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The Paisans and Frogs (verso), from Ovid's Metamorphoses", "Alt_Title" : "", "Obj_Title" : "Phebus and Marsyas (recto); The Paisans and Frogs (verso), from Ovid's Metamorphoses", "Series_Title" : "", "Disp_Maker_1" : "Bernard Salomon", "Sort_Artist" : "Salomon, Bernard", "Disp_Dimen" : "14.6 cm x 10.2 cm (5 3/4 in. x 4 in.)", "Disp_Height" : "14.6 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2179, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2179", "Disp_Access_No" : "1988.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1558", "_Disp_Start_Dat" : "1558", "_Disp_End_Date" : "1558", "Disp_Title" : "Luxuria [Lust], from The Seven Vices, after Pieter Bruegel, the elder", "Alt_Title" : "", "Obj_Title" : "Luxuria [Lust], from The Seven Vices, after Pieter Bruegel, the elder", "Series_Title" : "", "Disp_Maker_1" : "Pieter van der Heyden", "Sort_Artist" : "Heyden, Pieter van der", "Disp_Dimen" : "22.6 cm x 29.7 cm (8 7/8 in. x 11 11/16 in.)", "Disp_Height" : "22.6 cm", "Disp_Width" : "29.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Coming from a climate of moralizing literature, witch-hunts, and religious wars, this print effectively articulates the tremendous ambivalence toward sex in the early modern period. 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Prud'hon's engraving illustrates the climactic moment in which the lovers, after being separated by the jealousy of Phrosine's brother and Mélidore's heartbroken retreat to an island, are reunited when she swims to him and collapses in his embrace.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Huntington Museum Fund, 1987", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "book", "Creation_Place2" : "Mexican", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3746, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3746", "Disp_Access_No" : "G1970.5.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1806", "_Disp_Start_Dat" : "1806", "_Disp_End_Date" : "1806", "Disp_Title" : "Temple d'Isis, after Giovanni-Battista Piranesi", "Alt_Title" : "", "Obj_Title" : "Temple d'Isis, after Giovanni-Battista Piranesi", "Series_Title" : "", "Disp_Maker_1" : "Francesco Piranesi", "Sort_Artist" : "Piranesi, Francesco", "Disp_Dimen" : "81.3 cm x 56.5 cm (32 in. x 22 1/4 in.)", "Disp_Height" : "81.3 cm", "Disp_Width" : "56.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1970", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3751, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3751", "Disp_Access_No" : "2002.1223", "_AccNumSort1" : "", "Disp_Create_DT" : "1808", "_Disp_Start_Dat" : "1808", "_Disp_End_Date" : "1808", "Disp_Title" : "The Meeting of a Family in Heaven, after William Blake", "Alt_Title" : "", "Obj_Title" : "The Meeting of a Family in Heaven, after William Blake", "Series_Title" : "", "Disp_Maker_1" : "Luigi Schiavonetti", "Sort_Artist" : "Schiavonetti, Luigi", "Disp_Dimen" : "27.2 cm x 16.9 cm (10 11/16 in. x 6 5/8 in.)", "Disp_Height" : "27.2 cm", "Disp_Width" : "16.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3819, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3819", "Disp_Access_No" : "1996.259", "_AccNumSort1" : "", "Disp_Create_DT" : "1824", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1824", "Disp_Title" : "Pandemonium, from John Milton's Paradise Lost, Book 1, line 710", "Alt_Title" : "", "Obj_Title" : "Pandemonium, from John Milton's Paradise Lost, Book 1, line 710", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.8 cm x 37.4 cm (10 15/16 in. x 14 3/4 in.)", "Disp_Height" : "27.8 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint", "Info_Page_Comm" : "Satan looks out over a terrifyingly ordered monument outfitted with two fire-breathing demons, a manifestation of his reign over hell. In the sky two transparent orbs emerge, perhaps symbolizing different spheres of existence. Milton wrote that this place was an “exhalation, with the sound of dulcet symphonies and voices sweet.” It is anything but sweet: "pandemonium," a word Milton introduced to the English language, means “the place of all demons.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3820, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3820", "Disp_Access_No" : "1996.260", "_AccNumSort1" : "", "Disp_Create_DT" : "1824", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1824", "Disp_Title" : "Satan presiding at the Infernal Council, from John Milton's Paradise Lost, Book 2, line 1", "Alt_Title" : "", "Obj_Title" : "Satan presiding at the Infernal Council, from John Milton's Paradise Lost, Book 2, line 1", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.6 cm x 37.4 cm (10 7/8 in. x 14 3/4 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint with rocker", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint with rocker", "Info_Page_Comm" : "Milton takes us inside "Pandemonium," where Satan sits enthroned on a massive black dome. The vastness of this interior space is incomprehensible, as row upon row of sinners multiplies into infinity. Rings of gaslights, like those seen in Martin’s time, illuminate the scene and reflect the artist’s attraction to the technological advances of nineteenth-century urban life.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3821, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3821", "Disp_Access_No" : "1996.271", "_AccNumSort1" : "", "Disp_Create_DT" : "1824", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1824", "Disp_Title" : "Creation of Light, from John Milton's Paradise Lost, Book 7, line 339", "Alt_Title" : "", "Obj_Title" : "Creation of Light, from John Milton's Paradise Lost, Book 7, line 339", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.6 cm x 37.4 cm (10 7/8 in. x 14 3/4 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "Martin was one of the first artists to apply the mezzotint technique to steel. A rocker, a tool with a curved serrated blade, is used to roughen the entire surface of a copper plate, creating burrs, or tiny hooks of metal, that hold ink for printing. Flattening out the burrs with a burnisher, a small spoon-like tool, creates smooth areas that print white. This process lends itself perfectly to the subject: the sun, moon, stars, lightning, billowing clouds, and figure of God are made visible by eliminating black. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3822, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3822", "Disp_Access_No" : "1996.273", "_AccNumSort1" : "", "Disp_Create_DT" : "1824", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1824", "Disp_Title" : "Eve presenting the forbidden fruit to Adam, from John Milton's Paradise Lost, Book 9, line 995", "Alt_Title" : "", "Obj_Title" : "Eve presenting the forbidden fruit to Adam, from John Milton's Paradise Lost, Book 9, line 995", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.7 cm x 37.3 cm (10 7/8 in. x 14 11/16 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Image", "Medium" : "Mezzotint, etching, and drypoint with rocker", "Support" : "", "Disp_Medium" : "Mezzotint, etching, and drypoint with rocker", "Info_Page_Comm" : "The archangel Raphael’s warnings are unheeded: while the snake looks on, Eve offers the apple to Adam. Realizing that she is already doomed and unable to comprehend being apart from her, he knowingly follows.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3827, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3827", "Disp_Access_No" : "2002.1665", "_AccNumSort1" : "", "Disp_Create_DT" : "1824", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1824", "Disp_Title" : "Vedute del Tempio della Dea Albunca, da altri creduto della Sibilia, e l'annesso Tempio circolare della Dea Vesta", "Alt_Title" : "", "Obj_Title" : "Vedute del Tempio della Dea Albunca, da altri creduto della Sibilia, e l'annesso Tempio circolare della Dea Vesta", "Series_Title" : "", "Disp_Maker_1" : "Luigi Rossini", "Sort_Artist" : "Rossini, Luigi", "Disp_Dimen" : "55.5 cm x 77.9 cm (21 7/8 in. x 30 11/16 in.)", "Disp_Height" : "55.5 cm", "Disp_Width" : "77.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3834, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3834", "Disp_Access_No" : "2002.1283", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-25", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Eve's Dream - Satan Aroused, Book 4, line 813, from John Milton, Paradise Lost", "Alt_Title" : "", "Obj_Title" : "Eve's Dream - Satan Aroused, Book 4, line 813, from John Milton, Paradise Lost", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "25.8 cm x 36.9 cm (10 3/16 in. x 14 1/2 in.)", "Disp_Height" : "25.8 cm", "Disp_Width" : "36.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint with etching", "Support" : "", "Disp_Medium" : "Mezzotint with etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3854, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3854", "Disp_Access_No" : "1989.123", "_AccNumSort1" : "", "Disp_Create_DT" : "1829", "_Disp_Start_Dat" : "1829", "_Disp_End_Date" : "1829", "Disp_Title" : "Hero and Leander, after H. Howard", "Alt_Title" : "", "Obj_Title" : "Hero and Leander, after H. Howard", "Series_Title" : "", "Disp_Maker_1" : "Francis Engleheart", "Sort_Artist" : "Engleheart, Francis", "Disp_Dimen" : "15.5 cm x 9.9 cm (6 1/8 in. x 3 7/8 in.)", "Disp_Height" : "15.5 cm", "Disp_Width" : "9.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3856, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3856", "Disp_Access_No" : "2002.1957", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1830", "_Disp_Start_Dat" : "1825", "_Disp_End_Date" : "1835", "Disp_Title" : "Holy Family, after Annibale Carracci", "Alt_Title" : "", "Obj_Title" : "Holy Family, after Annibale Carracci", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Francesco Ferrero", "Sort_Artist" : "Ferrero, Giovanni Francesco", "Disp_Dimen" : "20.9 cm x 31.2 cm (8 1/4 in. x 12 5/16 in.)", "Disp_Height" : "20.9 cm", "Disp_Width" : "31.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3857, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3857", "Disp_Access_No" : "2002.1958", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1830", "_Disp_Start_Dat" : "1825", "_Disp_End_Date" : "1835", "Disp_Title" : "Madonna della Perla, after Raphael", "Alt_Title" : "", "Obj_Title" : "Madonna della Perla, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Francesco Ferrero", "Sort_Artist" : "Ferrero, Giovanni Francesco", "Disp_Dimen" : "21.7 cm x 31.1 cm (8 9/16 in. x 12 1/4 in.)", "Disp_Height" : "21.7 cm", "Disp_Width" : "31.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3863, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3863", "Disp_Access_No" : "1997.57", "_AccNumSort1" : "", "Disp_Create_DT" : "1832", "_Disp_Start_Dat" : "1832", "_Disp_End_Date" : "1832", "Disp_Title" : "Two Female Donors with Patron Saints Catherine and Gubula, from The Death of the Virgin, after Joos van Cleve, from Galerie des Frères Boisserée", "Alt_Title" : "", "Obj_Title" : "Two Female Donors with Patron Saints Catherine and Gubula, from The Death of the Virgin, after Joos van Cleve, from Galerie des Frères Boisserée", "Series_Title" : "", "Disp_Maker_1" : "Johann Nepomuk Strixner", "Sort_Artist" : "Strixner, Johann Nepomuk", "Disp_Dimen" : "51.8 cm x 27.6 cm (20 3/8 in. x 10 7/8 in.)", "Disp_Height" : "51.8 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph with ochre tint-stone", "Support" : "", "Disp_Medium" : "Lithograph with ochre tint-stone", "Info_Page_Comm" : "Right panel from the tryptich "The Death of the Virgin" by Joos van Cleve in the Wallraf-Richartz Museum, Cologne; inv. 430. Strixner created several lithographs after Northern Renaissance paintings in the collection of Sulpiz and Melchior Boisserée and their friend J.B. Bertram: Early Netherlandish and Upper German Paintings in the Collection of the Brothers Supiz and Melchior Boisserée and Johann Bertram, with Accounts of the Early German Painters in Their Possession, 1821-1834", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Helmutt Barnett, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3864, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3864", "Disp_Access_No" : "1997.58", "_AccNumSort1" : "", "Disp_Create_DT" : "1832", "_Disp_Start_Dat" : "1832", "_Disp_End_Date" : "1832", "Disp_Title" : "Two Male Donors with Patron Saints George and Nicasius, from The Death of the Virgin, after Joos van Cleve, from Galerie des Frères Boisserée", "Alt_Title" : "", "Obj_Title" : "Two Male Donors with Patron Saints George and Nicasius, from The Death of the Virgin, after Joos van Cleve, from Galerie des Frères Boisserée", "Series_Title" : "", "Disp_Maker_1" : "Johann Nepomuk Strixner", "Sort_Artist" : "Strixner, Johann Nepomuk", "Disp_Dimen" : "51.6 cm x 28.3 cm (20 5/16 in. x 11 1/8 in.)", "Disp_Height" : "51.6 cm", "Disp_Width" : "28.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph with ochre tint-stone", "Support" : "", "Disp_Medium" : "Lithograph with ochre tint-stone", "Info_Page_Comm" : "Left panel from the tryptich "The Death of the Virgin" by Joos van Cleve in the Wallraf-Richartz Museum, Cologne; inv. 430. Strixner created several lithographs after Northern Renaissance paintings in the collection of Sulpiz and Melchior Boisserée and their friend J.B. Bertram: Early Netherlandish and Upper German Paintings in the Collection of the Brothers Supiz and Melchior Boisserée and Johann Bertram, with Accounts of the Early German Painters in Their Possession, 1821-1834", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Helmutt Barnett, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3886, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3886", "Disp_Access_No" : "2000.265", "_AccNumSort1" : "", "Disp_Create_DT" : "1837", "_Disp_Start_Dat" : "1837", "_Disp_End_Date" : "1837", "Disp_Title" : "Saint Amelie, after Delaroche", "Alt_Title" : "", "Obj_Title" : "Saint Amelie, after Delaroche", "Series_Title" : "", "Disp_Maker_1" : "Paolo Mercuri", "Sort_Artist" : "Mercuri, Paolo", "Disp_Dimen" : "42.1 cm x 28.6 cm (16 9/16 in. x 11 1/4 in.)", "Disp_Height" : "42.1 cm", "Disp_Width" : "28.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3962, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3962", "Disp_Access_No" : "G1966.2.314", "_AccNumSort1" : "", "Disp_Create_DT" : "1851", "_Disp_Start_Dat" : "1851", "_Disp_End_Date" : "1851", "Disp_Title" : "Alliance des Bonapartistes et des Capucins [Alliance of the Bonapartists and the Capuchins], plate 99 from Actualités, in Le Charivari, 3 April 1851", "Alt_Title" : "", "Obj_Title" : "Alliance des Bonapartistes et des Capucins [Alliance of the Bonapartists and the Capuchins], plate 99 from Actualités, in Le Charivari, 3 April 1851", "Series_Title" : "", "Disp_Maker_1" : "After Honoré Daumier", "Sort_Artist" : "Daumier, After Honoré", "Disp_Dimen" : "25.7 cm x 20.3 cm (10 1/8 in. x 8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. 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His appeal comes after witnessing the violent impact of the Crusades on Christian, Muslim, and Jewish communities in North Africa in 1219. Geography and geology affect the color of red chalk, which can vary from bluish-red to light orange. Chalks found in Italy, Turkey, and North Africa vary in color and composition, and even within regions subtle differences arise from environmental conditions. Geologic heating and cooling of rock and clay, chemical composition, and the presence of water affect iron oxide and may account for the rich color of Cerano’s chalk. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Huntington Museum Fund, 1987", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8303, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8303", "Disp_Access_No" : "2001.13", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Entombment, after Caravaggio", "Alt_Title" : "", "Obj_Title" : "The Entombment, after Caravaggio", "Series_Title" : "", "Disp_Maker_1" : "Jonas Suyderhoef", "Sort_Artist" : "Suyderhoef, Jonas", "Disp_Dimen" : "37 cm x 23.9 cm (14 9/16 in. x 9 7/16 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "23.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2001", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8305, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8305", "Disp_Access_No" : "1994.51", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Adoration of the Magi, after Gerard Seghers", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi, after Gerard Seghers", "Series_Title" : "", "Disp_Maker_1" : "Paulus Pontius", "Sort_Artist" : "Pontius, Paulus", "Disp_Dimen" : "62.2 cm x 43.6 cm (24 1/2 in. x 17 3/16 in.)", "Disp_Height" : "62.2 cm", "Disp_Width" : "43.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print demonstrates the immediate success of the reproductive technique employed by Rubens’s engravers. 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Huntington Museum Fund, 1994", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8306, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8306", "Disp_Access_No" : "1995.66", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Cardinal Guido Bentivoglio, after Anthony van Dyck ", "Alt_Title" : "", "Obj_Title" : "Cardinal Guido Bentivoglio, after Anthony van Dyck ", "Series_Title" : "", "Disp_Maker_1" : "Jean Morin", "Sort_Artist" : "Morin, Jean", "Disp_Dimen" : "31.8 cm x 26.1 cm (12 1/2 in. x 10 1/4 in.)", "Disp_Height" : "31.8 cm", "Disp_Width" : "26.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Bentivoglio (1579-1644) was papal secretary to Clement VIII and nuncio to the Netherlands. 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Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8546, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8546", "Disp_Access_No" : "1996.240", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Cupid and Flora, after Guercino", "Alt_Title" : "", "Obj_Title" : "Cupid and Flora, after Guercino", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "40.2 cm x 32.8 cm (15 13/16 in. x 12 15/16 in.)", "Disp_Height" : "40.2 cm", "Disp_Width" : "32.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Stipple engraving and roulette, colored à la poupée", "Support" : "", "Disp_Medium" : "Stipple engraving and roulette, colored à la poupée", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8586, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8586", "Disp_Access_No" : "2000.304", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Holy Family, after Werff", "Alt_Title" : "", "Obj_Title" : "Holy Family, after Werff", "Series_Title" : "", "Disp_Maker_1" : "Jean-François Rousseau", "Sort_Artist" : "Rousseau, Jean-François", "Disp_Dimen" : "30.2 cm x 22 cm (11 7/8 in. x 8 11/16 in.)", "Disp_Height" : "30.2 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8599, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8599", "Disp_Access_No" : "1999.111", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Caryatid, after Raphael", "Alt_Title" : "", "Obj_Title" : "Caryatid, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "John Skippe", "Sort_Artist" : "Skippe, John", "Disp_Dimen" : "43.3 cm x 31.8 cm (17 1/16 in. x 12 1/2 in.)", "Disp_Height" : "43.3 cm", "Disp_Width" : "31.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chiaroscuro woodcut", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, Gift of Leo Steinberg, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8684, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8684", "Disp_Access_No" : "1987.33", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Not Titled (Christ figure)", "Alt_Title" : "", "Obj_Title" : "Not Titled (Christ figure)", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "10.2 cm x 9 cm (4 in. x 3 9/16 in.)", "Disp_Height" : "10.2 cm", "Disp_Width" : "9 cm", "Dimen_Extent" : "Image", "Medium" : "Steel engraving with printed colors", "Support" : "", "Disp_Medium" : "Steel engraving with printed colors", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8689, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8689", "Disp_Access_No" : "2000.46", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1812", "_Disp_Start_Dat" : "1807", "_Disp_End_Date" : "1817", "Disp_Title" : "The Virgin of the Rocks, after Leonardo da Vinci", "Alt_Title" : "", "Obj_Title" : "The Virgin of the Rocks, after Leonardo da Vinci", "Series_Title" : "", "Disp_Maker_1" : "Auguste Desnoyers", "Sort_Artist" : "Desnoyers, Auguste", "Disp_Dimen" : "56 cm x 37.8 cm (22 1/16 in. x 14 7/8 in.)", "Disp_Height" : "56 cm", "Disp_Width" : "37.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. D. E. Singleton, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8691, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8691", "Disp_Access_No" : "1982.698", "_AccNumSort1" : "", "Disp_Create_DT" : "1800-1850", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1850", "Disp_Title" : "Odysseus Revealing Himself to Penelope", "Alt_Title" : "", "Obj_Title" : "Odysseus Revealing Himself to Penelope", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "29.6 cm x 39 cm (11 5/8 in. x 15 3/8 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "39 cm", "Dimen_Extent" : "Sheet", "Medium" : "Graphite and black chalk over pen and brown ink on cream antique laid paper", "Support" : "", "Disp_Medium" : "Graphite and black chalk over pen and brown ink on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.698_Sheet.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.698_Sheet.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.698_Sheet.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1982.698_Sheet.TIF", "IsPrimary" : "1", "_SurrogateID" : "16705", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8693, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8693", "Disp_Access_No" : "2000.254", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Daphnis et Chloé, after Pierre-Paul Prud'hon", "Alt_Title" : "", "Obj_Title" : "Daphnis et Chloé, after Pierre-Paul Prud'hon", "Series_Title" : "", "Disp_Maker_1" : "Lecomte", "Sort_Artist" : "Lecomte", "Disp_Dimen" : "21.8 cm x 17.1 cm (8 9/16 in. x 6 3/4 in.)", "Disp_Height" : "21.8 cm", "Disp_Width" : "17.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8722, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8722", "Disp_Access_No" : "1996.257", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "Satan on the Burning Lake, from John Milton's Paradise Lost, Book 1, line 192", "Alt_Title" : "", "Obj_Title" : "Satan on the Burning Lake, from John Milton's Paradise Lost, Book 1, line 192", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.6 cm x 37.4 cm (10 7/8 in. x 14 3/4 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint with rocker", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint with rocker", "Info_Page_Comm" : "Martin translates Milton’s description of hell in book 1: " . ., [Satan] with his horrid crew Lay vanquished, rolling in the fiery gulf . . . he views The dismal situation waste and wild, A dungeon horrible, on all sides round As one great furnace flamed, yet from those flames No light, but rather darkness visible. . ." ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8724, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8724", "Disp_Access_No" : "1996.262", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "The Courts of God, from John Milton's Paradise Lost, Book 3, line 365", "Alt_Title" : "", "Obj_Title" : "The Courts of God, from John Milton's Paradise Lost, Book 3, line 365", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.8 cm x 37.3 cm (10 15/16 in. x 14 11/16 in.)", "Disp_Height" : "27.8 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint with rocker", "Support" : "", "Disp_Medium" : "Mezzotint with rocker", "Info_Page_Comm" : "In heaven, the courts of God are bathed in light. Again we see Martin juxtapose infinite space and massive architecture with miniature angels, who in this case frolic and strum harps. An onminous dark cloud blemishes the sun, hinting at the presence of evil and foreboding the fall of mankind.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8725, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8725", "Disp_Access_No" : "1996.263", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "Satan viewing the ascent to Heaven, from John Milton, Paradise Lost, Book 3, line 501", "Alt_Title" : "", "Obj_Title" : "Satan viewing the ascent to Heaven, from John Milton, Paradise Lost, Book 3, line 501", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "37.4 cm x 27.6 cm (14 3/4 in. x 10 7/8 in.)", "Disp_Height" : "37.4 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint with rocker", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint with rocker", "Info_Page_Comm" : "From afar, Satan scowls at the sight of angels ascending the stairs of heaven, enveloped in extraordinary formations of clouds. Milton writes that they “ascend by degrees, magnificent” with a “frontispiece of diamond and gold embellished.” Heaven and its entry are “inimitable on earth by model, or by shading pencil, drawn.” Martin takes on the challenge and succeeds in rendering what Milton proclaims impossible: the sublime transition from earth to heaven.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.263.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.263.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.263.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.263.tif", "IsPrimary" : "1", "_SurrogateID" : "3988", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8726, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8726", "Disp_Access_No" : "1996.264", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "Eve at the Fountain, from John Milton's Paradise Lost, Book 4, line 453", "Alt_Title" : "", "Obj_Title" : "Eve at the Fountain, from John Milton's Paradise Lost, Book 4, line 453", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.7 cm x 37.4 cm (10 7/8 in. x 14 3/4 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint, etching, and drypoint with rocker", "Support" : "", "Disp_Medium" : "Mezzotint, etching, and drypoint with rocker", "Info_Page_Comm" : "In an idyllic grove dotted with palms and pine trees, Eve hesitates at the edge of a clear pool, testing the water. Surprised . . . at what? A reflection is scarcely visible. Rather than reflecting the sky, the pond is depicted as a black abyss with Eve perched at its edge. After her initial shock at the reflection, Eve is so pleased that she soon returns. Could it be that this “taste” of the abyss precipitates her sin? Or perhaps Martin is hinting at the shock and shame that Eve, along with Adam, will endure.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8727, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8727", "Disp_Access_No" : "1996.265", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "Satan contemplating Adam and Eve in Paradise, from John Milton's Paradise Lost, Book 4, line 502", "Alt_Title" : "", "Obj_Title" : "Satan contemplating Adam and Eve in Paradise, from John Milton's Paradise Lost, Book 4, line 502", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.7 cm x 37.4 cm (10 7/8 in. x 14 3/4 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint, etching, and drypoint with rocker", "Support" : "", "Disp_Medium" : "Mezzotint, etching, and drypoint with rocker", "Info_Page_Comm" : "Lively etched lines add texture and definition to the tree that Satan hides behind. Most of the prints in this gallery show multiple engraving techniques, namely: mezzotint, etching, and roulette. The dotted patterns across this wooded landscape are created with a roulette, a tiny spiked wheel that can be rolled across the surface of the plate. These marks, along with the etched lines, intensify and darken parts of the image. Satan appears jealous, angry, and vengeful as he spies Adam and Eve in a blissful embrace. Martin underscores their separate worlds by leaving the space that lies between Satan and the couple undefined. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8728, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8728", "Disp_Access_No" : "1996.266", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "Eve's Dream - Satan aroused, from John Milton's Paradise Lost, Book 4, line 813", "Alt_Title" : "", "Obj_Title" : "Eve's Dream - Satan aroused, from John Milton's Paradise Lost, Book 4, line 813", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.7 cm x 37.4 cm (10 7/8 in. x 14 3/4 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and etching", "Support" : "", "Disp_Medium" : "Mezzotint and etching", "Info_Page_Comm" : "Ithuriel and Zephon, the two armed angels on the left side of the print, stand back amazed at the sudden appearance of Satan, grossly muscular and poised for attack. A vignette set in the background shows Eve sleeping, vulnerable to the evil thoughts that Satan whispers into her ear. Satan leaps up, startled after Ithuriel discovers and pricks him with his spear. Haphazard black lines cancel out the landscape around the figures, revealing where Martin used the roulette, a printmaking tool with a tiny spiked wheel, to obliterate his initial idea for the setting.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8729, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8729", "Disp_Access_No" : "1996.268", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "Paradise - Adam and Eve - The Morning Hymn, from John Milton, Paradise Lost, Book 5, line 136", "Alt_Title" : "", "Obj_Title" : "Paradise - Adam and Eve - The Morning Hymn, from John Milton, Paradise Lost, Book 5, line 136", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.7 cm x 37.3 cm (10 7/8 in. x 14 11/16 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint with rocker", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint with rocker", "Info_Page_Comm" : "Surrounded by primeval trees and tranquil pools, Adam and Eve bow to the rising sun. They are almost lost in the abundance of flora. Martin’s concern for the fate of humankind in the face of the Industrial Revolution may be reflected in the relative scale of man to nature but more significant is his inclusion of two white storks in the distance. In the nineteenth century the stork population declined and eventually disappeared, due in part to industrialization and new farming methods in Europe.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8730, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8730", "Disp_Access_No" : "1996.269", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "Paradise - with the Approach of the Archangel Raphael, from John Milton's Paradise Lost, Book 5, line 308", "Alt_Title" : "", "Obj_Title" : "Paradise - with the Approach of the Archangel Raphael, from John Milton's Paradise Lost, Book 5, line 308", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "37.3 cm x 27.6 cm (14 11/16 in. x 10 7/8 in.)", "Disp_Height" : "37.3 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint", "Info_Page_Comm" : "Worked almost entirely in mezzotint, this engraving exemplifies Martin’s ideal landscape—an unspoiled grove surrounded by thickets of trees and crowned with sublime mountains. Adam bids Eve to his side announcing: ". . . behold Eastward among those trees, what glorious shape Comes this way moving; seems another morn Risen on mid-noon; . . ." Not knowing the reason for the angel Raphael’s approach, the couple acknowledge his arrival, their gesture echoed by the Tree of Knowledge behind them. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8731, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8731", "Disp_Access_No" : "1996.277", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "Heaven - The Rivers of Bliss, from John Milton's Paradise Lost, Book 11, line 78", "Alt_Title" : "", "Obj_Title" : "Heaven - The Rivers of Bliss, from John Milton's Paradise Lost, Book 11, line 78", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.6 cm x 37.3 cm (10 7/8 in. x 14 11/16 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8732, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8732", "Disp_Access_No" : "1991.130", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "Heaven - The Rivers of Bliss, from John Milton, Paradise Lost", "Alt_Title" : "", "Obj_Title" : "Heaven - The Rivers of Bliss, from John Milton, Paradise Lost", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "26.6 cm x 36.8 cm (10 1/2 in. x 14 1/2 in.)", "Disp_Height" : "26.6 cm", "Disp_Width" : "36.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint with etching", "Support" : "", "Disp_Medium" : "Mezzotint with etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8733, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8733", "Disp_Access_No" : "1996.267", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1826", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1826", "Disp_Title" : "The Angels guarding Paradise at night, from John Milton's Paradise Lost, Book 4, line 866", "Alt_Title" : "", "Obj_Title" : "The Angels guarding Paradise at night, from John Milton's Paradise Lost, Book 4, line 866", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.7 cm x 37.4 cm (10 7/8 in. x 14 3/4 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint, etching with multiple line tool, and drypoint with rocker", "Support" : "", "Disp_Medium" : "Mezzotint, etching with multiple line tool, and drypoint with rocker", "Info_Page_Comm" : "In the distance the moon illuminates clouds, stars are scattered across the night sky, and groups of glowing angels perch on rocky outcroppings. Glowing from deep within a wood, Ithuriel and Zephon escort Satan from Paradise. Light stands sentinel at the outposts of this realm, ready to cast out evil.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8734, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8734", "Disp_Access_No" : "1996.270", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1826", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1826", "Disp_Title" : "Raphael conversing with Adam and Eve, from John Milton's Paradise Lost, Book 5, line 519", "Alt_Title" : "", "Obj_Title" : "Raphael conversing with Adam and Eve, from John Milton's Paradise Lost, Book 5, line 519", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.6 cm x 37.3 cm (10 7/8 in. x 14 11/16 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint, etching, and drypoint with rocker", "Support" : "", "Disp_Medium" : "Mezzotint, etching, and drypoint with rocker", "Info_Page_Comm" : "Adam listens intently as Raphael explains the creation of the cosmos and all living things, as well as the status of man, endowed with the power of reason, above other living things. When Adam questions how God’s work could be susceptible to fault, Raphael recounts the story of Satan’s fall.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8735, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8735", "Disp_Access_No" : "1996.272", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1826", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1826", "Disp_Title" : "Satan tempting Eve, from John Milton's Paradise Lost, Book 9, line 780", "Alt_Title" : "", "Obj_Title" : "Satan tempting Eve, from John Milton's Paradise Lost, Book 9, line 780", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.6 cm x 37.4 cm (10 7/8 in. x 14 3/4 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint", "Info_Page_Comm" : "Subtle gradations of mezzotint burr and expressive etched marks in the foreground draw us in: Satan, in the form of a fanged snake, invades paradise, persuading Eve to take an apple from the Tree of Life. At this moment, Eve already has the apple in her hand, unbitten, while in the distance Adam wanders, unaware of the threat to them both.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8736, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8736", "Disp_Access_No" : "1996.274", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1826", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1826", "Disp_Title" : "Adam hearing the voice of the Almighty, from John Milton's Paradise Lost, Book 10, line 108", "Alt_Title" : "", "Obj_Title" : "Adam hearing the voice of the Almighty, from John Milton's Paradise Lost, Book 10, line 108", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.6 cm x 37.3 cm (10 7/8 in. x 14 11/16 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint, etching, and drypoint", "Support" : "", "Disp_Medium" : "Mezzotint, etching, and drypoint", "Info_Page_Comm" : "Darkness overtakes the guilty couple: massive trees imprison them, blotting out all light except that which illuminates Adam and Eve’s shame. In the shadow of the Tree of Knowledge, their fate is decided. From Book 10: "Love was not in their looks, either to God Or to each other, but apparent guilt, And shame, and perturbation, and despair, Anger, and obstinacy, and hate, and guile." ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8737, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8737", "Disp_Access_No" : "1996.275", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1826", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1826", "Disp_Title" : "Bridge over Chaos, from John Milton's Paradise Lost, Book 10, line 312", "Alt_Title" : "", "Obj_Title" : "Bridge over Chaos, from John Milton's Paradise Lost, Book 10, line 312", "Series_Title" : "", "Disp_Maker_1" : "John Martin",