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Amid humble surroundings, the fire in his foundary colling, an old craftsman seems lost in thought, one hand patiently striking an anvil, the other gently encircling a statuette of Charity. The small size of the print and the special warmth of this impression enhance the sense of extraordinary tenderness. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of an anonymous donor, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.37.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.37.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.37.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.37.tif", "IsPrimary" : "1", "_SurrogateID" : "6206", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3154, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3154", "Disp_Access_No" : "1998.407", "_AccNumSort1" : "", "Disp_Create_DT" : "1719", "_Disp_Start_Dat" : "1719", "_Disp_End_Date" : "1719", "Disp_Title" : "Le Rat tenant table, from the Fables of la Motte, book 3, Fable 117", "Alt_Title" : "", "Obj_Title" : "Le Rat tenant table, from the Fables of la Motte, book 3, Fable 117", "Series_Title" : "", "Disp_Maker_1" : "Claude Gillot", "Sort_Artist" : "Gillot, Claude", "Disp_Dimen" : "8 cm x 9.5 cm (3 1/8 in. x 3 3/4 in.)", "Disp_Height" : "8 cm", "Disp_Width" : "9.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.407.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.407.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.407.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1998.407.TIF", "IsPrimary" : "1", "_SurrogateID" : "9393", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3164, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3164", "Disp_Access_No" : "1999.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1726", "_Disp_Start_Dat" : "1726", "_Disp_End_Date" : "1726", "Disp_Title" : "Cunicularii, or The Wise Men of Godliman in Consultation", "Alt_Title" : "", "Obj_Title" : "Cunicularii, or The Wise Men of Godliman in Consultation", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "19 cm x 25.6 cm (7 1/2 in. x 10 1/16 in.)", "Disp_Height" : "19 cm", "Disp_Width" : "25.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "The Weekly Journal of 19 November 1726 read: From Guilford comes a strange but well-attested Piece of News. That a poor Woman who lives at Godalmin [sic], near that Town, was about a Month past delivered by Mr John Howard, an Eminent Surgeon and Man-Midwife, of a creature resembling a Rabbit but whose Heart and Lungs grew without its Belly, about 14 Days since she was delivered by the same Person, of a perfect Rabbit: and in a few Days after of 4 more; and on Friday, Saturday, Sunday, the 4th, 5th, and 6th instant, of one in each day: in all nine, they died all in bringing into the World. The woman hath made Oath, that two months ago, being working in a Field with other Women, they put up a Rabbit, who running from them, they pursued it, but to no Purpose: This created in her such a Longing to it, that she (being with Child) was taken ill and miscarried, and from that Time she hath not been able to avoid thinking of Rabbits. This print by Hogarth was published on 12 December 1726, a few days after Mary Toft's full confession of fraud. Strangely enough, it is not Mary Toft but rather the doctors who are chastised in this composition, a mock heroic type of a bedside drama. It is said that a group of surgeons commissioned this print in order to expose the failings of the doctors so carefully identified at the bottom. After the circulation of this print, it took some time for the physicians identified here to repair their reputation. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.14.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.14.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.14.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.14.tif", "IsPrimary" : "1", "_SurrogateID" : "8233", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3335, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3335", "Disp_Access_No" : "1996.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1737", "_Disp_Start_Dat" : "1737", "_Disp_End_Date" : "1737", "Disp_Title" : "Le Tailleur pour femmes [The Women's Tailor]", "Alt_Title" : "", "Obj_Title" : "Le Tailleur pour femmes [The Women's Tailor]", "Series_Title" : "", "Disp_Maker_1" : "Charles-Nicolas Cochin, the younger", "Sort_Artist" : "Cochin, the younger, Charles-Nicolas", "Disp_Dimen" : "39.3 cm x 26.2 cm (15 1/2 in. x 10 5/16 in.)", "Disp_Height" : "39.3 cm", "Disp_Width" : "26.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Translation of text (by Maryvonne Leroux): What a gracious profession you have! Tailor, I envy you. You can [feast your eyes] on Sylvie''s charms. I would endure without grumbling The tortures that she makes me suffer It I were to succeed In taking her measure[ments] as I please. -C. Snay 10/06/06", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.153.tif", "IsPrimary" : "1", "_SurrogateID" : "4708", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3339, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3339", "Disp_Access_No" : "1989.133", "_AccNumSort1" : "", "Disp_Create_DT" : "1738", "_Disp_Start_Dat" : "1738", "_Disp_End_Date" : "1738", "Disp_Title" : "Strolling Actresses Dressing in a Barn", "Alt_Title" : "", "Obj_Title" : "Strolling Actresses Dressing in a Barn", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "44.1 cm x 55.6 cm (17 3/8 in. x 21 7/8 in.)", "Disp_Height" : "44.1 cm", 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"Disp_Dimen" : "50.5 cm x 67.3 cm (19 7/8 in. x 26 1/2 in.)", "Disp_Height" : "50.5 cm", "Disp_Width" : "67.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.135.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.135.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.135.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.135.tif", "IsPrimary" : "1", "_SurrogateID" : "8229", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3395, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3395", "Disp_Access_No" : "2002.1945", "_AccNumSort1" : "", "Disp_Create_DT" : "1753", "_Disp_Start_Dat" : "1753", "_Disp_End_Date" : "1753", "Disp_Title" : "Analysis of Beauty, plate II", "Alt_Title" : "", "Obj_Title" : "Analysis of Beauty, plate II", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "38.7 cm x 50.5 cm (15 1/4 in. x 19 7/8 in.)", "Disp_Height" : "38.7 cm", "Disp_Width" : "50.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1945.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1945.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1945.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1945.tif", "IsPrimary" : "1", "_SurrogateID" : "8238", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3400, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3400", "Disp_Access_No" : "1996.180", "_AccNumSort1" : "", "Disp_Create_DT" : "1755", "_Disp_Start_Dat" : "1755", "_Disp_End_Date" : "1755", "Disp_Title" : "La Marchande des modes [The Dressmaker], after François Boucher", "Alt_Title" : "", "Obj_Title" : "La Marchande des modes [The Dressmaker], after François Boucher", "Series_Title" : "", "Disp_Maker_1" : "René Gaillard", "Sort_Artist" : "Gaillard, René", "Disp_Dimen" : "46 cm x 32.4 cm (18 1/8 in. x 12 3/4 in.)", "Disp_Height" : "46 cm", "Disp_Width" : "32.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Boucher’s painting of 1746 is in the Nationalmuseum, Stockholm.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Do you want to provoke the keenest passions to submit all hearts to your kind laws [?] Thus in your prime, show yourself in a state of simple nature, Without pretense and without finery. - Cheryl Snay, 9/13/06", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.180.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.180.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.180.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.180.tif", "IsPrimary" : "1", "_SurrogateID" : "4539", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.180.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.180.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.180.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.180.tif", "IsPrimary" : "0", "_SurrogateID" : "4559", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3468, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3468", "Disp_Access_No" : "1989.136", "_AccNumSort1" : "", "Disp_Create_DT" : "1762", "_Disp_Start_Dat" : "1762", "_Disp_End_Date" : "1762", "Disp_Title" : "Credulity, Superstition and Fanaticism: A Medley", "Alt_Title" : "", "Obj_Title" : "Credulity, Superstition and Fanaticism: A Medley", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "55.3 cm x 38.1 cm (21 3/4 in. x 15 in.)", "Disp_Height" : "55.3 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.136.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.136.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.136.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.136.tif", "IsPrimary" : "1", "_SurrogateID" : "8230", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3544, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3544", "Disp_Access_No" : "2002.657", "_AccNumSort1" : "", "Disp_Create_DT" : "1768", "_Disp_Start_Dat" : "1768", "_Disp_End_Date" : "1768", "Disp_Title" : "Le Charretier et la laitière [The Carter and the Milkmaid]", "Alt_Title" : "", "Obj_Title" : "Le Charretier et la laitière [The Carter and the Milkmaid]", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste Le Prince", "Sort_Artist" : "Le Prince, Jean-Baptiste", "Disp_Dimen" : "22.4 cm x 14.8 cm (8 13/16 in. x 5 13/16 in.)", "Disp_Height" : "22.4 cm", "Disp_Width" : "14.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.657.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.657.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.657.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.657.tif", "IsPrimary" : "1", "_SurrogateID" : "2070", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3577, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3577", "Disp_Access_No" : "1996.113", "_AccNumSort1" : "", "Disp_Create_DT" : "1771", "_Disp_Start_Dat" : "1771", "_Disp_End_Date" : "1771", "Disp_Title" : "La Sentinelle en défault [The Faulty Sentry], after Pierre Antoine Baudouin", "Alt_Title" : "", "Obj_Title" : "La Sentinelle en défault [The Faulty Sentry], after Pierre Antoine Baudouin", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Delaunay", "Sort_Artist" : "Delaunay, Nicolas", "Disp_Dimen" : "68.8 cm x 49.8 cm (27 1/16 in. x 19 5/8 in.)", "Disp_Height" : "68.8 cm", "Disp_Width" : "49.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.113.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.113.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.113.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.113.tif", "IsPrimary" : "1", "_SurrogateID" : "3737", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3634, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3634", "Disp_Access_No" : "1995.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1778", "_Disp_Start_Dat" : "1778", "_Disp_End_Date" : "1778", "Disp_Title" : "L'Armoire [The Wardrobe]", "Alt_Title" : "", "Obj_Title" : "L'Armoire [The Wardrobe]", "Series_Title" : "", "Disp_Maker_1" : "Jean-Honoré Fragonard", "Sort_Artist" : "Fragonard, Jean-Honoré", "Disp_Dimen" : "41.6 cm x 54.8 cm (16 3/8 in. x 21 9/16 in.)", "Disp_Height" : "41.6 cm", "Disp_Width" : "54.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "With Jean-Antoine Watteau and François Boucher, Jean-Honoré Fragonard completes the triumvirate of artists who defined the French Rococo style. As shown in The Swing, The Bolt, and The Stolen Kiss, Fragonard excelled at images of illicit love. Witty, charming, and lighthearted, the artist’s approach was comic rather than moralizing. In L’armoire a young man shamefacedly steps out from his hiding spot with his hat suggestively held in front of him as he is threatened with a stick by the irate parents of his lover. The daughter, partly in embarrassment and partly in despair, covers her face with her apron. The painting became famous and increased in popularity after Fragonard etched the image here. The museum etching is an early impression of the second state on eighteenth-century paper that has never been washed. Other works by Fragonard in the Blanton’s collection include the even rarer impression of a portrait of his son, Fan-Fan, made in collaboration with Marguerite Gérard, as well as an important, if somewhat compromised, drawing from the Suida-Manning Collection. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1995", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.60.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.60.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.60.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.60.tif", "IsPrimary" : "1", "_SurrogateID" : "1661", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3675, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3675", "Disp_Access_No" : "1996.181", "_AccNumSort1" : "", "Disp_Create_DT" : "1785", "_Disp_Start_Dat" : "1785", "_Disp_End_Date" : "1785", "Disp_Title" : "Le Nécromancien [The Necromancer], after Jean-Baptiste Le Prince", "Alt_Title" : "", "Obj_Title" : "Le Nécromancien [The Necromancer], after Jean-Baptiste Le Prince", "Series_Title" : "", "Disp_Maker_1" : "Isidore-Stanislas Helman", "Sort_Artist" : "Helman, Isidore-Stanislas", "Disp_Dimen" : "49.5 cm x 36.8 cm (19 1/2 in. x 14 1/2 in.)", "Disp_Height" : "49.5 cm", "Disp_Width" : "36.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.181.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.181.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.181.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.181.tif", "IsPrimary" : "1", "_SurrogateID" : "9024", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3704, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3704", "Disp_Access_No" : "2002.1941", "_AccNumSort1" : "", "Disp_Create_DT" : "1791", "_Disp_Start_Dat" : "1791", "_Disp_End_Date" : "1791", "Disp_Title" : "Vive le Roi [Long Live the King], after Philibert Louis Debucourt", "Alt_Title" : "", "Obj_Title" : "Vive le Roi [Long Live the King], after Philibert Louis Debucourt", "Series_Title" : "", "Disp_Maker_1" : "Augustin Legrand", "Sort_Artist" : "Legrand, Augustin", "Disp_Dimen" : "34.1 cm x 36.9 cm (13 7/16 in. x 14 1/2 in.)", "Disp_Height" : "34.1 cm", "Disp_Width" : "36.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Responding to the early events of the French Revolution, Louis XVI moved his residence from Versailles to the Tuileries Palace in Paris. Corollary propaganda, Debucourt invented this composition of a cripple unfurling a portrait of the king and describing the scene of his return ––“My people can always count upon my love.” –– to a marveling crowd. Initially (below), Legrand faithfully reproduced the painting. Three years later, after the beheading of the king and Robespierre’s proclamation of “the belief of the French people in a Supreme Being and in the Immortality of the Soul,” Legrand reworked the plate (above), replacing the portrait with the Decree, introducing personifications of Fortitude and Justice, and of course changing the inscription. A decade later, the plate was altered again, with a portrait of Napoleon substituted for the Decret. In 1853, a critic would wryly observe that, “if the plate were to be resurrected, it could serve again to promote the exploits of the French army.” The life of Legrand’s print is a clamorous case of the correlation between political vicissitudes and printmaking. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1941.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1941.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1941.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1941.tif", "IsPrimary" : "1", "_SurrogateID" : "1874", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3722, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3722", "Disp_Access_No" : "2002.1942", "_AccNumSort1" : "", "Disp_Create_DT" : "1794", "_Disp_Start_Dat" : "1794", "_Disp_End_Date" : "1794", "Disp_Title" : "Réception du décret du 18 floréal [Reception of the Decree of 18 floréal], after Philibert Louis Debucourt", "Alt_Title" : "", "Obj_Title" : "Réception du décret du 18 floréal [Reception of the Decree of 18 floréal], after Philibert Louis Debucourt", "Series_Title" : "", "Disp_Maker_1" : "Augustin Legrand", "Sort_Artist" : "Legrand, Augustin", "Disp_Dimen" : "38.8 cm x 48 cm (15 1/4 in. x 18 7/8 in.)", "Disp_Height" : "38.8 cm", "Disp_Width" : "48 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1942.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1942.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1942.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1942.tif", "IsPrimary" : "1", "_SurrogateID" : "1875", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3724, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3724", "Disp_Access_No" : "2002.1819", "_AccNumSort1" : "", "Disp_Create_DT" : "1796", "_Disp_Start_Dat" : "1796", "_Disp_End_Date" : "1796", "Disp_Title" : "A Peep at Christie’s; -or- Tally – ho, & his Nimeney–pimmeney taking the Morning Lounge", "Alt_Title" : "", "Obj_Title" : "A Peep at Christie’s; -or- Tally – ho, & his Nimeney–pimmeney taking the Morning Lounge", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "37.7 cm x 28 cm (14 13/16 in. x 11 in.)", "Disp_Height" : "37.7 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint with hand coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand coloring", "Info_Page_Comm" : "Lord Derby, a great hunter and horseman, is known more for his involvement in organizing horse races than his political career. He is pictured here with actress Elizabeth Farren. Famous for her role as Nimeney-pimmeney in John Burgoyne’s Heiress, she frequented Queen Charlotte’s drawing-room and was celebrated for her good conduct and appealing disposition. Gillray seems to be alone in his distaste for Farren. He portrays her as a fortune seeker browsing artwork with equally haughty company. Her focus falls on a painting of Xenocrates and Phryne. According to the ancient Greek biographer, Diogenes Laërtius, the courtesan Phryne attempted to seduce Xenocrates, a Greek philosopher and mathematician. The print is a stab at the questionable morals of Farren, who married Lord Derby eight months after its publication.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1819.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1819.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1819.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1819.tif", "IsPrimary" : "1", "_SurrogateID" : "1855", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3839, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3839", "Disp_Access_No" : "1997.155", "_AccNumSort1" : "", "Disp_Create_DT" : "1826", "_Disp_Start_Dat" : "1826", "_Disp_End_Date" : "1826", "Disp_Title" : "La Prière [Prayer]", "Alt_Title" : "", "Obj_Title" : "La Prière [Prayer]", "Series_Title" : "", "Disp_Maker_1" : "Richard Parkes Bonington", "Sort_Artist" : "Bonington, Richard Parkes", "Disp_Dimen" : "34 cm x 25.5 cm (13 3/8 in. x 10 1/16 in.)", "Disp_Height" : "34 cm", "Disp_Width" : "25.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph on chine collé", "Support" : "", "Disp_Medium" : "Lithograph on chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.155.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.155.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.155.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.155.tif", "IsPrimary" : "1", "_SurrogateID" : "5459", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3858, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3858", "Disp_Access_No" : "1996.143.8/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1831", "_Disp_Start_Dat" : "1831", "_Disp_End_Date" : "1831", "Disp_Title" : "The Chamber Idyll", "Alt_Title" : "", "Obj_Title" : "The Chamber Idyll", "Series_Title" : "", "Disp_Maker_1" : "Edward Calvert", "Sort_Artist" : "Calvert, Edward", "Disp_Dimen" : "36.6 cm x 27.4 cm (14 7/16 in. x 10 13/16 in.)", "Disp_Height" : "36.6 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wood engraving", "Support" : "", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : " The Chamber Idyll was the last print Edward Calvert undertook, and it is considered his most poetic. With his friend and fellow artist Samuel Palmer, Calvert fell under the influence of William Blake’s visionary Romanticism, impressed in particular by the older artist’s wood engravings for an edition of Virgil’s Eclogues (1820). Living in Shoreham, Calvert and Palmer, along with George Richmond, styled themselves as “Ancients,” shunning all that was modern in art and society. Instead they cloaked pastoral subjects inspired by the English countryside in classical guise. Heavy wooden beams hung with farm implements set the stage for this bucolic scene of lovers preparing for bed. Although their hairstyles are distinctly contemporary, the male figure in profile derives from images of Apollo cut into ancient cameos, and the female figure is patterned on a gemstone showing Aphrodite preparing for a bath. Calvert’s naive treatment of the livestock in the background, and the print’s small scale, lend this erotic scene an air of innocence. Apart from very rare proofs, all impressions of Calvert’s wood engravings and engravings come from their reprinting in his son’s biography of 1893. The museum possesses a fine copy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.143.8-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.143.8-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.143.8-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.143.8-8.tif", "IsPrimary" : "1", "_SurrogateID" : "1665", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3960", "Disp_Access_No" : "1995.177", "_AccNumSort1" : "", "Disp_Create_DT" : "1851", "_Disp_Start_Dat" : "1851", "_Disp_End_Date" : "1851", "Disp_Title" : "Der Tod als Freund [Death as a Friend]", "Alt_Title" : "", "Obj_Title" : "Der Tod als Freund [Death as a Friend]", "Series_Title" : "", "Disp_Maker_1" : "Alfred Rethel", "Sort_Artist" : "Rethel, Alfred", "Disp_Dimen" : "30.2 x 27 cm (11 7/8 x 10 5/8 in.)", "Disp_Height" : "30.2 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wood engraving (by Richard Julius Jungtow)", "Support" : "", "Disp_Medium" : "Wood engraving (by Richard Julius Jungtow)", "Info_Page_Comm" : "Death as a Friend portrays a pious monk’s peaceful passage into eternity. As the sun sets, Death, who is dressed as an ally in his monk’s robe adorned with a pilgrim’s shell, respectfully bows his head as he tolls the knell for his friend", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.177.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.177.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.177.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.177.tif", "IsPrimary" : "1", "_SurrogateID" : "5550", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3992, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3992", "Disp_Access_No" : "G1966.2.272", "_AccNumSort1" : "", "Disp_Create_DT" : "1858", "_Disp_Start_Dat" : "1858", "_Disp_End_Date" : "1858", "Disp_Title" : "Rag Pickers, Quartier Mouffetard, Paris", "Alt_Title" : "", "Obj_Title" : "The Rag Gatherers", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "21.85 cm x 31.5 cm (8 5/8 in. x 12 3/8 in.)", "Disp_Height" : "21.85 cm", "Disp_Width" : "31.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.272.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.272.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.272.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.272.tif", "IsPrimary" : "1", "_SurrogateID" : "8317", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4190, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4190", "Disp_Access_No" : "G1964.1.216", "_AccNumSort1" : "", "Disp_Create_DT" : "1882", "_Disp_Start_Dat" : "1882", "_Disp_End_Date" : "1882", "Disp_Title" : "The Smoker", "Alt_Title" : "", "Obj_Title" : "The Smoker", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "14 cm x 10.75 cm (5 1/2 in. x 4 1/4 in.)", "Disp_Height" : "14 cm", "Disp_Width" : "10.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.1.216.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.1.216.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.1.216.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.1.216.TIF", "IsPrimary" : "1", "_SurrogateID" : "9381", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4368, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4368", "Disp_Access_No" : "1997.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1906", "_Disp_Start_Dat" : "1906", "_Disp_End_Date" : "1906", "Disp_Title" : "La Guitariste [The Guitarist]", "Alt_Title" : "", "Obj_Title" : "La Guitariste", "Series_Title" : "", "Disp_Maker_1" : "Alexandre Lunois", "Sort_Artist" : "Lunois, Alexandre", "Disp_Dimen" : "57.5 cm x 45.7 cm (22 5/8 in. x 18 in.)", "Disp_Height" : "57.5 cm", "Disp_Width" : "45.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Color lithograph", "Support" : "", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.30.tif", "IsPrimary" : "1", "_SurrogateID" : "3993", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4375, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4375", "Disp_Access_No" : "G1966.2.77", "_AccNumSort1" : "", "Disp_Create_DT" : "1908", "_Disp_Start_Dat" : "1908", "_Disp_End_Date" : "1908", "Disp_Title" : "Copyist at the Metropolitan Museum", "Alt_Title" : "", "Obj_Title" : "Copyist at the Metropolitan Museum", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "33.05 cm x 42.05 cm (13 in. x 16 9/16 in.)", "Disp_Height" : "33.05 cm", "Disp_Width" : "42.05 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.77.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.77.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.77.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.77.tif", "IsPrimary" : "1", "_SurrogateID" : "8961", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4438, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4438", "Disp_Access_No" : "1992.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "The Life Class, First Stone", "Alt_Title" : "", "Obj_Title" : "The Life Class, First Stone", "Series_Title" : "", "Disp_Maker_1" : "George Wesley Bellows", "Sort_Artist" : "Bellows, George Wesley", "Disp_Dimen" : "48 cm x 65.5 cm (18 7/8 in. x 25 13/16 in.)", "Disp_Height" : "48 cm", "Disp_Width" : "65.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Still Water Foundation, 1992", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; 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Robertson, 1993", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.163.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.163.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.163.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1993.163.TIF", "IsPrimary" : "1", "_SurrogateID" : "9674", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8091, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8091", "Disp_Access_No" : "P1965.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1530's", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1530", "Disp_Title" : "The Women's Bath", "Alt_Title" : "", "Obj_Title" : "The Women's Bath", "Series_Title" : "", "Disp_Maker_1" : "Sebald Beham", "Sort_Artist" : "Beham, Sebald", "Disp_Dimen" : "29.35 cm x 29.5 cm (11 9/16 in. x 11 5/8 in.)", "Disp_Height" : "29.35 cm", "Disp_Width" : "29.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Ware, Jr. Collection, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.25.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.25.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.25.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.25.tif", "IsPrimary" : "1", "_SurrogateID" : "9080", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8544, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8544", "Disp_Access_No" : "1992.282", "_AccNumSort1" : "", "Disp_Create_DT" : "1749-1750", "_Disp_Start_Dat" : "1749", "_Disp_End_Date" : "1750", "Disp_Title" : "The Gothic Arch, plate XIV from the Carceri d'Invenzione [Imaginary Prisons]", "Alt_Title" : "", "Obj_Title" : "The Gothic Arch, plate XIV from the Carceri d'Invenzione [Imaginary Prisons]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "51.2 cm x 71.4 cm (20 3/16 in. x 28 1/8 in.)", "Disp_Height" : "51.2 cm", "Disp_Width" : "71.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, engraving, and sulfur tint with burnishing", "Support" : "", "Disp_Medium" : "Etching, engraving, and sulfur tint with burnishing", "Info_Page_Comm" : "The Carceri are Giovanni Battista Piranesi’s most inventive and famous series of architectural fantasies. The fourteen plates present sweeping views within vast interiors of massive masonry construction. Certain architectural motifs, various accoutrements of prisons and torture, and above all the suggestion of overpowering weight signal the theme. The Carceri conflate the visionary reconstruction of ancient Roman architecture in one earlier series, the Prima Parte, and the fanciful variations upon archaeological remains in another, the Grotteschi. Meanwhile their superimposition of rigorous perspective over frequently illogical structure recalls Piranesi’s training in scenographic decoration. As they were fully articulated in later states with extensive re-biting and burin work, the Carceri are dark, menacing prefigurations of the awesome beauty of Edmund Burke’s “sublime.” But each plate began with a preparation in practically pure etching, which was issued in a small edition for connoisseurs. 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Surgery, which treated external maladies, such as cuts, bruises, and broken bones, retained its inferior status because it was a manual trade. Making matters worse, surgical practice and sedation were inadequate. Patients endured excruciating pain and the procedures often caused gangrene. Amputation had a frighteningly high mortality rate. Dissection by surgeons for anatomy lessons was particularly loathed, primarily because of the body stealing necessary. In an era when body and soul were not conceived separate, only the most evil of souls or the unidentified were subject to the anatomist’s knife. The Reward of Cruelty is the last print in the series of four entitled The Four Stages of Cruelty, which depicts the life of Tom Nero, a murderer who met his death by the hangman’s noose. In this print, Nero suffers the fate of many criminals of the day who were turned over to a company of surgeons for dissection. Ironically, Nero has befallen the same forms of mutilation and dismemberment, including the gouging of one of his eyes, that he inflicted upon others during his killing spree. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1991", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.158.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.158.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.158.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.158.tif", "IsPrimary" : "1", "_SurrogateID" : "3471", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.158.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.158.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.158.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.158.tif", "IsPrimary" : "0", "_SurrogateID" : "3474", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8615, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8615", "Disp_Access_No" : "2001.76.12/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1763-1764", "_Disp_Start_Dat" : "1763", "_Disp_End_Date" : "1764", "Disp_Title" : "Interior of a House, Plate 12, from The Twelve Etchings Dedicated to Lord Exeter", "Alt_Title" : "", "Obj_Title" : "Interior of a House, Plate 12, from The Twelve Etchings Dedicated to Lord Exeter", "Series_Title" : "", "Disp_Maker_1" : "Francesco Londonio", "Sort_Artist" : "Londonio, Francesco", "Disp_Dimen" : "29.7 cm x 44.2 cm (11 11/16 in. x 17 3/8 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "44.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Christie's Australia, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.76.12-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.76.12-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.76.12-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.76.12-12.tif", "IsPrimary" : "1", "_SurrogateID" : "4582", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8651, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8651", "Disp_Access_No" : "1998.422.2/8", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Plate 1 (finished proof), after Jean-Honoré Fragonard, from Didot L'Ainé's edition of Lafontaine's Contes et Nouvelles, 1795", "Alt_Title" : "", "Obj_Title" : "Plate 1 (finished proof), after Jean-Honoré Fragonard, from Didot L'Ainé's edition of Lafontaine's Contes et Nouvelles, 1795", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste Patas", "Sort_Artist" : "Patas, Jean-Baptiste", "Disp_Dimen" : "32.4 cm x 23.3 cm (12 3/4 in. x 9 3/16 in.)", "Disp_Height" : "32.4 cm", "Disp_Width" : "23.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.422.2-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.422.2-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.422.2-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.422.2-8.tif", "IsPrimary" : "1", "_SurrogateID" : "4034", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8822, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8822", "Disp_Access_No" : "1998.334", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Benvenuto Cellini in His Studio, after Robert Fleury", "Alt_Title" : "", "Obj_Title" : "Benvenuto Cellini in His Studio, after Robert Fleury", "Series_Title" : "", "Disp_Maker_1" : "Adolphe Mouilleron and Karl Bodmer", "Sort_Artist" : "Mouilleron and Karl Bodmer, Adolphe", "Disp_Dimen" : "31.6 cm x 24 cm (12 7/16 in. x 9 7/16 in.)", "Disp_Height" : "31.6 cm", "Disp_Width" : "24 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Swiss", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.334.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.334.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.334.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.334.tif", "IsPrimary" : "1", "_SurrogateID" : "6295", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8960", "Disp_Access_No" : "1986.358", "_AccNumSort1" : "", "Disp_Create_DT" : "1897", "_Disp_Start_Dat" : "1897", "_Disp_End_Date" : "1897", "Disp_Title" : "Les femmes de France [The Women of France]", "Alt_Title" : "The Women of France", "Obj_Title" : "Les femmes de France [The Women of France]", "Series_Title" : "", "Disp_Maker_1" : "Théophile Alexandre Steinlen", "Sort_Artist" : "Steinlen, Théophile Alexandre", "Disp_Dimen" : "49.1 cm x 32.2 cm (19 5/16 in. x 12 11/16 in.)", "Disp_Height" : "49.1 cm", "Disp_Width" : "32.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph on chine collé", "Support" : "", "Disp_Medium" : "Lithograph on chine collé", "Info_Page_Comm" : "Steinlen shows us two Breton women, identified by their distinctive bonnets, in a domestic interior. Brittany, a province in northwest France, was the closest one could get to the primitive exotic without leaving France. It was a royalist and Catholic stronghold throughout all of the revolutions in France and it was the continental center of the Celtic Revival, a cultural movement that rejected modernity by hearkening back to an early medieval past. It was not the political or religious beliefs of the Breton people that drew neo-Catholic artists such as Paul Gauguin, Armand Séguin, Emile Bernard, and Steinlen to form an artists’ colony there, but their simple and sincere faith unadulterated by the superficiality and materialism of modern urban life.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. Alexander and Ivria Sackton, 1986", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.358.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.358.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.358.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.358.tif", "IsPrimary" : "1", "_SurrogateID" : "4934", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8961, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8961", "Disp_Access_No" : "1982.705", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1879-1880", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1880", "Disp_Title" : "La Sortie du bain [Leaving the Bath]", "Alt_Title" : "", "Obj_Title" : "La Sortie du bain ", "Series_Title" : "", "Disp_Maker_1" : "Hilaire-Germain-Edgar Degas", "Sort_Artist" : "Degas, Hilaire-Germain-Edgar", "Disp_Dimen" : "22.7 cm x 16.5 cm (8 15/16 in. x 6 1/2 in.)", "Disp_Height" : "22.7 cm", "Disp_Width" : "16.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Electric crayon, etching, drypoint and aquatint", "Support" : "", "Disp_Medium" : "Electric crayon, etching, drypoint and aquatint", "Info_Page_Comm" : "Depicting scenes of a woman bathing, usually in the guise of a classical goddess or biblical heroine, is a long-held tradition in Western art, simultaneously satisfying the presumably male viewer’s prurient interests while conveying a moral lesson about women’s virtue. Edgar Degas’s interpretations of the subject, however, were anything but idealized or conventional. Daring in his composition, Degas here has given us an essentially empty center formed by the white towel held behind the bather and a raking perspective that accentuates the awkwardness of the model. Unlike his predecessors and contemporaries, including fellow Impressionist Pierre-Auguste Renoir, Degas delighted in showing women as imperfect beings and frequently focused on what he perceived to be their “beastly” traits. He once admitted, “Perhaps I have considered woman too much as an animal.” Along with horses and dancers, bathers were a favorite subject of the artist. Degas never meant La sortie du bain to be published or commercially distributed. It was instead a personal essay the artist worked and reworked over the course of a year. There are twenty-two states of this plate, variously done in etching, engraving, and aquatint. Recently, the museum acquired a very good impression of the cancelled plate as further demonstration of Degas’s variation upon the theme.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.705.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.705.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.705.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.705.tif", "IsPrimary" : "1", "_SurrogateID" : "1251", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9069, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9069", "Disp_Access_No" : "G1969.6.593", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Le Matin", "Alt_Title" : "", "Obj_Title" : "Le Matin", "Series_Title" : "", "Disp_Maker_1" : "William Lee-Hankey", "Sort_Artist" : "Lee-Hankey, William", "Disp_Dimen" : "32.7 cm x 34.6 cm (12 7/8 in. x 13 5/8 in.)", "Disp_Height" : "32.7 cm", "Disp_Width" : "34.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Transfer from the Humanities Research Center, The University of Texas at Austin, 1969", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1969.6.593.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1969.6.593.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1969.6.593.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1969.6.593.tif", "IsPrimary" : "1", "_SurrogateID" : "5429", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9959", "Disp_Access_No" : "1982.1135", "_AccNumSort1" : "", "Disp_Create_DT" : "n.d.", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "En el taller [In the Workshop]", "Alt_Title" : "In the Workshop", "Obj_Title" : "En el taller [In the Workshop]", "Series_Title" : "", "Disp_Maker_1" : "Everardo Ramírez", "Sort_Artist" : "Ramírez, Everardo", "Disp_Dimen" : "56.2 cm x 43.8 cm (22 1/8 in. x 17 1/4 in.)", "Disp_Height" : "56.2 cm", "Disp_Width" : "43.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1135.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1135.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1135.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1135.tif", "IsPrimary" : "1", "_SurrogateID" : "7059", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10303, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10303", "Disp_Access_No" : "P1964.8", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "14th Street Meat Market, New York", "Alt_Title" : "", "Obj_Title" : "14th Street Meat Market, New York", "Series_Title" : "", "Disp_Maker_1" : "Antonio Frasconi", "Sort_Artist" : "Frasconi, Antonio", "Disp_Dimen" : "90.9 cm x 61 cm (35 13/16 in. x 24 in.)", "Disp_Height" : "90.9 cm", "Disp_Width" : "61 cm", "Dimen_Extent" : "Sheet", "Medium" : "Color woodcut", "Support" : "", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1964", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Uruguay", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1964.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1964.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1964.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1964.8.tif", "IsPrimary" : "1", "_SurrogateID" : "2501", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10319, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10319", "Disp_Access_No" : "1999.127", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Toby, Chien", "Alt_Title" : "", "Obj_Title" : "Toby, Chien", "Series_Title" : "", "Disp_Maker_1" : "Christien Baudet", "Sort_Artist" : "Baudet, Christien", "Disp_Dimen" : "38 cm x 28.3 cm (14 15/16 in. x 11 1/8 in.)", "Disp_Height" : "38 cm", "Disp_Width" : "28.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1999", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.127.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.127.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.127.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1999.127.TIF", "IsPrimary" : "1", "_SurrogateID" : "9892", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10365, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10365", "Disp_Access_No" : "1982.951", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Glass Blowers", "Alt_Title" : "", "Obj_Title" : "Glass Blowers", "Series_Title" : "", "Disp_Maker_1" : "Arturo García Bustos", "Sort_Artist" : "García Bustos, Arturo", "Disp_Dimen" : "32.7 cm x 48.8 cm (12 7/8 in. x 19 3/16 in.)", "Disp_Height" : "32.7 cm", "Disp_Width" : "48.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.951.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.951.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.951.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.951.tif", "IsPrimary" : "1", "_SurrogateID" : "6806", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10958", "Disp_Access_No" : "P1963.4.156/178", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1730-before 1740", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1740", "Disp_Title" : "Mercury and Herse, after Paolo Veronese, plate 156 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabine", "Alt_Title" : "", "Obj_Title" : "Mercury and Herse, after Paolo Veronese, plate 156 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Francois Joullain", "Sort_Artist" : "Joullain, Francois", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.156-178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1963.4.156-178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1963.4.156-178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1963.4.156-178.tif", "IsPrimary" : "1", "_SurrogateID" : "6576", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11029, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11029", "Disp_Access_No" : "1982.699", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500 - 1510", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1510", "Disp_Title" : "Monks Attending a Sick Brother", "Alt_Title" : "", "Obj_Title" : "Monks Attending a Sick Brother", "Series_Title" : "", "Disp_Maker_1" : "Pseudo-Ortkens", "Sort_Artist" : "Pseudo-Ortkens", "Disp_Dimen" : "22.8 cm x 22.8 cm (9 in. x 9 in.)", "Disp_Height" : "22.8 cm", "Disp_Width" : "22.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.699.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.699.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.699.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1982.699.TIF", "IsPrimary" : "1", "_SurrogateID" : "9275", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.699-color.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.699-color.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.699-color.TIF", "IIIF_URL": 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The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.145.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.145.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.145.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.145.tif", "IsPrimary" : "1", "_SurrogateID" : "5946", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11050", "Disp_Access_No" : "1997.11", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1516", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1521", "Disp_Title" : "Sibyl Reading, Facing Right, after Raphael", "Alt_Title" : "", "Obj_Title" : "Sibyl Reading, Facing Right, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Ugo da Carpi", "Sort_Artist" : "Carpi, Ugo da", "Disp_Dimen" : "27.8 cm x 23.2 cm (10 15/16 in. x 9 1/8 in.)", "Disp_Height" : "27.8 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chiaroscuro woodcut from two blocks, tone block printed in blue-gray", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from two blocks, tone block printed in blue-gray", "Info_Page_Comm" : "This print interprets a drawing by Raphael that is presumably lost.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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: "Collaert, II, Jan", "Disp_Dimen" : "20.1 cm x 27 cm (7 15/16 in. x 10 5/8 in.)", "Disp_Height" : "20.1 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2127.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2127.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2127.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2127.tif", "IsPrimary" : "1", "_SurrogateID" : "9699", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11197, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11197", "Disp_Access_No" : "1998.69", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1635", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1640", "Disp_Title" : "The Village Surgeon, after Adriaen Brouwer", "Alt_Title" : "", "Obj_Title" : "The Village Surgeon, after Adriaen Brouwer", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Visscher", "Sort_Artist" : "Visscher, Cornelis", "Disp_Dimen" : "28.7 cm x 36.3 cm (11 5/16 in. x 14 5/16 in.)", "Disp_Height" : "28.7 cm", "Disp_Width" : "36.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.69.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.69.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.69.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.69.tif", "IsPrimary" : "1", "_SurrogateID" : "9072", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11248, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11248", "Disp_Access_No" : "2002.2424", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1655", "Disp_Title" : "Title page from The Drawing-Book of Abraham Bloemaert, after Abraham Bloemaert", "Alt_Title" : "", "Obj_Title" : "Title page from The Drawing-Book of Abraham Bloemaert, after Abraham Bloemaert", "Series_Title" : "", "Disp_Maker_1" : "Frederick Bloemaert", "Sort_Artist" : "Bloemaert, Frederick", "Disp_Dimen" : "30.7 cm x 22.1 cm (12 1/16 in. x 8 11/16 in.)", "Disp_Height" : "30.7 cm", "Disp_Width" : "22.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and chiaroscuro woodcut from two blocks printed in ochre and brown", "Support" : "", "Disp_Medium" : "Etching and chiaroscuro woodcut from two blocks printed in ochre and brown", "Info_Page_Comm" : "Exquisitely refined and widely influential, Abraham Bloemaert was the last great figure of Dutch Mannerism. Around 1650 his son, Frederick, published a collection of prints after his father’s drawings. The use of chiaroscuro, unusual by that time, was an additional tribute to the period of his father’s activity and the work of contemporaries like Hendrick Goltzius. On the other hand, Frederick replaced the line block with an etched plate, which better conveyed the elegant line and complicated rhythm of his father’s pen work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2424.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2424.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2424.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2424.tif", "IsPrimary" : "1", "_SurrogateID" : "8173", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11264, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11264", "Disp_Access_No" : "2002.2422", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1664", "_Disp_Start_Dat" : "1659", "_Disp_End_Date" : "1669", "Disp_Title" : "The Breakfast ", "Alt_Title" : "", "Obj_Title" : "The Breakfast", "Series_Title" : "", "Disp_Maker_1" : "Adriaen van Ostade", "Sort_Artist" : "Ostade, Adriaen van", "Disp_Dimen" : "22.7 cm x 27 cm (8 15/16 in. x 10 5/8 in.)", "Disp_Height" : "22.7 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Adriaen van Ostade was Holland’s foremost artist of village life and its finest etcher after Rembrandt. In a Netherlandish tradition going back to Pieter Brueghel, his paintings show peasants in rural settings engaged in daily activities. The larger, more elaborate plates are variations on his own painted compositions. Most, inspired by Rembrandt, are smaller, briefer sketches of rustic types and their interactions. Fifty in all, they are characterized by very careful drawing, painstaking development of texture and color through successive biting, and sympathetic observation. The collection counts eighteen, half in rare, early impressions. The Breakfast is one of Ostade’s largest and most painterly etchings. It renders the interior of a farmhouse with an assortment of types enjoying drink. However modest and cluttered the setting, the composition is definite in structure and subtle in balance. Similarly, the characters may be coarse in appearance and boisterous in gesture, but they are afforded kindness and dignity. Light reinforces the scene’s coherence, adds further expressive warmth, and even imparts a sacramental sense. Ostade’s etchings were tremendously successful. That their audience was urban and highly educated, with notions of a simpler time and place, is emphasized by the Latin inscription from the Roman poet Tibullus: “We spend time for an untroubled table—After a lengthy wait, a fair day comes.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2422.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2422.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2422.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2422.tif", "IsPrimary" : "1", "_SurrogateID" : "1942", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11287, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11287", "Disp_Access_No" : "1997.133", "_AccNumSort1" : "", "Disp_Create_DT" : "1732", "_Disp_Start_Dat" : "1732", "_Disp_End_Date" : "1732", "Disp_Title" : "L'Enseigne de Gersaint [Gersaint's Shopsign], after Jean-Antoine Watteau", "Alt_Title" : "", "Obj_Title" : "L'Enseigne de Gersaint [Gersaint's Shopsign], after Jean-Antoine Watteau", "Series_Title" : "", "Disp_Maker_1" : "Pierre-Alexandre Aveline", "Sort_Artist" : "Aveline, Pierre-Alexandre", "Disp_Dimen" : "59.4 cm x 86.3 cm (23 3/8 in. x 34 in.)", "Disp_Height" : "59.4 cm", "Disp_Width" : "86.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Fine and sparkling, this impression of Pierre-Alexandre Aveline’s reproduction of Jean-Antoine Watteau’s L’enseigne de Gersaint of 1721 (Palais Charlottenburg, Berlin) is the centerpiece of the museum’s early eighteenth-century French prints. In 1721 the art dealer Gersaint commissioned Watteau to make a shop sign for his gallery. Casually arranged in the artist’s trademark lyrical style, the wealthy clientele visiting the shop are as much on display as are the paintings that they study. Cleverly marking the new political era, Watteau included a vignette of handlers packing away a portrait of Louis XIV, who had died seven years earlier. By combining the techniques of engraving and etching in this reproduction, Aveline achieved an impressive range of tones and details—for example, in the reflections in the mirror and in the windowpanes of the door that leads into an interior room at the center. What Watteau was able to do in paint with the shimmering fabric of the costumes, Aveline successfully translated into black and white using the burin and etching needle. Although Watteau died at thirty-seven, his art continued to have an impact until the end of the century, in part through reproductions such as this. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.133.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.133.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.133.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.133.tif", "IsPrimary" : "1", "_SurrogateID" : "1678", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11298, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11298", "Disp_Access_No" : "1997.45.1/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1745", "_Disp_Start_Dat" : "1745", "_Disp_End_Date" : "1745", "Disp_Title" : "The Marriage Settlement, plate I from Marriage à la mode, after William Hogarth", "Alt_Title" : "", "Obj_Title" : "The Marriage Settlement, plate I from Marriage à la mode, after William Hogarth", "Series_Title" : "", "Disp_Maker_1" : "Gérard Jean-Baptiste Scotin II", "Sort_Artist" : "Scotin II, Gérard Jean-Baptiste", "Disp_Dimen" : "44.3 cm x 57 cm (17 7/16 in. x 22 7/16 in.)", "Disp_Height" : "44.3 cm", "Disp_Width" : "57 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This print is from a series of six engravings that is based on a progress of six paintings completed by Hogarth around 1743. 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As with most of Hogarth’s prints, the plates were actually carried out by French engravers. Hogarth employed them for their skill in the tradition of finely differentiated line engraving. The series was aimed at the upper middle class and aristocracy. With mocking theatricality, the six plates depict stages in the lives of an unhappily betrothed couple, starting with the negotiations of the marriage agreement by their fathers. The narrative moves through the couple's increasingly catastrophic marriage, to the wife's suicide, a bottle of laudanum at her feet. Consistent with Hogarth's other satirical and didactic works, the series criticizes the abuse of rank and status, the arrangement and casual treatment of marriage, irresponsible parenthood, and other social ills of the day. R.F. Ravenet is incorrect; the engraver was S.F. (Simon François) Ravenet", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.45.5-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.45.5-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.45.5-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.45.5-6.tif", "IsPrimary" : "1", "_SurrogateID" : "3319", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11303, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11303", "Disp_Access_No" : "1997.45.6/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1745", "_Disp_Start_Dat" : "1745", "_Disp_End_Date" : "1745", "Disp_Title" : "The Lady's Death, plate VI from Marriage à la mode, after William Hogarth", "Alt_Title" : "", "Obj_Title" : "The Lady's Death, plate VI from Marriage à la mode, after William Hogarth", "Series_Title" : "", "Disp_Maker_1" : "Gérard Jean-Baptiste Scotin II", "Sort_Artist" : "Scotin II, Gérard Jean-Baptiste", "Disp_Dimen" : "44.4 cm x 57 cm (17 1/2 in. x 22 7/16 in.)", "Disp_Height" : "44.4 cm", "Disp_Width" : "57 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This print is from a series of six engravings that is based on a progress of six paintings completed by Hogarth around 1743. 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", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.45.6-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.45.6-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.45.6-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.45.6-6.tif", "IsPrimary" : "1", "_SurrogateID" : "3320", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11324", "Disp_Access_No" : "1998.120", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1775", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1780", "Disp_Title" : "A Peasant Packing a Pipe, after David Teniers", "Alt_Title" : "", "Obj_Title" : "A Peasant Packing a Pipe, after David Teniers", "Series_Title" : "", "Disp_Maker_1" : "Giovanni David", "Sort_Artist" : "David, Giovanni", "Disp_Dimen" : "46.5 cm x 32.6 cm (18 5/16 in. x 12 13/16 in.)", "Disp_Height" : "46.5 cm", "Disp_Width" : "32.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Aquatint", "Support" : "", "Disp_Medium" : "Aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Lawrence Lawver, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.120.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.120.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.120.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.120.tif", "IsPrimary" : "1", "_SurrogateID" : "5974", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11326, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11326", "Disp_Access_No" : "1987.14", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1875-1899", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1899", "Disp_Title" : "A Reception at the Hôtel de Ville", "Alt_Title" : "", "Obj_Title" : "A Reception at the Hôtel de Ville", "Series_Title" : "", "Disp_Maker_1" : "Formerly attributed to Augustin de Saint-Aubin", "Sort_Artist" : "Saint-Aubin, Formerly attributed to Augustin de", "Disp_Dimen" : "19.5 cm x 26.9 cm (7 11/16 in. x 10 9/16 in.)", "Disp_Height" : "19.5 cm", "Disp_Width" : "26.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with gray wash and pen and black ink on cream antique laid paper", "Support" : "", "Disp_Medium" : "Black chalk with gray wash and pen and black ink on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.14.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.14.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.14.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.14.tif", "IsPrimary" : "1", "_SurrogateID" : "4264", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11412, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11412", "Disp_Access_No" : "1991.131", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1883", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1888", "Disp_Title" : "Crabtree Observing the Transit of Venus, after Ford Madox Brown", "Alt_Title" : "", "Obj_Title" : "Crabtree Observing the Transit of Venus, after Ford Madox Brown", "Series_Title" : "", "Disp_Maker_1" : "George Woolliscroft Rhead", "Sort_Artist" : "Rhead, George Woolliscroft", "Disp_Dimen" : "27.6 cm x 36 cm (10 7/8 in. x 14 3/16 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "Rhead was a student of the Victorian artist Ford Madox Brown, who produced a series of twelve murals (1879-1893) for Manchester’s town hall. The paintings were meant to celebrate the city’s history, with a focus on the textile industry, commerce, and religion. In this print, Rhead reproduces Brown’s mural depicting Manchester merchant, draper, and mathematician William Crabtree (1610-1644), who correctly calculated the timing of the planet Venus’s rare passage before the sun.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.131.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.131.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.131.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.131.tif", "IsPrimary" : "1", "_SurrogateID" : "5493", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11432, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11432", "Disp_Access_No" : "1982.560", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1896", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1901", "Disp_Title" : "La Verité au conseil de guerre [The Court-Martial of Truth], from Les Temps nouveaux, [The New Times]", "Alt_Title" : "", "Obj_Title" : "La Verité au conseil de guerre [The Court-Martial of Truth], from Les Temps nouveaux, [The New Times]", "Series_Title" : "", "Disp_Maker_1" : "Maximilien Luce", "Sort_Artist" : "Luce, Maximilien", "Disp_Dimen" : "57 cm x 45.2 cm (22 7/16 in. x 17 13/16 in.)", "Disp_Height" : "57 cm", "Disp_Width" : "45.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Transfer lithograph", "Support" : "", "Disp_Medium" : "Transfer lithograph", "Info_Page_Comm" : "Luce was raised in a working-class family and witnessed the violent suppression of the Commune by the National Guards in 1871. 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: "1635", "Disp_Title" : "Marie présente Jésus dans le temple [The Presentation in the Temple], from La Vie de la Sainte Vierge [The Life of the Holy Virgin]", "Alt_Title" : "", "Obj_Title" : "Marie présente Jésus dans le temple [The Presentation in the Temple], from La Vie de la Sainte Vierge [The Life of the Holy Virgin]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "6.6 cm x 4.4 cm (2 5/8 in. x 1 3/4 in.)", "Disp_Height" : "6.6 cm", "Disp_Width" : "4.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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"4.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.539.1-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.539.1-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.539.1-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.539.1-3.tif", "IsPrimary" : "1", "_SurrogateID" : "6088", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12435, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12435", 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"", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "This depiction of the story of Salome is one of Dürer’s lesser known prints. When John the Baptist condemned the marriage of Salome’s mother to King Herod, the young Salome seduced the King with a dance and convinced him to decapitate the saint. Dürer sets the episode in an intimate setting, similar to those of the Small Passion. The stirring exchange of glances between Salome, King Herod, and the decapitated head of Saint John provides the scene with a palpable feeling of discomfort.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.837.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.837.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.837.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.837.TIF", "IsPrimary" : "1", "_SurrogateID" : "5659", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12610, "URL" : 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Ware, Jr. Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2815.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2815.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2815.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2815.tif", "IsPrimary" : "1", "_SurrogateID" : "8271", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16768, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16768", "Disp_Access_No" : "2003.16", "_AccNumSort1" : "", "Disp_Create_DT" : "2000", "_Disp_Start_Dat" : "2000", "_Disp_End_Date" : "2000", "Disp_Title" : "Emerging Infectious Diseases", "Alt_Title" : "", "Obj_Title" : "Emerging Infectious Diseases", "Series_Title" : "", "Disp_Maker_1" : "Eric Avery", "Sort_Artist" : "Avery, Eric", "Disp_Dimen" : "46.1 cm x 31.2 cm (18 1/8 in. x 12 5/16 in.)", "Disp_Height" : "46.1 cm", "Disp_Width" : "31.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Linocut", "Support" : "", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the artist, 2003", "Copyright_Type" : "edu; promo; web", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.16.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.16.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.16.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2003.16.TIF", "IsPrimary" : "1", "_SurrogateID" : "9282", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15887, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15887", "Disp_Access_No" : "2017.1010", "_AccNumSort1" : "", "Disp_Create_DT" : "1620s", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Charles VI, King of France, Receiving Ambassadors from Antoniotto Adorno, Doge of Genoa", "Alt_Title" : "", "Obj_Title" : "Charles VI, King of France, Receiving Ambassadors from Antoniotto Adorno, Doge of Genoa ", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "11.5 cm x 19.6 cm (4 1/2 in. x 7 11/16 in.)", "Disp_Height" : "11.5 cm", "Disp_Width" : "19.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and gray wash and white heightening (slightly oxidized) on blue antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and gray wash and white heightening (slightly oxidized) on blue antique laid paper", "Info_Page_Comm" : "An autograph inscription identifies this scene as one of at least seven from the life of Antoniotto Adorno, doge during Genoa’s first great period, in the 14th-century. There survives at least one other drawing from the series. Their subjects, lunette format and monumental conception, suggest that they were pre-paratory for the fresco decoration of a Genoese palace. Although no such cycle by Castello is known, Lazzaro Tavarone did execute one in the Palazzo Cattaneo-Adorno in 1624. Castello’s drawings could well have served as models in a competition for that project.