{ "objects" : [ { "embark_ID" : 4957, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4957", "Disp_Access_No" : "1986.87", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Franciscano o Fraile y el indio [Franciscan or Friar and Indian]", "Alt_Title" : " ", "Obj_Title" : "Franciscano o Fraile y el indio [Franciscan or Friar and Indian]", "Series_Title" : "", "Disp_Maker_1" : "José Clemente Orozco", "Sort_Artist" : "Orozco, José Clemente", "Disp_Dimen" : "40.4 cm x 29.1 cm (15 7/8 in. x 11 7/16 in.)", "Disp_Height" : "40.4 cm", "Disp_Width" : "29.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.87.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.87.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.87.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.87.tif", "IsPrimary" : "1", "_SurrogateID" : "1413", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5700, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5700", "Disp_Access_No" : "1982.1223", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "Yucatecas [Women of Yucatán]", "Alt_Title" : "Women of Yucatán", "Obj_Title" : "Yucatecas [Women of Yucatán]", "Series_Title" : "", "Disp_Maker_1" : "Alfredo Zalce", "Sort_Artist" : "Zalce, Alfredo", "Disp_Dimen" : "50.8 cm x 35.5 cm (20 in. x 14 in.)", "Disp_Height" : "50.8 cm", "Disp_Width" : "35.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1969; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1223.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1223.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1223.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1223.tif", "IsPrimary" : "1", "_SurrogateID" : "7061", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9295, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9295", "Disp_Access_No" : "1982.927", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1928", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1933", "Disp_Title" : "Los inditos [The Indigenous People]", "Alt_Title" : "", "Obj_Title" : "Los inditos [The Indigenous People]", "Series_Title" : "", "Disp_Maker_1" : "Justino Fernández", "Sort_Artist" : "Fernández, Justino", "Disp_Dimen" : "33.1 cm x 22.9 cm (13 1/16 in. x 9 in.)", "Disp_Height" : "33.1 cm", "Disp_Width" : "22.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut on thin orange paper", "Support" : "", "Disp_Medium" : "Woodcut on thin orange paper", "Info_Page_Comm" : "Known primarily as an art historian, Justino Fernández was also a philosopher and an artist. As a young man, he was sent by his family to the United States to avoid the dangers of the Mexican Revolution. When Fernández returned home to Mexico City in the early 1920s, the emergence of Mexican muralism greatly influenced his work. In this work, part of a series of expressive woodcuts printed on paper in different colors, Fernández shows how on all sides of the revolution, whole families became involved in the conflict. In “Los inditos,” the soldier dons the wide sombrero favored by the revolutionary followers of Zapata and the mother uses her shawl to carry her baby. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.927.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.927.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.927.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.927.tif", "IsPrimary" : "1", "_SurrogateID" : "6878", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10291, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10291", "Disp_Access_No" : "1982.908", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Pareja oaxaqueña [Oaxacan Couple]", "Alt_Title" : "Oaxacan Couple", "Obj_Title" : "Pareja oaxaqueña [Oaxacan Couple]", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "64.8 cm x 49.8 cm (25 1/2 in. x 19 5/8 in.)", "Disp_Height" : "64.8 cm", "Disp_Width" : "49.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Jesús Escobedo was a member of the Taller de Gráfica Popular [People’s Graphic Workshop], a socially engaged art collective. In this lithograph, the artist reflects on the growth pf urban Mexico in the 1930s and 1940s. As the population and the number of vehicles transporting them increased, so did the need for automatic traffic lights, which Mexico City began installing in the 1930s. Here Escobedo seems to contrast this conspicuous sign of modern living, the electric traffic light, with the appearance of an Indigenous couple, dressed in traditional clothes. The older rhythms of life seemed forever altered by a set of electric signs regulating their movements through the public space.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.908.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.908.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.908.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.908.tif", "IsPrimary" : "1", "_SurrogateID" : "7098", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11504, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11504", "Disp_Access_No" : "1982.988", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Danzantes [Dancers]", "Alt_Title" : "Dancers", "Obj_Title" : "Danzantes [Dancers]", "Series_Title" : "", "Disp_Maker_1" : "Fernando Leal", "Sort_Artist" : "Leal, Fernando", "Disp_Dimen" : "31.4 cm x 24 cm (12 3/8 in. x 9 7/16 in.)", "Disp_Height" : "31.4 cm", "Disp_Width" : "24 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.988.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.988.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.988.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.988.tif", "IsPrimary" : "1", "_SurrogateID" : "6809", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15067, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15067", "Disp_Access_No" : "1980.76", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "Cuauhtémoc", "Alt_Title" : "", "Obj_Title" : "Cuauhtémoc", "Series_Title" : "", "Disp_Maker_1" : "David Alfaro Siqueiros", "Sort_Artist" : "Siqueiros, David Alfaro", "Disp_Dimen" : "50.75 cm x 58.6 cm (20 in. x 23 1/16 in.)", "Disp_Height" : "50.75 cm", "Disp_Width" : "58.6 cm", "Dimen_Extent" : "Frame", "Medium" : "Pyroxylin", "Support" : "masonite", "Disp_Medium" : "Pyroxylin on masonite", "Info_Page_Comm" : "The tradition of narrative history painting experienced a renaissance during the 1920s following the Mexican Revolution. Here David Alfaro Siqueiros set his scene in 1521, when, during the conquest of the Aztec Empire, Hernán Cortés tortured the emperor Cuauhtémoc by burning his feet. Cuauhtémoc’s refusal to reveal the location of hidden Aztec wealth embodies indigenous resistance to colonization. The revolutionary Siqueiros treats the subject dramatically by using radical foreshortening, with fire in the foreground and the figure receding in space. Instead of oil paint he favored Pyroxylin, an industrial material utilized for painting cars. The combination of Mexican history, contemporary politics, and artistic experimentation makes this a characteristic work by Siqueiros. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "Approval on case by case basis.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Mexican", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.76.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.76.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.76.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.76.tif", "IsPrimary" : "1", "_SurrogateID" : "1191", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.76-date_of_view2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.76-date_of_view2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.76-date_of_view2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.76-date_of_view2.tif", "IsPrimary" : "0", "_SurrogateID" : "8637", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }