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Huntington Museum Fund, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.38.5-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.38.5-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.38.5-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.38.5-6.tif", "IsPrimary" : "1", "_SurrogateID" : "4636", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2883, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2883", "Disp_Access_No" : "2000.38.6/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1656", "_Disp_Start_Dat" : "1656", "_Disp_End_Date" : "1656", "Disp_Title" : "The Peasant Woman on Horseback Holding a Child in Her Arms, from Six Large Views of Rome and the Roman Campagna", "Alt_Title" : "", "Obj_Title" : "The Peasant Woman on Horseback Holding a Child in Her Arms, from Six Large Views of Rome and the Roman Campagna", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "30.1 cm x 26.7 cm (11 7/8 in. x 10 1/2 in.)", "Disp_Height" : "30.1 cm", "Disp_Width" : "26.7 cm", "Dimen_Extent" : "", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.38.6-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.38.6-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.38.6-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.38.6-6.tif", "IsPrimary" : "1", "_SurrogateID" : "4637", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2894", "Disp_Access_No" : "2002.2632", "_AccNumSort1" : "", "Disp_Create_DT" : "1657", "_Disp_Start_Dat" : "1657", "_Disp_End_Date" : "1657", "Disp_Title" : "The Two Horses with the Plow", "Alt_Title" : "", "Obj_Title" : "The Two Horses with the Plow", "Series_Title" : "", "Disp_Maker_1" : "Karel Dujardin", "Sort_Artist" : "Dujardin, Karel", "Disp_Dimen" : "22.8 cm x 23.8 cm (9 in. x 9 3/8 in.)", "Disp_Height" : "22.8 cm", "Disp_Width" : "23.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2632.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2632.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2632.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2632.tif", "IsPrimary" : "0", "_SurrogateID" : "1970", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3119, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3119", "Disp_Access_No" : "2002.1008", "_AccNumSort1" : "", "Disp_Create_DT" : "1698", "_Disp_Start_Dat" : "1698", "_Disp_End_Date" : "1698", "Disp_Title" : "Plate 6 from Etudes de chevaux, after Georg Philipp Rugendas", "Alt_Title" : "", "Obj_Title" : "Plate 6 from Etudes de chevaux, after Georg Philipp Rugendas", "Series_Title" : "", "Disp_Maker_1" : "Adam von Bartsch", "Sort_Artist" : "Bartsch, Adam von", "Disp_Dimen" : "24.6 cm x 35.2 cm (9 11/16 in. x 13 7/8 in.)", "Disp_Height" : "24.6 cm", "Disp_Width" : "35.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8257, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8257", "Disp_Access_No" : "1980.55", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1624", "_Disp_Start_Dat" : "1619", "_Disp_End_Date" : "1629", "Disp_Title" : "Landscape with a Lighthouse", "Alt_Title" : "", "Obj_Title" : "Landscape with a Lighthouse", "Series_Title" : "", "Disp_Maker_1" : "Esaias van de Velde", "Sort_Artist" : "Velde, Esaias van de", "Disp_Dimen" : "12.5 cm x 16.8 cm (4 15/16 in. x 6 5/8 in.)", "Disp_Height" : "12.5 cm", "Disp_Width" : "16.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk and brown wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Black chalk and brown wash on cream antique laid paper", "Info_Page_Comm" : "Esaias van de Velde is the father of Dutch landscape painting. Cultivating an explicitly realistic representation of nature, he established the early conventions and set the stylistic direction in Holland. This new vision was based upon a rejection of both the imaginary subjects preferred by the late Mannerists and their extreme stylization even when treating less fantastic views or motifs. Van de Velde essayed familiar reality in a deliberately simplified and unpretentious fashion. Characteristic, this drawing is one of about a dozen that survive from a dismembered sketchbook. The Mannerists’ layered and interpenetrated composition has yielded to a single diagonal that leads steadily across the dunes like a path. Their complex color scheme has been replaced by a uniform tonality that evokes natural light and palpable atmosphere. Moreover, van de Velde’s reality was not just familiar to the eye but specifically Dutch. Especially telling in this drawing, the low horizon, landmarks like the old lighthouse, and figures like the successful fishermen imply the sea comfortably nearby. Such drawings are among the first works to express the great pride of place in the recently independent Holland. In common with the work of Jan van Goyen and Pieter Molijn, this conception and these formal terms inaugurated the school’s most original and influential tradition.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.55.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.55.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.55.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.55.tif", "IsPrimary" : "1", "_SurrogateID" : "1187", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8272, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8272", "Disp_Access_No" : "1998.383", "_AccNumSort1" : "", "Disp_Create_DT" : "1619-1620", "_Disp_Start_Dat" : "1619", "_Disp_End_Date" : "1620", "Disp_Title" : "Les Troupes en marche [The Troops on the March], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Alt_Title" : "", "Obj_Title" : "Les Troupes en marche [The Troops on the March], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "20.1 cm x 29.9 cm (7 15/16 in. x 11 3/4 in.)", "Disp_Height" : "20.1 cm", "Disp_Width" : "29.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.383.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.383.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.383.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.383.tif", "IsPrimary" : "1", "_SurrogateID" : "4156", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8274", "Disp_Access_No" : "1998.385", "_AccNumSort1" : "", "Disp_Create_DT" : "1619-1620", "_Disp_Start_Dat" : "1619", "_Disp_End_Date" : "1620", "Disp_Title" : "Défaite de le cavaleries turque [The Defeat of the Turkish Cavalry], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Alt_Title" : "", "Obj_Title" : "Défaite de le cavaleries turque [The Defeat of the Turkish Cavalry], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "19.4 cm x 29.7 cm (7 5/8 in. x 11 11/16 in.)", "Disp_Height" : "19.4 cm", "Disp_Width" : "29.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.385.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.385.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.385.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.385.tif", "IsPrimary" : "1", "_SurrogateID" : "4158", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8360, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8360", "Disp_Access_No" : "1999.132", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Herd Crossing the Brook", "Alt_Title" : "", "Obj_Title" : "The Herd Crossing the 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7/16 in.)", "Disp_Height" : "19.2 cm", "Disp_Width" : "26.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: pen and brown ink with brush and gray wash over graphite; Verso: pen and ", "Support" : "", "Disp_Medium" : "Recto: pen and brown ink with brush and gray wash over graphite; Verso: pen and ", "Info_Page_Comm" : "Della Bella was a remarkably prolific etcher and draftsman in just this light, densely worked, and rather automatic hand. Succeeding Jacques Callot as the official printmaker to the Medici, della Bella maintained the range and character of his subject matter, principally court life, everyday events, and familiar settings. But his graphic style is distinct, inspired initially by the etchings of Claude Lorrain, then by the drawings of Pietro da Cortona, so that at least its formal aspects pertain to the High Baroque. This is a delightful example of della Bella’s late style, corresponding in subject and format to a series of hunts that he etched around 1654, although not directly related to any. The drawing’s verso includes two minutely varied studies for the horseman, typical of a working method no less refined than his hand.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "18887", "Rel_Obj_Title" : "Stag Hunt, from The Hunts of Different Animals" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.1999_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.1999_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.1999_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/37.1999_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "5216", "Image_Type" : "Transparency", 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"22.23 cm x 40.01 cm (8 3/4 in. x 15 3/4 in.)", "Disp_Height" : "22.23 cm", "Disp_Width" : "40.01 cm", "Dimen_Extent" : "Sheet", "Medium" : "Grey wash heightened with white over black chalk on buff paper", "Support" : "", "Disp_Medium" : "Grey wash heightened with white over black chalk on buff paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1347.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1347.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1347.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1347.tif", "IsPrimary" : "1", "_SurrogateID" : "5870", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16066, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16066", "Disp_Access_No" : "2017.873", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rape of Proserpina", "Alt_Title" : "", "Obj_Title" : "The Rape of Proserpina", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Roman", "Sort_Artist" : "Anonymous, Roman", "Disp_Dimen" : "24.13 cm x 39.37 cm (9 1/2 in. x 15 1/2 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "39.37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk, red chalk framing lines", "Support" : "", "Disp_Medium" : "Red chalk, red chalk framing lines", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.873.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.873.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.873.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.873.tif", "IsPrimary" : "1", "_SurrogateID" : "5871", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16071, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16071", "Disp_Access_No" : "2017.1254", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Combat before an Emperor", "Alt_Title" : "", "Obj_Title" : "A Combat before an Emperor", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Pietro Novelli, called Monrealese", "Sort_Artist" : "Novelli, called Monrealese, Attributed to Pietro", "Disp_Dimen" : "24.13 cm x 35.88 cm (9 1/2 in. x 14 1/8 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "35.88 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1254.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1254.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1254.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1254.tif", "IsPrimary" : "1", "_SurrogateID" : "5866", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16088, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16088", "Disp_Access_No" : "2017.1153", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1682-85", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Studies for the Glorification of the Medici Dynasty", "Alt_Title" : "Apotheosis of Flora", "Obj_Title" : "Studies for the Glorification of the Medici Dynasty", "Series_Title" : "", "Disp_Maker_1" : "Luca Giordano", "Sort_Artist" : "Giordano, Luca", "Disp_Dimen" : "25.72 cm x 38.1 cm (10 1/8 in. x 15 in.)", "Disp_Height" : "25.72 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with pen and brown ink and brush and brown wash on blue paper", "Support" : "", "Disp_Medium" : "Black chalk with pen and brown ink and brush and brown wash on blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1153.tif", "IsPrimary" : "1", "_SurrogateID" : "4844", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16110, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16110", "Disp_Access_No" : "2017.881", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1710", "_Disp_Start_Dat" : "1705", "_Disp_End_Date" : "1715", "Disp_Title" : "The Battle of the River Graniscus", "Alt_Title" : "", "Obj_Title" : "The Battle of the River Graniscus", "Series_Title" : "", "Disp_Maker_1" : "Martino Altomonte", "Sort_Artist" : "Altomonte, Martino", "Disp_Dimen" : "27.15 cm x 29.21 cm (10 11/16 in. x 11 1/2 in.)", "Disp_Height" : "27.15 cm", "Disp_Width" : "29.21 cm", "Dimen_Extent" : "Sheet", "Medium" : "pen and brown ink with brush and gray and brown washes", "Support" : "", "Disp_Medium" : "pen and brown ink with brush and gray and brown washes", "Info_Page_Comm" : "Trained in Rome with Baciccio, Altomonte worked first at the court of Poland, then from 1699 at Vienna. His many religious works and secular projects were important in bringing High Baroque style to Austria. This study for a ceiling painting is characteristic in function and style. It was probably a preparatory study for a canvas depicting the first major battle between Alexander and the Persians, part of Altomonte’s decoration of the residence of the prince-bishop at Salzburg. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.881.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.881.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.881.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.881.tif", "IsPrimary" : "1", "_SurrogateID" : "5664", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16147, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16147", "Disp_Access_No" : "2017.1049", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with the Good Samaritan", "Alt_Title" : "", "Obj_Title" : "Landscape with the Good Samaritan", "Series_Title" : "", "Disp_Maker_1" : "Pierfrancesco Cittadini", "Sort_Artist" : "Cittadini, Pierfrancesco", "Disp_Dimen" : "28.9 cm x 23.4 cm (11 3/8 in. x 9 3/16 in.)", "Disp_Height" : "28.9 cm", "Disp_Width" : "23.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with yellow heightening on orange prepared antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with yellow heightening on orange prepared antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1049.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1049.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1049.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1049.tif", "IsPrimary" : "1", "_SurrogateID" : "5741", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16173, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16173", "Disp_Access_No" : "2017.1413", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1699", "_Disp_Start_Dat" : "1694", "_Disp_End_Date" : "1704", "Disp_Title" : "Hercules on Olympus", "Alt_Title" : "", "Obj_Title" : "Hercules on Olympus", "Series_Title" : "", "Disp_Maker_1" : "François Verdier", "Sort_Artist" : "Verdier, François", "Disp_Dimen" : "30.48 cm x 55.25 cm (12 in. x 21 3/4 in.)", "Disp_Height" : "30.48 cm", "Disp_Width" : "55.25 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalk on blue laid paper", "Support" : "", "Disp_Medium" : "Black and white chalk on blue laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1413.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1413.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1413.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1413.tif", "IsPrimary" : "1", "_SurrogateID" : "2667", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16254, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16254", "Disp_Access_No" : "2017.1024", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Noah Leading the Animals into the Ark", "Alt_Title" : "", "Obj_Title" : "Noah Leading the Animals into the Ark", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "39.5 cm x 57.3 cm (15 9/16 in. x 22 9/16 in.)", "Disp_Height" : "39.5 cm", "Disp_Width" : "57.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil on antique laid paper mounted on cradled wood panel", "Support" : "", "Disp_Medium" : "Oil on antique laid paper mounted on cradled wood panel", "Info_Page_Comm" : "This oil sketch reveals two fundamental debts to Netherlandish art. The technique, especially employed in such a loose and summary manner, derives from the frequent preparatory studies of the great Flemish painters, Rubens and Van Dyck, who were active at Genoa early in the century. And the subject responds to the Genoese taste for animal paintings that was acquired from 17th-century Holland. Castiglione rarely essayed animals as such, but many of his habitual historical subjects are pretexts for featuring them. The constancy of his interest and the continuity in these subjects are made clear by the comparison of this study with his large etching from more than a decade later. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Should be on display with conservator''s approval. (FC:jp 4/22/2015)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1024.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1024.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1024.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1024.tif", "IsPrimary" : "1", "_SurrogateID" : "2763", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16319, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16319", "Disp_Access_No" : "2017.1208", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Fall of Phaeton", "Alt_Title" : "", "Obj_Title" : "The Fall of Phaeton", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Pietro Liberi", "Sort_Artist" : "Liberi, Attributed to Pietro", "Disp_Dimen" : "46.99 cm x 31.75 cm (18 1/2 in. x 12 1/2 in.)", "Disp_Height" : "46.99 cm", "Disp_Width" : "31.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1208.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1208.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1208.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1208.tif", "IsPrimary" : "1", "_SurrogateID" : "5902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16343, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16343", "Disp_Access_No" : "2017.1032", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1635", "Disp_Title" : "Saint James Vanquishing the Moors", "Alt_Title" : "", "Obj_Title" : "Saint James Vanquishing the Moors", "Series_Title" : "", "Disp_Maker_1" : "Cerano (Giovanni Battista Crespi)", "Sort_Artist" : "Cerano (Giovanni Battista Crespi)", "Disp_Dimen" : "50.4 cm x 60.2 cm (19 13/16 in. x 23 11/16 in.)", "Disp_Height" : "50.4 cm", "Disp_Width" : "60.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In the panorama of early 17th century painting, the Milanese school occupies a singular place. In the wake of the catastrophic plague of 1576, the legendary episcopate of Saint Charles Borromeo, and the resulting preoccupation with religious reform, the city’s culture was pervaded by profound skepticism and spiritual intensity. Involving Mannerist formulae and eccentric inventions, but also the progressive elements of Caravaggio’s chiaroscuro and then Rubens’s dynamism, the school’s painting tends toward the supernatural: the highly subjective, even the irrational, made real to the senses. Of the school’s three leading painters, Cerano was the most complex, visionary, and affecting. His mature style features, and derives its practically existential meaning from, exaggerated contrast between enveloping darkness and celestial light, general monochrome and localized color, thin handling and fluid impasti, pervasive melancholy and momentary ecstasy. In this late picture, related in theme and principal motif to a monumental canvas of Saint Dominic Defeating the Albigensians at Cremona, these contrasts make the representation of militant faith haunting and universal. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with other St. James (in storage) (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1032.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1032.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1032.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1032.tif", "IsPrimary" : "1", "_SurrogateID" : "2590", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16387", "Disp_Access_No" : "2017.1367", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1615", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1620", "Disp_Title" : "Orpheus Charming the Beasts", "Alt_Title" : "", "Obj_Title" : "Orpheus Charming the Beasts", "Series_Title" : "", "Disp_Maker_1" : "Sinibaldo Scorza", "Sort_Artist" : "Scorza, Sinibaldo", "Disp_Dimen" : "65.5 cm x 100.2 cm (25 13/16 in. x 39 7/16 in.)", "Disp_Height" : "65.5 cm", "Disp_Width" : "100.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1367.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1367.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1367.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1367.tif", "IsPrimary" : "1", "_SurrogateID" : "2651", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16421, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16421", "Disp_Access_No" : "2017.1017", "_AccNumSort1" : "", "Disp_Create_DT" : "late 17th century", "_Disp_Start_Dat" : "1667", "_Disp_End_Date" : "1699", "Disp_Title" : "Jacob Asking for Laban", "Alt_Title" : "", "Obj_Title" : "Jacob Asking for Laban", "Series_Title" : "", "Disp_Maker_1" : "Francesco Castiglione", "Sort_Artist" : "Castiglione, Francesco", "Disp_Dimen" : "78 cm x 84 cm (30 11/16 in. x 33 1/16 in.)", "Disp_Height" : "78 cm", "Disp_Width" : "84 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Fleeing for his life, Jacob seeks refuge with his uncle, Laban, living in “the land of the people of the east.” While Jacob discusses Laban’s whereabouts with shepherds, all the animals in the foreground gaze intently at the viewer. They take center stage, not the humans. Francesco Castiglione follows after his father, Giovanni Benedetto Castiglione, who showcased animals within biblical narratives. In fact, the goat and cattle in the foreground are likely copied from one of his father’s paintings. The work also represents the Genoese fondness for animals in artwork, a taste stimulated by Northern European genre painting and depictions of keenly observed animals. During the early seventeenth century, Dutch and Flemish artists, along with others throughout Europe, moved to Genoa to meet its large demand for art, especially decoration of palaces owned by the city’s wealthy families.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1017.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1017.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1017.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1017.tif", "IsPrimary" : "1", "_SurrogateID" : "2586", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16446, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16446", "Disp_Access_No" : "2017.1363", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Saint James the Greater at the Battle of Clavijo", "Alt_Title" : "", "Obj_Title" : "Saint James the Greater at the Battle of Clavijo", "Series_Title" : "", "Disp_Maker_1" : "Johann Heinrich Schönfeld", "Sort_Artist" : "Schönfeld, Johann Heinrich", "Disp_Dimen" : "99 cm x 127.8 cm (39 in. x 50 5/16 in.)", "Disp_Height" : "99 cm", "Disp_Width" : "127.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Mounted on a white stallion and clad in armor, James the Greater charges toward fleeing enemies. According to legend, James miraculously appeared at the fictional ninth-century Battle of Clavijo, where he helped the outnumbered Spaniards vanquish the Moors. For this reason, Saint James the Greater, or Santiago in Spanish, was venerated as the patron saint of Spain. The legend of the battle had a particular resonance in the sixteenth and seventeenth centuries, as the political and military conflict with the Ottoman Turks in the Mediterranean stoked European fear of Muslims. The red cross on the knight-saint’s breastplate is the insignia of the Order of Santiago, founded in the twelfth century to protect pilgrims to Santiago de Compostela, Spain, and to defend Christendom.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "German", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Title here needs to be changed. Likely Saint James. Shoul be Saint James Vanquishing the Moores? (FC:jb 5/13/15) Could be upstairs in a Northen European section, could be paired Needs a frame Quality, rarity make this 1 (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1363.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1363.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1363.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1363.tif", "IsPrimary" : "1", "_SurrogateID" : "4850", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16461, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16461", "Disp_Access_No" : "2017.1060", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1621", "_Disp_Start_Dat" : "1616", "_Disp_End_Date" : "1626", "Disp_Title" : "The Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "The Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Daniele Crespi", "Sort_Artist" : "Crespi, Daniele", "Disp_Dimen" : "118.7 cm x 84.5 cm (46 3/4 in. x 33 1/4 in.)", "Disp_Height" : "118.7 cm", "Disp_Width" : "84.5 cm", "Dimen_Extent" : "panel", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Had Daniele Crespi enjoyed a longer career, and were his works not largely confined to Lombardy, he would be widely known as a master of the first order. He was without doubt the finest painter of the second generation of Baroque painting in Milan. In his paintings the willful deformation and troubling intensity of the school’s first generation have been subjected to a more disciplined sense of design and a more predictable language of expression, reflecting the lessons of recent Florentine painting as well as the emerging Bolognese academy. The resulting style is original in its staging but legible in its action and noble in its feeling. This is one of Crespi’s most important early pictures. The general composition and its compression of space into a single plane derive from a low-relief sculpture designed by Cerano for the façade of the church of San Paolo Converso in Milan. The intricate rhythms and the palette depend more on Giulio Cesare Procaccini, another major figure of the first generation who was Crespi’s principal inspiration if not actual teacher. But the incisive drawing of Saint Paul, the exact modeling of his forms, and the memorable enunciation of the drama announce the fact and direction of a distinctive language. The Suida-Manning Collection includes a second outstanding picture by Crespi, "Ecce Homo" of about two years later.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1060.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1060.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1060.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1060.tif", "IsPrimary" : "1", "_SurrogateID" : "2593", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16922", "Disp_Access_No" : "2003.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1623", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1623", "Disp_Title" : "A Pupil of M. de Pluvinel Demonstrating an Equestrian Leap Before Louis XIII, from L'Instruction du Roy en L'Exercise de Monter a Cheval, by Antoine Pluvinel, second editiion, 1625", "Alt_Title" : "", "Obj_Title" : "A Pupil of M. de Pluvinel Demonstrating an Equestrian Leap Before Louis XIII, from L'Instruction du Roy en L'Exercise de Monter a Cheval, by Antoine Pluvinel, second editiion, 1625", "Series_Title" : "", "Disp_Maker_1" : "Crispijn de Passe II", "Sort_Artist" : "Passe II, Crispijn de", "Disp_Dimen" : "36.8 cm x 46.6 cm (14 1/2 in. x 18 3/8 in.)", "Disp_Height" : "36.8 cm", "Disp_Width" : "46.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.114.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.114.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.114.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.114.tif", "IsPrimary" : "1", "_SurrogateID" : "9351", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18521, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18521", "Disp_Access_No" : "2006.128.11/11", "_AccNumSort1" : "", "Disp_Create_DT" : "1635", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1635", "Disp_Title" : "La Conversion de St. Paul [The Conversion of St. Paul], from Le Nouveau Testament [The New Testament]", "Alt_Title" : "", "Obj_Title" : "La Conversion de St. Paul [The Conversion of St. Paul], from Le Nouveau Testament [The New Testament]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "8.3 cm x 10.2 cm (3 1/4 in. x 4 in.)", "Disp_Height" : "8.3 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Art Acquisition Endowment Fund, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.128.11-11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.128.11-11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.128.11-11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.128.11-11.tif", "IsPrimary" : "1", "_SurrogateID" : "6169", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18603, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18603", "Disp_Access_No" : "2006.184", "_AccNumSort1" : "", "Disp_Create_DT" : "1642", "_Disp_Start_Dat" : "1642", "_Disp_End_Date" : "1642", "Disp_Title" : "Three Horses in a Pasture, from Agréable diversité de figures [Enjoyable variety of figures]", "Alt_Title" : "", "Obj_Title" : "Three Horses in a Pasture, from Agréable diversité de figures [Enjoyable variety of figures]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "7 cm x 9.4 cm (2 3/4 in. x 3 11/16 in.)", "Disp_Height" : "7 cm", "Disp_Width" : "9.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.184.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.184.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.184.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.184.tif", "IsPrimary" : "1", "_SurrogateID" : "7684", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18604, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18604", "Disp_Access_No" : "2006.185", "_AccNumSort1" : "", "Disp_Create_DT" : "1642", "_Disp_Start_Dat" : "1642", "_Disp_End_Date" : "1642", "Disp_Title" : "Hunters Chasing a Stag, from Agréable diversité de figures [Enjoyable variety of figures]", "Alt_Title" : "", "Obj_Title" : "Hunters Chasing a Stag, from Agréable diversité de figures [Enjoyable variety of figures]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "7 cm x 9.4 cm (2 3/4 in. x 3 11/16 in.)", "Disp_Height" : "7 cm", "Disp_Width" : "9.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.185.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.185.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.185.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.185.tif", "IsPrimary" : "1", "_SurrogateID" : "7685", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18606, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18606", "Disp_Access_No" : "2006.187", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1641", "_Disp_Start_Dat" : "1636", "_Disp_End_Date" : "1646", "Disp_Title" : "The Baggage Train, from Varii capricci militari [Various military caprices]", "Alt_Title" : "", "Obj_Title" : "The Baggage Train, from Varii capricci militari [Various military caprices]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "8.6 cm x 13.9 cm (3 3/8 in. x 5 1/2 in.)", "Disp_Height" : "8.6 cm", "Disp_Width" : "13.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.187.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.187.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.187.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.187.tif", "IsPrimary" : "1", "_SurrogateID" : "7687", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18613", "Disp_Access_No" : "2006.194", "_AccNumSort1" : "", "Disp_Create_DT" : "1640-1641", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1641", "Disp_Title" : "A Chariot with two horses grazing and a dog, plate 8 from Dessins de quelques conduites de troupes [Drawings of troop advancements]", "Alt_Title" : "", "Obj_Title" : "A Chariot with two horses grazing and a dog, plate 8 from Dessins de quelques conduites de troupes [Drawings of troop advancements]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "6 cm x 12.8 cm (2 3/8 in. x 5 1/16 in.)", "Disp_Height" : "6 cm", "Disp_Width" : "12.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.194.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.194.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.194.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.194.tif", "IsPrimary" : "1", "_SurrogateID" : "7693", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18614, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18614", "Disp_Access_No" : "2006.195", "_AccNumSort1" : "", "Disp_Create_DT" : "1640-1641", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1641", "Disp_Title" : "Two riders fighting on a battlefield, plate 6 from Dessins de quelques conduites di troupes [Drawings of troop advancements]", "Alt_Title" 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