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Huntington Museum Fund, 1981", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.47.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.47.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.47.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.47.tif", "IsPrimary" : "1", "_SurrogateID" : "9017", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2845, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2845", "Disp_Access_No" : "P1961.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "Descent from the Cross by Torchlight", "Alt_Title" : "", "Obj_Title" : "Descent from the Cross by Torchlight", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "21.3 cm x 16.5 cm (8 3/8 in. x 6 1/2 in.)", "Disp_Height" : "21.3 cm", "Disp_Width" : "16.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with drypoint", "Support" : "", "Disp_Medium" : "Etching with drypoint", "Info_Page_Comm" : "In this impression, the shadows are wearing thin and the contrasts are becoming stark. It retains little of the character of printing or the profundity of expression seen in the collection's extremely early impression of the same subject. 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Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.286.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.286.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.286.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.286.tif", "IsPrimary" : "1", "_SurrogateID" : "8395", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3959", "Disp_Access_No" : "2002.1294", "_AccNumSort1" : "", "Disp_Create_DT" : "1850", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1850", "Disp_Title" : "Christmas, or Folding the Last Sheep", "Alt_Title" : "", "Obj_Title" : "Christmas, or Folding the Last Sheep", "Series_Title" : "", "Disp_Maker_1" : "Samuel Palmer", "Sort_Artist" : "Palmer, Samuel", "Disp_Dimen" : "36.6 cm x 27.8 cm (14 7/16 in. x 10 15/16 in.)", "Disp_Height" : "36.6 cm", "Disp_Width" : "27.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Wood engraving", "Support" : "", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1294.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1294.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1294.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1294.tif", "IsPrimary" : "1", "_SurrogateID" : "5465", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4000, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4000", "Disp_Access_No" : "2000.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1860", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1860", "Disp_Title" : "Rotherhithe, from 16 Etchings or The Thames Set", "Alt_Title" : "", "Obj_Title" : "Rotherhithe, from 16 Etchings or The Thames Set", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "36.5 cm x 23.6 cm (14 3/8 in. x 9 5/16 in.)", "Disp_Height" : "36.5 cm", "Disp_Width" : "23.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "Shortly after settling in London in 1859, Whistler created his second series of etchings, the sixteen plates that would be published in 1871 as “The Thames Set”. 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Likely printed by Eugène Delâtre, a great exponent of individuality in impressions, it is perhaps the finest in existence. 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Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.1.216.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.1.216.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.1.216.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.1.216.TIF", "IsPrimary" : "1", "_SurrogateID" : "9381", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4201, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4201", "Disp_Access_No" : "1985.11", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1880-1883", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1883", "Disp_Title" : "The Homeward Star, from An English Version of the Eclogues of Virgil", "Alt_Title" : "", "Obj_Title" : "The Homeward Star, from An English Version of the Eclogues of Virgil", "Series_Title" : "", "Disp_Maker_1" : "Samuel Palmer", "Sort_Artist" : "Palmer, Samuel", "Disp_Dimen" : "20.7 cm x 31.6 cm (8 1/8 in. x 12 7/16 in.)", "Disp_Height" : "20.7 cm", "Disp_Width" : "31.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.11.tif", "IsPrimary" : "1", "_SurrogateID" : "5458", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4312, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4312", "Disp_Access_No" : "2000.82", "_AccNumSort1" : "", "Disp_Create_DT" : "1897", "_Disp_Start_Dat" : "1897", "_Disp_End_Date" : "1897", "Disp_Title" : "Incandescenza a Gas [Incandescent Light], plate 72 from Les Maîtres de l'affiche [The Masters of the Poster]", "Alt_Title" : "", "Obj_Title" : "Incandescenza a Gas [Incandescent Light], plate 72 from Les Maîtres de l'affiche [The Masters of the Poster]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Mataloni", "Sort_Artist" : "Mataloni, Giovanni", "Disp_Dimen" : "39.5 cm x 28.5 cm (15 9/16 in. x 11 1/4 in.)", "Disp_Height" : "39.5 cm", "Disp_Width" : "28.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Color Lithograph", "Support" : "", "Disp_Medium" : "Color Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of John S. and Patricia A. Corcoran, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.82.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.82.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.82.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.82.tif", "IsPrimary" : "1", "_SurrogateID" : "9025", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5115, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5115", "Disp_Access_No" : "1990.102", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Crowd, Century of Progress", "Alt_Title" : "", "Obj_Title" : "Crowd, Century of Progress", "Series_Title" : "", "Disp_Maker_1" : "Constance Forsyth", "Sort_Artist" : "Forsyth, Constance", "Disp_Dimen" : "44.5 cm x 29.3 cm (17 1/2 in. x 11 9/16 in.)", "Disp_Height" : "44.5 cm", "Disp_Width" : "29.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Robert Selby, 1990", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.102.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.102.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.102.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.102.tif", "IsPrimary" : "1", "_SurrogateID" : "6224", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5232, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5232", "Disp_Access_No" : "1982.869.1/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "El amor y el crimen [Love and Crime], from the portfolio Vida nocturna de la ciudad de México [Mexico City's Nightlife]", "Alt_Title" : "", "Obj_Title" : "El amor y el crimen [Love and Crime], from the portfolio Vida nocturna de la ciudad de México [Mexico City's Nightlife]", "Series_Title" : "", "Disp_Maker_1" : "José Chávez Morado", "Sort_Artist" : "Chávez Morado, José", "Disp_Dimen" : "23.5 cm x 19 cm (9 1/4 in. x 7 1/2 in.)", "Disp_Height" : "23.5 cm", "Disp_Width" : "19 cm", "Dimen_Extent" : "Sheet", "Medium" : "Linocut", "Support" : "", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "This work is part of a portfolio by José Chávez Morado dedicated to Mexico City’s nightlife. 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Far from a traditionally tranquil landscape, this modern view is emotive and dramatic. The tumultuous sea and predominantly dark tones suggest upheaval. 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"Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1974.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1974.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1974.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1974.tif", "IsPrimary" : "1", "_SurrogateID" : "5558", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13348, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13348", "Disp_Access_No" : "2002.2146.4/6", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1576", "_Disp_Start_Dat" : "1566", "_Disp_End_Date" : "1575", "Disp_Title" : "Daniel's Dream of the Four Animals, plate 4 from Story of Daniel, after Hans Vredeman de Vries", "Alt_Title" : "", "Obj_Title" : "Daniel's Dream of the Four Animals, plate 4 from Story of Daniel, after Hans Vredeman de Vries", "Series_Title" : "", "Disp_Maker_1" : "Jan and Lucas van Doetechum", "Sort_Artist" : "Doetechum, Jan and Lucas van", "Disp_Dimen" : "28 cm x 37.4 cm (11 in. x 14 3/4 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2146.4-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2146.4-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2146.4-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2146.4-6.tif", "IsPrimary" : "1", "_SurrogateID" : "8312", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13537, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13537", "Disp_Access_No" : "2002.2400", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Woman with Mousetrap and Boy with Candle at Window, after Gerard Dou", "Alt_Title" : "", "Obj_Title" : "Woman with Mousetrap and Boy with Candle at Window, after Gerard Dov", "Series_Title" : "", "Disp_Maker_1" : "Nicolaas Verkolje", "Sort_Artist" : "Verkolje, Nicolaas", "Disp_Dimen" : "29.8 cm x 23.4 cm (11 3/4 in. x 9 3/16 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "23.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2400.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2400.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2400.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2400.TIF", "IsPrimary" : "1", "_SurrogateID" : "9858", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13656, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13656", "Disp_Access_No" : "2002.2569", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Christ on the Mount of Olives, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Christ on the Mount of Olives, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Pieter de Bailliu, the elder", "Sort_Artist" : "Bailliu, the elder, Pieter de", "Disp_Dimen" : "32.4 cm x 27.1 cm (12 3/4 in. x 10 11/16 in.)", "Disp_Height" : "32.4 cm", "Disp_Width" : "27.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2569.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2569.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2569.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2569.tif", "IsPrimary" : "1", "_SurrogateID" : "5929", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14072, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14072", "Disp_Access_No" : "G1971.6.1", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1960", "_Disp_Start_Dat" : "1955", "_Disp_End_Date" : "1965", "Disp_Title" : "Day's End, from Cotton Series", "Alt_Title" : "", "Obj_Title" : "Day's End, from Cotton Series", "Series_Title" : "", "Disp_Maker_1" : "Merritt Mauzey", "Sort_Artist" : "Mauzey, Merritt", "Disp_Dimen" : "55.9 cm x 92.1 cm (22 in. x 36 1/4 in.)", "Disp_Height" : "55.9 cm", "Disp_Width" : "92.1 cm", "Dimen_Extent" : "Board", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the artist, 1971", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.6.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.6.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.6.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.6.1.tif", "IsPrimary" : "1", "_SurrogateID" : "9187", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14631, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14631", "Disp_Access_No" : "1988.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1968-1969", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1969", "Disp_Title" : "Exit", "Alt_Title" : "", "Obj_Title" : "Exit", "Series_Title" : "", "Disp_Maker_1" : "William Lewis Lester", "Sort_Artist" : "Lester, William Lewis", "Disp_Dimen" : "122.8 cm x 96.7 cm (48 3/8 in. x 38 1/16 in.)", "Disp_Height" : "122.8 cm", "Disp_Width" : "96.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the artist to the Office of the President, 1972; Transfer trom the Office of the President, 1988", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.11.tif", "IsPrimary" : "1", "_SurrogateID" : "6411", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14657, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14657", "Disp_Access_No" : "1987.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "American Air", "Alt_Title" : "", "Obj_Title" : "American Air", "Series_Title" : "", "Disp_Maker_1" : "John Bowman", "Sort_Artist" : "Bowman, John", "Disp_Dimen" : "183.2 cm x 243.9 cm (72 1/8 in. x 96 in.)", "Disp_Height" : "183.2 cm", "Disp_Width" : "243.9 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1987", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.21.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.21.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.21.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.21.tif", "IsPrimary" : "1", "_SurrogateID" : "6423", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14878, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14878", "Disp_Access_No" : "1984.93", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "Four Lights [Cuatro luces]", "Alt_Title" : "", "Obj_Title" : "Four Lights [Cuatro luces]", "Series_Title" : "", "Disp_Maker_1" : "Gustavo Ojeda", "Sort_Artist" : "Ojeda, Gustavo", "Disp_Dimen" : "157.5 cm x 127.6 cm (62 in. x 50 1/4 in.)", "Disp_Height" : "157.5 cm", "Disp_Width" : "127.6 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1984", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.93.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.93.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.93.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.93.tif", "IsPrimary" : "1", "_SurrogateID" : "3379", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16555, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16555", "Disp_Access_No" : "2002.2806", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with Shepherds by Moonlight", "Alt_Title" : "", "Obj_Title" : "Landscape with Shepherds by Moonlight", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Bernardino Bison", "Sort_Artist" : "Bison, Giuseppe Bernardino", "Disp_Dimen" : "32.1 cm x 23.4 cm (12 5/8 in. x 9 3/16 in.)", "Disp_Height" : "32.1 cm", "Disp_Width" : "23.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite", "Info_Page_Comm" : "In their open construction, sweeping rhythms, and fluid pen and brush, Bison’s drawings resemble and sometimes consciously imitate those of the great virtuosi of the past, especially Guercino and the Tiepolos. At the same time, his vague pastoral subjects and exaggeratedly poetic mood betray a fully Romantic temperament. Most of Bison’s many sheets, including another in the Suida-Manning Collection, were finished works of art intended for private collectors. Developed primarily through broad areas of wash, with the white of the paper suggesting the fall of moonlight upon a few important forms, this is an especially attractive sheet. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Art Acquisition Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2806.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2806.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2806.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2806.tif", "IsPrimary" : "1", "_SurrogateID" : "3074", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16035", "Disp_Access_No" : "2017.947", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1582-1600", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1600", "Disp_Title" : "The Holy Family with Saint Anne by a Fireplace", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Saint Anne by a Fireplace", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Orazio Cambiaso", "Sort_Artist" : "Cambiaso, Attributed to Orazio", "Disp_Dimen" : "22.6 cm x 29.8 cm (8 7/8 in. x 11 3/4 in.)", "Disp_Height" : "22.6 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This is an apocryphal scene from the infancy of Christ. Such charming, anecdotal variations were inspired by the popularity of Netherlandish genre paintings and conditioned by the Counter- Reformation’s imperative that religious imagery engage the viewer. In his late devotional paintings, Luca Cambiaso often used nocturnal settings to increase the sense of intimacy and mystery, and his late drawings include many versions of this subject. The combination of these elements in the present painting has led some to attribute the work to Cambiaso himself. Yet, the uncertain relation between the figures and the heavy touch indicate that it is instead the work of a close follower, possibly his son, Orazio", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.947.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.947.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.947.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.947.tif", "IsPrimary" : "1", "_SurrogateID" : "5988", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16096, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16096", "Disp_Access_No" : "2017.894", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1577", "_Disp_Start_Dat" : "1572", "_Disp_End_Date" : "1582", "Disp_Title" : "Sacrifice of Isaac", "Alt_Title" : "", "Obj_Title" : "Sacrifice of Isaac", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Bassano (Jacopo da Ponte)", "Sort_Artist" : "Bassano (Jacopo da Ponte), Jacopo", "Disp_Dimen" : "26.2 cm x 33.6 cm (10 5/16 in. x 13 1/4 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "33.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "On the grassy knoll of a mountain, Abraham prepares to carry out a divine order to sacrifice his son, Isaac, who kneels with his hands bound behind his back. Suddenly, an angel appears to stay Abraham’s knife-wielding hand, saying that God is satisfied by the proof of Abraham’s fear and reverence. Jacopo Bassano’s mastery of dynamic contours appears in the lively, varied lines of Abraham’s outstretched arm and the clouds and dark mountains echoing it. His expressive brushstrokes and his playful use of perspective, animated by the figures’ diverse postures, also demonstrate his confidence as a painter. This work is probably a copy of a background scene from Bassano’s popular series depicting the four seasons. To meet popular demand, the artist and his workshop created numerous versions of the series. In fact, previous scholarship suggested that this might be a fragment from a lost painting in the series. Close examination of the painting disproved this theory, however; the painting’s edges are mostly untouched and not cut from a larger canvas.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.894.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.894.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.894.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.894.tif", "IsPrimary" : "1", "_SurrogateID" : "2744", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16179, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16179", "Disp_Access_No" : "2017.1168", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1616-1617", "_Disp_Start_Dat" : "1616", "_Disp_End_Date" : "1617", "Disp_Title" : "Landscape with Tobias and the Angel", "Alt_Title" : "", "Obj_Title" : "Landscape with Tobias and the Angel", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "31 cm x 40.5 cm (12 3/16 in. x 15 15/16 in.)", "Disp_Height" : "31 cm", "Disp_Width" : "40.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "Archangel Raphael points to a great fish located at the painting’s bottom edge and instructs a surprised, bathing Tobias to seize it. Tobias, the son of the title character in the Book of Tobit, would later use the fish’s entrails to cure the blindness of his father and to dispel a demon tormenting his future wife, Sara. Guercino was a leading painter in the Bolognese school of the seventeenth century. He was known for his ability to communicate emotion through human gesture and expression. His talent for depicting contrasts in light also appears in the painting’s dark landscape lit by a setting sun, which echoes Tobias’ story of faith and revelation. This rare work is likely Guercino’s only landscape painting on copper to incorporate a religious narrative. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1168.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1168.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1168.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1168.tif", "IsPrimary" : "1", "_SurrogateID" : "2618", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16446, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16446", "Disp_Access_No" : "2017.1363", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Saint James the Greater at the Battle of Clavijo", "Alt_Title" : "", "Obj_Title" : "Saint James the Greater at the Battle of Clavijo", "Series_Title" : "", "Disp_Maker_1" : "Johann Heinrich Schönfeld", "Sort_Artist" : "Schönfeld, Johann Heinrich", "Disp_Dimen" : "99 cm x 127.8 cm (39 in. x 50 5/16 in.)", "Disp_Height" : "99 cm", "Disp_Width" : "127.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Mounted on a white stallion and clad in armor, James the Greater charges toward fleeing enemies. According to legend, James miraculously appeared at the fictional ninth-century Battle of Clavijo, where he helped the outnumbered Spaniards vanquish the Moors. For this reason, Saint James the Greater, or Santiago in Spanish, was venerated as the patron saint of Spain. The legend of the battle had a particular resonance in the sixteenth and seventeenth centuries, as the political and military conflict with the Ottoman Turks in the Mediterranean stoked European fear of Muslims. The red cross on the knight-saint’s breastplate is the insignia of the Order of Santiago, founded in the twelfth century to protect pilgrims to Santiago de Compostela, Spain, and to defend Christendom.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "German", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Title here needs to be changed. Likely Saint James. Shoul be Saint James Vanquishing the Moores? (FC:jb 5/13/15) Could be upstairs in a Northen European section, could be paired Needs a frame Quality, rarity make this 1 (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1363.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1363.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1363.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1363.tif", "IsPrimary" : "1", "_SurrogateID" : "4850", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16447, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16447", "Disp_Access_No" : "2017.1327", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1657-1659", "_Disp_Start_Dat" : "1657", "_Disp_End_Date" : "1659", "Disp_Title" : "The Martyrdom of Saint Catherine of Alexandria", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Catherine of Alexandria", "Series_Title" : "", "Disp_Maker_1" : "Mattia Preti", "Sort_Artist" : "Preti, Mattia", "Disp_Dimen" : "100.5 cm x 75 cm (39 9/16 in. x 29 1/2 in.)", "Disp_Height" : "100.5 cm", "Disp_Width" : "75 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting represents the moment just before Saint Catherine’s beheading. After the spiked wheels broke into pieces and failed to kill her, the executioner’s sword swings to end her life. As she looks up and prays, an angel descends to crown her with laurel and to give her the palm of martyrdom. The angle of foreshortening suggests that the image was to be viewed from below. This work served as an oil sketch for a painting of the same subject in the ceiling of the church of San Pietro a Maiella in Naples. Between mid-1657 and early 1659 Mattia Preti executed a series of five paintings that represent scenes from the life of Saint Catherine and another five from the life of Saint Peter Celestine, to whom the church is dedicated. For the final version in Naples, the artist departed from the composition in the Blanton’s painting: figures are added on the left, right, and bottom center, and the architectural background is minimized. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up but only raised about a foot, if too high we could lose details; should be raised with caution (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1327.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1327.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1327.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1327.tif", "IsPrimary" : "1", "_SurrogateID" : "2642", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17149, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17149", "Disp_Access_No" : "2004.102", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Corner Shadows", "Alt_Title" : "", "Obj_Title" : "Corner Shadows", "Series_Title" : "", "Disp_Maker_1" : "Martin Lewis", "Sort_Artist" : "Lewis, Martin", "Disp_Dimen" : "27.7 cm x 31 cm (10 7/8 in. x 12 3/16 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "31 cm", "Dimen_Extent" : "sheet", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint and sand ground", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Susan Garwood in memory of Sue Ann Reagan, 2004", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.102.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.102.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.102.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.102.tif", "IsPrimary" : "1", "_SurrogateID" : "8955", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19439, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19439", "Disp_Access_No" : "2009.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1612", "_Disp_Start_Dat" : "1612", "_Disp_End_Date" : "1612", "Disp_Title" : "Jupiter and Mercury in the House of Philemon and Baucis, after Adam Elsheimer", "Alt_Title" : "", "Obj_Title" : "Jupiter and Mercury in the House of Philemon and Baucis, after Adam Elsheimer", "Series_Title" : "", "Disp_Maker_1" : "Hendrik Goudt", "Sort_Artist" : "Goudt, Hendrik", "Disp_Dimen" : "21.6 cm x 23 cm (8 1/2 in. x 9 1/16 in.)", "Disp_Height" : "21.6 cm", "Disp_Width" : "23 cm", "Dimen_Extent" : "", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, by exchange, 2009", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.33.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.33.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.33.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.33.tif", "IsPrimary" : "1", "_SurrogateID" : "5576", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19424, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19424", "Disp_Access_No" : "2009.27", "_AccNumSort1" : "", "Disp_Create_DT" : "2008", "_Disp_Start_Dat" : "2008", "_Disp_End_Date" : "2008", "Disp_Title" : "Fortuna 7 (Orion, Taurus, Gemini, Auriga, Monoceros)", "Alt_Title" : "", "Obj_Title" : "Fortuna 7 (Orion, Taurus, Gemini, Auriga, Monceros)", "Series_Title" : "", "Disp_Maker_1" : "Pablo Vargas Lugo", "Sort_Artist" : "Vargas Lugo, Pablo", "Disp_Dimen" : "223.5 cm x 152.4 cm x 7.6 cm (88 in. x 60 in. x 3 in.)", "Disp_Height" : "223.5 cm", "Disp_Width" : "152.4 cm", "Dimen_Extent" : "frame", "Medium" : "Felt, ink, and coins", "Support" : "wood", "Disp_Medium" : "Felt, ink, and coins on wood", "Info_Page_Comm" : ""Fortuna 7" is a map of the constellations Orion, Taurus, Gemini, Auriga, and Monoceros, where the stars that comprise these groups in the night sky are represented by coins featuring stars. Pablo Vargas Lugo selected coins from different countries and time periods so that their relative sizes would correspond to the sizes of the stars themselves. Vargas Lugo seeks to emphasize the intimate relationship between natural objects that are millions of years old, and political and historical aspirations that are ephemeral. According to the artist, this is a common operation, “using the mountain, the ocean or the sun, and appropriating them as part of a symbolic language inscribed in a political order, so as to grant a fictitious permanence to an ideological system.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Susman Collection, 2009", "Copyright_Type" : "", "Disp_Obj_Type" : "construction", "Creation_Place2" : "Mexican", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.27.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.27.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.27.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.27.tif", "IsPrimary" : "1", "_SurrogateID" : "6505", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19299, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19299", "Disp_Access_No" : "2008.150", "_AccNumSort1" : "", "Disp_Create_DT" : "2008", "_Disp_Start_Dat" : "2008", "_Disp_End_Date" : "2008", "Disp_Title" : "PASSED OUT", "Alt_Title" : "", "Obj_Title" : "Passed Out", "Series_Title" : "", "Disp_Maker_1" : "Kim Dorland", "Sort_Artist" : "Dorland, Kim", "Disp_Dimen" : "90.2 cm x 121.9 cm (35 1/2 in. x 48 in.)", "Disp_Height" : "90.2 cm", "Disp_Width" : "121.9 cm", "Dimen_Extent" : "panel", "Medium" : "Oil and acrylic", "Support" : "wood", "Disp_Medium" : "Oil and acrylic on wood", "Info_Page_Comm" : "Dorland’s paintings draw from his own upbringing in small-town Alberta to reveal the unexpected beauty and sordid underside of suburban life. Combining an array of painting techniques, Passed Out depicts a group of adolescent boys in an empty parking lot. The surrounding buildings are painted in a heavy gray impasto that emphasizes their dull, monotonous forms and contrasts with the flat application of paint that renders the sky and pavement. Faceless figures bear unexpected hot pink haloes, an effect of Dorland’s underpainting that separates the group from its otherwise nondescript setting. Two teens stand above a third, sprawled on the cement, while another stands off to the side. Although their activities are concealed, the mischievous nature of their conduct is clear. Dorland’s investigation affirms the re-emergence of narrative as subject matter and displays a rich and nuanced understanding of the language of painting.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Houston Endowment, Inc., in honor of Melissa Jones, 2008", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Canadian", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.150.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.150.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.150.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.150.tif", "IsPrimary" : "1", "_SurrogateID" : "8786", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19656, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19656", "Disp_Access_No" : "2011.32", "_AccNumSort1" : "", "Disp_Create_DT" : "2007", "_Disp_Start_Dat" : "2007", "_Disp_End_Date" : "2007", "Disp_Title" : "El otro, el mismo - No. IV", "Alt_Title" : "", "Obj_Title" : "El otro, el mismo - No. IV", "Series_Title" : "", "Disp_Maker_1" : "Francisco Souto", "Sort_Artist" : "Souto, Francisco", "Disp_Dimen" : "57.2 cm x 78.5 cm (22 1/2 in. x 30 7/8 in.)", "Disp_Height" : "57.2 cm", "Disp_Width" : "78.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint on two plates and screenprint", "Support" : "", "Disp_Medium" : "Mezzotint on two plates and screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Transfer from the Guest Artists in Printmaking Program, Art Department, The University of Texas at Austin, 2011", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Venezuelan", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2011.32.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2011.32.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2011.32.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2011.32.tif", "IsPrimary" : "1", "_SurrogateID" : "8838", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19658, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19658", "Disp_Access_No" : "2011.34", "_AccNumSort1" : "", "Disp_Create_DT" : "2007", "_Disp_Start_Dat" : "2007", "_Disp_End_Date" : "2007", "Disp_Title" : "El otro, el mismo - No. VI", "Alt_Title" : "", "Obj_Title" : "El otro, el mismo - No. VI", "Series_Title" : "", "Disp_Maker_1" : "Francisco Souto", "Sort_Artist" : "Souto, Francisco", "Disp_Dimen" : "57.3 cm x 79.2 cm (22 9/16 in. x 31 3/16 in.)", "Disp_Height" : "57.3 cm", "Disp_Width" : "79.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint on three plates and screenprint", "Support" : "", "Disp_Medium" : "Mezzotint on three plates and screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Transfer from the Guest Artists in Printmaking Program, Art Department, The University of Texas at Austin, 2011", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Venezuelan", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2011.34.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2011.34.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2011.34.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2011.34.tif", "IsPrimary" : "1", "_SurrogateID" : "8840", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23185, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23185", "Disp_Access_No" : "2017.265", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "El Canto de Quetzalcoatl", "Alt_Title" : "", "Obj_Title" : "El Canto de Quetzalcoatl", "Series_Title" : "", "Disp_Maker_1" : "Manuel C. Alcalá", "Sort_Artist" : "Alcalá, Manuel C.", "Disp_Dimen" : "97 x 76.3 cm (38 3/16 x 30 1/16 in.)", "Disp_Height" : "97 cm", "Disp_Width" : "76.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.265-crop.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.265-crop.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.265-crop.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.265-crop.tif", "IsPrimary" : "1", "_SurrogateID" : "20660", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.265.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.265.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.265.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.265.tif", "IsPrimary" : "0", "_SurrogateID" : "20661", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23204, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23204", "Disp_Access_No" : "2017.285", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1992", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1997", "Disp_Title" : "Night Vision", "Alt_Title" : "", "Obj_Title" : "Night Vision", "Series_Title" : "", "Disp_Maker_1" : "Patricia Ancona Ha", "Sort_Artist" : "Ancona Ha, Patricia", "Disp_Dimen" : "71.5 x 50.9 cm (28 1/8 x 20 1/16 in.)", "Disp_Height" : "71.5 cm", "Disp_Width" : "50.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "Inspired by ancient representations of Maya rulers, Patricia Ancona Ha depicted a female figure, seated crossed-legged on an altar or stone dais that is decorated with hieroglyphs in the style of Maya script. Around her body twists a dragon-headed vision serpent, a symbol of communication with deceased ancestors who are summoned for their wise advice. The Maya achieved a hallucinogenic vision of the snake through a ritual process involving fasting and bloodletting. Here, the mysterious quality of the vision is enhanced by the nocturnal setting under the light of a crescent moon. During the 1970s and ’80s, advances in Mesoamerican scholarship facilitated Chicanx artists’ access to the art and culture of the Ancient Americas.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.285-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.285-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.285-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.285-Sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "19184", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23257, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23257", "Disp_Access_No" : "2017.340", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "The Struggle", "Alt_Title" : "", "Obj_Title" : "The Struggle", "Series_Title" : "", "Disp_Maker_1" : "Sam Z. 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In "Dando gracias", he quotes a well-known Maya carved relief from Yaxchilan, in Chiapas, Mexico. In the relief, Lady Xook is in the hallucinatory stage of a bloodletting ritual, in which she conjures a vision serpent that is in turn bringing forth an ancestor. Limőn transformed the image by grounding it in the landscape of the Southwest. 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