office of the President, 1984", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.97.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.97.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.97.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.97.tif", "IsPrimary" : "1", "_SurrogateID" : "3380", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14879, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14879", "Disp_Access_No" : "1984.92", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "The Roping", "Alt_Title" : "", "Obj_Title" : "The Roping", "Series_Title" : "", "Disp_Maker_1" : "William Robinson Leigh", "Sort_Artist" : "Leigh, William Robinson", "Disp_Dimen" : "114.9 cm x 97.2 cm (45 1/4 in. x 38 1/4 in.)", "Disp_Height" : "114.9 cm", "Disp_Width" : "97.2 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "William Robinson Leigh began his career as a magazine and book illustrator, but on the advice of the well-respected landscape painter Thomas Moran, he switched to oil paintings of the American landscape and experience. This vibrant work is one of a series of images that Leigh painted of cowboys on galloping horses. Quickly painted and action-packed, it handily conveys the heat and dust, the straining effort of the horse, and the composure and grace of its rider. Leigh prided himself on the authentic details of the clothes and gear that he depicted. Based in midtown Manhattan, he would travel every summer to the Southwest to sketch, study, photograph, and collect artifacts that later figured prominently in his studio-made works. He noted in The Western Pony, a book that he wrote and illustrated in 1933: “I find in the West the truely [sic] typical and distinctively American motifs, a grandeur in natural surroundings, a dramatic simplicity in life which can be found nowhere else. In that life, in those surroundings—marvelously varied and abundant—the horse plays a major role.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1984", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.92.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.92.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.92.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.92.tif", "IsPrimary" : "1", "_SurrogateID" : "1305", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.92.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.92.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.92.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.92.tif", "IsPrimary" : "0", "_SurrogateID" : "4883", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14881, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14881", "Disp_Access_No" : "1984.86", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "Angus #70", "Alt_Title" : "", "Obj_Title" : "Angus #70", "Series_Title" : "", "Disp_Maker_1" : "Theodore J. Waddell", "Sort_Artist" : "Waddell, Theodore J.", "Disp_Dimen" : "121.9 cm x 183.3 cm (48 in. x 72 3/16 in.)", "Disp_Height" : "121.9 cm", "Disp_Width" : "183.3 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1984", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.86.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.86.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.86.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.86.tif", "IsPrimary" : "1", "_SurrogateID" : "3377", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14895, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14895", "Disp_Access_No" : "1984.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "Europa and the Bull", "Alt_Title" : "", "Obj_Title" : "Europa and the Bull", "Series_Title" : "", "Disp_Maker_1" : "Douglas Higgins", "Sort_Artist" : "Higgins, Douglas", "Disp_Dimen" : "128.3 cm x 146.4 cm (50 1/2 in. x 57 5/8 in.)", "Disp_Height" : "128.3 cm", "Disp_Width" : "146.4 cm", "Dimen_Extent" : "Canvas", "Medium" : "Acrylic, oil, pencil and sand", "Support" : "linen canvas", "Disp_Medium" : "Acrylic, oil, pencil and sand on linen canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1984", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.59.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.59.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.59.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.59.tif", "IsPrimary" : "1", "_SurrogateID" : "3375", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14896, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14896", "Disp_Access_No" : "1984.58", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "Painting with Big Bird", "Alt_Title" : "", "Obj_Title" : "Painting with Big Bird", "Series_Title" : "", "Disp_Maker_1" : "Sam Messer", "Sort_Artist" : "Messer, Sam", "Disp_Dimen" : "212.8 cm x 174.6 cm (83 3/4 in. x 68 3/4 in.)", "Disp_Height" : "212.8 cm", "Disp_Width" : "174.6 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "linen canvas", "Disp_Medium" : "Oil on linen canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1984", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.58.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.58.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.58.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.58.tif", "IsPrimary" : "1", "_SurrogateID" : "3374", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14903, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14903", "Disp_Access_No" : "1984.51", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1583", "_Disp_Start_Dat" : "1578", "_Disp_End_Date" : "1588", "Disp_Title" : "Saint Margaret", "Alt_Title" : "", "Obj_Title" : "Saint Margaret", "Series_Title" : "", "Disp_Maker_1" : "Bartholomaeus Spranger", "Sort_Artist" : "Spranger, Bartholomaeus", "Disp_Dimen" : "37.2 cm x 30.5 cm (14 5/8 in. x 12 in.)", "Disp_Height" : "37.2 cm", "Disp_Width" : "30.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Beautiful, pious, and able to wear the “crown of martyrdom,” the Saints Catherine, Margaret, and Ursula are prime subjects for devotional painting. According to "The Golden Legend," a popular medieval text on the lives of the saints, Catherine converted multitudes using her great wisdom and erudition. She holds the sword used for her own beheading in one hand and a book in the other. She also stands over a Roman emperor who attempted to kill her on a spiked wheel. Likewise, Margaret stands triumphant over her enemy, a demon dragon, whom she defeated by making the sign of the cross. (This action takes material form as the wooden cross in her left hand.) Ursula is shown, not with her enemy, but with a crowd of fellow martyrs, whom she led during persecution. From the complex folds of the saints’ drapery to a delicate rendering of jewelry, flower petals, and even toes, Bartholomaeus Spranger’s interest in detail connects the artist to his Netherlandish roots and a Northern Renaissance style of painting. But it also draws the viewer into a closer study of the saints. For instance, notice the prominent pearl on Margaret’s forehead attached to strands of smaller pearls in her hair. According to the "Legend," the saint’s name corresponds with the Latin word for a pearl, margarita, a “precious gem [that shines] white, small, and endowed with virtue.” In like manner, says the "Legend," “Saint Margaret was shining white by her virginity, small by her humility, and endowed with the power to work miracles.” For viewers familiar with her story, a study of the painting’s details could lead to a meditation on the saint’s character.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1984", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Flemish", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "14902", "Rel_Obj_Title" : "Saint Ursula" },{ "Rel_Obj_ID" : "14901", "Rel_Obj_Title" : "Saint Catherine" } ], "Curator" : "Ranking is provisional (FC:jb 4/2/15) All of the Sprangers could potentially be in a smaller space with other Dutch and Flemish works or displayed in a case in the middle of the gallery (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.51.tif", "IsPrimary" : "1", "_SurrogateID" : "1296", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14917, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14917", "Disp_Access_No" : "1984.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1982-1983", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1983", "Disp_Title" : "Two Sheep", "Alt_Title" : "", "Obj_Title" : "Two Sheep", "Series_Title" : "", "Disp_Maker_1" : "Louisa Matthiasdottir", "Sort_Artist" : "Matthiasdottir, Louisa", "Disp_Dimen" : "132.1 cm x 183.5 cm (52 in. x 72 1/4 in.)", "Disp_Height" : "132.1 cm", "Disp_Width" : "183.5 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The 1984 Friends of the Archer M. Huntington Art Gallery Purchase", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.36.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.36.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.36.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.36.tif", "IsPrimary" : "1", "_SurrogateID" : "1291", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14934, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14934", "Disp_Access_No" : "1983.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Armadillo", "Alt_Title" : "", "Obj_Title" : "Armadillo", "Series_Title" : "", "Disp_Maker_1" : "Leopoldo Richter", "Sort_Artist" : "Richter, Leopoldo", "Disp_Dimen" : "62.6 cm x 48.3 cm (24 5/8 in. x 19 in.)", "Disp_Height" : "62.6 cm", "Disp_Width" : "48.3 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil on masonite board", "Support" : "Masonite board", "Disp_Medium" : "Oil on masonite board on Masonite board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1966; 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Smith, 1982", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.20.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.20.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.20.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.20.tif", "IsPrimary" : "1", "_SurrogateID" : "1238", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.20.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.20.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.20.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.20.tif", "IsPrimary" : "0", "_SurrogateID" : "4887", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15039", "Disp_Access_No" : "1982.1129", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "Luciérnagas [Fireflies]", "Alt_Title" : "", "Obj_Title" : "Luciérnagas [Fireflies]", "Series_Title" : "", "Disp_Maker_1" : "Alice Rahon", "Sort_Artist" : "Rahon, Alice", "Disp_Dimen" : "35.2 cm x 98.6 cm (13 7/8 in. x 38 13/16 in.)", "Disp_Height" : "35.2 cm", "Disp_Width" : "98.6 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil and sand", "Support" : "canvas", "Disp_Medium" : "Oil and sand on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1977; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Mexican", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1129.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1129.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1129.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1129.tif", "IsPrimary" : "1", "_SurrogateID" : "3207", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15041", "Disp_Access_No" : "1982.1102", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Strange Riders and a Beast", "Alt_Title" : "", "Obj_Title" : "Strange Riders and a Beast", "Series_Title" : "", "Disp_Maker_1" : "Mario Pérez Orona", "Sort_Artist" : "Pérez Orona, Mario", "Disp_Dimen" : "48.1 cm x 33 cm (18 15/16 in. x 13 in.)", "Disp_Height" : "48.1 cm", "Disp_Width" : "33 cm", "Dimen_Extent" : "Image", "Medium" : "Acrylic and ink on paper mounted on masonite", "Support" : "Board", "Disp_Medium" : "Acrylic and ink on paper mounted on masonite on Board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1968; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Mexican", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 15042, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15042", "Disp_Access_No" : "1982.1083", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Untitled (Carnival scene with six figures; figure at left with horsemask)", "Alt_Title" : "", "Obj_Title" : "Untitled (Carnival scene with six figures; figure at left with horsemask)", "Series_Title" : "", "Disp_Maker_1" : "Sophie Oxe", "Sort_Artist" : "Oxe, Sophie", "Disp_Dimen" : "53.5 cm x 65.7 cm (21 1/16 in. x 25 7/8 in.)", "Disp_Height" : "53.5 cm", "Disp_Width" : "65.7 cm", "Dimen_Extent" : "Sight", "Medium" : "Tempera with varnish", "Support" : "Masonite board", "Disp_Medium" : "Tempera with varnish on Masonite board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Swiss (?)", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 15107, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15107", "Disp_Access_No" : "1978.81", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Tormenta en la montaña [Storm on the Mountain]", "Alt_Title" : "Storm on the Mountain", "Obj_Title" : "Tormenta en la montaña [Storm on the Mountain]", "Series_Title" : "", "Disp_Maker_1" : "Rafael Navarro Baraja", "Sort_Artist" : "Navarro Baraja, Rafael", "Disp_Dimen" : "39.4 cm x 49.5 cm (15 1/2 in. x 19 1/2 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "49.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1978", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Mexican", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 15143, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15143", "Disp_Access_No" : "1977.115", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "Zapato y sapos [Shoe and Toads]", "Alt_Title" : "Shoe and Toads", "Obj_Title" : "Zapato y sapos [Shoe and Toads]", "Series_Title" : "", "Disp_Maker_1" : "Francisco Toledo", "Sort_Artist" : "Toledo, Francisco", "Disp_Dimen" : "56 cm x 75 cm (22 1/16 in. x 29 1/2 in.)", "Disp_Height" : "56 cm", "Disp_Width" : "75 cm", "Dimen_Extent" : "Board", "Medium" : "Acrylic on paper", "Support" : "masonite", "Disp_Medium" : "Acrylic on paper on masonite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1977", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Mexican", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1977.115.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1977.115.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1977.115.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1977.115.tif", "IsPrimary" : "1", "_SurrogateID" : "3067", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15922", "Disp_Access_No" : "2017.1063", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1695-1700", "_Disp_Start_Dat" : "1695", "_Disp_End_Date" : "1700", "Disp_Title" : "Sleeping Shepherdess Teased by a Boy", "Alt_Title" : "", "Obj_Title" : "Sleeping Shepherdess Teased by a Boy", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Maria Crespi", "Sort_Artist" : "Crespi, Giuseppe Maria", "Disp_Dimen" : "15.88 cm x 22.86 cm (6 1/4 in. x 9 in.)", "Disp_Height" : "15.88 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "Giuseppe Maria Crespi’s paintings are characterized by the masterful treatment of light achieved by free brushwork and sophisticated use of colors, which he learned from Venetian art. This luminous quality is most apparent in his small paintings on copper executed for private patrons. On the smooth surface, the painter’s virtuoso strokes create intimate and charming images that glisten against dark backgrounds. The depiction of contemporary life was a passion for Crespi throughout his career. These three small paintings of shepherdesses represent bucolic reveries, without specific literary sources attached to them. The works are meant to evoke a poetic mood rather than to communicate a message.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Could pair with other Crespi(s). Louis Waldman thinks this is charming. (FC:jb 5/23/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1063.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1063.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1063.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1063.tif", "IsPrimary" : "1", "_SurrogateID" : "2595", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16069, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16069", "Disp_Access_No" : "2017.1110", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Fragment from the Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "A Fragment from the Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Defendente Ferrari", "Sort_Artist" : "Ferrari, Attributed to Defendente", "Disp_Dimen" : "24.2 cm x 21.1 cm (9 1/2 in. x 8 5/16 in.)", "Disp_Height" : "24.2 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. (FC:jb 4/27/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1110.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1110.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1110.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1110.tif", "IsPrimary" : "1", "_SurrogateID" : "2605", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16077, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16077", "Disp_Access_No" : "2017.1065", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rape of Europa", "Alt_Title" : "", "Obj_Title" : "The Rape of Europa", "Series_Title" : "", "Disp_Maker_1" : "Circle of Donato Creti", "Sort_Artist" : "Creti, Circle of Donato", "Disp_Dimen" : "24.77 cm x 33.02 cm (9 3/4 in. x 13 in.)", "Disp_Height" : "24.77 cm", "Disp_Width" : "33.02 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil in grisaille on canvas", "Support" : "", "Disp_Medium" : "Oil in grisaille on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1065.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1065.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1065.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1065.TIF", "IsPrimary" : "1", "_SurrogateID" : "10655", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16082", "Disp_Access_No" : "2017.940", "_AccNumSort1" : "", "Disp_Create_DT" : "1490s", "_Disp_Start_Dat" : "1490", "_Disp_End_Date" : "1490", "Disp_Title" : "Supper at Bethany", "Alt_Title" : "", "Obj_Title" : "Supper at Bethany", "Series_Title" : "", "Disp_Maker_1" : "Bernardino Butinone", "Sort_Artist" : "Butinone, Bernardino", "Disp_Dimen" : "25.4 cm x 20.5 cm (10 in. x 8 1/16 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "20.5 cm", "Dimen_Extent" : "panel", "Medium" : "Tempera", "Support" : "wood panel", "Disp_Medium" : "Tempera on wood panel", "Info_Page_Comm" : "Coming to the town of Bethany, Jesus and his disciples were invited to a supper in the house of Lazarus. When they sat down at the table, Mary Magdalene, sister of Lazarus, anointed Jesus' feet with costly perfume and wiped it with her hair. Considered to be a prefiguration of Jesus' death and burial, this story was one of the popular subjects in Christian art. The Blanton's painting belongs to a series of fifteen panels that illustrate important moments from the life of Jesus. As a whole, they would have formed a part of a large altarpiece and functioned as the Bible for those who could not read. In order to enhance the illusion of space, Bernardino Butinone constructs the scene using linear perspective that was developed earlier in the century. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Ranking adjusted (FC:jp 5/26/15) Ranking adjusted from B to B+ (FC:jp 7/10/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.940.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.940.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.940.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.940.tif", "IsPrimary" : "1", "_SurrogateID" : "2764", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16119, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16119", "Disp_Access_No" : "2017.1281", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with a Bridge and Hunters", "Alt_Title" : "", "Obj_Title" : "Landscape with a Bridge and Hunters", "Series_Title" : "", "Disp_Maker_1" : "Pierre-Antoine Patel", "Sort_Artist" : "Patel, Pierre-Antoine", "Disp_Dimen" : "27.62 cm x 48.26 cm (10 7/8 in. x 19 in.)", "Disp_Height" : "27.62 cm", "Disp_Width" : "48.26 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1281.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1281.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1281.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1281.tif", "IsPrimary" : "1", "_SurrogateID" : "8865", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16186, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16186", "Disp_Access_No" : "2017.996", "_AccNumSort1" : "", "Disp_Create_DT" : "1540s", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "Holy Family with the Young Saint John the Baptist and an Angel", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist and an Angel", "Series_Title" : "", "Disp_Maker_1" : "Girolamo da Carpi", "Sort_Artist" : "Carpi, Girolamo da", "Disp_Dimen" : "30.99 cm x 43.18 cm (12 3/16 in. x 17 in.)", "Disp_Height" : "30.99 cm", "Disp_Width" : "43.18 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This panel is characteristic of the late development of this artist and of Ferrarese painting toward mid-century. While active in Bologna in the 1520s, Girolamo had proved one of the first and most successful artists in the region to assimilate currents of the most advanced Central Italian style, particularly from Giulio Romano after his relocation in nearby Mantua. Back in his native Ferrara over the following two decades, the power and distinctiveness of Girolamo’s first manner were overtaken by a more precious and formulaic elegance. In typical, small-scale religious works like the present one, there are still the figure types and iridescent passages recalling Romano’s influence, but the description is less coordinated, the color more local, and the execution more cautious. This same development, from progressive experiment toward conservative production, can also be observed in the later work of the city’s other principal painters, Garofalo and the Dossi brothers.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Could potentially be used in a double hang (FC:jb 4/2/15) Rating provisional (JP 4/16/15) Ranking adjusted, in play (FC: jp 7/3/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.996.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.996.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.996.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.996.tif", "IsPrimary" : "1", "_SurrogateID" : "2583", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16190, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16190", "Disp_Access_No" : "2017.933", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Sébastien Bourdon", "Sort_Artist" : "Bourdon, Sébastien", "Disp_Dimen" : "32.3 cm x 38.6 cm (12 11/16 in. x 15 3/16 in.)", "Disp_Height" : "32.3 cm", "Disp_Width" : "38.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.933.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.933.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.933.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.933.TIF", "IsPrimary" : "1", "_SurrogateID" : "9314", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16191, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16191", "Disp_Access_No" : "2017.931", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Return from Egypt", "Alt_Title" : "", "Obj_Title" : "The Return from Egypt", "Series_Title" : "", "Disp_Maker_1" : "Copy after Sébastien Bourdon", "Sort_Artist" : "Bourdon, Copy after Sébastien", "Disp_Dimen" : "32.5 cm x 38.8 cm (12 13/16 in. x 15 1/4 in.)", "Disp_Height" : "32.5 cm", "Disp_Width" : "38.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.931.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.931.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.931.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.931.TIF", "IsPrimary" : "1", "_SurrogateID" : "9315", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16200, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16200", "Disp_Access_No" : "2017.1288", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1647-1650", "_Disp_Start_Dat" : "1647", "_Disp_End_Date" : "1650", "Disp_Title" : "Bacchus and Ariadne", "Alt_Title" : "", "Obj_Title" : "Bacchus and Ariadne", "Series_Title" : "", "Disp_Maker_1" : "François Perrier", "Sort_Artist" : "Perrier, François", "Disp_Dimen" : "33.5 cm x 44 cm (13 3/16 in. x 17 5/16 in.)", "Disp_Height" : "33.5 cm", "Disp_Width" : "44 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Similar to Louvre picture, Orpheus before Pluto & Proserpina, circa 1647-50 (inv. 7163) is close to Suida-Manning in scale & style.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1288.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1288.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1288.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1288.tif", "IsPrimary" : "1", "_SurrogateID" : "2755", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16205, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16205", "Disp_Access_No" : "2017.1400", "_AccNumSort1" : "", "Disp_Create_DT" : "mid 1770s", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "The Storyteller", "Alt_Title" : "", "Obj_Title" : "The Storyteller", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Domenico Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Domenico", "Disp_Dimen" : "33.8 cm x 57.1 cm (13 5/16 in. x 22 1/2 in.)", "Disp_Height" : "33.8 cm", "Disp_Width" : "57.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Standing on a chair before a crowd in a piazza, a storyteller points to a portable image that helps illustrate his story. The baroque guitar on his back and the triangle in his female assistant's hand suggest that their performance also involved music. Not everyone is absorbed in his story, however. The young lady in a bright orange dress turns her head to respond to the man in a mask, whose suspicious intentions seem to have been noticed by the wary dog in the foreground. The diverse gestures, facial expressions, and colorful attire of the audience offer a glimpse of a popular carnival activity in eighteenth-century Venice. The low viewpoint and the long horizontal format help the viewer to witness the event at the eye level of the depicted figures, which adds to the sense of reality of the painted scene.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Problematic but keeping in (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1400.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1400.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1400.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1400.tif", "IsPrimary" : "1", "_SurrogateID" : "2661", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16210, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16210", "Disp_Access_No" : "2017.1283", "_AccNumSort1" : "", "Disp_Create_DT" : "1717", "_Disp_Start_Dat" : "1717", "_Disp_End_Date" : "1717", "Disp_Title" : "Justice Fulminating the Vices", "Alt_Title" : "", "Obj_Title" : "Justice Fulminating the Vices", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Antonio Pellegrini", "Sort_Artist" : "Pellegrini, Giovanni Antonio", "Disp_Dimen" : "34.6 cm x 32.3 cm (13 5/8 in. x 12 11/16 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "32.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Giovanni Antonio Pellegrini represents eighteenth-century Venetian painting at its most exuberant. He was first trained in Milan with the idiosyncratic Paolo Pagani, but his style depends more on the sensuous and decorative aspects of Sebastiano Ricci. Pellegrini’s drawing is broad and soft, his palette warm and pastel, and his paint handling dense and fluid. Defying gravity, bordering on the caricatural, this painterly virtuosity was a tremendous success across Europe, with the artist called to execute significant fresco cycles and numerous canvases in England, France, and Germany. During a year-long sojourn in Antwerp, Pellegrini carried out three major decorative projects. This painting is an unpublished oil sketch for one of these, a much-admired canvas for the ceiling of the Salle du Petit Collège in the city’s town hall. Appropriate to that setting, it represents the figures of Justice and Prudence crushing two male figures identifiable as Avarice and Deceit. Phosphorescent in color, practically sculpted in paint, this sketch dramatizes the material properties for which Pellegrini was so highly regarded. These properties are conspicuous in the wake of a recent cleaning and relining of the canvas. The Suida-Manning Collection includes two other paintings by Pellegrini: a comparably rich, half-length figure of Bellona from around 1713–1714, and a more summary Venus and Cupid, which may have come from a decorative ensemble. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Frame takes away from object Impressive brushwork Strong contrast between light and dark (FC:jb 4/6/15) Possible medallion hang with two Pellegrinis in middle, with this lower (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1283.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1283.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1283.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1283.tif", "IsPrimary" : "1", "_SurrogateID" : "2634", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16216, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16216", "Disp_Access_No" : "2017.871", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Young St. John the Baptist", "Alt_Title" : "", "Obj_Title" : "The Young St. John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Neapolitan", "Sort_Artist" : "Anonymous, Neapolitan", "Disp_Dimen" : "34.93 cm x 43.18 cm (13 3/4 in. x 17 in.)", "Disp_Height" : "34.93 cm", "Disp_Width" : "43.18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.871.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.871.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.871.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.871.TIF", "IsPrimary" : "1", "_SurrogateID" : "10652", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16308, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16308", "Disp_Access_No" : "2017.1034", "_AccNumSort1" : "", "Disp_Create_DT" : "1640s", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1640", "Disp_Title" : "Carnival Procession with a Wagon", "Alt_Title" : "", "Obj_Title" : "Carnival Procession with a Wagon", "Series_Title" : "", "Disp_Maker_1" : "Michelangelo Cerquozzi", "Sort_Artist" : "Cerquozzi, Michelangelo", "Disp_Dimen" : "44.45 cm x 56.52 cm (17 1/2 in. x 22 1/4 in.)", "Disp_Height" : "44.45 cm", "Disp_Width" : "56.52 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas", "Support" : "", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with Passeri (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1034.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1034.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1034.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1034.tif", "IsPrimary" : "1", "_SurrogateID" : "2591", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16324", "Disp_Access_No" : "2017.838", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "The Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "47.5 cm x 40.2 cm (18 11/16 in. x 15 13/16 in.)", "Disp_Height" : "47.5 cm", "Disp_Width" : "40.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Spanish", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation. Needs work. 2 for condition, 2+ composition. Would be nice in oil sketch room. Also requires more research. (FC:jb 4/24/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.838.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.838.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.838.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.838.TIF", "IsPrimary" : "1", "_SurrogateID" : "10638", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16336, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16336", "Disp_Access_No" : "2017.1019", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Shepherd and His Flock in a Landscape", "Alt_Title" : "", "Obj_Title" : "A Shepherd and His Flock in a Landscape", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "49.8 cm x 38.6 cm (19 5/8 in. x 15 3/16 in.)", "Disp_Height" : "49.8 cm", "Disp_Width" : "38.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "2+ with and without cleaning. Condition issues, conservation issues: could be cleaned, yellow varnish Could be part of a medallion of shepherds. (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1019.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1019.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1019.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1019.tif", "IsPrimary" : "1", "_SurrogateID" : "2588", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16339, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16339", "Disp_Access_No" : "2017.930", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Presentation in the Temple", "Alt_Title" : "", "Obj_Title" : "Presentation in the Temple", "Series_Title" : "", "Disp_Maker_1" : "Louis de Boulogne, the elder", "Sort_Artist" : "Boulogne, the elder, Louis de", "Disp_Dimen" : "50 cm x 50 cm (19 11/16 in. x 19 11/16 in.)", "Disp_Height" : "50 cm", "Disp_Width" : "50 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas (oval)", "Support" : "", "Disp_Medium" : "Oil on canvas (oval)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Dog is quite wonderful Research artist importance in Oxford Architecture interesting, lighting good Condition issues, conservation issues: Terrible craquelure, needs to be cleaned (FC:jb 4/9/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.930.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.930.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.930.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.930.tif", "IsPrimary" : "1", "_SurrogateID" : "2644", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16343, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16343", "Disp_Access_No" : "2017.1032", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1635", "Disp_Title" : "Saint James Vanquishing the Moors", "Alt_Title" : "", "Obj_Title" : "Saint James Vanquishing the Moors", "Series_Title" : "", "Disp_Maker_1" : "Cerano (Giovanni Battista Crespi)", "Sort_Artist" : "Cerano (Giovanni Battista Crespi)", "Disp_Dimen" : "50.4 cm x 60.2 cm (19 13/16 in. x 23 11/16 in.)", "Disp_Height" : "50.4 cm", "Disp_Width" : "60.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In the panorama of early 17th century painting, the Milanese school occupies a singular place. In the wake of the catastrophic plague of 1576, the legendary episcopate of Saint Charles Borromeo, and the resulting preoccupation with religious reform, the city’s culture was pervaded by profound skepticism and spiritual intensity. Involving Mannerist formulae and eccentric inventions, but also the progressive elements of Caravaggio’s chiaroscuro and then Rubens’s dynamism, the school’s painting tends toward the supernatural: the highly subjective, even the irrational, made real to the senses. Of the school’s three leading painters, Cerano was the most complex, visionary, and affecting. His mature style features, and derives its practically existential meaning from, exaggerated contrast between enveloping darkness and celestial light, general monochrome and localized color, thin handling and fluid impasti, pervasive melancholy and momentary ecstasy. In this late picture, related in theme and principal motif to a monumental canvas of Saint Dominic Defeating the Albigensians at Cremona, these contrasts make the representation of militant faith haunting and universal. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with other St. James (in storage) (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1032.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1032.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1032.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1032.tif", "IsPrimary" : "1", "_SurrogateID" : "2590", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16358, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16358", "Disp_Access_No" : "2017.1333", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1625", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1630", "Disp_Title" : "Christ Child Playing with a Finch", "Alt_Title" : "", "Obj_Title" : "Christ Child Playing with a Finch", "Series_Title" : "", "Disp_Maker_1" : "Guido Reni", "Sort_Artist" : "Reni, Guido", "Disp_Dimen" : "53.7 cm x 63.3 cm (21 1/8 in. x 24 15/16 in.)", "Disp_Height" : "53.7 cm", "Disp_Width" : "63.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with Albani (FC:jb 4/2/15) Not in play as per Louis Waldman''s opinions (FC:jp 6/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1333.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1333.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1333.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1333.tif", "IsPrimary" : "1", "_SurrogateID" : "2759", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16363, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16363", "Disp_Access_No" : "2017.1321", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "The Immaculate Conception", "Alt_Title" : "", "Obj_Title" : "The Immaculate Conception", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco Polazzo", "Sort_Artist" : "Polazzo, Attributed to Francesco", "Disp_Dimen" : "56.52 cm x 34.29 cm (22 1/4 in. x 13 1/2 in.)", "Disp_Height" : "56.52 cm", "Disp_Width" : "34.29 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation issues: needs cleaning. 2+ when cleaned (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1321.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1321.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1321.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1321.tif", "IsPrimary" : "1", "_SurrogateID" : "10570", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16365, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16365", "Disp_Access_No" : "2017.1340", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1720", "_Disp_Start_Dat" : "1715", "_Disp_End_Date" : "1725", "Disp_Title" : "Return of the Prodigal Son", "Alt_Title" : "", "Obj_Title" : "Return of the Prodigal Son", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Ricci", "Sort_Artist" : "Ricci, Sebastiano", "Disp_Dimen" : "57 cm x 50.8 cm (22 7/16 in. x 20 in.)", "Disp_Height" : "57 cm", "Disp_Width" : "50.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In a parable (Luke 15:11-32) Christ told of the younger son of a rich man who demanded his share of the patrimony, squandered it, and found himself in misery. Repenting, he returned to his father, who welcomed him back, telling the older brother, “to celebrate and rejoice, because this brother of yours was dead and has come to life; he was lost and has been found." Combining a critique of attachment to material well-being, with an affirmation of forgiveness and an allusion to eternal life, the culminating scene was a frequent subject of Baroque painting. This interpretation is a splendid example of Ricci’s mature style. The returning son kneels upon the threshold while the father extends open arms. While its small scale and rich touch might suggest a preparatory study, its compositional equilibration and regular finish indicate a completed work. Newly evident and impressive following conservation in 2001 are the clear tonality revived from Veronese, the pronounced chiaroscuro inspired by contemporary Bolognese painters, and the dramatic sweep despite its size. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition is very good Some aspects could be painted better (knee and right leg not very successful) Back of woman holding baby looks flat Architectural details are nice The way the figures are rendered is a problem Strong greens (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1340.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1340.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1340.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1340.tif", "IsPrimary" : "1", "_SurrogateID" : "2646", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16369, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16369", "Disp_Access_No" : "2017.1203", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1671", "_Disp_Start_Dat" : "1666", "_Disp_End_Date" : "1676", "Disp_Title" : "Mercury Transforming Chelone into a Turtle", "Alt_Title" : "", "Obj_Title" : "Mercury Transforming Chelone into a Turtle", "Series_Title" : "", "Disp_Maker_1" : "Filippo Lauri", "Sort_Artist" : "Lauri, Filippo", "Disp_Dimen" : "59 cm x 71.2 cm (23 1/4 in. x 28 1/16 in.)", "Disp_Height" : "59 cm", "Disp_Width" : "71.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Mercury, here seen in his winged hat, invited all gods, humans, and animals to his father Jupiter’s wedding to the goddess Juno. Everyone came, except the nymph Chelone, who mocked the union. Enraged by her arrogance, Mercury threw Chelone’s house into the river and turned her into a turtle. This painting diverges from the popular version of the story and presents Juno as the protagonist who condemns Chelone. Mercury occupies a secondary place behind the seated Jupiter. Cupid, the god of love, evokes the nuptial context of the scene, which is also highlighted by the youthful features of Jupiter and Juno. The oval shape of the canvas likely indicates that it was a decorative painting to be placed over a doorway or a window. Filippo Lauri was renowned for depicting landscapes, architecture, flowers, and animals to embellish important palaces in Rome. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with Lauri''s Venus and Adonis (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1203.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1203.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1203.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1203.tif", "IsPrimary" : "1", "_SurrogateID" : "2748", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16374, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16374", "Disp_Access_No" : "2017.1217", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1628-1630", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1630", "Disp_Title" : "Pastoral Landscape", "Alt_Title" : "", "Obj_Title" : "Pastoral Landscape", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "61.4 cm x 88.2 cm (24 3/16 in. x 34 3/4 in.)", "Disp_Height" : "61.4 cm", "Disp_Width" : "88.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting portrays two shepherds in love, their grazing flocks, and a soft light bathing an Italian palace. As an early pastoral by Claude Lorrain, it combines his sketches of the Roman countryside with imagery from ancient art and poetry, which idealized the shepherd’s life as being one of serenity and peace. Claude roamed the hills and pastures surrounding the city and created carefully observed landscapes that demonstrate the harmonious relationships between humans and nature, a theme apparent in this painting: two lovers embrace, a palace emerges from a natural rock formation, and a town rests on a tree-lined ridge.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues (FC:jb 4/2/15) Pair with Poussin landscape (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1217.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1217.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1217.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1217.tif", "IsPrimary" : "1", "_SurrogateID" : "2592", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16378, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16378", "Disp_Access_No" : "2017.1453", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1750-1755", "_Disp_Start_Dat" : "1750", "_Disp_End_Date" : "1755", "Disp_Title" : "Young Noble Couple Playing Cards on a Terrace with Attendants", "Alt_Title" : "", "Obj_Title" : "Young Noble Couple Playing Cards on a Terrace with Attendants", "Series_Title" : "", "Disp_Maker_1" : "Francesco Zugno", "Sort_Artist" : "Zugno, Francesco", "Disp_Dimen" : "61.6 cm x 75.57 cm (24 1/4 in. x 29 3/4 in.)", "Disp_Height" : "61.6 cm", "Disp_Width" : "75.57 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Zugno was one of the closest and best followers of Giovanni Battista Tiepolo. His first training was with Sebastiano Ricci, but completely determining of his style was his long collaboration with the elder Tiepolo. Although his juvenile works have often been confused with the master’s, Zugno’s mature style is readily distinguished by its more delicate description, soft contour, and sweet color. Not just due to temper, this gentle and elegant manner probably reflects some knowledge of the school of Watteau. This lovely picture renders a young couple playing cards under the supervision of an older couple – her guardians? – and with the service of two pages. In such a context, the game serves as a metaphor for courtship. Formally, the picture depends upon Tiepolo’s style of the late 1740s and 1750s. In composition it may be compared with Tiepolo’s Banquet of Cleopatra in Moscow (1747), while in figural rhythm and lightening palette it recalls his frescoes of Henry III in Paris (1750) and canvases of Rinaldo and Armida in Chicago (1755). At just this time, 1754, Zugno was executing a History of Cleopatra in fresco for the Villa Soderini at Nervesa (practically destroyed in the Second World War), and would have been consulting the master’s recent history paintings closely. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1453.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1453.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1453.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1453.tif", "IsPrimary" : "1", "_SurrogateID" : "2676", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16381", "Disp_Access_No" : "2017.1214", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Peasants by a Well", "Alt_Title" : "", "Obj_Title" : "Peasants by a Well", "Series_Title" : "", "Disp_Maker_1" : "Pietro Longhi", "Sort_Artist" : "Longhi, Pietro", "Disp_Dimen" : "62.2 cm x 49.7 cm (24 1/2 in. x 19 9/16 in.)", "Disp_Height" : "62.2 cm", "Disp_Width" : "49.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1214.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1214.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1214.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1214.TIF", "IsPrimary" : "1", "_SurrogateID" : "10397", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16387", "Disp_Access_No" : "2017.1367", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1615", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1620", "Disp_Title" : "Orpheus Charming the Beasts", "Alt_Title" : "", "Obj_Title" : "Orpheus Charming the Beasts", "Series_Title" : "", "Disp_Maker_1" : "Sinibaldo Scorza", "Sort_Artist" : "Scorza, Sinibaldo", "Disp_Dimen" : "65.5 cm x 100.2 cm (25 13/16 in. x 39 7/16 in.)", "Disp_Height" : "65.5 cm", "Disp_Width" : "100.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1367.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1367.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1367.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1367.tif", "IsPrimary" : "1", "_SurrogateID" : "2651", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16388", "Disp_Access_No" : "2017.1244", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1670", "_Disp_Start_Dat" : "1665", "_Disp_End_Date" : "1675", "Disp_Title" : "Pan and Daphnis", "Alt_Title" : "", "Obj_Title" : "Pan and Daphnis ", "Series_Title" : "", "Disp_Maker_1" : "Pieter Mulier the younger", "Sort_Artist" : "Mulier the younger, Pieter", "Disp_Dimen" : "65.6 cm x 49.3 cm (25 13/16 in. x 19 7/16 in.)", "Disp_Height" : "65.6 cm", "Disp_Width" : "49.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The beautiful young man holding a panpipe is Daphnis, a Sicilian herdsman and son of Mercury, the god of commerce. It was thought that Daphnis invented pastoral music and that his good looks enchanted many, including Pan, the god of shepherds, flocks, and the wild. Pan wandered the mountains and fields of Arcadia, playing his panpipe, often in lustful chases after nymphs and young men. Here, Pan teaches Daphnis how to play the panpipe as he makes an advance in the guise of instruction. Likely modeled on one of the ancient Roman sculptures discovered in the Renaissance, this painting echoes the ideals of the pastoral lifestyle filled with music and love. Pieter Mulier adds a contemporary touch to the scene through the inclusion of a viol, a string instrument popular in his time.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Dutch", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Would pair well with Lauri works (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1244.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1244.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1244.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1244.tif", "IsPrimary" : "1", "_SurrogateID" : "2658", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16393", "Disp_Access_No" : "2017.1304", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650-1655", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1655", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "69.7 cm x 90.7 cm (27 7/16 in. x 35 11/16 in.)", "Disp_Height" : "69.7 cm", "Disp_Width" : "90.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Piola was, with his pupil Gregorio de’ Ferrari, the leading painter in Genoa during the second half of the 17th century. With the catalyst of Pietro da Cortona’s High Baroque cycles, in a manner so fluent as to seem automatic, Piola generalized the lessons of Rubens and Van Dyck’s dynamic naturalism and translated them into the grand scale decoration of the native Genoese tradition. Few palaces in Genoa and scarcely a church in Liguria lack a work with the undulating rhythms, variegated modelling, and softly modulated light that are his trademarks. Piola’s works may not be sound in structure or deep in characterization, but they do convey a ease, even a joy, that are estimable and historically relevant. Although reduced to a small, horizontal format, this picture depends strictly on Giovanni Benedetto Castiglione’s great altarpiece of 1645 for San Luca in Genoa. The setting with a broken column symbolic of the Synagogue, the delightful incorporation of the bacchanalian shepherd and still-life motifs, and the fluid rhythm leading toward the radiant Child are virtual quotations. Soprani, the 17th-century biographer of the Genoese painters, writes that the young Piola was so taken with Castiglione that he learned to imitate his style. One of these imitations, “a very beautiful small panel of the Nativity,” was so successful that even experts equivocated about its authorship. Except for the material of its support, Soprani could have been referring to the present picture. Principally it is the slacker drawing, difficulty with space, as in the interval between the boys and the Virgin, and impatient execution in the background that identify it as a very early work by Piola. The picture is a landmark of the artist’s development and of Genoese painting on the threshold of its greatest achievments. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1304.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1304.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1304.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1304.tif", "IsPrimary" : "1", "_SurrogateID" : "2637", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16398, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16398", "Disp_Access_No" : "2017.882", "_AccNumSort1" : "", "Disp_Create_DT" : "1600s", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1600", "Disp_Title" : "Drunken Silenus on an Ass", "Alt_Title" : "", "Obj_Title" : "Drunken Silenus on an Ass", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giulio Cesare Amidano", "Sort_Artist" : "Amidano, Attributed to Giulio Cesare", "Disp_Dimen" : "71.7 cm x 57.1 cm (28 1/4 in. x 22 1/2 in.)", "Disp_Height" : "71.7 cm", "Disp_Width" : "57.1 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.882.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.882.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.882.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.882.tif", "IsPrimary" : "1", "_SurrogateID" : "2614", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16402, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16402", "Disp_Access_No" : "2017.1006", "_AccNumSort1" : "", "Disp_Create_DT" : "1760s", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1760", "Disp_Title" : "Figures Fleeing a Fire", "Alt_Title" : "", "Obj_Title" : "Figures Fleeing a Fire", "Series_Title" : "", "Disp_Maker_1" : "Francesco Casanova", "Sort_Artist" : "Casanova, Francesco", "Disp_Dimen" : "72.2 cm x 91.5 cm (28 7/16 in. x 36 in.)", "Disp_Height" : "72.2 cm", "Disp_Width" : "91.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Alistair Laing commented on 10-19-07 that the execution seems too impasto for Casanova and that the painting could be by Loutherbourg.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : " ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1006.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1006.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1006.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1006.tif", "IsPrimary" : "1", "_SurrogateID" : "3423", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16406, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16406", "Disp_Access_No" : "2017.1177", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1680-1685", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1685", "Disp_Title" : "Holy Family with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Bartolomeo Guidobono", "Sort_Artist" : "Guidobono, Bartolomeo", "Disp_Dimen" : "72.3 cm x 58.2 cm (28 7/16 in. x 22 15/16 in.)", "Disp_Height" : "72.3 cm", "Disp_Width" : "58.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Lovely in description, sweet in disposition, and careful in craft, Bartolomeo Guidobono’s work is a distinctive variation upon the grand manner of late seventeenth-century Genoese painting. His style arose from his first training and lifelong collaboration in the family business of fine porcelain painting. Its larger context is the Genoese taste for Netherlandish painting that goes back to the fifteenth century. After a series of trips to Emilia, Guidobono shifted this already delicate style toward the soft contour, luminous color, and gentleness of Correggio. Later he would reconcile it with the large rhythms and efficient manufacture of Domenico Piola. This "Holy Family" is a beautiful compendium of Guidobono’s early style. Its matrix is surely Genoese, with the figural group suggested by Piola and the pure hues reminiscent of Baciccio. Instead, the grain of light, amplitude of the figures, and tenderness reveal the recent debt to Correggio. Most impressive, however, are the refined drawing and meticulous finish, practically those of a miniature painting. In few other works of Guidobono is the craft more sustained or the reflection of his first activity more apparent. This unorthodox petite manière also anticipates the prettiness of the Rococo and the developing relation of the Genoese school to the French. In fact, the painting was at one time attributed to the eighteenth-century French painter Jean-Baptiste Le Prince.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1177.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1177.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1177.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1177.tif", "IsPrimary" : "1", "_SurrogateID" : "2620", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16410, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16410", "Disp_Access_No" : "2017.1279", "_AccNumSort1" : "", "Disp_Create_DT" : "1640s", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1640", "Disp_Title" : "Musical Party in a Garden", "Alt_Title" : "", "Obj_Title" : "Musical Party in a Garden", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Passeri", "Sort_Artist" : "Passeri, Giovanni Battista", "Disp_Dimen" : "73.7 cm x 99 cm (29 in. x 39 in.)", "Disp_Height" : "73.7 cm", "Disp_Width" : "99 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "With its open courtyard littered with fragments of ancient sculpture and bathed in Mediterranean light, the setting here is typical of a garden on the outskirts of Rome. The gentleman at right in contemporary attire introduces the viewer to the party. The woman in the blue mantle, the man in the orange tunic, and the semiclad piper seem engaged in a musical performance of classical inspiration. The group of women in modern costume accompanies them on a spinet. At left two servants ready a table for dining. The meaning of the scene is ambiguous. It may be an Italian version of popular garden scenes depicting the prodigal son as he squanders “his wealth in wild living” (Luke 15). It may also reflect the ideal of a Roman pleasure garden where the classical past and the fashionable present are harmoniously brought together. This pictorial riddle corresponds to Giovanni Battista Passeri’s intellectual character; he was not only a painter but also a writer who authored a collection of biographies of thirty-six painters that offers a lively account of the Italian art scene of the seventeenth century. The Blanton’s painting is one of the very few surviving paintings by the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with Cerquozzi", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1279.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1279.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1279.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1279.tif", "IsPrimary" : "1", "_SurrogateID" : "2632", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16418", "Disp_Access_No" : "2017.915.a", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1495-1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1500", "Disp_Title" : "Saint Jerome", "Alt_Title" : "", "Obj_Title" : "Saint Jerome", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Ambrogio Bevilacqua", "Sort_Artist" : "Bevilacqua, Giovanni Ambrogio", "Disp_Dimen" : "76 cm x 52.5 cm (29 15/16 in. x 20 11/16 in.)", "Disp_Height" : "76 cm", "Disp_Width" : "52.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Tempera with gold leaf on wood panel", "Support" : "", "Disp_Medium" : "Tempera with gold leaf on wood panel", "Info_Page_Comm" : "Saints Augustine and Jerome are two of the fathers of the Western church who are venerated especially for their scholarly roles in laying the foundation of Christian thought. Jerome translated the Bible into Latin, and Augustine authored "Confessions" and "City of God." Emphasizing the two saints’ literary contributions, these paintings represent them engaged in writing. Their identification is reinforced by their attributes: Saint Augustine is wearing the habit of the Augustinian Order, while Saint Jerome is in his red cardinal’s robe and hat alongside a lion. The curvilinear form of the edges and the low viewpoint indicate that the paintings were most likely the upper corners of an altarpiece composed of multiple panels. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Farther away and higher up (FC:jb 4/2/15) Stays in, important and rare (FC 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.915.a.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.915.a.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.915.a.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.915.a.tif", "IsPrimary" : "1", "_SurrogateID" : "4814", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16421, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16421", "Disp_Access_No" : "2017.1017", "_AccNumSort1" : "", "Disp_Create_DT" : "late 17th century", "_Disp_Start_Dat" : "1667", "_Disp_End_Date" : "1699", "Disp_Title" : "Jacob Asking for Laban", "Alt_Title" : "", "Obj_Title" : "Jacob Asking for Laban", "Series_Title" : "", "Disp_Maker_1" : "Francesco Castiglione", "Sort_Artist" : "Castiglione, Francesco", "Disp_Dimen" : "78 cm x 84 cm (30 11/16 in. x 33 1/16 in.)", "Disp_Height" : "78 cm", "Disp_Width" : "84 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Fleeing for his life, Jacob seeks refuge with his uncle, Laban, living in “the land of the people of the east.” While Jacob discusses Laban’s whereabouts with shepherds, all the animals in the foreground gaze intently at the viewer. They take center stage, not the humans. Francesco Castiglione follows after his father, Giovanni Benedetto Castiglione, who showcased animals within biblical narratives. In fact, the goat and cattle in the foreground are likely copied from one of his father’s paintings. The work also represents the Genoese fondness for animals in artwork, a taste stimulated by Northern European genre painting and depictions of keenly observed animals. During the early seventeenth century, Dutch and Flemish artists, along with others throughout Europe, moved to Genoa to meet its large demand for art, especially decoration of palaces owned by the city’s wealthy families.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1017.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1017.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1017.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1017.tif", "IsPrimary" : "1", "_SurrogateID" : "2586", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16424, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16424", "Disp_Access_No" : "2017.1324", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1627-1628", "_Disp_Start_Dat" : "1627", "_Disp_End_Date" : "1628", "Disp_Title" : "Arcadian Landscape", "Alt_Title" : "", "Obj_Title" : "Arcadian Landscape", "Series_Title" : "", "Disp_Maker_1" : "Circle of Nicolas Poussin", "Sort_Artist" : "Poussin, Circle of Nicolas", "Disp_Dimen" : "80.01 cm x 101.6 cm (31 1/2 in. x 40 in.)", "Disp_Height" : "80.01 cm", "Disp_Width" : "101.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting had caused considerable perplexity. Without question it was painted in Rome around 1630 by an ambitious artist who was both extending the development of classical landscape beyond Carracci and Domenichino and applying the lessons of earlier Venetian painting, of compositional device and warm opticality, that had so impressed Rome when, in 1598, the Aldobrandini family brought Titian’s great Bacchanals from Ferrara. No less, the painting represents a coalescing of just the type of ideal mythology that in the 1630s would become Poussin’s undisputed province and in turn a fundamental genre of European painting. A few scholars were willing to attribute this work to Poussin himself. Others, however, argued that it must be the work of a follower: its forms are insufficiently constructed; its blond palette, more typical of Poussin’s work of the mid 1630s, is incompatible with the likely date of the composition; and, most telling, its handling is too even, its finish too slick, for Poussin’s own hand at any stage. Very recently the matter has been settled. The identical composition, but rendered with the innate sense of structure, deep palette, and bold touch of Poussin’s early Roman activity has come to light in an English private collection. The Suida-Manning picture is thus proved to be a replica, probably by one of the circle of French painters who lived and worked with Poussin at just this moment. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with Claude landscape (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1324.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1324.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1324.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1324.tif", "IsPrimary" : "1", "_SurrogateID" : "2641", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16434, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16434", "Disp_Access_No" : "2017.1036", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1541", "_Disp_Start_Dat" : "1536", "_Disp_End_Date" : "1546", "Disp_Title" : "The Coronation of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Coronation of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista della Cerva", "Sort_Artist" : "Cerva, Giovanni Battista della", "Disp_Dimen" : "87 cm x 71.5 cm (34 1/4 in. x 28 1/8 in.)", "Disp_Height" : "87 cm", "Disp_Width" : "71.5 cm", "Dimen_Extent" : "panel", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Jesus crowns her mother Mary as God the Father gazes down from above and the Holy Spirit descends in the form of a dove. Playful cherubim in the wreath of cloud add to the jubilant mood. This theme represents the final episode in the life of Mary, when, according to the tradition of the Catholic Church, she was brought to heaven after death and crowned as Queen of Heaven. In order to set the scene for the celestial event, Giovanni Battista della Cerva creates an abstract space relying on colors associated with heaven (blue) and eternity (gold). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Lost in corner, needs more of a relationship with objects around it (FC:jb 4/2/15) Ranking adjusted (FC:jp 5/26/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1036.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1036.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1036.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1036.tif", "IsPrimary" : "1", "_SurrogateID" : "2740", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16446, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16446", "Disp_Access_No" : "2017.1363", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Saint James the Greater at the Battle of Clavijo", "Alt_Title" : "", "Obj_Title" : "Saint James the Greater at the Battle of Clavijo", "Series_Title" : "", "Disp_Maker_1" : "Johann Heinrich Schönfeld", "Sort_Artist" : "Schönfeld, Johann Heinrich", "Disp_Dimen" : "99 cm x 127.8 cm (39 in. x 50 5/16 in.)", "Disp_Height" : "99 cm", "Disp_Width" : "127.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Mounted on a white stallion and clad in armor, James the Greater charges toward fleeing enemies. According to legend, James miraculously appeared at the fictional ninth-century Battle of Clavijo, where he helped the outnumbered Spaniards vanquish the Moors. For this reason, Saint James the Greater, or Santiago in Spanish, was venerated as the patron saint of Spain. The legend of the battle had a particular resonance in the sixteenth and seventeenth centuries, as the political and military conflict with the Ottoman Turks in the Mediterranean stoked European fear of Muslims. The red cross on the knight-saint’s breastplate is the insignia of the Order of Santiago, founded in the twelfth century to protect pilgrims to Santiago de Compostela, Spain, and to defend Christendom.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "German", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Title here needs to be changed. Likely Saint James. Shoul be Saint James Vanquishing the Moores? (FC:jb 5/13/15) Could be upstairs in a Northen European section, could be paired Needs a frame Quality, rarity make this 1 (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1363.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1363.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1363.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1363.tif", "IsPrimary" : "1", "_SurrogateID" : "4850", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16449, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16449", "Disp_Access_No" : "2017.1419", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1585", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1590", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Paolo Veronese", "Sort_Artist" : "Veronese, Workshop of Paolo", "Disp_Dimen" : "104.5 cm x 82.9 cm (41 1/8 in. x 32 5/8 in.)", "Disp_Height" : "104.5 cm", "Disp_Width" : "82.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Of the great Venetian painters of the sixteenth century, Paolo Veronese was the most systematic and subtle in exploring the action, formal implications, and even expressive meanings of light upon color. Early in his development, the forms had been quite arbitrary and the result stylish but implausible. Steadily, his design was regularized according to classical models, his palette reached an unprecedented optical range, and his light became naturalistically descriptive. A small altarpiece probably for private devotion, this picture sets the Virgin and the archangel Gabriel in a handsome loggia, like that of an actual villa by Palladio, with whom the artist often collaborated. It is one of numerous late versions of the subject, with no sign of the workshop participation that had become frequent by then. The highlights have lost little of their energy, coursing across the surfaces and infusing the work with a metaphoric vitality. The figures, however, have been simplified in shape, their cadence slowed and their gesture subdued. And the palette is relatively restricted and uniform in value. In such paintings, the heroic splendor of the artist’s mature style yields to something less calculated and more reflective. The Suida-Manning Collection includes two other paintings from the same period, each a fragment from a larger composition. The composition depends upon a painting by Tintoretto. Infrared examination by Stephen Gritt (Feb. 2010) revealed no variation between underdrawing and execution. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1419.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1419.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1419.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1419.tif", "IsPrimary" : "1", "_SurrogateID" : "2668", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16459, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16459", "Disp_Access_No" : "2017.905", "_AccNumSort1" : "", "Disp_Create_DT" : "1730s", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1730", "Disp_Title" : "Portrait of a Lady with a Dog", "Alt_Title" : "", "Obj_Title" : "Portrait of a Lady with a Dog", "Series_Title" : "", "Disp_Maker_1" : "Marco Benefial", "Sort_Artist" : "Benefial, Marco", "Disp_Dimen" : "115.5 cm x 86 cm (45 1/2 in. x 33 7/8 in.)", "Disp_Height" : "115.5 cm", "Disp_Width" : "86 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Needs status Conservation issues: disintegration of pigment Similar to the Carriera (FC:jb 4/6/15) Status provisional; based on conversation with FC (JP 4/30/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.905.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.905.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.905.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.905.tif", "IsPrimary" : "1", "_SurrogateID" : "10691", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16461, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16461", "Disp_Access_No" : "2017.1060", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1621", "_Disp_Start_Dat" : "1616", "_Disp_End_Date" : "1626", "Disp_Title" : "The Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "The Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Daniele Crespi", "Sort_Artist" : "Crespi, Daniele", "Disp_Dimen" : "118.7 cm x 84.5 cm (46 3/4 in. x 33 1/4 in.)", "Disp_Height" : "118.7 cm", "Disp_Width" : "84.5 cm", "Dimen_Extent" : "panel", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Had Daniele Crespi enjoyed a longer career, and were his works not largely confined to Lombardy, he would be widely known as a master of the first order. He was without doubt the finest painter of the second generation of Baroque painting in Milan. In his paintings the willful deformation and troubling intensity of the school’s first generation have been subjected to a more disciplined sense of design and a more predictable language of expression, reflecting the lessons of recent Florentine painting as well as the emerging Bolognese academy. The resulting style is original in its staging but legible in its action and noble in its feeling. This is one of Crespi’s most important early pictures. The general composition and its compression of space into a single plane derive from a low-relief sculpture designed by Cerano for the façade of the church of San Paolo Converso in Milan. The intricate rhythms and the palette depend more on Giulio Cesare Procaccini, another major figure of the first generation who was Crespi’s principal inspiration if not actual teacher. But the incisive drawing of Saint Paul, the exact modeling of his forms, and the memorable enunciation of the drama announce the fact and direction of a distinctive language. The Suida-Manning Collection includes a second outstanding picture by Crespi, "Ecce Homo" of about two years later.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1060.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1060.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1060.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1060.tif", "IsPrimary" : "1", "_SurrogateID" : "2593", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16472, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16472", "Disp_Access_No" : "2017.1071", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Aurora", "Alt_Title" : "", "Obj_Title" : "Aurora", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Battista Crosato", "Sort_Artist" : "Crosato, Attributed to Giovanni Battista", "Disp_Dimen" : "27.1 cm x 36.4 cm (10 11/16 in. x 14 5/16 in.)", "Disp_Height" : "27.1 cm", "Disp_Width" : "36.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Not good enough to be in Venetian group (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1071.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1071.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1071.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1071.tif", "IsPrimary" : "1", "_SurrogateID" : "2599", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17378, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17378", "Disp_Access_No" : "2005.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1595-1596", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1596", "Disp_Title" : "Visitation", "Alt_Title" : "", "Obj_Title" : "Visitation", "Series_Title" : "", "Disp_Maker_1" : "Camillo Procaccini", "Sort_Artist" : "Procaccini, Camillo", "Disp_Dimen" : "213 cm x 146 cm (83 7/8 in. x 57 1/2 in.)", "Disp_Height" : "213 cm", "Disp_Width" : "146 cm", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Mary glides into the scene as the sunlight before dusk enriches the palette with a golden vibrancy. With Jesus in her womb, she will spend the next three months with her cousin, Elizabeth, who is six months pregnant. At the sound of Mary’s voice, Elizabeth is filled with the Holy Spirit as the child in her womb leaps for joy. While Mary’s husband Joseph is not present in the scripture, he appears to the right of the Virgin as a narrative device to evidence Zacharias’s muteness. Because Zacharias doubted his wife’s ability to conceive, the angel Gabriel punished his lack of faith by rendering him mute until the birth of his son, John the Baptist. Here, Zacharias gestures his salutations to Joseph, whose furrowed gaze is troubled by his lack of speech. The Visitation is a popular scene from the life of the Virgin, having been depicted by Camillo Procaccini numerous times. A preparatory drawing for the present piece is kept at the Biblioteca Ambrosiana in Milan. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Suzan and Julius Glickman, M.K. Hage, Jr., Derek Johns, Lawrence Lawver, Susan Thomas, Julia Wilkinson, and Jimmy and Jessica Younger, 2005", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.33.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.33.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.33.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.33.tif", "IsPrimary" : "1", "_SurrogateID" : "2952", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17580, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17580", "Disp_Access_No" : "2005.151", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1550s", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1550", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "92 cm x 80.5 cm (36 1/4 in. x 31 11/16 in.)", "Disp_Height" : "92 cm", "Disp_Width" : "80.5 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "This is an early work by Luca Cambiaso, the first great master of sixteenth-century Genoa and the virtual founder of its distinctive school of painting. The monumentality of the Virgin, the thrust of the Child, and the bold plasticity of every form suggest study with the followers of Michelangelo in mid-century Rome. At the same time, this powerful description has been circumscribed by Cambiaso’s exaggerated regularity of shapes, as in the figures’ heads, and embellished with the unnatural grace of their extremities, which recalls the works that Raphael’s follower Perino del Vaga had created for Genoa. Throughout, from the luscious frosting of the Virgin’s white sleeve to the exquisite filaments about the eyes, there is evident delight in the sheer matter of paint and possibilities of the brush. This virtuosity is conspicuous because of the work’s execution on panel and the excellent preservation of most of its surface. The painting demonstrates the young artist’s startling ambition, explains his first synthesis of influences, and predicts his place among the major figures of Mannerism. The Suida-Manning Collection includes six paintings and at least two dozen autograph drawings by Cambiaso. These represent the most significant holdings of his work outside Genoa. Preceding the earliest Suida-Manning picture by some fifteen years, and the only example on panel, this painting is the cornerstone of the entire group.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of the Cain Foundation in honor of Charmaine Hooper Denius, 2005", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Important moment in early Cambiaso (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.151.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.151.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.151.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.151.tif", "IsPrimary" : "1", "_SurrogateID" : "3061", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.151_frame.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.151_frame.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.151_frame.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.151_frame.tif", "IsPrimary" : "0", "_SurrogateID" : "3063", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18811", "Disp_Access_No" : "2007.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "Buscando precios [Searching for Prices]", "Alt_Title" : "", "Obj_Title" : "Buscando precios [Searching for Prices]", "Series_Title" : "", "Disp_Maker_1" : "Benito Laren", "Sort_Artist" : "Laren, Benito", "Disp_Dimen" : "83.2 cm x 178.3 cm (32 3/4 in. x 70 3/16 in.)", "Disp_Height" : "83.2 cm", "Disp_Width" : "178.3 cm", "Dimen_Extent" : "sight", "Medium" : "Holographic paper, mirror and acrylic", "Support" : "glass", "Disp_Medium" : "Holographic paper, mirror and acrylic on glass", "Info_Page_Comm" : "This work was originally commissioned for the grocery store El Tigre (The Tiger), which is located in San Nicolás, a small city five hundred miles inland from Buenos Aires. Local products, the city hall, and the main church of San Nicolás flank the central animal figure. The consumer goods pictured throughout allude both to the grocery store’s advertisements and reproductions of manufactured objects by Pop artist Andy Warhol. Characteristic of Laren’s technique, this work combines holographic paper, acrylic paint, and a variety of glittering elements placed on the back of the glass pane. The artist removed the work from the store in 1991 (at the owner’s request) and transported it to the Argentine Consulate in New York City. Before the artist donated Searching for Prices to the Blanton Museum of Art, it remained in New York, virtually out of view, for more than fifteen years.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the artist, 2007", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.15.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.15.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.15.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.15.tif", "IsPrimary" : "1", "_SurrogateID" : "6513", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19304, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19304", "Disp_Access_No" : "2008.152", "_AccNumSort1" : "", "Disp_Create_DT" : "2008", "_Disp_Start_Dat" : "2008", "_Disp_End_Date" : "2008", "Disp_Title" : "The Inner Cry", "Alt_Title" : "", "Obj_Title" : "The Inner Cry", "Series_Title" : "", "Disp_Maker_1" : "Georganne Deen", "Sort_Artist" : "Deen, Georganne", "Disp_Dimen" : "139.7 cm x 101.6 cm (55 in. x 40 in.)", "Disp_Height" : "139.7 cm", "Disp_Width" : "101.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "linen canvas", "Disp_Medium" : "Oil on linen canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Houston Endowment, Inc. in honor of Melissa Jones, 2008", "Copyright_Type" : "edu; promo; merch, web", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.152.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.152.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.152.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.152.tif", "IsPrimary" : "1", "_SurrogateID" : "8788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19629, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19629", "Disp_Access_No" : "2011.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1982", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1982", "Disp_Title" : "One Rabbit Feeling the Pain of Another", "Alt_Title" : "", "Obj_Title" : "One Rabbit Feeling the Pain of Another", "Series_Title" : "", "Disp_Maker_1" : "Melissa Miller", "Sort_Artist" : "Miller, Melissa", "Disp_Dimen" : "127 cm x 106.7 cm (50 in. x 42 in.)", "Disp_Height" : "127 cm", "Disp_Width" : "106.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "linen canvas", "Disp_Medium" : "Oil on linen canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Barrett Collection, Dallas, Texas, gift of the Dallas Museum of Art, 2011", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2011.9.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2011.9.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2011.9.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2011.9.tif", "IsPrimary" : "1", "_SurrogateID" : "8355", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20434, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20434", "Disp_Access_No" : "2016.95", "_AccNumSort1" : "", "Disp_Create_DT" : "1951", "_Disp_Start_Dat" : "1951", "_Disp_End_Date" : "1951", "Disp_Title" : "Casting the Runes", "Alt_Title" : "", "Obj_Title" : "Casting the Runes", "Series_Title" : "", "Disp_Maker_1" : "Leonora Carrington", "Sort_Artist" : "Carrington, Leonora", "Disp_Dimen" : "76.7 cm x 45.4 cm (30 3/16 in. x 17 7/8 in.)", "Disp_Height" : "76.7 cm", "Disp_Width" : "45.4 cm", "Dimen_Extent" : "sight", "Medium" : "Oil tempera with gold metallic paint on wood", "Support" : "", "Disp_Medium" : "Oil tempera with gold metallic paint on wood", "Info_Page_Comm" : "Painter and writer Leonora Carrington settled in Mexico in 1943, joining a group of fellow surrealist émigrés. She drew inspiration from a wide variety of subjects, ranging from ancient history and Celtic mythology to Mexican healing traditions. Informed by these sources, her otherworldly paintings often have elusive meanings. In "Casting the Runes" a golden bird protects an egg under the gaze of strange beings. At bottom, two hooded female figures seem to engage in an ancient ritual involving runes, perhaps to divine the future of the golden creature in their care.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Judy S. and Charles W. Tate, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "English", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2016.95.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2016.95.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2016.95.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2016.95.tif", "IsPrimary" : "1", "_SurrogateID" : "21738", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21393", "Disp_Access_No" : "2016.185", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "El regreso de Egipto", "Alt_Title" : "", "Obj_Title" : "El regreso de Egipto", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "30 x 24 cm (11 5/8 x 9 7/16 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "24 cm", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Phelps de Cisneros in honor of Tomás Orinoco Griffin Cisneros, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 21397, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21397", "Disp_Access_No" : "2016.212", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1775", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1780", "Disp_Title" : "Alegoría de la adoración del Corazón de Jesús por San Ignacio de Loyola y San Francisco Javier", "Alt_Title" : "", "Obj_Title" : "Alegoría de la adoración del Corazón de Jesús por San Ignacio de Loyola y San Francisco Javier", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "32 x 28 cm (12 5/8 x 10 13/16 in.)", "Disp_Height" : "32 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Phelps de Cisneros, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 21409, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21409", "Disp_Access_No" : "2016.216", "_AccNumSort1" : "", "Disp_Create_DT" : "19th century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "La Santísima Trinidad", "Alt_Title" : "", "Obj_Title" : "La Santísima Trinidad", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "40 x 26 cm (15 3/4 x 10 1/4 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "26 cm", "Dimen_Extent" : "", "Medium" : "Tempera", "Support" : "wood panel", "Disp_Medium" : "Tempera on wood panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Phelps de Cisneros in honor of Padre Alexis Bastidas, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 21417, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21417", "Disp_Access_No" : "2016.230", "_AccNumSort1" : "", "Disp_Create_DT" : "1752", "_Disp_Start_Dat" : "1752", "_Disp_End_Date" : "1752", "Disp_Title" : "Santa Teresa de Jesús", "Alt_Title" : "", "Obj_Title" : "Santa Teresa de Jesús", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "135 x 105 cm (53 1/8 x 41 5/16 in.)", "Disp_Height" : "135 cm", "Disp_Width" : "105 cm", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Phelps de Cisneros in honor of Ana Teresa Arismendi, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 21418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21418", "Disp_Access_No" : "2016.200", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "El regreso de Egipto", "Alt_Title" : "", "Obj_Title" : "El regreso de Egipto", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "34 x 29 x 2 cm (13 1/4 x 11 1/4 x 7/8 in.)", "Disp_Height" : "34 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "", "Medium" : "Oil and tempera", "Support" : "wood panel", "Disp_Medium" : "Oil and tempera on wood panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Phelps de Cisneros, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 25903, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/25903", "Disp_Access_No" : "2020.14", "_AccNumSort1" : "", "Disp_Create_DT" : "2019", "_Disp_Start_Dat" : "2019", "_Disp_End_Date" : "2019", "Disp_Title" : "Temptation Island", "Alt_Title" : "", "Obj_Title" : "Temptation Island", "Series_Title" : "", "Disp_Maker_1" : "Emily Mae Smith", "Sort_Artist" : "Smith, Emily Mae", "Disp_Dimen" : "96.5 x 76.2 cm (38 x 30 in.)", "Disp_Height" : "96.5 cm", "Disp_Width" : "76.2 cm", "Dimen_Extent" : "overall", "Medium" : "Oil on linen", "Support" : "", "Disp_Medium" : "Oil on linen", "Info_Page_Comm" : "Rife with sly symbolism, Emily Mae Smith’s "Temptation Island" conjures the dangers and decadence of a reimagined Garden of Eden. A bounty of perfectly ripe, unblemished fruit hints at fecundity and virtue, while everything else foreshadows seduction and sin. The rattlesnake coiled around the empty hourglass amplifies the threat of the white teeth, a recurrent motif that Smith describes as “a cartoon for a hyper masculine man-splain[ing] mouth—like an early 20th century tycoon, bared teeth blabbing wide.” Smith’s work often bridges art history and popular culture to explore gender politics and representation. There is humor to her iconography—the hourglass riffs on the term “hourglass figure” and the snake doubles as a phallus. Her art helps us consider how women have been represented in everything from paintings to soap operas, with a limited cast of women as either femme fatales or the Virgin Mary. Here she traces these flawed types to their Biblical roots with Eve and original sin. Smith describes "Temptation Island" as a “time's up at the dawn of the twenty-first century painting.” As she elaborates: “the hourglass is empty, waiting to be filled with the new content of the new female gender frame.” In this Garden of Eden, something or someone is about to bite. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Alana and Adiel Hoch, 2020", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/PA2019.604.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/PA2019.604.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/PA2019.604.tif", "IIIF_URL": "http://iiif.gallerysystems.com/PA2019.604.tif", "IsPrimary" : "1", "_SurrogateID" : "23965", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }