{ "objects" : [ { "embark_ID" : 15958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15958", "Disp_Access_No" : "2017.1066", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1700", "_Disp_Start_Dat" : "1695", "_Disp_End_Date" : "1705", "Disp_Title" : "Family of Darius before Alexander the Great", "Alt_Title" : "", "Obj_Title" : "Family of Darius before Alexander the Great", "Series_Title" : "", "Disp_Maker_1" : "Donato Creti", "Sort_Artist" : "Creti, Donato", "Disp_Dimen" : "18.2 cm x 24.2 cm (7 3/16 in. x 9 1/2 in.)", "Disp_Height" : "18.2 cm", "Disp_Width" : "24.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on cream antique laid paper, laid down", "Info_Page_Comm" : "Reacting against the formulae of late Baroque painting, Creti attempted to return classicism to its first principles, in the art of Guido Reni. The result of this idiosyncratic conservatism, seen to advantage in the Collection’s Lady with a String of Pearls, is an extreme refinement of form and color, a suppression of affect, and a precarious beauty. The same ideality and relationship to Bolognese tradition are evident in Creti’s drawings. Mostly in pen-and-ink, they are admirable in structure and fluency, but unnatural, rather abstract, in their regularity and ellipses. An especially sure and synthetic study of a full composition, the present drawing is probably an alternative design for one of the frescoes of the life of Alexander the Great painted for the Duke of Novellara around 1700, but long lost.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1066.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1066.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1066.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1066.tif", "IsPrimary" : "1", "_SurrogateID" : "5773", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16048", "Disp_Access_No" : "2017.1245", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Return of Moses", "Alt_Title" : "", "Obj_Title" : "The Return of Moses", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco de Mura", "Sort_Artist" : "Mura, Attributed to Francesco de", "Disp_Dimen" : "23.18 cm x 44.45 cm (9 1/8 in. x 17 1/2 in.)", "Disp_Height" : "23.18 cm", "Disp_Width" : "44.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, gray wash", "Support" : "", "Disp_Medium" : "Black chalk, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1245.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1245.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1245.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1245.tif", "IsPrimary" : "1", "_SurrogateID" : "5880", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16063, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16063", "Disp_Access_No" : "2017.1250", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1730s", "_Disp_Start_Dat" : "1725", "_Disp_End_Date" : "1735", "Disp_Title" : "Neptune and Amphitrite", "Alt_Title" : "", "Obj_Title" : "Neptune and Amphitrite", "Series_Title" : "", "Disp_Maker_1" : "Charles-Joseph Natoire", "Sort_Artist" : "Natoire, Charles-Joseph", "Disp_Dimen" : "23.9 cm x 37 cm (9 7/16 in. x 14 9/16 in.)", "Disp_Height" : "23.9 cm", "Disp_Width" : "37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brush and brown wash and white heightening on blue paper", "Support" : "", "Disp_Medium" : "Black chalk with brush and brown wash and white heightening on blue laid paper", "Info_Page_Comm" : "Like Boucher a pupil of François Lemoyne, and later a friendly rival, Natoire developed only modestly beyond his master’s style, inflecting it toward the Italians of the High Baroque, Pietro da Cortona in particular, and evolving a handsome decorative manner. This is one of two highly finished and signed drawings by Natoire in the Collection, both drawn at the beginning of his Roman period and intended for presentation. Despite some oxidation of its heightening, the drawing is extraordinarily well preserved.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1250.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1250.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1250.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1250.tif", "IsPrimary" : "1", "_SurrogateID" : "2630", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16153, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16153", "Disp_Access_No" : "2017.1123", "_AccNumSort1" : "", "Disp_Create_DT" : "1773", "_Disp_Start_Dat" : "1773", "_Disp_End_Date" : "1773", "Disp_Title" : "The Reconciliation of the Romans and Sabines, after Peter Paul Rubens", "Alt_Title" : "The Battle of Maxentius, after Peter Paul Rubens", "Obj_Title" : "The Reconciliation of the Romans and Sabines, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Jean-Honoré Fragonard", "Sort_Artist" : "Fragonard, Jean-Honoré", "Disp_Dimen" : "29.21 cm x 43.82 cm (11 1/2 in. x 17 1/4 in.)", "Disp_Height" : "29.21 cm", "Disp_Width" : "43.82 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brown wash and black chalk on antique laid paper, the corners cropped on paper", "Support" : "", "Disp_Medium" : "Brown wash and black chalk on antique laid paper, the corners cropped on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1123.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1123.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1123.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1123.tif", "IsPrimary" : "1", "_SurrogateID" : "4271", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16235, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16235", "Disp_Access_No" : "2017.1119", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Groom Leading a Horse with Three Figures", "Alt_Title" : "", "Obj_Title" : "Groom Leading a Horse with Three Figures", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" 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"http://iiif.gallerysystems.com/2017.1119.tif", "IsPrimary" : "1", "_SurrogateID" : "5885", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16312, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16312", "Disp_Access_No" : "2017.1005", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Pastoral Scene", "Alt_Title" : "", "Obj_Title" : "A Pastoral Scene", "Series_Title" : "", "Disp_Maker_1" : "Francesco Casanova", "Sort_Artist" : "Casanova, Francesco", "Disp_Dimen" : "45.72 cm x 58.42 cm (18 in. x 23 in.)", "Disp_Height" : "45.72 cm", "Disp_Width" : "58.42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, brown wash, white heightening and graphite on paper", "Support" : "", "Disp_Medium" : "Black chalk, brown wash, white heightening and graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1005.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1005.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1005.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1005.tif", "IsPrimary" : "1", "_SurrogateID" : "5897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }