{ "objects" : [ { "embark_ID" : 15956, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15956", "Disp_Access_No" : "2017.920", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1620s", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1625", "Disp_Title" : "Saint John the Baptist Preaching", "Alt_Title" : "", "Obj_Title" : "Saint John the Baptist Preaching", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bloemaert", "Sort_Artist" : "Bloemaert, Abraham", "Disp_Dimen" : "18.1 cm x 29 cm (7 1/8 in. x 11 7/16 in.)", "Disp_Height" : "18.1 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink with brush and brown wash over black chalk with white heighten", "Support" : "", "Disp_Medium" : "Pen and black ink with brush and brown wash over black chalk with white...", "Info_Page_Comm" : "The leading painter in his native Utrecht in the late 16th and early 17th century, Bloemaert was a refined late Mannerist of Italianate cast, then affected by that city’s flourishing school of Caravaggesque naturalism. He was an exceptionally accomplished and prolific draftsman in the preparation of designs for paintings and engravings as well as in the intimate recording of natural motifs. This is a characteristic landscape study, conventional in arrangement and stylized in handling, but with a diffuse atmosphere and select passages that portend the great age of Dutch landscape and genre. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.920.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.920.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.920.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.920.tif", "IsPrimary" : "1", "_SurrogateID" : "5675", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16103, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16103", "Disp_Access_No" : "2017.986", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "26.67 cm x 17.15 cm (10 1/2 in. x 6 3/4 in.)", "Disp_Height" : "26.67 cm", "Disp_Width" : "17.15 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.986.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.986.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.986.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.986.tif", "IsPrimary" : "1", "_SurrogateID" : "2894", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16186, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16186", "Disp_Access_No" : "2017.996", "_AccNumSort1" : "", "Disp_Create_DT" : "1540s", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "Holy Family with the Young Saint John the Baptist and an Angel", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist and an Angel", "Series_Title" : "", "Disp_Maker_1" : "Girolamo da Carpi", "Sort_Artist" : "Carpi, Girolamo da", "Disp_Dimen" : "30.99 cm x 43.18 cm (12 3/16 in. x 17 in.)", "Disp_Height" : "30.99 cm", "Disp_Width" : "43.18 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This panel is characteristic of the late development of this artist and of Ferrarese painting toward mid-century. While active in Bologna in the 1520s, Girolamo had proved one of the first and most successful artists in the region to assimilate currents of the most advanced Central Italian style, particularly from Giulio Romano after his relocation in nearby Mantua. Back in his native Ferrara over the following two decades, the power and distinctiveness of Girolamo’s first manner were overtaken by a more precious and formulaic elegance. In typical, small-scale religious works like the present one, there are still the figure types and iridescent passages recalling Romano’s influence, but the description is less coordinated, the color more local, and the execution more cautious. This same development, from progressive experiment toward conservative production, can also be observed in the later work of the city’s other principal painters, Garofalo and the Dossi brothers.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Could potentially be used in a double hang (FC:jb 4/2/15) Rating provisional (JP 4/16/15) Ranking adjusted, in play (FC: jp 7/3/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.996.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.996.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.996.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.996.tif", "IsPrimary" : "1", "_SurrogateID" : "2583", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17580, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17580", "Disp_Access_No" : "2005.151", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1550s", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1550", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "92 cm x 80.5 cm (36 1/4 in. x 31 11/16 in.)", "Disp_Height" : "92 cm", "Disp_Width" : "80.5 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "This is an early work by Luca Cambiaso, the first great master of sixteenth-century Genoa and the virtual founder of its distinctive school of painting. The monumentality of the Virgin, the thrust of the Child, and the bold plasticity of every form suggest study with the followers of Michelangelo in mid-century Rome. At the same time, this powerful description has been circumscribed by Cambiaso’s exaggerated regularity of shapes, as in the figures’ heads, and embellished with the unnatural grace of their extremities, which recalls the works that Raphael’s follower Perino del Vaga had created for Genoa. Throughout, from the luscious frosting of the Virgin’s white sleeve to the exquisite filaments about the eyes, there is evident delight in the sheer matter of paint and possibilities of the brush. This virtuosity is conspicuous because of the work’s execution on panel and the excellent preservation of most of its surface. The painting demonstrates the young artist’s startling ambition, explains his first synthesis of influences, and predicts his place among the major figures of Mannerism. The Suida-Manning Collection includes six paintings and at least two dozen autograph drawings by Cambiaso. These represent the most significant holdings of his work outside Genoa. Preceding the earliest Suida-Manning picture by some fifteen years, and the only example on panel, this painting is the cornerstone of the entire group.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of the Cain Foundation in honor of Charmaine Hooper Denius, 2005", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Important moment in early Cambiaso (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.151.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.151.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.151.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.151.tif", "IsPrimary" : "1", "_SurrogateID" : "3061", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.151_frame.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.151_frame.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.151_frame.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.151_frame.tif", "IsPrimary" : "0", "_SurrogateID" : "3063", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18890, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18890", "Disp_Access_No" : "2007.74", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Christ as the Good Shepherd", "Alt_Title" : "", "Obj_Title" : "Christ as the Good Shepherd", "Series_Title" : "", "Disp_Maker_1" : "Hieronymus Wierix", "Sort_Artist" : "Wierix, Hieronymus", "Disp_Dimen" : "28.5 cm x 19.8 cm (11 1/4 in. x 7 13/16 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "19.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Art Acquisition Endowment Fund, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.74.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.74.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.74.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.74.tif", "IsPrimary" : "1", "_SurrogateID" : "5351", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }