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", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.17.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.17.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.17.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.17.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2515", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14116", "Disp_Access_No" : "G1968.92", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Ream", "Alt_Title" : "", "Obj_Title" : "Ream", "Series_Title" : "", "Disp_Maker_1" : "Lee Lozano", "Sort_Artist" : "Lozano, Lee", "Disp_Dimen" : "198 x 244 cm (78 x 96 in.)", "Disp_Height" : "198 cm", "Disp_Width" : "244 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "From 1963 to 1964, Lee Lozano took hardware—screwdrivers, hammers, wrenches—as her pictorial focus. Here, Lozano takes a reamer (a device used to drill holes) as her subject. Ensconced in a male-dominated art world, Lozano preyed on the provocative connotations of tools to poke fun at the chauvinistic climate in which she found herself. The artist manipulated and anthropomorphized her subjects to imbue them with new (often humorous, sexualized) meaning. At the same time, the sci-fi quality of these mechanized images tapped into the popularity of science fiction at that time— in art historian Helen Molesworth’s words, we might think of Lozano’s tool paintings as “cyborg fantasies of a complete merger of body and machine.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1968", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.92.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.92.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.92.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.92.tif", "IsPrimary" : "1", "_SurrogateID" : "2383", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.92.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.92.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.92.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.92.mp3", "IsPrimary" : "0", "_SurrogateID" : "8449", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14142, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14142", "Disp_Access_No" : "G1968.66", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "UFOs #13", "Alt_Title" : "", "Obj_Title" : "UFOs #13", "Series_Title" : "", "Disp_Maker_1" : "Sidney Gross", "Sort_Artist" : "Gross, Sidney", "Disp_Dimen" : "168 cm x 183 cm (66 1/8 in. x 72 1/16 in.)", "Disp_Height" : "168 cm", "Disp_Width" : "183 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1968", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 14189, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14189", "Disp_Access_No" : "G1968.125", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "American Landscape", "Alt_Title" : "", "Obj_Title" : "American Landscape", "Series_Title" : "", "Disp_Maker_1" : "John Martin Tweddle", "Sort_Artist" : "Tweddle, John Martin", "Disp_Dimen" : "168 cm x 243 cm (66 1/8 in. x 95 11/16 in.)", "Disp_Height" : "168 cm", "Disp_Width" : "243 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In this painting, Tweddle transforms nature into a chaotic urban grid. By bisecting his canvas with a procession of crudely drawn cars, he provides a visual analogue for the manner in which industry has taken over the natural world. Through his frenzied composition, Tweddle offers a parody of U.S. society and its beliefs in the ideals of progress and industrialization.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1968", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.125.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.125.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.125.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.125.tif", "IsPrimary" : "1", "_SurrogateID" : "2328", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14225, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14225", "Disp_Access_No" : "G1964.27", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1955", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1960", "Disp_Title" : "After the Storm", "Alt_Title" : "", "Obj_Title" : "After the Storm", "Series_Title" : "", "Disp_Maker_1" : "Michael Frary", "Sort_Artist" : "Frary, Michael", "Disp_Dimen" : "122 cm x 152.3 cm (48 1/16 in. x 59 15/16 in.)", "Disp_Height" : "122 cm", "Disp_Width" : "152.3 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "Michael Frary spent the early part of his career working in the film industry in Los Angeles. In 1949, he moved to San Antonio, and then joined the faculty at The University of Texas Art Department in 1952. He held a full professorship from 1970 to 1989. His modernist style was strongly influenced by Cubism and Surrealism. Frary also had a keen eye for architecture, and loved to treat it with a blocky and reductive geometry, as he does here. Locally, he is best known for his watercolors and his devotion to the theme of the Texas landscape, as in his series Impressions of the The Big Thicket, Watercolors of the Rio Grande, and Impressions of the Texas Panhandle, each published as books by The University of Texas Press and Texas A&M University Press.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of D.D. Feldman, 1964", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.27.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.27.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.27.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.27.tif", "IsPrimary" : "1", "_SurrogateID" : "2300", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14230, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14230", "Disp_Access_No" : "G1964.22", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1958", "_Disp_Start_Dat" : "1953", "_Disp_End_Date" : "1963", "Disp_Title" : "Night Works", "Alt_Title" : "", "Obj_Title" : "Night Works", "Series_Title" : "", "Disp_Maker_1" : "Donald Leroy Weismann", "Sort_Artist" : "Weismann, Donald Leroy", "Disp_Dimen" : "73.9 cm x 140.3 cm (29 1/8 in. x 55 1/4 in.)", "Disp_Height" : "73.9 cm", "Disp_Width" : "140.3 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil on duck canvas", "Support" : "canvas", "Disp_Medium" : "Oil on duck canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift Of D.D. Feldman, 1964", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.22.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.22.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.22.