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Johnson, 1980", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "French (?)", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 432, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/432", "Disp_Access_No" : "1980.124.5/10", "_AccNumSort1" : "", "Disp_Create_DT" : "1979", "_Disp_Start_Dat" : "1979", "_Disp_End_Date" : "1979", "Disp_Title" : "Lincoln Center/Dusk, from Cityscapes", "Alt_Title" : "", "Obj_Title" : "Lincoln Center/Dusk, from Cityscapes", "Series_Title" : "", "Disp_Maker_1" : "Fran Bull", "Sort_Artist" : "Bull, Fran", "Disp_Dimen" : "55.9 cm x 75.9 cm (22 in. x 29 7/8 in.)", "Disp_Height" : "55.9 cm", "Disp_Width" : "75.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Arthur W. 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Johnson, 1980", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 434, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/434", "Disp_Access_No" : "1980.124.7/10", "_AccNumSort1" : "", "Disp_Create_DT" : "1979", "_Disp_Start_Dat" : "1979", "_Disp_End_Date" : "1979", "Disp_Title" : "New York Skyline, from Cityscapes", "Alt_Title" : "", "Obj_Title" : "New York Skyline, from Cityscapes", "Series_Title" : "", "Disp_Maker_1" : "H.N. Han", "Sort_Artist" : "Han, H.N.", "Disp_Dimen" : "56 cm x 75.9 cm (22 1/16 in. x 29 7/8 in.)", "Disp_Height" : "56 cm", "Disp_Width" : "75.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Arthur W. 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Johnson, 1980", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 436, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/436", "Disp_Access_No" : "1980.124.9/10", "_AccNumSort1" : "", "Disp_Create_DT" : "1979", "_Disp_Start_Dat" : "1979", "_Disp_End_Date" : "1979", "Disp_Title" : "Night-Times Square, from Cityscapes", "Alt_Title" : "", "Obj_Title" : "Night-Times Square, from Cityscapes", "Series_Title" : "", "Disp_Maker_1" : "Noel Mahaffey", "Sort_Artist" : "Mahaffey, Noel", "Disp_Dimen" : "55.9 cm x 75.9 cm (22 in. x 29 7/8 in.)", "Disp_Height" : "55.9 cm", "Disp_Width" : "75.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Arthur W. 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J.", "Disp_Dimen" : "55.9 cm x 67.3 cm (22 in. x 26 1/2 in.)", "Disp_Height" : "55.9 cm", "Disp_Width" : "67.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Arthur W. Johnson, 1980", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 440, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/440", "Disp_Access_No" : "2002.1875", "_AccNumSort1" : "", "Disp_Create_DT" : "1881", "_Disp_Start_Dat" : "1881", "_Disp_End_Date" : "1881", "Disp_Title" : "Troisième Journée: Théâtre dressé. 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They provided ample space and a glorious backdrop for royal celebrations such as fêtes, grand events that usually lasted several days. Some of the most elaborate installations at Versailles were temporary, built for special events such as the 1664 fête “Les plaisirs de l’île enchantée” or “The pleasures of the enchanted isle.” This fête was documented in a series of commemorative prints. This example shows one of the elaborate temporary stage sets commissioned by the king. It was used for a ballet performance and was erected in a large basin known as the Estang. Only the best and most ingenious design was tolerated for such a royal event and clever devices such as the three sea monsters floating in the basin were among the attractions.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1875.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1875.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1875.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1875.tif", "IsPrimary" : "1", "_SurrogateID" : "6923", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 476, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/476", "Disp_Access_No" : "1982.1341", "_AccNumSort1" : "", "Disp_Create_DT" : "1897", "_Disp_Start_Dat" : "1897", "_Disp_End_Date" : "1897", "Disp_Title" : "La Phalène des Iles de la Mer [The Geometer Moth from the Islands of the Sea], from L'Estampe moderne [The Modern Print]", "Alt_Title" : "", "Obj_Title" : "La Phalène des Iles de la Mer [The Geometer Moth from the Islands of the Sea], from L'Estampe moderne [The Modern Print]", "Series_Title" : "", "Disp_Maker_1" : "Franz-Marie-Joseph Melchers", "Sort_Artist" : "Melchers, Franz-Marie-Joseph", "Disp_Dimen" : "40.7 cm x 30.5 cm (16 in. x 12 in.)", "Disp_Height" : "40.7 cm", "Disp_Width" : "30.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Color lithograph (lithotint)", "Support" : "", "Disp_Medium" : "Color lithograph (lithotint)", "Info_Page_Comm" : "Published in L'Estampe moderne, Numéro 8, décembre 1897", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1977", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings; 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Parasol Press conceived of the portfolio as an inexpensive and easily reproducible group of prints by well-known and emerging artists that would entice new and established collectors. In collaboration with The Museum of Modern Art, Parasol Press sold the portfolios for $100 each.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1977", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.650.2-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.650.2-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.650.2-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.650.2-12.tif", "IsPrimary" : "1", "_SurrogateID" : "11362", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 525, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/525", "Disp_Access_No" : "G1964.1.133", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "La Nuit, after Noël-Joseph Blaisot", "Alt_Title" : "", "Obj_Title" : "La Nuit, after Noël-Joseph Blaisot", "Series_Title" : "", "Disp_Maker_1" : "Emile-Joseph Renard", "Sort_Artist" : "Renard, Emile-Joseph", "Disp_Dimen" : "39.35 cm x 26.7 cm (15 1/2 in. x 10 1/2 in.)", "Disp_Height" : "39.35 cm", "Disp_Width" : "26.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 577, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/577", "Disp_Access_No" : "1980.66.4/27", "_AccNumSort1" : "", "Disp_Create_DT" : "1912", "_Disp_Start_Dat" : "1912", "_Disp_End_Date" : "1912", "Disp_Title" : "Der Seufzerstein [The Sighing Stone], from Der tote Tag [The Dead Day] ", "Alt_Title" : "", "Obj_Title" : "Der Seufzerstein [The Sighing Stone], from Der tote Tag [The Dead Day] ", "Series_Title" : "", "Disp_Maker_1" : "Ernst Barlach", "Sort_Artist" : "Barlach, Ernst", "Disp_Dimen" : "51.4 cm x 67.3 cm (20 1/4 in. x 26 1/2 in.)", "Disp_Height" : "51.4 cm", "Disp_Width" : "67.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Folder 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Lobanov, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1974, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1974", "Disp_Access_No" : "G1964.1.146", "_AccNumSort1" : "", "Disp_Create_DT" : "1878", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1878", "Disp_Title" : "Westminister Abbey", "Alt_Title" : "", "Obj_Title" : "Westminister Abbey", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "42.8 cm x 28.9 cm (16 7/8 in. x 11 3/8 in.)", "Disp_Height" : "42.8 cm", "Disp_Width" : "28.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1979", "Disp_Access_No" : "G1964.1.147", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Thames Sailing Club, Hammersmith", "Alt_Title" : "", "Obj_Title" : "Thames Sailing Club, Hammersmith", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "24.75 cm x 32.7 cm (9 3/4 in. x 12 7/8 in.)", "Disp_Height" : "24.75 cm", "Disp_Width" : "32.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2029, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2029", "Disp_Access_No" : "P1961.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1504", "_Disp_Start_Dat" : "1504", "_Disp_End_Date" : "1504", "Disp_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.5 cm x 20.6 cm (11 5/8 in. x 8 1/8 in.)", "Disp_Height" : "29.5 cm", "Disp_Width" : "20.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.8.tif", "IsPrimary" : "1", "_SurrogateID" : "4811", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2035", "Disp_Access_No" : "1980.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1511", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1511", "Disp_Title" : "Madonna with the Pear", "Alt_Title" : "", "Obj_Title" : "Madonna with the Pear", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "15.9 cm x 10.6 cm (6 1/4 in. x 4 3/16 in.)", "Disp_Height" : "15.9 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Dürer returned to the theme of the Virgin and Child throughout his career. 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Ostendorfer represents the statue of the Virgin and Child being adored by a crowd of pilgrims. He accentuates the extreme practices of the pilgrims who visited this site, showing figures throwing themselves against the base of the Virgin’s statue or prostrating themselves before her. Unlike A Devotional Virgin, this print can be seen as an expression of Reformation ideology in its condemnation of the worship of saints by Catholics.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2333.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2333.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2333.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2333.tif", "IsPrimary" : "1", "_SurrogateID" : "9036", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2108, "URL" : 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"Images": [ ] },{ "embark_ID" : 2157, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2157", "Disp_Access_No" : "2002.1695", "_AccNumSort1" : "", "Disp_Create_DT" : "1549", "_Disp_Start_Dat" : "1549", "_Disp_End_Date" : "1549", "Disp_Title" : "Aqua Claudia Arch, from the Speculum Romanae Magnificentiae [Mirror of Roman Magnificence]", "Alt_Title" : "", "Obj_Title" : "Aqua Claudia Arch, from the Speculum Romanae Magnificentiae [Mirror of Roman Magnificence]", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "36.3 cm x 48 cm (14 5/16 in. x 18 7/8 in.)", "Disp_Height" : "36.3 cm", "Disp_Width" : "48 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian (?)", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2163, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2163", "Disp_Access_No" : "1989.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1551", "_Disp_Start_Dat" : "1551", "_Disp_End_Date" : "1551", "Disp_Title" : "Ruins of the Temple of Peace, from Praecipua Aliquot Romanae Antiquitatis Ruinarum Monimenta [Some Excellent Monuments of Ancient Roman Ruins]", "Alt_Title" : "", "Obj_Title" : "Ruins of the Temple of Peace, from Praecipua Aliquot Romanae Antiquitatis Ruinarum Monimenta [Some Excellent Monuments of Ancient Roman Ruins]", "Series_Title" : "", "Disp_Maker_1" : "Hieronymus Cock", "Sort_Artist" : "Cock, Hieronymus", "Disp_Dimen" : "30.6 cm x 39.2 cm (12 1/16 in. x 15 7/16 in.)", "Disp_Height" : "30.6 cm", "Disp_Width" : "39.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1989", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.63.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.63.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.63.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.63.tif", "IsPrimary" : "1", "_SurrogateID" : "4627", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2170, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2170", "Disp_Access_No" : "2000.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1554", "_Disp_Start_Dat" : 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service to the Medici with etchings of inventions by Giulio Parigi, the court festival designer. 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Later he would employ a hard ground and special needles to endow his plates with the noble appearance of engraving, whether they were elevated to commemorate or popular to entertain.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.562.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.562.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.562.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.562.tif", "IsPrimary" : "1", "_SurrogateID" : "2063", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2471, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2471", "Disp_Access_No" : "1995.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1616", "_Disp_Start_Dat" : "1616", "_Disp_End_Date" : "1616", "Disp_Title" : "Ruins of a Castle Surrounded by a Moat, from Amenissimae Aliquot Regiunculae [Some Very Pleasant Localities]", "Alt_Title" : "", "Obj_Title" : "Ruins of a Castle Surrounded by a Moat, from Amenissimae Aliquot Regiunculae [Some Very Pleasant Localities]", "Series_Title" : "", "Disp_Maker_1" : "Jan van de Velde II", "Sort_Artist" : "Velde II, Jan van de", "Disp_Dimen" : "17.9 cm x 26.2 cm (7 1/16 in. x 10 5/16 in.)", "Disp_Height" : "17.9 cm", "Disp_Width" : "26.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2552, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2552", "Disp_Access_No" : "2002.113", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Fountain in the Piazza Barberini, from Fontane Diverse di Roma", "Alt_Title" : "", "Obj_Title" : "The Fountain in the Piazza Barberini, from Fontane Diverse di Roma", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Maggi", "Sort_Artist" : "Maggi, Giovanni", "Disp_Dimen" : "21.9 cm x 17 cm (8 5/8 in. x 6 11/16 in.)", "Disp_Height" : "21.9 cm", "Disp_Width" : "17 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "All figures come from Jacques Callot''s "Capricci di varie figure," which will be included in the show. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.113_Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.113_Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.113_Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.113_Sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "17725", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2564, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2564", "Disp_Access_No" : "2002.1722", "_AccNumSort1" : "", "Disp_Create_DT" : "1628", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1628", "Disp_Title" : "Compartment of the Sistine Ceiling with the Libica Sibyl and the Prophet Daniel, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Compartment of the Sistine Ceiling with the Libica Sibyl and the Prophet Daniel, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Cherubino Alberti", "Sort_Artist" : "Alberti, Cherubino", "Disp_Dimen" : "40.1 cm x 54.3 cm (15 13/16 in. x 21 3/8 in.)", "Disp_Height" : "40.1 cm", "Disp_Width" : "54.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1722.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1722.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1722.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1722.tif", "IsPrimary" : "1", "_SurrogateID" : "4137", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2567, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2567", "Disp_Access_No" : "2002.2482", "_AccNumSort1" : "", "Disp_Create_DT" : "1628", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1628", "Disp_Title" : "Ruins of Assemburg Castle", "Alt_Title" : "", "Obj_Title" : "Ruins of Assemburg Castle", "Series_Title" : "", "Disp_Maker_1" : "Pieter Jansz. Saenredam", "Sort_Artist" : "Saenredam, Pieter Jansz.", "Disp_Dimen" : "13.5 cm x 16.1 cm (5 5/16 in. x 6 5/16 in.)", "Disp_Height" : "13.5 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2482.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2482.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2482.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2482.tif", "IsPrimary" : "1", "_SurrogateID" : "1953", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2568, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2568", "Disp_Access_No" : "2002.104", "_AccNumSort1" : "", "Disp_Create_DT" : "1629", "_Disp_Start_Dat" : "1629", "_Disp_End_Date" : "1629", "Disp_Title" : "Dictio al Palazo di Madama [The So-Called Palazzo Madama] from Alcune Vedute Prospettive di Luoghi Dishabitati di Rome [Some Perspectival Views of Uninhabited Places in Rome]", "Alt_Title" : "", "Obj_Title" : "Dictio al Palazo di Madama [The So-Called Palazzo Madama] from Alcune Vedute Prospettive di Luoghi Dishabitati di Rome [Some Perspectival Views of Uninhabited Places in Rome]", "Series_Title" : "Alcune Vedute Prospettive di Luoghi Dishabitati di Rome [Some Perspectival Views", "Disp_Maker_1" : "Giovanni Battista Mercati", "Sort_Artist" : "Mercati, Giovanni Battista", "Disp_Dimen" : "9.8 cm x 13.1 cm (3 7/8 in. x 5 3/16 in.)", "Disp_Height" : "9.8 cm", "Disp_Width" : "13.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.104.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.104.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.104.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.104.tif", "IsPrimary" : "1", "_SurrogateID" : "1754", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2611, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2611", "Disp_Access_No" : "1993.4.6/16", "_AccNumSort1" : "", "Disp_Create_DT" : "1632", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1632", "Disp_Title" : "Martyre de S. 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Huntington Museum Fund, 1993", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.4.6-16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.4.6-16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.4.6-16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.4.6-16.tif", "IsPrimary" : "1", "_SurrogateID" : "7470", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2614, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2614", "Disp_Access_No" : "1993.4.9/16", "_AccNumSort1" : "", "Disp_Create_DT" : "1632", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1632", "Disp_Title" : "Martyre de S. 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Huntington Museum Fund, 1993", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.4.9-16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.4.9-16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.4.9-16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.4.9-16.tif", "IsPrimary" : "1", "_SurrogateID" : "7473", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2615, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2615", "Disp_Access_No" : "1993.4.10/16", "_AccNumSort1" : "", "Disp_Create_DT" : "1632", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1632", "Disp_Title" : "Martyre de S. 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Huntington Museum Fund, 1993", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.4.16-16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.4.16-16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.4.16-16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.4.16-16.tif", "IsPrimary" : "1", "_SurrogateID" : "7480", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2633, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2633", "Disp_Access_No" : "2000.13.4/18", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "La Maraude [The Looting], from Les Grandes misères de la guerre [The Great Miseries of War]", "Alt_Title" : "", "Obj_Title" : "La Maraude [The Looting], from Les Grandes misères de la guerre [The Great Miseries of War]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "18.5 cm x 28.5 cm (7 5/16 in. x 11 1/4 in.)", "Disp_Height" : "18.5 cm", "Disp_Width" : "28.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Miseries of War is Callot’s most famous series and a monument in the history of printmaking. 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These include not only nobles enjoying a stroll in the gardens but also numerous gardeners and their assistants going about their daily chores.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.578.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.578.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.578.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.578.tif", "IsPrimary" : "1", "_SurrogateID" : "6920", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3132", "Disp_Access_No" : "2002.579", "_AccNumSort1" : "", "Disp_Create_DT" : "published by Langlois in 1704", "_Disp_Start_Dat" : "1704", "_Disp_End_Date" : "1704", "Disp_Title" : "La Salle des Festins, Versailles", "Alt_Title" : "", "Obj_Title" : "La Salle des Festins, Versailles", "Series_Title" : "", "Disp_Maker_1" : "Adam Perelle", "Sort_Artist" : "Perelle, Adam", "Disp_Dimen" : "31 cm x 41.1 cm (12 3/16 in. x 16 3/16 in.)", "Disp_Height" : "31 cm", "Disp_Width" : "41.1 cm", "Dimen_Extent" : "", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "A bosquet is essentially an outdoor room, open to the sky, with walls of carefully trimmed hedges or trees. 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Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.1.132.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.1.132.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.1.132.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.1.132.tif", "IsPrimary" : "1", "_SurrogateID" : "6211", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3224, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3224", "Disp_Access_No" : "P1963.4.48/178", "_AccNumSort1" : "", "Disp_Create_DT" : "1729", "_Disp_Start_Dat" : "1729", "_Disp_End_Date" : "1729", "Disp_Title" : "Facade of a Church, after Raphael, plate 48 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Croza", "Alt_Title" : "", "Obj_Title" : "Facade of a Church, after Raphael, plate 48 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Anne-Claude-Philippe de Tubieres, called Comte De Comte de Caylus", "Sort_Artist" : "Comte de Caylus, Anne-Claude-Philippe de Tubieres, called Comte De", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching in brown ink", "Support" : "", "Disp_Medium" : "Etching in brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3230, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3230", "Disp_Access_No" : "P1963.4.54/178", "_AccNumSort1" : "", "Disp_Create_DT" : "1729", "_Disp_Start_Dat" : "1729", "_Disp_End_Date" : "1729", "Disp_Title" : "The Siege of Carthage, after Giulio Romano, plate 54 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabi", "Alt_Title" : "", "Obj_Title" : "The Siege of Carthage, after Giulio Romano, plate 54 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Nicolas-Henri Tardieu", "Sort_Artist" : "Tardieu, Nicolas-Henri", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3334, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3334", "Disp_Access_No" : "1982.214", "_AccNumSort1" : "", "Disp_Create_DT" : "1736", "_Disp_Start_Dat" : "1736", "_Disp_End_Date" : "1736", "Disp_Title" : "The Sleeping Congregation", "Alt_Title" : "", "Obj_Title" : "The Sleeping Congregation", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "26.5 cm x 20.6 cm (10 7/16 in. x 8 1/8 in.)", "Disp_Height" : "26.5 cm", "Disp_Width" : "20.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Inside a church a clergyman reads the Gospel while his congregation sleeps and a clerk eyes a young woman. Hogarth’s keen observation of human behavior and unsparing critique of social convention inspired all later British satirists.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Charles and Dorothy Clark, 1982", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.214.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.214.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.214.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.214.tif", "IsPrimary" : "1", "_SurrogateID" : "8226", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3338, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3338", "Disp_Access_No" : "1982.215", "_AccNumSort1" : "", "Disp_Create_DT" : "1738", "_Disp_Start_Dat" : "1738", "_Disp_End_Date" : "1738", "Disp_Title" : "Night", "Alt_Title" : "", "Obj_Title" : "Night", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "64.2 cm x 49.3 cm (25 1/4 in. x 19 7/16 in.)", "Disp_Height" : "64.2 cm", "Disp_Width" : "49.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Charles and Dorothy Clark, 1982", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.215.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.215.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.215.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.215.tif", "IsPrimary" : "1", "_SurrogateID" : "8227", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3346, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3346", "Disp_Access_No" : "1995.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1741", "_Disp_Start_Dat" : "1741", "_Disp_End_Date" : "1741", "Disp_Title" : "Piazza San Marco, Looking toward the Basilica, circa 1738, from Magnificentiores Selectioresque Urbis Venetiarum Prospectus [Splendid and Choice Views of the City of Venice]", "Alt_Title" : "", "Obj_Title" : "Piazza San Marco, Looking toward the Basilica, circa 1738, from Magnificentiores Selectioresque Urbis Venetiarum Prospectus [Splendid and Choice Views of the City of Venice]", "Series_Title" : "", "Disp_Maker_1" : "Michele Marieschi", "Sort_Artist" : "Marieschi, Michele", "Disp_Dimen" : "43.2 cm x 58.2 cm (17 in. x 22 15/16 in.)", "Disp_Height" : "43.2 cm", "Disp_Width" : "58.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.28.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.28.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.28.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.28.tif", "IsPrimary" : "1", "_SurrogateID" : "4537", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.28.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.28.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.28.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.28.tif", "IsPrimary" : "0", 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"ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.134.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.134.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.134.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.134.tif", "IsPrimary" : "0", "_SurrogateID" : "4555", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3398, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3398", "Disp_Access_No" : "2002.626", "_AccNumSort1" : "", "Disp_Create_DT" : "1754", "_Disp_Start_Dat" : "1754", "_Disp_End_Date" : "1754", "Disp_Title" : "Ponte Mamolo fuori di Roma [The Mamolo Bidge outside of Rome]", "Alt_Title" : "", "Obj_Title" : "Ponte Mamolo fuori di Roma [The Mamolo Bidge outside of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Adrien Manglard", "Sort_Artist" : "Manglard, Adrien", "Disp_Dimen" : "22.5 cm x 31.8 cm (8 7/8 in. x 12 1/2 in.)", "Disp_Height" : "22.5 cm", "Disp_Width" : "31.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3404, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3404", "Disp_Access_No" : "1991.66.2/40", "_AccNumSort1" : "", "Disp_Create_DT" : "1756", "_Disp_Start_Dat" : "1756", "_Disp_End_Date" : "1756", "Disp_Title" : "Pianta dell' Avanzo del Mausoleo di Adriano Imp...[Plan of the Remains of the Mausoleum of the Emperor Hadrian...], plate V from Volume IV of Le Antichità Romane [Roman Antiquities]", "Alt_Title" : "", "Obj_Title" : "Pianta dell' Avanzo del Mausoleo di Adriano Imp...[Plan of the Remains of the Mausoleum of the Emperor Hadrian...], plate V from Volume IV of Le Antichità Romane [Roman Antiquities]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "52.7 cm x 37.3 cm (20 3/4 in. x 14 11/16 in.)", "Disp_Height" : "52.7 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The bridge was built by the Emperor Hadrian in connection with his Mausoleum. It has three main arches. Before the canalization of the Tiber in the nineteenth century, three smaller arches connected it to the left bank, while two arches joined it to the right bank. It was made of travertine on the exterior, peperino on the interior. Completed in 134 A.D., it stood undamaged until 1450 when the parapets collapsed during a gathering of pilgrims. Pope Clement VII added the statues of Saints Peter and Paul in 1527, and Pope Clement IX added the series of angels by Bernini in 1669-71. In order to reduce water resistance, the bases of the piers are pointed where they meet the current to form cutwaters. This print shows the plan of the bridge and the Mausoleum. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3405, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3405", "Disp_Access_No" : "1991.66.3/40", "_AccNumSort1" : "", "Disp_Create_DT" : "1756", "_Disp_Start_Dat" : "1756", "_Disp_End_Date" : "1756", "Disp_Title" : "Spaccato degli Speroni, i quali servono di contrafforti al gran Fondamento del Maus. d'Elio Adriano [Vertical section of the buttresses which counterbalance the massive foundations of the Mausoleum of Hadrian], plate VII from Volume IV of Le Antichità Rom", "Alt_Title" : "", "Obj_Title" : "Spaccato degli Speroni, i quali servono di contrafforti al gran Fondamento del Maus. d'Elio Adriano [Vertical section of the buttresses which counterbalance the massive foundations of the Mausoleum of Hadrian], plate VII from Volume IV of Le Antichità Romane [Roman Antiquities]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "52.7 cm x 37.4 cm (20 3/4 in. x 14 3/4 in.)", "Disp_Height" : "52.7 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3406, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3406", "Disp_Access_No" : "1991.66.4/40", "_AccNumSort1" : "", "Disp_Create_DT" : "1756", "_Disp_Start_Dat" : "1756", "_Disp_End_Date" : "1756", "Disp_Title" : "Spaccato di uno degli Archi di mezzo del Ponte d'Elio Adriano [Vertical section of one of the arches in the middle of the Bridge of Hadrian], plate XI from Volume IV of Le Antichità Romane [Roman Antiquities]", "Alt_Title" : "", "Obj_Title" : "Spaccato di uno degli Archi di mezzo del Ponte d'Elio Adriano [Vertical section of one of the arches in the middle of the Bridge of Hadrian], plate XI from Volume IV of Le Antichità Romane [Roman Antiquities]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "52.8 cm x 69.2 cm (20 13/16 in. x 27 1/4 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "69.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The bridge was built by the Emperor Hadrian in connection with his Mausoleum. It has three main arches. Before the canalization of the Tiber in the nineteenth century, three smaller arches connected it to the left bank, while two arches joined it to the right bank. It was made of travertine on the exterior, peperino on the interior. Completed in 134 A.D., it stood undamaged until 1450 when the parapets collapsed during a gathering of pilgrims. Pope Clement VII added the statues of Saints Peter and Paul in 1527, and Pope Clement IX added the series of angels by Bernini in 1669-71. In order to reduce water resistance, the bases of the piers are pointed where they meet the current to form cutwaters. This print shows one of the bridge piers in detail. (C: pier; D: buttress; E: ancient river bed; F: current river bed; G: foundation; I: Roman concrete, consisting of lime and pozzolana; O: lower buttress; P: upper buttress; Q: margin space).", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3407, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3407", "Disp_Access_No" : "1991.66.5/40", "_AccNumSort1" : "", "Disp_Create_DT" : "1756", "_Disp_Start_Dat" : "1756", "_Disp_End_Date" : "1756", "Disp_Title" : "Veduta dell' avanzo di una delle Pile del Ponte Trionfale...[View of the remains of one of the supports of the Ponte Trionfale (Triumphal Bridge)], plate XIII from Volume IV of Le Antichità Romane [Roman Antiquities]", "Alt_Title" : "", "Obj_Title" : "Veduta dell' avanzo di una delle Pile del Ponte Trionfale...[View of the remains of one of the supports of the Ponte Trionfale (Triumphal Bridge)], plate XIII from Volume IV of Le Antichità Romane [Roman Antiquities]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "52.7 cm x 37.3 cm (20 3/4 in. x 14 11/16 in.)", "Disp_Height" : "52.7 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Triumphal Bridge is the sixteenth-century name for an ancient bridge built by Nero that connected the Field of Mars with the valley between the Vatican and the Janiculum Hill. Until the 1870s, remains of its piers still existed and could be seen when the water was low. Piranesi has recorded the masonry technique and texture of the travertine blocks of one of the piers.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.66.5-40.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.66.5-40.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.66.5-40.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.66.5-40.tif", "IsPrimary" : "1", "_SurrogateID" : "5403", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3408, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3408", "Disp_Access_No" : "1991.66.6/40", "_AccNumSort1" : "", "Disp_Create_DT" : "1756", "_Disp_Start_Dat" : "1756", "_Disp_End_Date" : "1756", "Disp_Title" : "Nelle passate Tavole ho rappresentato il Mausoleo e Ponte Elio Adriano, co gli avanzi dell' antico Ponte Trionfale a questo contiguo...nella presente figura la situazione degli altri due Ponti Quattro Capi e Ferrato...[In the previous Plates I have repres", "Alt_Title" : "", "Obj_Title" : "Nelle passate Tavole ho rappresentato il Mausoleo e Ponte Elio Adriano, co gli avanzi dell' antico Ponte Trionfale a questo contiguo...nella presente figura la situazione degli altri due Ponti Quattro Capi e Ferrato...[In the previous Plates I have represented the Mausoleum and Bridge of Hadrian, with the remains of the ancient Ponte Trionfale nearby...], plate XIV from Volume IV of Le Antichità Romane [Roman Antiquities]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "52.8 cm x 37.4 cm (20 13/16 in. x 14 3/4 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3409, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3409", "Disp_Access_No" : "1991.66.7/40", "_AccNumSort1" : "", "Disp_Create_DT" : "1756", "_Disp_Start_Dat" : "1756", "_Disp_End_Date" : "1756", "Disp_Title" : "Inscrizione incisa ne' Cunei d'uno dei grand' Archi del Ponte Fabricio (oggi detto de' Quattro Capi) dalla parte accanto al Teatro di Marcello...[Inscription incised on the voussoir blocks of the large arches of the Bridge of Fabricius (today called the P", "Alt_Title" : "", "Obj_Title" : "Inscrizione incisa ne' Cunei d'uno dei grand' Archi del Ponte Fabricio (oggi detto de' Quattro Capi) dalla parte accanto al Teatro di Marcello...[Inscription incised on the voussoir blocks of the large arches of the Bridge of Fabricius (today called the Ponte dei Quattro Capi [Bridge of the Four Heads] from the side adjacent to the Theatre of Marcellus...], plate XVII from Volume IV of Le Antichità Romane [Roman Antiquities] ", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "52.8 cm x 69.4 cm (20 13/16 in. x 27 5/16 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "69.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The larger inscription commemorates the building of the bridge by Lucius Fabricius in his capacity as Superintendent of Streets. The smaller inscription records that the consuls Quintus Lepidus and Marcus Lollius had inspected the work and approved it, possibly after repairs following a huge flood in 23 B.C.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3410, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3410", "Disp_Access_No" : "1991.66.8/40", "_AccNumSort1" : "", "Disp_Create_DT" : "1756", "_Disp_Start_Dat" : "1756", "_Disp_End_Date" : "1756", "Disp_Title" : "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica... [Shown in this Plate are the plan and", "Alt_Title" : "", "Obj_Title" : "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica... [Shown in this Plate are the plan and elevation of the bridge now called the Ponte dei Quattro Capi [Bridge of the Four Heads], which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic [62 B.C.]..., plate XVIII from Volume IV of Le Antichità Romane [Roman Antiquities]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "52.9 cm x 69.5 cm (20 13/16 in. x 27 3/8 in.)", "Disp_Height" : "52.9 cm", "Disp_Width" : "69.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Bridge of Fabricius is the stone bridge connecting the left bank of the Tiber with the Island, named after its builder, Lucius Fabricius. It dates from 62 B.C. and is one of three working Roman bridges in Rome. It is composed of two semicircular arches with a large cutwater surmounted by a flood lunette between. The materials are tufa and peperino stone highlighted with travertine. In the sixteenth century, the tufa was overlaid with brick facing. The nickname “Bridge of the four heads” refers to two ancient four-faced herms embedded in the parapet. In this print, Piranesi balances the technique of the vedute with architectural rendering. The two arches of the bridge frame a picturesque riverscape with slanting light coming from the left side. The church of S. Bartolomeo (1), the Ponte Rotto (2), the circular temple on the Tiber (3) and the bell-tower of S. Maria in Cosmedin (4) are visible.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.66.8_40-crop.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.66.8_40-crop.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.66.8_40-crop.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.66.8_40-crop.tif", "IsPrimary" : "0", "_SurrogateID" : "14791", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.66.8_40-sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.66.8_40-sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.66.8_40-sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.66.8_40-sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "14792", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3411, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3411", "Disp_Access_No" : "1991.66.9/40", "_AccNumSort1" : "", "Disp_Create_DT" : "1756", "_Disp_Start_Dat" : "1756", "_Disp_End_Date" : "1756", "Disp_Title" : "Spaccato del Ponte Fabrizio, detto dè quattro Capi [Vertical Section of the Bridge of Fabricius, called the Ponte dei Quattro Capi (Bridge of the Four Heads)], plate XIX from Volume IV of Le Antichità Romane [Roman Antiquities] ", "Alt_Title" : "", "Obj_Title" : "Spaccato del Ponte Fabrizio, detto dè quattro Capi [Vertical Section of the Bridge of Fabricius, called the Ponte dei Quattro Capi (Bridge of the Four Heads)], plate XIX from Volume IV of Le Antichità Romane [Roman Antiquities] ", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "52.8 cm x 69.7 cm (20 13/16 in. x 27 7/16 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "69.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The inverted arch was a bracing element allegedly known in Roman antiquity. One example has been found embedded in a wall in Pompeii; others appear in medieval and modern architecture. This print shows Piranesi’s hypothetical reconstruction of the bridge, with its arches and inverted arches together forming circles. This is an example of Piranesi’s theoretical imagination at work; the actual bridge has no inverted arches.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3412, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3412", "Disp_Access_No" : "1991.66.10/40", "_AccNumSort1" : "", "Disp_Create_DT" : "1756", "_Disp_Start_Dat" : "1756", "_Disp_End_Date" : "1756", "Disp_Title" : "Spaccato del Ponte Fabricio oggi detto Quattro Capi... [Vertical Section of the Bridge of Fabricius, today called the Ponte dei Quattro Capi (Bridge of the Four Heads)], plate XX from Volume IV of Le Antichità Romane [Roman Antiquities]", "Alt_Title" : "", "Obj_Title" : "Spaccato del Ponte Fabricio oggi detto Quattro Capi... [Vertical Section of the Bridge of Fabricius, today called the Ponte dei Quattro Capi (Bridge of the Four Heads)], plate XX from Volume IV of Le Antichità Romane [Roman Antiquities]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "52.8 cm x 69.6 cm (20 13/16 in. x 27 3/8 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "69.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print shows sections of the bridge piers, indicating also the different water levels according to the seasons. Piranesi notes that the consuls who executed the repairs buttressed the bridge piers and reinforced the frontage area (M).", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3413, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3413", "Disp_Access_No" : "1991.66.11/40", "_AccNumSort1" : "", "Disp_Create_DT" : "1756", "_Disp_Start_Dat" : "1756", "_Disp_End_Date" : "1756", "Disp_Title" : "Pianta del Ponte Ferrato detto dagl' Antiquari Cestio...[Plan of the Ponte Ferrato, called the Bridge of Cestius by antiquarians...], plate XXII from Volume IV of Le Antichità Romane [Roman Antiquities]", "Alt_Title" : "", "Obj_Title" : "Pianta del Ponte Ferrato detto dagl' Antiquari Cestio...[Plan of the Ponte Ferrato, called the Bridge of Cestius by antiquarians...], plate XXII from Volume IV of Le Antichità Romane [Roman Antiquities]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "52.8 cm x 69.2 cm (20 13/16 in. x 27 1/4 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "69.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3414, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3414", "Disp_Access_No" : "1991.66.12/40", "_AccNumSort1" : "", "Disp_Create_DT" : "1756", "_Disp_Start_Dat" : "1756", "_Disp_End_Date" : "1756", "Disp_Title" : "Elevazione del Ponte Ferrato...[Elevation of the Ponte Ferrato], plate XXIII from Volume IV of Le Antichità Romane [Roman Antiquities]", "Alt_Title" : "", "Obj_Title" : "Elevazione del Ponte Ferrato...[Elevation of the Ponte Ferrato], plate XXIII from Volume IV of Le Antichità Romane [Roman Antiquities]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "52.8 cm x 69.6 cm (20 13/16 in. x 27 3/8 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "69.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Bridge of Cestius is the stone bridge that connects the Tiber Island with the Trastevere, built in the first century B.C. It is not known whether the name Cestius refers to the original builder or to a restorer. The original bridge was heavily restored in 370. The restoration consisted of a large central arch flanked by a smaller arch on either side; the materials were tufa and peperino faced with travertine. When the Tiber was canalized in the 1870s and 1880s, the bridge was dismantled and redesigned. Many of the original stone blocks have been retained. 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[After the consideration of bridges and the Tiber Island there follows an examination of theaters, and particularly of ", "Alt_Title" : "", "Obj_Title" : "Dopo il trattato de' Ponti, e dell'Isola Tiberina segue la dimostrazione de' Teatri, e particolarmente del vicino Teatro di Marcello... [After the consideration of bridges and the Tiber Island there follows an examination of theaters, and particularly of the nearby Theater of Marcellus...], plate XXV from Le Antichità Romane [Roman Antiquities]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "52.8 cm x 37.4 cm (20 13/16 in. x 14 3/4 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Theater of Marcellus, one of the earliest stone theaters in Rome, was constructed by Augustus and dedicated to the memory of his nephew Marcellus in 13 B.C. The materials are travertine on the exterior, and large tufa blocks and concrete vaults on the interior. It is considered to have influenced the design of the Colosseum. This print shows the plan of the seating zones: annular corridor (C), stairs (E), passageway for the senators (F), orchestra (G), cages of animals destined for spectacle (H). 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The materials are travertine on the exterior, and large tufa blocks and concrete vaults on the interior. It is considered to have influenced the design of the Colosseum. This print shows a section of the semicircular seating banks. Radial stairs together with the outer ring of annular corridors facilitated the movement of the spectators. 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[Roman Antiquities]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "52.8 cm x 37.4 cm (20 13/16 in. x 14 3/4 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3423, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3423", "Disp_Access_No" : "1991.66.21/40", "_AccNumSort1" : "", "Disp_Create_DT" : "1756", "_Disp_Start_Dat" : "1756", "_Disp_End_Date" : "1756", "Disp_Title" : "Dimostrazione in grande delle parti del second' ordine del Teatro di Marcello [Reconstruction of details of the second order of the Theater of Marcellus], plate XXXVI from Volume IV of Le Antichità Romane [Roman Antiquities]", "Alt_Title" : "", "Obj_Title" : "Dimostrazione in grande delle parti del second' ordine del Teatro di Marcello [Reconstruction of details of the second order of the Theater of Marcellus], plate XXXVI from Volume IV of Le Antichità Romane [Roman Antiquities]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "52.8 cm x 37.3 cm (20 13/16 in. x 14 11/16 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : 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(20 13/16 in. x 14 11/16 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3425, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3425", "Disp_Access_No" : "1991.66.23/40", "_AccNumSort1" : "", "Disp_Create_DT" : "1756", "_Disp_Start_Dat" : "1756", "_Disp_End_Date" : "1756", "Disp_Title" : "Dimostrazione dell odierno avanzo del Teatro di Pompeo [Reconstruction of the present remains of the Theater of Pompey], plate XXXVIII from Volume IV of Le Antichità Romane [Roman Antiquities]", "Alt_Title" : "", "Obj_Title" : "Dimostrazione dell odierno avanzo del Teatro di Pompeo [Reconstruction of the present remains of the Theater of Pompey], plate XXXVIII from Volume IV of Le Antichità Romane [Roman Antiquities]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "52.8 cm x 37.4 cm (20 13/16 in. x 14 3/4 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3426, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3426", "Disp_Access_No" : "1991.66.24/40", 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Pietro in Vaticano vicino alla Tribuna [Interior view of the Basilica of St. Peter's in the Vatican, near the Tribune], from Vedute di Roma [Views of Rome]", "Alt_Title" : "", "Obj_Title" : "Veduta interna della Basilica di S. Pietro in Vaticano vicino alla Tribuna [Interior view of the Basilica of St. Peter's in the Vatican, near the Tribune], from Vedute di Roma [Views of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "49.5 cm x 71.15 cm (19 1/2 in. x 28 in.)", "Disp_Height" : "49.5 cm", "Disp_Width" : "71.15 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1970", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3608, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3608", "Disp_Access_No" : "1985.87", "_AccNumSort1" : "", "Disp_Create_DT" : "1775", "_Disp_Start_Dat" : "1775", "_Disp_End_Date" : "1775", "Disp_Title" : "Le Carquois épuisé [The Empty Quiver], after Pierre Antoine Baudouin", "Alt_Title" : "", "Obj_Title" : "Le Carquois épuisé [The Empty Quiver], after Pierre Antoine Baudouin", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Delaunay", "Sort_Artist" : "Delaunay, Nicolas", "Disp_Dimen" : "49.6 cm x 36.9 cm (19 1/2 in. x 14 1/2 in.)", "Disp_Height" : "49.6 cm", "Disp_Width" : "36.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The title is a double entendre referring to both the empty quiver in the hands of the sculpture of Cupid that stands behind the fair lady and takes aim at the young hero, and the young man’s physical condition. 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etching and lavis-manner engraving from four plates", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3635, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3635", "Disp_Access_No" : "1996.106", "_AccNumSort1" : "", "Disp_Create_DT" : "1778", "_Disp_Start_Dat" : "1778", "_Disp_End_Date" : "1778", "Disp_Title" : "Temple de Neptune à Pesto [Temple of Neptune at Pesto (Paestum)], plate XI from Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidonia qui est située dans la Lucan", "Alt_Title" : "", "Obj_Title" : "Temple de Neptune à Pesto [Temple of Neptune at Pesto (Paestum)], plate XI from Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidonia qui est située dans la Lucanie [Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "50.6 cm x 71.8 cm (19 15/16 in. x 28 1/4 in.)", "Disp_Height" : "50.6 cm", "Disp_Width" : "71.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", 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Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4420, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4420", "Disp_Access_No" : "G1966.2.203", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "My Cottage in South Haven", "Alt_Title" : "", "Obj_Title" : "My Cottage in South Haven", "Series_Title" : "", "Disp_Maker_1" : "Louis H.S. 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Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.203.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.203.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.203.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.203.jpg", "IsPrimary" : "1", "_SurrogateID" : "22623", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4421, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4421", "Disp_Access_No" : "G1966.2.233", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Bamboo Gate", "Alt_Title" : "", "Obj_Title" : "Bamboo Gate", "Series_Title" : "", "Disp_Maker_1" : "Helen Hyde", "Sort_Artist" : "Hyde, Helen", "Disp_Dimen" : "26.05 cm x 19.05 cm (10 1/4 in. x 7 1/2 in.)", "Disp_Height" : "26.05 cm", "Disp_Width" : "19.05 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4427, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4427", "Disp_Access_No" : "1995.52", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Alcantara Bridge, Toledo", "Alt_Title" : "", "Obj_Title" : "Alcantara Bridge, Toledo", "Series_Title" : "", "Disp_Maker_1" : "Frank Brangwyn", "Sort_Artist" : "Brangwyn, Frank", "Disp_Dimen" : "68 cm x 103.2 cm (26 3/4 in. x 40 5/8 in.)", "Disp_Height" : "68 cm", "Disp_Width" : "103.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching on chine collé", "Support" : "", "Disp_Medium" : "Etching on chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Print Study Group, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4428, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4428", "Disp_Access_No" : "1993.87", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Strand with Sky", "Alt_Title" : "", "Obj_Title" : "Strand with Sky", "Series_Title" : "", "Disp_Maker_1" : "Francis Dodd", "Sort_Artist" : "Dodd, Francis", "Disp_Dimen" : "41.7 cm x 29 cm (16 7/16 in. x 11 7/16 in.)", "Disp_Height" : "41.7 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Drypoint with etching", "Support" : "", "Disp_Medium" : "Drypoint with etching", "Info_Page_Comm" : "Dodd was one of the most skilled and discriminating masters of the later etching revival. 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Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1064.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1064.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1064.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1064.tif", "IsPrimary" : "1", "_SurrogateID" : "6848", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5003, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5003", "Disp_Access_No" : "1982.1077", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Metaphysical Dressmaker", "Alt_Title" : "", "Obj_Title" : "Metaphysical Dressmaker", "Series_Title" : "", "Disp_Maker_1" : "Carlos Orozco Romero", "Sort_Artist" : "Orozco Romero, Carlos", "Disp_Dimen" : "27 cm x 20.3 cm (10 5/8 in. x 8 in.)", "Disp_Height" : "27 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Carlos Orozco Romero produced this print a year after attending the new lithography workshop that opened at the National School of Fine Arts, which attracted many artists active in Mexico City. 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Francesco-Assisi", "Alt_Title" : "", "Obj_Title" : "S. Francesco-Assisi", "Series_Title" : "", "Disp_Maker_1" : "Laurenzi", "Sort_Artist" : "Laurenzi", "Disp_Dimen" : "29.9 cm x 35.5 cm (11 3/4 in. x 14 in.)", "Disp_Height" : "29.9 cm", "Disp_Width" : "35.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Latane Temple, 1985", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 5039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5039", "Disp_Access_No" : "G1966.2.198", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Rue Lefrie, Paris", "Alt_Title" : "", "Obj_Title" : "Rue Lefrie, Paris", "Series_Title" : "", "Disp_Maker_1" : "José Pedro Gil (?)", "Sort_Artist" : "Gil (?), José Pedro", "Disp_Dimen" : "25.05 cm x 16.5 cm (9 7/8 in. x 6 1/2 in.)", "Disp_Height" : "25.05 cm", "Disp_Width" : "16.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph on chine collé", "Support" : "", "Disp_Medium" : "Lithograph on chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 5061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5061", "Disp_Access_No" : "1987.380", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Letter "I" (Malthouses)", "Alt_Title" : "", "Obj_Title" : "Letter "I" (Malthouses)", "Series_Title" : "", "Disp_Maker_1" : "Clare Leighton", "Sort_Artist" : "Leighton, Clare", "Disp_Dimen" : "8.2 cm x 8.1 cm (3 1/4 in. x 3 3/16 in.)", "Disp_Height" : "8.2 cm", "Disp_Width" : "8.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wood engraving", "Support" : "", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Still Water Foundation, 1987", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 5082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5082", "Disp_Access_No" : "1982.918", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Factory", "Alt_Title" : "", "Obj_Title" : "Factory", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "20.1 cm x 30.2 cm (7 15/16 in. x 11 7/8 in.)", "Disp_Height" : "20.1 cm", "Disp_Width" : "30.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "During the 1930s, as Mexico slowly recovered from the 1929 economic crisis, images of industrial development became hopeful signs for the urban working classes seeking a better standard of living. The modern factory was an important subject in Mexico City in 1931, when the cement plant Cementos Tolteca publicized its brand by sponsoring an influential art contest exploring the subject. In the growing metropolis, the links between art and industry took place in different ways. The children in the industrial neighborhoods had access to artistic education through the Centros Populares de Pintura [People’s Painting Centers], which Jesús Escobedo attended in his youth. He later joined the Taller de Gráfica Popular [People’s Graphic Workshop], a socially and politically engaged art collective. Escobedo had his first individual exhibition in 1933, at age 15. This early woodcut displays a distinctly modern sensibility with its simplified volumes, crisp textures, and dynamic perspectives. 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