{ "objects" : [ { "embark_ID" : 13982, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13982", "Disp_Access_No" : "G1976.21.4", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Montana Encampment", "Alt_Title" : "", "Obj_Title" : "Montana Encampment", "Series_Title" : "", "Disp_Maker_1" : "Ransome Gillet Holdredge", "Sort_Artist" : "Holdredge, Ransome Gillet", "Disp_Dimen" : "68.7 cm x 108.6 cm (27 1/16 in. x 42 3/4 in.)", "Disp_Height" : "68.7 cm", "Disp_Width" : "108.6 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. 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Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "English", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.35.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.35.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.35.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.35.tif", "IsPrimary" : "1", "_SurrogateID" : "2485", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13991, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13991", "Disp_Access_No" : "G1976.21.29", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1851-circa 1895", "_Disp_Start_Dat" : "1851", "_Disp_End_Date" : "1895", "Disp_Title" : "On the Warpath", "Alt_Title" : "", "Obj_Title" : "On the Warpath", "Series_Title" : "", "Disp_Maker_1" : "Ernest-Étienne Narjot de Francheville", "Sort_Artist" : "Narjot de Francheville, Ernest-Étienne", "Disp_Dimen" : "24 cm x 40 cm (9 7/16 in. x 15 3/4 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "40 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil on canvas mounted on cardboard", "Support" : "canvas", "Disp_Medium" : "Oil on canvas mounted on cardboard on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.29.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.29.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.29.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.29.tif", "IsPrimary" : "1", "_SurrogateID" : "2479", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14004, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14004", "Disp_Access_No" : "G1976.21.17", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1885", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1890", "Disp_Title" : "Indians at Campfire, Yosemite Valley, California", "Alt_Title" : "", "Obj_Title" : "Indians at Campfire, Yosemite Valley, California", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hill", "Sort_Artist" : "Hill, Thomas", "Disp_Dimen" : "75.3 x 115.6 cm (29 5/8 x 45 1/2 in.)", "Disp_Height" : "75.3 cm", "Disp_Width" : "115.6 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This impressive work by Thomas Hill depicts the majestic Yosemite Valley as seen from Inspiration Point, located three thousand feet above the valley floor, purportedly the most beautiful and striking vantage point in Yosemite. Whereas the massive, snow-capped mountain peaks in the far distance and the cascading waters of Bridalveil Falls just off-center of the composition appear as they might have been seen in the mid-1880s, the small party of figures in the lower quadrant is an artistic device symbolizing the romantic notion of a time when people lived in harmony with nature. In fact, the U.S. Army years earlier had evicted the Indians who once inhabited the valley. And in 1864 the federal government set aside a large tract of land there for public recreation, prohibiting settlement as well as future mining and development. Shortly after Hill’s earliest trip to Yosemite in 1862, his gorgeous mountain views began to enjoy both popular and critical success. In 1884 the British artist moved from his base in San Francisco and established a studio in Yosemite, where he produced an estimated five thousand paintings of the valley for the tourist market. 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Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.17.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.17.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.17.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.17.tif", "IsPrimary" : "1", "_SurrogateID" : "2469", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14053", "Disp_Access_No" : "G1973.14", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1850", "_Disp_Start_Dat" : "1845", "_Disp_End_Date" : "1855", "Disp_Title" : "Wild Duck Shooting/On the Wing", "Alt_Title" : "", "Obj_Title" : "Wild Duck Shooting/On the Wing", "Series_Title" : "", "Disp_Maker_1" : "William T. Ranney", "Sort_Artist" : "Ranney, William T.", "Disp_Dimen" : "96.9 cm x 128.9 cm (38 1/8 in. x 50 3/4 in.)", "Disp_Height" : "96.9 cm", "Disp_Width" : "128.9 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Anticipation: every hunter savors it, and the feeling is palpable in this classically composed duck-shooting scene by William Ranney, a noted painter of sporting pictures. Unlike its stylistic precedents in eighteenth-century British sporting art, Ranney’s tight ensemble features robust American characters whose simplicity and vigor were emblematic of the national temperament, at least in the perception of its own proud citizens. Ranney created several versions of this popular and critically well-received image in both pen-and-ink and oil, and it acquired broad distribution through its translation into engravings and lithographs, the latter produced by the well-known firm of Currier and Ives.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1973", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1973.14.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1973.14.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1973.14.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1973.14.tif", "IsPrimary" : "1", "_SurrogateID" : "2440", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1973.14.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1973.14.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1973.14.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1973.14.tif", "IsPrimary" : "0", "_SurrogateID" : "2723", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14409, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14409", "Disp_Access_No" : "1991.44", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1890-circa 1894", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1894", "Disp_Title" : "Buffalo Hunt", "Alt_Title" : "", "Obj_Title" : "Buffalo Hunt", "Series_Title" : "", "Disp_Maker_1" : "Walter Shirlaw", "Sort_Artist" : "Shirlaw, Walter", "Disp_Dimen" : "43.9 cm x 55.3 cm (17 5/16 in. x 21 3/4 in.)", "Disp_Height" : "43.9 cm", "Disp_Width" : "55.3 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil on primed paper on matboard, attached to paperboard", "Support" : "", "Disp_Medium" : "Oil on primed paper on matboard, attached to paperboard", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.44.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.44.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.44.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.44.tif", "IsPrimary" : "1", "_SurrogateID" : "1596", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14524, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14524", "Disp_Access_No" : "1991.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1861", "_Disp_Start_Dat" : "1861", "_Disp_End_Date" : "1861", "Disp_Title" : "The Weak Never Started, October 19, 1861, after Charles Ferdinand Wimar", "Alt_Title" : "", "Obj_Title" : "The Weak Never Started, October 19, 1861, after Charles Ferdinand Wimar", "Series_Title" : "", "Disp_Maker_1" : "J.M. Boundy", "Sort_Artist" : "Boundy, J.M.", "Disp_Dimen" : "90.8 cm x 134 cm (35 3/4 in. x 52 3/4 in.)", "Disp_Height" : "90.8 cm", "Disp_Width" : "134 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil on canvas glued to masonite board", "Support" : "canvas", "Disp_Medium" : "Oil on canvas glued to masonite board on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.23.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.23.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.23.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.23.tif", "IsPrimary" : "1", "_SurrogateID" : "3461", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.23.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.23.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.23.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.23.tif", "IsPrimary" : "0", "_SurrogateID" : "3467", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14533, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14533", "Disp_Access_No" : "1991.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1859", "_Disp_Start_Dat" : "1859", "_Disp_End_Date" : "1859", "Disp_Title" : "Sioux Village near Fort Laramie", "Alt_Title" : "", "Obj_Title" : "Sioux Village near Fort Laramie", "Series_Title" : "", "Disp_Maker_1" : "Albert Bierstadt", "Sort_Artist" : "Bierstadt, Albert", "Disp_Dimen" : "31.8 cm x 49.3 cm (12 1/2 in. x 19 7/16 in.)", "Disp_Height" : "31.8 cm", "Disp_Width" : "49.3 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "When Albert Bierstadt painted this intimate study of a native encampment in 1859, he was twenty-nine years old and on his first journey to the American West. Accompanying an army expedition as its recorder, he sketched firsthand impressions of the new landscape and its people in pencil and pen-and-ink. Bierstadt’s spectacular western landscapes would lead within a decade to his celebration as the leading American painter of the West, but in this modest early work, it was the comparatively mundane details of native family life that captured his interest. Certain features are rendered with notable virtuosity—the lone, tall tree and the left-most teepee—but in general this work embodies a sense of quiet repose and timelessness, different from the theatrical vistas and stunning sites for which the artist is best known. Bierstadt was one of the first American observers and recorders of native life, but his intent was less scientific and anthropological than artistic: back in the studio, where he composed his monumental oil paintings, he often combined images from very different locales for dramatic effect. The camera tripod visible in this work is a remnant of another study trip by Bierstadt, who inserted it presumably to testify to his presence at the scene.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.22.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.22.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.22.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.22.tif", "IsPrimary" : "1", "_SurrogateID" : "1524", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.22.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.22.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.22.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.22.tif", "IsPrimary" : "0", "_SurrogateID" : "2700", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.22_detail_1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.22_detail_1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.22_detail_1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.22_detail_1.tif", "IsPrimary" : "0", "_SurrogateID" : "5894", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.22_detail-2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.22_detail-2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.22_detail-2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.22_detail-2.tif", "IsPrimary" : "0", "_SurrogateID" : "5895", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14819, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14819", "Disp_Access_No" : "1985.82", "_AccNumSort1" : "", "Disp_Create_DT" : "1850", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1850", "Disp_Title" : "Halt on the Prairie", "Alt_Title" : "", "Obj_Title" : "Halt on the Prairie", "Series_Title" : "", "Disp_Maker_1" : "William T. Ranney", "Sort_Artist" : "Ranney, William T.", "Disp_Dimen" : "111.8 cm x 154.9 cm (44 in. x 61 in.)", "Disp_Height" : "111.8 cm", "Disp_Width" : "154.9 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.82.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.82.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.82.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.82.tif", "IsPrimary" : "1", "_SurrogateID" : "1331", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14820, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14820", "Disp_Access_No" : "1985.81", "_AccNumSort1" : "", "Disp_Create_DT" : "1866", "_Disp_Start_Dat" : "1866", "_Disp_End_Date" : "1866", "Disp_Title" : "Buffalo on the Platte River", "Alt_Title" : "", "Obj_Title" : "Buffalo on the Platte River", "Series_Title" : "", "Disp_Maker_1" : "Worthington Whittredge", "Sort_Artist" : "Whittredge, Worthington", "Disp_Dimen" : "49.2 cm x 71.8 cm (19 3/8 in. x 28 1/4 in.)", "Disp_Height" : "49.2 cm", "Disp_Width" : "71.8 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "Worthington Whittredge created this work after a survey expedition to the West. The plains landscape deeply affected the artist: “Whoever crossed the plains at that period…could hardly fail to be impressed with its vastness and silence.” This intimate painting depicts a herd of buffalo along the banks of Nebraska’s Platte River. Enabling a heightened sense of the vastness he had described, the artist kept the buffalo at a distance, a small, quiet presence. And yet, the ominous clouds could be taken as tacit symbols of the encroaching migration of white settlers to the region—a development that was accelerated by the First Transcontinental Railroad built along the Platte River. Just a decade after this work was painted, those traveling west by train would no longer witness Whittredge’s vision, as westward expansion and overhunting caused the near eradication of the American bison. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. 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