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.22.tif", "IsPrimary" : "1", "_SurrogateID" : "4589", "Image_Type" : "Slide", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14235, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14235", "Disp_Access_No" : "G1964.18", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Oil Field Lights", "Alt_Title" : "", "Obj_Title" : "Oil Field Lights", "Series_Title" : "", "Disp_Maker_1" : "Stephen Thomas Rascoe", "Sort_Artist" : "Rascoe, Stephen Thomas", "Disp_Dimen" : "109.9 cm x 155.25 cm (43 1/4 in. x 61 1/8 in.)", "Disp_Height" : "109.9 cm", "Disp_Width" : "155.25 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift Of D.D. Feldman, 1964", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.18.tif", "IsPrimary" : "1", "_SurrogateID" : "5823", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14437, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14437", "Disp_Access_No" : "1991.327", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Across the Tracks", "Alt_Title" : "", "Obj_Title" : "Across the Tracks", "Series_Title" : "", "Disp_Maker_1" : "Niles Spencer", "Sort_Artist" : "Spencer, Niles", "Disp_Dimen" : "90.8 x 125.4 cm (35 3/4 x 49 3/8 in.)", "Disp_Height" : "90.8 cm", "Disp_Width" : "125.4 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "An industrial complex appears frozen in utter silence and stillness. In Across the Tracks, Niles Spencer presents an industrial scene composed of simple geometric forms deriving from the cylinder and cube. The artist has removed all that is superfluous, which, along with his application of monochromatic grays and browns, shortens the painting’s field of depth", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.327.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.327.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.327.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.327.tif", "IsPrimary" : "1", "_SurrogateID" : "1572", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14490, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14490", "Disp_Access_No" : "1991.260", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Flying Boxes", "Alt_Title" : "", "Obj_Title" : "Flying Boxes", "Series_Title" : "", "Disp_Maker_1" : "James McGarrell", "Sort_Artist" : "McGarrell, James", "Disp_Dimen" : "224.2 cm x 142.8 cm (88 1/4 in. x 56 1/4 in.)", "Disp_Height" : "224.2 cm", "Disp_Width" : "142.8 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 14500, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14500", "Disp_Access_No" : "1991.251", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Approaching Storm, Lane's Cove", "Alt_Title" : "", "Obj_Title" : "Approaching Storm, Lane's Cove", "Series_Title" : "", "Disp_Maker_1" : "Abraham Leon Kroll", "Sort_Artist" : "Kroll, Abraham Leon", "Disp_Dimen" : "66.8 cm x 107.4 cm (26 5/16 in. x 42 5/16 in.)", "Disp_Height" : "66.8 cm", "Disp_Width" : "107.4 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.251.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.251.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.251.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.251.tif", "IsPrimary" : "1", "_SurrogateID" : "1544", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14501, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14501", "Disp_Access_No" : "1991.250", "_AccNumSort1" : "", "Disp_Create_DT" : "1960", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1960", "Disp_Title" : "Captain and Crew", "Alt_Title" : "", "Obj_Title" : "Captain and Crew", "Series_Title" : "", "Disp_Maker_1" : "Karl Knaths", "Sort_Artist" : "Knaths, Karl", "Disp_Dimen" : "104.5 cm x 150.5 cm (41 1/8 in. x 59 1/4 in.)", "Disp_Height" : "104.5 cm", "Disp_Width" : "150.5 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.250.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.250.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.250.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.250.tif", "IsPrimary" : "1", "_SurrogateID" : "7340", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.250.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.250.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.250.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.250.mp3", "IsPrimary" : "0", "_SurrogateID" : "8507", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14620, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14620", "Disp_Access_No" : "1988.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Pursuit of Happiness", "Alt_Title" : "", "Obj_Title" : "Pursuit of Happiness", "Series_Title" : "", "Disp_Maker_1" : "Jane Dickson", "Sort_Artist" : "Dickson, Jane", "Disp_Dimen" : "175.26 cm x 312.4 cm (69 in. x 123 in.)", "Disp_Height" : "175.26 cm", "Disp_Width" : "312.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1988", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.8.tif", "IsPrimary" : "1", "_SurrogateID" : "6405", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14624, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14624", "Disp_Access_No" : "1988.4", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Ca-Lou, 1969: Firing the One O Six", "Alt_Title" : "", "Obj_Title" : "Ca-Lou, 1969: Firing the One O Six", "Series_Title" : "", "Disp_Maker_1" : "David Smith", "Sort_Artist" : "Smith, David", "Disp_Dimen" : "43.2 cm x 25.2 cm (17 in. x 9 15/16 in.)", "Disp_Height" : "43.2 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "Board", "Medium" : "Egg tempera, aluminum and gold leaf on board", "Support" : "Board", "Disp_Medium" : "Egg tempera, aluminum and gold leaf on board on Board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1988", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.4.tif", "IsPrimary" : "1", "_SurrogateID" : "6406", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14707, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14707", "Disp_Access_No" : "1986.38", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1935", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1940", "Disp_Title" : "Oil Well at Sunset", "Alt_Title" : "", "Obj_Title" : "Oil Well at Sunset", "Series_Title" : "", "Disp_Maker_1" : "James Brooks", "Sort_Artist" : "Brooks, James", "Disp_Dimen" : "51.2 cm x 66.4 cm (20 3/16 in. x 26 1/8 in.)", "Disp_Height" : "51.2 cm", "Disp_Width" : "66.4 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. and Mrs. Paul L. 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Smith III", "Sort_Artist" : "Smith III, Lee N.", "Disp_Dimen" : "177.8 cm x 152.7 cm (70 in. x 60 1/8 in.)", "Disp_Height" : "177.8 cm", "Disp_Width" : "152.7 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil on canvas with construction", "Support" : "canvas", "Disp_Medium" : "Oil on canvas with construction on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1985", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.166.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.166.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.166.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.166.tif", "IsPrimary" : "1", "_SurrogateID" : "1314", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14928, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14928", "Disp_Access_No" : "1984.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "Oil Field Girls", "Alt_Title" : "", "Obj_Title" : "Oil Field Girls", "Series_Title" : "", "Disp_Maker_1" : "Jerry Bywaters", "Sort_Artist" : "Bywaters, Jerry", "Disp_Dimen" : "75.3 cm x 62.2 cm (29 5/8 in. x 24 1/2 in.)", "Disp_Height" : "75.3 cm", "Disp_Width" : "62.2 cm", "Dimen_Extent" : "board", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "Though Jerry Bywaters enjoyed a long and multifaceted career as an artist, writer, critic, teacher, arts administrator, and museum director, he is best remembered today for his participation in the Dallas Nine, an enterprising group of young painters active in the 1930s who helped establish a regional artistic identity for Texas art. 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