{ "objects" : [ { "embark_ID" : 2324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2324", "Disp_Access_No" : "1988.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1588", "_Disp_Start_Dat" : "1588", "_Disp_End_Date" : "1588", "Disp_Title" : "The Virgin Appearing to St. Jerome, after Jacopo Tintoretto", "Alt_Title" : "", "Obj_Title" : "The Virgin Appearing to St. Jerome, after Jacopo Tintoretto", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "41.9 cm x 29.8 cm (16 1/2 in. x 11 3/4 in.)", "Disp_Height" : "41.9 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "With efforts like this Saint Jerome, its encyclopedia of mark and intensity of pictorial effect––consider its contrasts and seeming color––Agostino consolidated his place as the leading engraver in Italy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.61.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.61.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.61.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.61.tif", "IsPrimary" : "1", "_SurrogateID" : "6561", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2339, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2339", "Disp_Access_No" : "2000.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1590", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Jerome Hearing the Trumpet of the Last Judgment", "Alt_Title" : "", "Obj_Title" : "Saint Jerome Hearing the Trumpet of the Last Judgment", "Series_Title" : "", "Disp_Maker_1" : "Antonio Tempesta", "Sort_Artist" : "Tempesta, Antonio", "Disp_Dimen" : "48.5 cm x 37.8 cm (19 1/8 in. x 14 7/8 in.)", "Disp_Height" : "48.5 cm", "Disp_Width" : "37.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.69.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.69.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.69.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.69.tif", "IsPrimary" : "1", "_SurrogateID" : "7016", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11077, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11077", "Disp_Access_No" : "1996.108", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540", "_Disp_Start_Dat" : "1535", "_Disp_End_Date" : "1545", "Disp_Title" : "Milo of Croton, after Pordenone", "Alt_Title" : "", "Obj_Title" : "Milo of Croton, after Pordenone", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Nicolò Boldrini", "Sort_Artist" : "Boldrini, Attributed to Nicolò", "Disp_Dimen" : "30.5 cm x 41.9 cm (12 in. x 16 1/2 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "41.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chiaroscuro Woodcut", "Support" : "", "Disp_Medium" : "Chiaroscuro Woodcut", "Info_Page_Comm" : "Looking at impressions like this one, some early connoisseurs speculated that the composition allowed for the printing of a tone block in pale ink and that the print was conceived as a chiaroscuro. The existence of one such impression, in the British Museum, proves their intuition. That tone block must have been damaged or lost early in the printing. Nonetheless, the second, line block was so skillfully cut and elaborate that it could function well on its own. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.108.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.108.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.108.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.108.tif", "IsPrimary" : "1", "_SurrogateID" : "9125", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11799", "Disp_Access_No" : "2002.1652", "_AccNumSort1" : "", "Disp_Create_DT" : "1530s", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1530", "Disp_Title" : "Saint Jerome in the Wilderness, after Titian", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in the Wilderness, after Titian", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Nicolò Boldrini", "Sort_Artist" : "Boldrini, Attributed to Nicolò", "Disp_Dimen" : "38.8 cm x 53.5 cm (15 1/4 in. x 21 1/16 in.)", "Disp_Height" : "38.8 cm", "Disp_Width" : "53.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Woodcut reached a very high level in 16th-century Venice, where, notably in Titian’s circle, it was preferred to engraving for the reproduction of paintings and drawings. Boldrini developed its basic language of long, curvilinear cuts and sustained pictorial effects on a large scale. Saint Jerome in the wilderness was a favorite subject in Venetian art. Here the penitent and his faithful lion are set amid an ideal panorama of the kind pioneered by Titian and establishing the classical landscape tradition. The composition depends generally on a painting that Titian executed for Isabella d’Este between 1523 and 1531 (today in the Louvre), while the cliff and trees on the right were specifically prepared in a drawing now at Edinburgh. Although damaged along a center crease, this impression is especially even in its inking and clear in its printing. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1652.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1652.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1652.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1652.tif", "IsPrimary" : "1", "_SurrogateID" : "4194", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11873, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11873", "Disp_Access_No" : "2002.38", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Triumph of Bacchus", "Alt_Title" : "", "Obj_Title" : "Triumph of Bacchus", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "15.5 cm x 22 cm (6 1/8 in. x 8 11/16 in.)", "Disp_Height" : "15.5 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.38.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.38.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.38.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.38.tif", "IsPrimary" : "1", "_SurrogateID" : "8211", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11878, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11878", "Disp_Access_No" : "2002.43", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1555", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1560", "Disp_Title" : "Lion Attacking a Horse, after Giulio Romano", "Alt_Title" : "", "Obj_Title" : "Lion Attacking a Horse, after Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "Adamo Scultori", "Sort_Artist" : "Scultori, Adamo", "Disp_Dimen" : "14.5 cm x 21.2 cm (5 11/16 in. x 8 3/8 in.)", "Disp_Height" : "14.5 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "backing sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.43-Sheet-2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.43-Sheet-2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.43-Sheet-2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.43-Sheet-2.tif", "IsPrimary" : "1", "_SurrogateID" : "18706", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18808, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18808", "Disp_Access_No" : "2007.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1550s", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1550", "Disp_Title" : "Saint Jerome in Penitence", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in Penitence", "Series_Title" : "", "Disp_Maker_1" : "Battista Franco", "Sort_Artist" : "Franco, Battista", "Disp_Dimen" : "45.4 cm x 30.7 cm (17 7/8 in. x 12 1/16 in.)", "Disp_Height" : "45.4 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Formed among Michelangelo’s followers in Rome, Franco possessed the most disciplined and idealized drawing of any Venetian artist of the period. He was also the most prolific etcher in sixteenth-century Italy. Most of his prints include engraving and suggest the very regular appearance of works in that technique. This Saint Jerome is one of a number of late efforts that responded to painted examples––here, Titian––and employed etching alone to more varied and personal effect. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Art Acquisition Endowment Fund, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.10.tif", "IsPrimary" : "1", "_SurrogateID" : "4466", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }