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Goya’s choice of subject was guided by the poet Don Nicoás Fernandez de Moratín’s brief history of bullfighting, published in Madrid in 1777, and by a manual attributed to the most famous matador of the time, Pepe Illo, published in Cádiz in 1796. While the intention and the imagery of the series are the most conventional of Goya’s print series, the Tauromaquia nevertheless involves a radical and fairly subversive critique. In these works Goya celebrates the power and nobility of the bull rather than the people portrayed, anticipating the sensibility of French Romantics like Géricault and Delacroix. Similarly, the amorphous space and flat patterning of his compositions are personal and unexpected, predicting elements in the style of critical early modernists, notably Manet. Pepe Illo was the most famous matador in Seville and the author of a manual on bullfighting published in 1796. His manual recounts this scene, in which he guides the bull into a characteristic “curtsy,” and responds with a bow of respect. 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Romantic print. This lithograph conveys a violence so raw and instinctive as to be repulsive. Wild animals in combat were a favorite theme of Romantic artists, who sought to venture well beyond the realm of reason and exercise emotions that could tap into the innermost reaches of the human soul, achieving a state of transcendence. One of the qualities of lithography that appealed to the French Romantics was its ability to communicate both the artist’s unique vision and the dramatic movement within the composition. Here Delacroix barely sketched in the setting, using bold strokes to suggest a harsh, rocky environment, and instead focused our attention on the action in the center, a swirling mass of horseflesh writhing in the throes of death. This is one of only seven known impressions of the first state of the print. Generally strong, the museum’s holdings of early French lithography include five other prints by Delacroix, 23 by Théodore Géricault, 13 by the brothers Vernet, ten by Louis-Léopold Boilly, and 41 by Achille Devéria. 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This is principally because he was a socio-politically committed artist wary of the commercial gallery circuit as well as art institutions controlled by the state. He arose from a working-class family in San Rafael, on the outskirts of Mexico City, and died under mysterious circumstances in that town at the age of 37, just when he was reaching the apogee of his mature style. Galván studied at the Academia San Carlos in Mexico City between 1965 and 1968. His preferred medium was ink on paper, and he created page upon page of sketchbooks filled with drawings. The major themes he developed in his work were reinterpretations of classical drawings of the human figure and anatomy studies, explorations of the grotesque, and themes related to the socio-political situation in Mexico, especially following the 1968 Tlateloco Massacre. In 1971-72, he traveled to Northern California where he collaborated on a mural in Fresno and created illustrations for the Latino journal Basta Ya (Enough Already) in San Francisco. Back in Mexico City, from 1977 to 1981 he was a member of the Grupo MIRA, primarily comprised of printmakers who favored themes of politics and social justice. He is perhaps best known for a series of politically-engaged works from 1980 entitled Militarismo y represión (Militarism and Repression). Galván had solo exhibitions at the Antonio Souza Gallery in Mexico City in 1968 and 1969, as well as a one-man show of thirty-five drawings at the G. Gallery in Wichita, Kansas, in 1970. With the exception of solo exhibitions at the Librería Gandhi (Gandhi Bookstore) in 1972 and the Escuela de Diseño y Artesanía del Instituto Nacional de Bellas Artes (School of Design and Crafts of the National Institute of Fine Arts) in 1977 in Mexico City, as well as several collective exhibitions, he had no further showings of his work while living, outside of many illustrations in books, periodicals, print compilations, and labor union materials. In the catalogue of a posthumous retrospective exhibition held at the Palacio de Bellas Artes in Mexico City in 1983, leading Mexican art historian Ida Rodríguez Prampolini asserted that “[Galván] left us an exceptional body of work which, had he promoted it, would have converted him into the most important draughtsman in the country.” (Melecio Galván: La ternura, la violencia, p. 13) ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of John Guion, 1980", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<span style="font-family:''Helvetica''">Melecio Galván (San Rafael, Mexico, 1945—1982) was a Mexican draughtsman who was little-known during his lifetime. This is principally because he was a socio-politically committed artist wary of the commercial gallery circuit as well as art institutions controlled by the state. He arose from a working-class family in San Rafael, on the outskirts of Mexico City, and died under mysterious circumstances in that town at the age of 37, just when he was reaching the apogee of his mature style. <br/>Galván studied at the Academia San Carlos in Mexico City between 1965 and 1968. His preferred medium was ink on paper, and he created page upon page of sketchbooks filled with drawings. The major themes he developed in his work were reinterpretations of classical drawings of the human figure and anatomy studies, explorations of the grotesque, and themes related to the socio-political situation in Mexico, especially following the 1968 Tlateloco Massacre. In 1971-72, he traveled to Northern California where he collaborated on a mural in Fresno and created illustrations for the Latino journal <span style="font-style:italic">Basta Ya</span> (Enough Already) in San Francisco. Back in Mexico City, from 1977 to 1981 he was a member of the Grupo MIRA, primarily comprised of printmakers who favored themes of politics and social justice. He is perhaps best known for a series of politically-engaged works from 1980 entitled <span style="font-style:italic">Militarismo y represión</span> (Militarism and Repression).<br/>Galván had solo exhibitions at the Antonio Souza Gallery in Mexico City in 1968 and 1969, as well as a one-man show of thirty-five drawings at the G. Gallery in Wichita, Kansas, in 1970. With the exception of solo exhibitions at the Librería Gandhi (Gandhi Bookstore) in 1972 and the Escuela de Diseño y Artesanía del Instituto Nacional de Bellas Artes (School of Design and Crafts of the National Institute of Fine Arts) in 1977 in Mexico City, as well as several collective exhibitions, he had no further showings of his work while living, outside of many illustrations in books, periodicals, print compilations, and labor union materials. In the catalogue of a posthumous retrospective exhibition held at the Palacio de Bellas Artes in Mexico City in 1983, leading Mexican art historian Ida Rodríguez Prampolini asserted that “[Galván] left us an exceptional body of work which, had he promoted it, would have converted him into the most important draughtsman in the country.” (<span style="font-style:italic">Melecio Galván: La ternura, la violencia,</span> p. 13) <br/></span>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.726.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.726.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.726.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.726.tif", "IsPrimary" : "1", "_SurrogateID" : "3185", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10959", "Disp_Access_No" : 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: "Studies of Horsemen from Behind, in a River Landscape", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Veronese", "Sort_Artist" : "Anonymous, Veronese", "Disp_Dimen" : "9.21 cm x 8.89 cm (3 5/8 in. x 3 1/2 in.)", "Disp_Height" : "9.21 cm", "Disp_Width" : "8.89 cm", "Dimen_Extent" : "Sheet", "Medium" : "Metalpoint on cream preparation", "Support" : "", "Disp_Medium" : "Metalpoint on cream preparation", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.877.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.877.tif", "PreviewPath" : 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The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.836.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.836.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.836.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.836.tif", "IsPrimary" : "1", "_SurrogateID" : "5732", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15891, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15891", "Disp_Access_No" : "2017.1014", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Classical Scene with Warriors and Children", "Alt_Title" : "", "Obj_Title" : "A Classical Scene with Warriors and Children", "Series_Title" : "", "Disp_Maker_1" : "Valerio Castello", "Sort_Artist" : "Castello, Valerio", "Disp_Dimen" : "11.75 cm x 36.51 cm (4 5/8 in. x 14 3/8 in.)", "Disp_Height" : "11.75 cm", "Disp_Width" : "36.51 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1014.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1014.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1014.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1014.tif", "IsPrimary" : "1", "_SurrogateID" : "5727", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15948, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15948", "Disp_Access_No" : "2017.926", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Horsemen with Standing Figures", "Alt_Title" : "", "Obj_Title" : "Horsemen with Standing Figures", "Series_Title" : "", "Disp_Maker_1" : "Paris Bordone", "Sort_Artist" : "Bordone, Paris", "Disp_Dimen" : "17.6 cm x 28.1 cm (6 15/16 in. x 11 1/16 in.)", "Disp_Height" : "17.6 cm", "Disp_Width" : "28.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalks on beige antique laid paper", "Support" : "", "Disp_Medium" : "Black and white chalks on beige antique laid paper", "Info_Page_Comm" : "Similar to Veronese at the outset, Bordone combined the lessons of Titian’s loose and vibrantly optical painting with the more elaborate design and incisive drawing of Mannerism in Central Italy. His broad handling of chalk is close to that of Titian, to whom this sheet has sometimes been attributed. The more decorative pattern of light and the peculiar abbreviation of the figures are, however, typical of Bordone.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.926.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.926.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.926.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.926.tif", "IsPrimary" : "1", "_SurrogateID" : "2663", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15958", "Disp_Access_No" : "2017.1066", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1700", "_Disp_Start_Dat" : "1695", "_Disp_End_Date" : "1705", "Disp_Title" : "Family of Darius before Alexander the Great", "Alt_Title" : "", "Obj_Title" : "Family of Darius before Alexander the Great", "Series_Title" : "", "Disp_Maker_1" : "Donato Creti", "Sort_Artist" : "Creti, Donato", "Disp_Dimen" : "18.2 cm x 24.2 cm (7 3/16 in. x 9 1/2 in.)", "Disp_Height" : "18.2 cm", "Disp_Width" : "24.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on cream antique laid paper, laid down", "Info_Page_Comm" : "Reacting against the formulae of late Baroque painting, Creti attempted to return classicism to its first principles, in the art of Guido Reni. The result of this idiosyncratic conservatism, seen to advantage in the Collection’s Lady with a String of Pearls, is an extreme refinement of form and color, a suppression of affect, and a precarious beauty. The same ideality and relationship to Bolognese tradition are evident in Creti’s drawings. Mostly in pen-and-ink, they are admirable in structure and fluency, but unnatural, rather abstract, in their regularity and ellipses. An especially sure and synthetic study of a full composition, the present drawing is probably an alternative design for one of the frescoes of the life of Alexander the Great painted for the Duke of Novellara around 1700, but long lost.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1066.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1066.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1066.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1066.tif", "IsPrimary" : "1", "_SurrogateID" : "5773", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15974, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15974", "Disp_Access_No" : "2017.1090", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1654", "_Disp_Start_Dat" : "1649", "_Disp_End_Date" : "1659", "Disp_Title" : "Studies of a Wolf Hunt (recto); Studies of Wolf and Stag Hunts (verso)", "Alt_Title" : "", "Obj_Title" : "Studies of a Wolf Hunt (recto); Studies of Wolf and Stag Hunts (verso)", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "19.2 cm x 26.5 cm (7 9/16 in. x 10 7/16 in.)", "Disp_Height" : "19.2 cm", "Disp_Width" : "26.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: pen and brown ink with brush and gray wash over graphite; Verso: pen and ", "Support" : "", "Disp_Medium" : "Recto: pen and brown ink with brush and gray wash over graphite; Verso: pen and ", "Info_Page_Comm" : "Della Bella was a remarkably prolific etcher and draftsman in just this light, densely worked, and rather automatic hand. Succeeding Jacques Callot as the official printmaker to the Medici, della Bella maintained the range and character of his subject matter, principally court life, everyday events, and familiar settings. But his graphic style is distinct, inspired initially by the etchings of Claude Lorrain, then by the drawings of Pietro da Cortona, so that at least its formal aspects pertain to the High Baroque. This is a delightful example of della Bella’s late style, corresponding in subject and format to a series of hunts that he etched around 1654, although not directly related to any. The drawing’s verso includes two minutely varied studies for the horseman, typical of a working method no less refined than his hand.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "18887", "Rel_Obj_Title" : "Stag Hunt, from The Hunts of Different Animals" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.1999_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.1999_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.1999_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/37.1999_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "5216", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1090-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1090-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1090-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1090-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6448", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16028, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16028", "Disp_Access_No" : "2017.1347", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Juno Appearing to a Huntsman", "Alt_Title" : "", "Obj_Title" : "Juno Appearing to a Huntsman", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Francesco Romanelli", "Sort_Artist" : "Romanelli, Attributed to Giovanni Francesco", "Disp_Dimen" : "22.23 cm x 40.01 cm (8 3/4 in. x 15 3/4 in.)", "Disp_Height" : "22.23 cm", "Disp_Width" : "40.01 cm", "Dimen_Extent" : "Sheet", "Medium" : "Grey wash heightened with white over black chalk on buff paper", "Support" : "", "Disp_Medium" : "Grey wash heightened with white over black chalk on buff paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1347.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1347.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1347.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1347.tif", "IsPrimary" : "1", "_SurrogateID" : "5870", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16048", "Disp_Access_No" : "2017.1245", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Return of Moses", "Alt_Title" : "", "Obj_Title" : "The Return of Moses", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco de Mura", "Sort_Artist" : "Mura, Attributed to Francesco de", "Disp_Dimen" : "23.18 cm x 44.45 cm (9 1/8 in. x 17 1/2 in.)", "Disp_Height" : "23.18 cm", "Disp_Width" : "44.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, gray wash", "Support" : "", "Disp_Medium" : "Black chalk, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1245.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1245.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1245.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1245.tif", "IsPrimary" : "1", "_SurrogateID" : "5880", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16063, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16063", "Disp_Access_No" : "2017.1250", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1730s", "_Disp_Start_Dat" : "1725", "_Disp_End_Date" : "1735", "Disp_Title" : "Neptune and Amphitrite", "Alt_Title" : "", "Obj_Title" : "Neptune and Amphitrite", "Series_Title" : "", "Disp_Maker_1" : "Charles-Joseph Natoire", "Sort_Artist" : "Natoire, Charles-Joseph", "Disp_Dimen" : "23.9 cm x 37 cm (9 7/16 in. x 14 9/16 in.)", "Disp_Height" : "23.9 cm", "Disp_Width" : "37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brush and brown wash and white heightening on blue paper", "Support" : "", "Disp_Medium" : "Black chalk with brush and brown wash and white heightening on blue laid paper", "Info_Page_Comm" : "Like Boucher a pupil of François Lemoyne, and later a friendly rival, Natoire developed only modestly beyond his master’s style, inflecting it toward the Italians of the High Baroque, Pietro da Cortona in particular, and evolving a handsome decorative manner. This is one of two highly finished and signed drawings by Natoire in the Collection, both drawn at the beginning of his Roman period and intended for presentation. Despite some oxidation of its heightening, the drawing is extraordinarily well preserved.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1250.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1250.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1250.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1250.tif", "IsPrimary" : "1", "_SurrogateID" : "2630", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16066, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16066", "Disp_Access_No" : "2017.873", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rape of Proserpina", "Alt_Title" : "", "Obj_Title" : "The Rape of Proserpina", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Roman", "Sort_Artist" : "Anonymous, Roman", "Disp_Dimen" : "24.13 cm x 39.37 cm (9 1/2 in. x 15 1/2 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "39.37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk, red chalk framing lines", "Support" : "", "Disp_Medium" : "Red chalk, red chalk framing lines", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.873.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.873.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.873.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.873.tif", "IsPrimary" : "1", "_SurrogateID" : "5871", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16069, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16069", "Disp_Access_No" : "2017.1110", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Fragment from the Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "A Fragment from the Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Defendente Ferrari", "Sort_Artist" : "Ferrari, Attributed to Defendente", "Disp_Dimen" : "24.2 cm x 21.1 cm (9 1/2 in. x 8 5/16 in.)", "Disp_Height" : "24.2 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. (FC:jb 4/27/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1110.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1110.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1110.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1110.tif", "IsPrimary" : "1", "_SurrogateID" : "2605", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16071, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16071", "Disp_Access_No" : "2017.1254", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Combat before an Emperor", "Alt_Title" : "", "Obj_Title" : "A Combat before an Emperor", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Pietro Novelli, called Monrealese", "Sort_Artist" : "Novelli, called Monrealese, Attributed to Pietro", "Disp_Dimen" : "24.13 cm x 35.88 cm (9 1/2 in. x 14 1/8 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "35.88 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1254.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1254.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1254.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1254.tif", "IsPrimary" : "1", "_SurrogateID" : "5866", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16088, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16088", "Disp_Access_No" : "2017.1153", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1682-85", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Studies for the Glorification of the Medici Dynasty", "Alt_Title" : "Apotheosis of Flora", "Obj_Title" : "Studies for the Glorification of the Medici Dynasty", "Series_Title" : "", "Disp_Maker_1" : "Luca Giordano", "Sort_Artist" : "Giordano, Luca", "Disp_Dimen" : "25.72 cm x 38.1 cm (10 1/8 in. x 15 in.)", "Disp_Height" : "25.72 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with pen and brown ink and brush and brown wash on blue paper", "Support" : "", "Disp_Medium" : "Black chalk with pen and brown ink and brush and brown wash on blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1153.tif", "IsPrimary" : "1", "_SurrogateID" : "4844", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16110, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16110", "Disp_Access_No" : "2017.881", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1710", "_Disp_Start_Dat" : "1705", "_Disp_End_Date" : "1715", "Disp_Title" : "The Battle of the River Graniscus", "Alt_Title" : "", "Obj_Title" : "The Battle of the River Graniscus", "Series_Title" : "", "Disp_Maker_1" : "Martino Altomonte", "Sort_Artist" : "Altomonte, Martino", "Disp_Dimen" : "27.15 cm x 29.21 cm (10 11/16 in. x 11 1/2 in.)", "Disp_Height" : "27.15 cm", "Disp_Width" : "29.21 cm", "Dimen_Extent" : "Sheet", "Medium" : "pen and brown ink with brush and gray and brown washes", "Support" : "", "Disp_Medium" : "pen and brown ink with brush and gray and brown washes", "Info_Page_Comm" : "Trained in Rome with Baciccio, Altomonte worked first at the court of Poland, then from 1699 at Vienna. His many religious works and secular projects were important in bringing High Baroque style to Austria. This study for a ceiling painting is characteristic in function and style. It was probably a preparatory study for a canvas depicting the first major battle between Alexander and the Persians, part of Altomonte’s decoration of the residence of the prince-bishop at Salzburg. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.881.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.881.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.881.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.881.tif", "IsPrimary" : "1", "_SurrogateID" : "5664", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16125, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16125", "Disp_Access_No" : "2017.979", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1565-66", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "28 cm x 42.7 cm (11 in. x 16 13/16 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "42.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "The draftsman responsible for this replica was obviously much more concerned with light and shadow and the drama they could impart. These may have been present in a prototype by Cambiaso or applied here to distinguish the version. In any case, the description is overly specific and the touch heavy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.979.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.979.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.979.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.979.tif", "IsPrimary" : "1", "_SurrogateID" : "2873", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16126, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16126", "Disp_Access_No" : "2017.955", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Venus and the Sea", "Alt_Title" : "", "Obj_Title" : "Venus and the Sea", "Series_Title" : "", "Disp_Maker_1" : "Copy after Luca Cambiaso", "Sort_Artist" : "Cambiaso, Copy after Luca", "Disp_Dimen" : "27.94 cm x 69.85 cm (11 in. x 27 1/2 in.)", "Disp_Height" : "27.94 cm", "Disp_Width" : "69.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.955.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.955.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.955.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.955.tif", "IsPrimary" : "1", "_SurrogateID" : "6457", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16139, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16139", "Disp_Access_No" : "2017.980", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1565-66", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "28.9 cm x 42 cm (11 3/8 in. x 16 9/16 in.)", "Disp_Height" : "28.9 cm", "Disp_Width" : "42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "With its deep space, semicircular organization, and balletic figures, this composition seems contemporary with the Palazzo Grimaldi’s Return of Ulysses. From the large number of surviving replicas, it must have been one of Cambiaso’s most popular subjects. An autograph prototype has not, however, been identified. Of the three versions exhibited here, this is the most brisk in handling and confident in its abbreviations. The same swift, spiky hand is evident in other replicas from Cambiaso’s workshop. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.980.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.980.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.980.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.980.tif", "IsPrimary" : "1", "_SurrogateID" : "2874", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16147, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16147", "Disp_Access_No" : "2017.1049", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with the Good Samaritan", "Alt_Title" : "", "Obj_Title" : "Landscape with the Good Samaritan", "Series_Title" : "", "Disp_Maker_1" : "Pierfrancesco Cittadini", "Sort_Artist" : "Cittadini, Pierfrancesco", "Disp_Dimen" : "28.9 cm x 23.4 cm (11 3/8 in. x 9 3/16 in.)", "Disp_Height" : "28.9 cm", "Disp_Width" : "23.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with yellow heightening on orange prepared antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with yellow heightening on orange prepared antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1049.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1049.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1049.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1049.tif", "IsPrimary" : "1", "_SurrogateID" : "5741", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16153, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16153", "Disp_Access_No" : "2017.1123", "_AccNumSort1" : "", "Disp_Create_DT" : "1773", "_Disp_Start_Dat" : "1773", "_Disp_End_Date" : "1773", "Disp_Title" : "The Reconciliation of the Romans and Sabines, after Peter Paul Rubens", "Alt_Title" : "The Battle of Maxentius, after Peter Paul Rubens", "Obj_Title" : "The Reconciliation of the Romans and Sabines, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Jean-Honoré Fragonard", "Sort_Artist" : "Fragonard, Jean-Honoré", "Disp_Dimen" : "29.21 cm x 43.82 cm (11 1/2 in. x 17 1/4 in.)", "Disp_Height" : "29.21 cm", "Disp_Width" : "43.82 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brown wash and black chalk on antique laid paper, the corners cropped on paper", "Support" : "", "Disp_Medium" : "Brown wash and black chalk on antique laid paper, the corners cropped on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1123.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1123.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1123.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1123.tif", "IsPrimary" : "1", "_SurrogateID" : "4271", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16173, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16173", "Disp_Access_No" : "2017.1413", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1699", "_Disp_Start_Dat" : "1694", "_Disp_End_Date" : "1704", "Disp_Title" : "Hercules on Olympus", "Alt_Title" : "", "Obj_Title" : "Hercules on Olympus", "Series_Title" : "", "Disp_Maker_1" : "François Verdier", "Sort_Artist" : "Verdier, François", "Disp_Dimen" : "30.48 cm x 55.25 cm (12 in. x 21 3/4 in.)", "Disp_Height" : "30.48 cm", "Disp_Width" : "55.25 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalk on blue laid paper", "Support" : "", "Disp_Medium" : "Black and white chalk on blue laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1413.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1413.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1413.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1413.tif", "IsPrimary" : "1", "_SurrogateID" : "2667", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16231, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16231", "Disp_Access_No" : "2017.970", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1562-63", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Rape of Proserpina", "Alt_Title" : "Rape of Persephone ", "Obj_Title" : "Rape of Proserpina", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "36.8 cm x 47.2 cm (14 1/2 in. x 18 9/16 in.)", "Disp_Height" : "36.8 cm", "Disp_Width" : "47.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink with brush and brown wash over traces of black chalk on cr", "Support" : "", "Disp_Medium" : "Pen and iron gall ink with brush and brown wash over traces of black chalk", "Info_Page_Comm" : "This drawing is related to the Saint Sebastian in scale, complex space, calligraphic charge, and autonomous function. Its mythological subject and format, how-ever, correspond to the sort of scene Cambiaso and Bergamasco were contemporaneously introducing to the decoration of Genoese palaces. The sheet is further distinguished by its exceptional freshness, without any deterioration of the black-brown, iron gall ink favored by the artist or any fading of its sweeping washes Possibly an autographed replica (Jonathan Bober 5/13/11)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.970.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.970.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.970.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.970.tif", "IsPrimary" : "1", "_SurrogateID" : "2876", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16235, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16235", "Disp_Access_No" : "2017.1119", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Groom Leading a Horse with Three Figures", "Alt_Title" : "", "Obj_Title" : "Groom Leading a Horse with Three Figures", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "37.9 cm x 26.4 cm (14 15/16 in. x 10 3/8 in.)", "Disp_Height" : "37.9 cm", "Disp_Width" : "26.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1119.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1119.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1119.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1119.tif", "IsPrimary" : "1", "_SurrogateID" : "5885", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16254, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16254", "Disp_Access_No" : "2017.1024", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Noah Leading the Animals into the Ark", "Alt_Title" : "", "Obj_Title" : "Noah Leading the Animals into the Ark", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "39.5 cm x 57.3 cm (15 9/16 in. x 22 9/16 in.)", "Disp_Height" : "39.5 cm", "Disp_Width" : "57.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil on antique laid paper mounted on cradled wood panel", "Support" : "", "Disp_Medium" : "Oil on antique laid paper mounted on cradled wood panel", "Info_Page_Comm" : "This oil sketch reveals two fundamental debts to Netherlandish art. The technique, especially employed in such a loose and summary manner, derives from the frequent preparatory studies of the great Flemish painters, Rubens and Van Dyck, who were active at Genoa early in the century. And the subject responds to the Genoese taste for animal paintings that was acquired from 17th-century Holland. Castiglione rarely essayed animals as such, but many of his habitual historical subjects are pretexts for featuring them. The constancy of his interest and the continuity in these subjects are made clear by the comparison of this study with his large etching from more than a decade later. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Should be on display with conservator''s approval. (FC:jp 4/22/2015)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1024.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1024.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1024.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1024.tif", "IsPrimary" : "1", "_SurrogateID" : "2763", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16312, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16312", "Disp_Access_No" : "2017.1005", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Pastoral Scene", "Alt_Title" : "", "Obj_Title" : "A Pastoral Scene", "Series_Title" : "", "Disp_Maker_1" : "Francesco Casanova", "Sort_Artist" : "Casanova, Francesco", "Disp_Dimen" : "45.72 cm x 58.42 cm (18 in. x 23 in.)", "Disp_Height" : "45.72 cm", "Disp_Width" : "58.42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, brown wash, white heightening and graphite on paper", "Support" : "", "Disp_Medium" : "Black chalk, brown wash, white heightening and graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1005.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1005.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1005.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1005.tif", "IsPrimary" : "1", "_SurrogateID" : "5897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16319, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16319", "Disp_Access_No" : "2017.1208", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Fall of Phaeton", "Alt_Title" : "", "Obj_Title" : "The Fall of Phaeton", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Pietro Liberi", "Sort_Artist" : "Liberi, Attributed to Pietro", "Disp_Dimen" : "46.99 cm x 31.75 cm (18 1/2 in. x 12 1/2 in.)", "Disp_Height" : "46.99 cm", "Disp_Width" : "31.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1208.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1208.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1208.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1208.tif", "IsPrimary" : "1", "_SurrogateID" : "5902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16321, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16321", "Disp_Access_No" : "2017.1046", "_AccNumSort1" : "", "Disp_Create_DT" : "1607", "_Disp_Start_Dat" : "1607", "_Disp_End_Date" : "1607", "Disp_Title" : "Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Cigoli (Ludovico Cardi)", "Sort_Artist" : "Cigoli (Ludovico Cardi)", "Disp_Dimen" : "47.1 cm x 36 cm (18 9/16 in. x 14 3/16 in.)", "Disp_Height" : "47.1 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and blue and brown washes with touches of white heightening over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and blue and brown washes with touches of white heightening over black chalk on cream antique laid paper", "Info_Page_Comm" : "Cigoli was the most progressive of a group of Florentine artists who rejected the cool formula of Mannerism in favor of greater naturalism, dynamism and expressive immediacy. Active in Rome after 1604, he participated in several of the most important commissions of the period. This drawing was an advanced preparatory study for a painting commissioned by Margaret of Austria in 1607. An incessant and resourceful draftsman, Cigoli offered two possible placements for the figure of Saint Joseph amid swirling pen work and deft accents in blue wash. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1046.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1046.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1046.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1046.tif", "IsPrimary" : "1", "_SurrogateID" : "4202", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16343, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16343", "Disp_Access_No" : "2017.1032", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1635", "Disp_Title" : "Saint James Vanquishing the Moors", "Alt_Title" : "", "Obj_Title" : "Saint James Vanquishing the Moors", "Series_Title" : "", "Disp_Maker_1" : "Cerano (Giovanni Battista Crespi)", "Sort_Artist" : "Cerano (Giovanni Battista Crespi)", "Disp_Dimen" : "50.4 cm x 60.2 cm (19 13/16 in. x 23 11/16 in.)", "Disp_Height" : "50.4 cm", "Disp_Width" : "60.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In the panorama of early 17th century painting, the Milanese school occupies a singular place. In the wake of the catastrophic plague of 1576, the legendary episcopate of Saint Charles Borromeo, and the resulting preoccupation with religious reform, the city’s culture was pervaded by profound skepticism and spiritual intensity. Involving Mannerist formulae and eccentric inventions, but also the progressive elements of Caravaggio’s chiaroscuro and then Rubens’s dynamism, the school’s painting tends toward the supernatural: the highly subjective, even the irrational, made real to the senses. Of the school’s three leading painters, Cerano was the most complex, visionary, and affecting. His mature style features, and derives its practically existential meaning from, exaggerated contrast between enveloping darkness and celestial light, general monochrome and localized color, thin handling and fluid impasti, pervasive melancholy and momentary ecstasy. In this late picture, related in theme and principal motif to a monumental canvas of Saint Dominic Defeating the Albigensians at Cremona, these contrasts make the representation of militant faith haunting and universal. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with other St. James (in storage) (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1032.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1032.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1032.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1032.tif", "IsPrimary" : "1", "_SurrogateID" : "2590", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16387", "Disp_Access_No" : "2017.1367", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1615", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1620", "Disp_Title" : "Orpheus Charming the Beasts", "Alt_Title" : "", "Obj_Title" : "Orpheus Charming the Beasts", "Series_Title" : "", "Disp_Maker_1" : "Sinibaldo Scorza", "Sort_Artist" : "Scorza, Sinibaldo", "Disp_Dimen" : "65.5 cm x 100.2 cm (25 13/16 in. x 39 7/16 in.)", "Disp_Height" : "65.5 cm", "Disp_Width" : "100.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1367.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1367.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1367.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1367.tif", "IsPrimary" : "1", "_SurrogateID" : "2651", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16402, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16402", "Disp_Access_No" : "2017.1006", "_AccNumSort1" : "", "Disp_Create_DT" : "1760s", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1760", "Disp_Title" : "Figures Fleeing a Fire", "Alt_Title" : "", "Obj_Title" : "Figures Fleeing a Fire", "Series_Title" : "", "Disp_Maker_1" : "Francesco Casanova", "Sort_Artist" : "Casanova, Francesco", "Disp_Dimen" : "72.2 cm x 91.5 cm (28 7/16 in. x 36 in.)", "Disp_Height" : "72.2 cm", "Disp_Width" : "91.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Alistair Laing commented on 10-19-07 that the execution seems too impasto for Casanova and that the painting could be by Loutherbourg.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : " ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1006.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1006.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1006.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1006.tif", "IsPrimary" : "1", "_SurrogateID" : "3423", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16421, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16421", "Disp_Access_No" : "2017.1017", "_AccNumSort1" : "", "Disp_Create_DT" : "late 17th century", "_Disp_Start_Dat" : "1667", "_Disp_End_Date" : "1699", "Disp_Title" : "Jacob Asking for Laban", "Alt_Title" : "", "Obj_Title" : "Jacob Asking for Laban", "Series_Title" : "", "Disp_Maker_1" : "Francesco Castiglione", "Sort_Artist" : "Castiglione, Francesco", "Disp_Dimen" : "78 cm x 84 cm (30 11/16 in. x 33 1/16 in.)", "Disp_Height" : "78 cm", "Disp_Width" : "84 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Fleeing for his life, Jacob seeks refuge with his uncle, Laban, living in “the land of the people of the east.” While Jacob discusses Laban’s whereabouts with shepherds, all the animals in the foreground gaze intently at the viewer. They take center stage, not the humans. Francesco Castiglione follows after his father, Giovanni Benedetto Castiglione, who showcased animals within biblical narratives. In fact, the goat and cattle in the foreground are likely copied from one of his father’s paintings. The work also represents the Genoese fondness for animals in artwork, a taste stimulated by Northern European genre painting and depictions of keenly observed animals. During the early seventeenth century, Dutch and Flemish artists, along with others throughout Europe, moved to Genoa to meet its large demand for art, especially decoration of palaces owned by the city’s wealthy families.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1017.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1017.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1017.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1017.tif", "IsPrimary" : "1", "_SurrogateID" : "2586", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16446, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16446", "Disp_Access_No" : "2017.1363", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Saint James the Greater at the Battle of Clavijo", "Alt_Title" : "", "Obj_Title" : "Saint James the Greater at the Battle of Clavijo", "Series_Title" : "", "Disp_Maker_1" : "Johann Heinrich Schönfeld", "Sort_Artist" : "Schönfeld, Johann Heinrich", "Disp_Dimen" : "99 cm x 127.8 cm (39 in. x 50 5/16 in.)", "Disp_Height" : "99 cm", "Disp_Width" : "127.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Mounted on a white stallion and clad in armor, James the Greater charges toward fleeing enemies. According to legend, James miraculously appeared at the fictional ninth-century Battle of Clavijo, where he helped the outnumbered Spaniards vanquish the Moors. For this reason, Saint James the Greater, or Santiago in Spanish, was venerated as the patron saint of Spain. The legend of the battle had a particular resonance in the sixteenth and seventeenth centuries, as the political and military conflict with the Ottoman Turks in the Mediterranean stoked European fear of Muslims. The red cross on the knight-saint’s breastplate is the insignia of the Order of Santiago, founded in the twelfth century to protect pilgrims to Santiago de Compostela, Spain, and to defend Christendom.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "German", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Title here needs to be changed. Likely Saint James. Shoul be Saint James Vanquishing the Moores? (FC:jb 5/13/15) Could be upstairs in a Northen European section, could be paired Needs a frame Quality, rarity make this 1 (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1363.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1363.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1363.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1363.tif", "IsPrimary" : "1", "_SurrogateID" : "4850", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16461, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16461", "Disp_Access_No" : "2017.1060", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1621", "_Disp_Start_Dat" : "1616", "_Disp_End_Date" : "1626", "Disp_Title" : "The Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "The Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Daniele Crespi", "Sort_Artist" : "Crespi, Daniele", "Disp_Dimen" : "118.7 cm x 84.5 cm (46 3/4 in. x 33 1/4 in.)", "Disp_Height" : "118.7 cm", "Disp_Width" : "84.5 cm", "Dimen_Extent" : "panel", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Had Daniele Crespi enjoyed a longer career, and were his works not largely confined to Lombardy, he would be widely known as a master of the first order. He was without doubt the finest painter of the second generation of Baroque painting in Milan. In his paintings the willful deformation and troubling intensity of the school’s first generation have been subjected to a more disciplined sense of design and a more predictable language of expression, reflecting the lessons of recent Florentine painting as well as the emerging Bolognese academy. The resulting style is original in its staging but legible in its action and noble in its feeling. This is one of Crespi’s most important early pictures. The general composition and its compression of space into a single plane derive from a low-relief sculpture designed by Cerano for the façade of the church of San Paolo Converso in Milan. The intricate rhythms and the palette depend more on Giulio Cesare Procaccini, another major figure of the first generation who was Crespi’s principal inspiration if not actual teacher. But the incisive drawing of Saint Paul, the exact modeling of his forms, and the memorable enunciation of the drama announce the fact and direction of a distinctive language. The Suida-Manning Collection includes a second outstanding picture by Crespi, "Ecce Homo" of about two years later.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1060.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1060.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1060.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1060.tif", "IsPrimary" : "1", "_SurrogateID" : "2593", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16472, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16472", "Disp_Access_No" : "2017.1071", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Aurora", "Alt_Title" : "", "Obj_Title" : "Aurora", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Battista Crosato", "Sort_Artist" : "Crosato, Attributed to Giovanni Battista", "Disp_Dimen" : "27.1 cm x 36.4 cm (10 11/16 in. x 14 5/16 in.)", "Disp_Height" : "27.1 cm", "Disp_Width" : "36.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Not good enough to be in Venetian group (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1071.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1071.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1071.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1071.tif", "IsPrimary" : "1", "_SurrogateID" : "2599", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16482, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16482", "Disp_Access_No" : "2017.1109", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "The Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Paolo Farinati", "Sort_Artist" : "Farinati, Paolo", "Disp_Dimen" : "42.8 cm x 58 cm (16 7/8 in. x 22 13/16 in.)", "Disp_Height" : "42.8 cm", "Disp_Width" : "58 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening over black and lead white chalks on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening over black and lead white chalks on beige antique laid paper, laid down", "Info_Page_Comm" : "This drawing renders the vision of the Roman soldier Saul and his conversion to Christianity as a frieze of spectacular incident and stunning plasticity. This kind of arrangement, horizontal format with surging population, was typical of Farinati’s most imposing paintings. Here, dilated into a sweeping panorama and bound by sustained rhythms, the composition is especially dynamic and coherent. Similarly, the complicated surface, rich color, and elaborate finish are characteristic of Farinati’s preferred mode of drawing. This work reflects his latest graphic development, with relatively restrained heightening and varied washes animating the surface, even hinting at naturalism. So insistent in drawing but then so concentrated in pictorial effect, Farinati’s graphic style lent itself to the production of autonomous works for collectors. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1109.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1109.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1109.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1109.tif", "IsPrimary" : "1", "_SurrogateID" : "3359", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16922", "Disp_Access_No" : "2003.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1623", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1623", "Disp_Title" : "A Pupil of M. de Pluvinel Demonstrating an Equestrian Leap Before Louis XIII, from L'Instruction du Roy en L'Exercise de Monter a Cheval, by Antoine Pluvinel, second editiion, 1625", "Alt_Title" : "", "Obj_Title" : "A Pupil of M. de Pluvinel Demonstrating an Equestrian Leap Before Louis XIII, from L'Instruction du Roy en L'Exercise de Monter a Cheval, by Antoine Pluvinel, second editiion, 1625", "Series_Title" : "", "Disp_Maker_1" : "Crispijn de Passe II", "Sort_Artist" : "Passe II, Crispijn de", "Disp_Dimen" : "36.8 cm x 46.6 cm (14 1/2 in. x 18 3/8 in.)", "Disp_Height" : "36.8 cm", "Disp_Width" : "46.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.114.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.114.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.114.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.114.tif", "IsPrimary" : "1", "_SurrogateID" : "9351", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17006, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17006", "Disp_Access_No" : "2004.51", "_AccNumSort1" : "", "Disp_Create_DT" : "19th century reproduction", "_Disp_Start_Dat" : "19", "_Disp_End_Date" : "19", "Disp_Title" : "Horsemen in the Panathenaic Procession", "Alt_Title" : "", "Obj_Title" : "Horsemen in the Panathenaic Procession", "Series_Title" : "", "Disp_Maker_1" : "Circle of Pheidias", "Sort_Artist" : "Circle of Pheidias", "Disp_Dimen" : "106.7 cm x 142.25 cm (42 in. x 56 in.)", "Disp_Height" : "106.7 cm", "Disp_Width" : "142.25 cm", "Dimen_Extent" : "", "Medium" : "Painted plaster cast from original Slab IV of the West Frieze of the Parthenon, Pentelic marble, circa 440 BCE (Acropolis Museum, Athens)", "Support" : "", "Disp_Medium" : "Painted plaster cast from original Slab IV of the West Frieze of the Parthenon, Pentelic marble, circa 440 BCE (Acropolis Museum, Athens)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The William J. Battle Collection of Plaster Casts, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Greek", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.51.tif", "IsPrimary" : "1", "_SurrogateID" : "2236", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17007", "Disp_Access_No" : "2004.53", "_AccNumSort1" : "", "Disp_Create_DT" : "19th century reproduction", "_Disp_Start_Dat" : "19", "_Disp_End_Date" : "19", "Disp_Title" : "Horsemen in the Panathenaic Procession (Slab X)", "Alt_Title" : "", "Obj_Title" : "Horsemen in the Panathenaic Procession (Slab X)", "Series_Title" : "", "Disp_Maker_1" : "Circle of Pheidias", "Sort_Artist" : "Circle of Pheidias", "Disp_Dimen" : "106.7 cm x 134.6 cm (42 in. x 53 in.)", "Disp_Height" : "106.7 cm", "Disp_Width" : "134.6 cm", "Dimen_Extent" : "", "Medium" : "Painted plaster cast from original ", "Support" : "", "Disp_Medium" : "Painted plaster cast from original ", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The William J. Battle Collection of Plaster Casts, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Greek", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.53.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.53.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.53.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.53.tif", "IsPrimary" : "1", "_SurrogateID" : "2238", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17008, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17008", "Disp_Access_No" : "2004.52", "_AccNumSort1" : "", "Disp_Create_DT" : "19th century reproduction", "_Disp_Start_Dat" : "19", "_Disp_End_Date" : "19", "Disp_Title" : "Horsemen in the Panathenaic Procession (Slab VIII)", "Alt_Title" : "", "Obj_Title" : "Horsemen in the Panathenaic Procession (Slab VIII)", "Series_Title" : "", "Disp_Maker_1" : "Circle of Pheidias", "Sort_Artist" : "Circle of Pheidias", "Disp_Dimen" : "106.7 cm x 142.25 cm (42 in. x 56 in.)", "Disp_Height" : "106.7 cm", "Disp_Width" : "142.25 cm", "Dimen_Extent" : "", "Medium" : "Painted plaster cast from original ", "Support" : "", "Disp_Medium" : "Painted plaster cast from original ", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The William J. Battle Collection of Plaster Casts, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Greek", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.52.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.52.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.52.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.52.tif", "IsPrimary" : "1", "_SurrogateID" : "2237", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17017, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17017", "Disp_Access_No" : "2004.61", "_AccNumSort1" : "", "Disp_Create_DT" : "19th century reproduction", "_Disp_Start_Dat" : "19", "_Disp_End_Date" : "19", "Disp_Title" : "Man on Horseback", "Alt_Title" : "", "Obj_Title" : "Man on Horseback", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "68.6 cm x 58.4 cm x 10.2 cm (27 in. x 23 in. x 4 in.)", "Disp_Height" : "68.6 cm", "Disp_Width" : "58.4 cm", "Dimen_Extent" : "HWD", "Medium" : "Plaster cast from original Boiotian marble funerary (?) relief, circa 430 BCE (Vatican Museum, Rome)", "Support" : "", "Disp_Medium" : "Plaster cast from original Boiotian marble funerary (?) relief, circa 430 BCE (Vatican Museum, Rome)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The William J. Battle Collection of Plaster Casts, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Greek", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.61.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.61.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.61.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.61.tif", "IsPrimary" : "1", "_SurrogateID" : "2247", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17144, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17144", "Disp_Access_No" : "2004.97", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "Homeward Bound (The Race)", "Alt_Title" : "", "Obj_Title" : "Homeward Bound (The Race)", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hart Benton", "Sort_Artist" : "Benton, Thomas Hart", "Disp_Dimen" : "28.9 cm x 40.8 cm (11 3/8 in. x 16 1/16 in.)", "Disp_Height" : "28.9 cm", "Disp_Width" : "40.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Susan Garwood in memory of Sue Ann Reagan, 2004", "Copyright_Type" : "Case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.97.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.97.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.97.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2004.97.TIF", "IsPrimary" : "1", "_SurrogateID" : "10996", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17153, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17153", "Disp_Access_No" : "2004.106", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "February", "Alt_Title" : "", "Obj_Title" : "February", "Series_Title" : "", "Disp_Maker_1" : "Grant Wood", "Sort_Artist" : "Wood, Grant", "Disp_Dimen" : "30.3 cm x 40.4 cm (11 15/16 in. x 15 7/8 in.)", "Disp_Height" : "30.3 cm", "Disp_Width" : "40.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Wood produced a complex range of soft tone through tiny lines. Where the lines build up, he went back in and scratched away small highlights to invest the print with a flickering light. A stronger line in the foreground provides contrast, and Wood preserved the white of the sheet to evoke a fine line of snow on the barbed wire fence. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Susan Garwood in memory of Sue Ann Reagan, 2004", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.106.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.106.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.106.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.106.tif", "IsPrimary" : "1", "_SurrogateID" : "3678", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19447, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19447", "Disp_Access_No" : "2009.43", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1579", "_Disp_Start_Dat" : "1574", "_Disp_End_Date" : "1584", "Disp_Title" : "Calvary", "Alt_Title" : "", "Obj_Title" : "Calvary", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Fontana", "Sort_Artist" : "Fontana, Giovanni Battista", "Disp_Dimen" : "31.4 cm x 20.2 cm (12 3/8 in. x 7 15/16 in.)", "Disp_Height" : "31.4 cm", "Disp_Width" : "20.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Of the etchings of the school of Verona, Fontana’s are the most controlled in articulation, dense in description and suited to complex narrative. His subjects often correlate with the reasserted dogma and intensified devotion in the wake of the Council of Trent. Although signed on the face of the stone in the foreground, this print was only recently identified as his work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2009", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.43.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.43.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.43.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.43.tif", "IsPrimary" : "1", "_SurrogateID" : "7019", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17714, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17714", "Disp_Access_No" : "2004.213", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "Macbeth Meeting the Witches, after Francesco Zuccarelli", "Alt_Title" : "", "Obj_Title" : "Macbeth Meeting the Witches, after Francesco Zuccarelli", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "45.1 cm x 55.7 cm (17 3/4 in. x 21 15/16 in.)", "Disp_Height" : "45.1 cm", "Disp_Width" : "55.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of David C. T. Woollett, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.213.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.213.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.213.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2004.213.TIF", "IsPrimary" : "1", "_SurrogateID" : "9860", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19422, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19422", "Disp_Access_No" : "2009.25", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1545", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "The Fall of Phaeton, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Fall of Phaeton, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "49.4 cm x 33.3 cm (19 7/16 in. x 13 1/8 in.)", "Disp_Height" : "49.4 cm", "Disp_Width" : "33.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Michelangelo created three highly finished drawings of mythological subjects as gifts for Tommaso de’ Cavalieri, a young Roman nobleman with whom he had fallen in love. 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In this print, Prime Minister William Pitt commands the elements to destroy crops, specifically beer-brewing crops such as malt and hops, causing shortages and higher prices. 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E. 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Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 19680, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19680", "Disp_Access_No" : "2011.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1976 (1999)", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Progress II", "Alt_Title" : "", "Obj_Title" : "Progress II", "Series_Title" : "", "Disp_Maker_1" : "Luis Jiménez", "Sort_Artist" : "Jiménez, Luis", "Disp_Dimen" : "319.4 cm x 662.94 cm x 346 cm (125 3/4 in. x 261 in. x 136 1/4 in.)", "Disp_Height" : "319.4 cm", "Disp_Width" : "662.9 cm", "Dimen_Extent" : "HLW", "Medium" : "Fiberglass, resin and acrylic paint", "Support" : "", "Disp_Medium" : "Fiberglass, resin and acrylic paint", "Info_Page_Comm" : "Luis Jiménez’s sculptures, prints, and drawings view the history of the American West through the lens of personal and collective experience. 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