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1010.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1010.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1010.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1010.tif", "IsPrimary" : "1", "_SurrogateID" : "5840", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15915, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15915", "Disp_Access_No" : "2017.1009", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Man Whispering to a Lady", "Alt_Title" : "", "Obj_Title" : "A Man Whispering to a Lady", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "15.24 cm x 14.29 cm (6 in. x 5 5/8 in.)", "Disp_Height" : "15.24 cm", "Disp_Width" : "14.29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1009.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1009.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1009.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1009.tif", "IsPrimary" : "1", "_SurrogateID" : "5686", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15997, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15997", "Disp_Access_No" : "2017.804", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Feast", "Alt_Title" : "", "Obj_Title" : "A Feast", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "20.32 cm x 32.39 cm (8 in. x 12 3/4 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "32.39 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and gray ink, gray wash", "Support" : "", "Disp_Medium" : "Black chalk, pen and gray ink, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.804.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.804.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.804.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.804.tif", "IsPrimary" : "1", "_SurrogateID" : "3295", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16000, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16000", "Disp_Access_No" : "2017.810", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Tavern Scene with Dogs in Human Guises", "Alt_Title" : "", "Obj_Title" : "A Tavern Scene with Dogs in Human Guises", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "20.32 cm x 32.39 cm (8 in. x 12 3/4 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "32.39 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and grey ink over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and grey ink over traces of black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.810.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.810.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.810.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.810.tif", "IsPrimary" : "1", "_SurrogateID" : "3300", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16154, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16154", "Disp_Access_No" : "2017.1335", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Esther, Ahasuerus and Haman", "Alt_Title" : "", "Obj_Title" : "Esther, Ahasuerus and Haman", "Series_Title" : "", "Disp_Maker_1" : "Pietro Ricchi (Lucchese)", "Sort_Artist" : "Ricchi (Lucchese), Pietro", "Disp_Dimen" : "29.21 cm x 43.18 cm (11 1/2 in. x 17 in.)", "Disp_Height" : "29.21 cm", "Disp_Width" : "43.18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk and wash heightened with white", "Support" : "", "Disp_Medium" : "Red chalk and wash heightened with white", "Info_Page_Comm" : "In this drawing, Pietro Ricchi manipulated the red chalk with a wet brush, saturating the pigment. He began by lightly sketching the scene with black chalk, over which he applied heavy red chalk. Contours appear darker and more defined, a result of Ricchi outlining figures with a brush dipped in water. He finalized the drawing with white opaque paint, possibly containing lead carbonate, which in some areas has grayed due to oxidation with sulfur in the air. The scene is from the book of Esther. At a banquet hosted by Esther and her husband, King Ahasuerus, Haman gestures his arms in mock innocence. Earlier in the story Haman had proposed hanging Esther’s cousin, Mordecai, and the entire Jewish nation for their disrespect and pride. Here Esther reveals her own Jewish identity, sparing their lives. With Haman’s nervous smile and upraised hands, Ricchi conveys the emotional complexity of a man who senses his own doom. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1335-old.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1335-old.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1335-old.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1335-old.tif", "IsPrimary" : "1", "_SurrogateID" : "5868", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16176, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16176", "Disp_Access_No" : "2017.1423", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1675-1699", "_Disp_Start_Dat" : "1675", "_Disp_End_Date" : "1699", "Disp_Title" : "A Pawnbroker’s Shop", "Alt_Title" : "", "Obj_Title" : "A Pawnbroker’s Shop", "Series_Title" : "", "Disp_Maker_1" : "Circle of Claude Vignon", "Sort_Artist" : "Vignon, Circle of Claude", "Disp_Dimen" : "30.8 cm x 42.55 cm (12 1/8 in. x 16 3/4 in.)", "Disp_Height" : "30.8 cm", "Disp_Width" : "42.55 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalk on buff laid paper", "Support" : "", "Disp_Medium" : "Black and white chalk on buff laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1423-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1423-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1423-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1423-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "4292", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/592.1999_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/592.1999_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/592.1999_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/592.1999_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "4718", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16240, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16240", "Disp_Access_No" : "2017.935", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Liberation of Saint Peter", "Alt_Title" : "", "Obj_Title" : "The Liberation of Saint Peter", "Series_Title" : "", "Disp_Maker_1" : "Leonhard Bramer", "Sort_Artist" : "Bramer, Leonhard", "Disp_Dimen" : "38.1 cm x 24.77 cm (15 in. x 9 3/4 in.)", "Disp_Height" : "38.1 cm", "Disp_Width" : "24.77 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, gray wash, heightened with white, on brown paper", "Support" : "", "Disp_Medium" : "Black chalk, gray wash, heightened with white, on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.935.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.935.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.935.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.935.tif", "IsPrimary" : "1", "_SurrogateID" : "5857", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16303, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16303", "Disp_Access_No" : "2017.1315", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Liberation of Saint Peter (recto and verso)", "Alt_Title" : "", "Obj_Title" : "The Liberation of Saint Peter (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "43.18 cm x 30.48 cm (17 in. x 12 in.)", "Disp_Height" : "43.18 cm", "Disp_Width" : "30.48 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1315.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1315.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1315.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1315.tif", "IsPrimary" : "1", "_SurrogateID" : "5890", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16330, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16330", "Disp_Access_No" : "2017.1057", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Joseph Interpreting the Dreams in Prison", "Alt_Title" : "", "Obj_Title" : "Joseph Interpreting the Dreams in Prison", "Series_Title" : "", "Disp_Maker_1" : "Circle of Giuseppe Maria Crespi", "Sort_Artist" : "Crespi, Circle of Giuseppe Maria", "Disp_Dimen" : "48.26 cm x 33.02 cm (19 in. x 13 in.)", "Disp_Height" : "48.26 cm", "Disp_Width" : "33.02 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "2+ if it''s cleaned Condition issues, conservation issues: needs to be cleaned Has not been fully attributed Might be a pendant to the other Crespi painting that we have that is also in storage, pair Should look at all Crespi works together to decide which ones should go up (FC:jb 4/13/15) Need to look at with 194.1999, potentially pair with it. (FC:jb 4/23/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1057.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1057.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1057.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1057.tif", "IsPrimary" : "1", "_SurrogateID" : "6987", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16335, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16335", "Disp_Access_No" : "2017.1004", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1720s", "_Disp_Start_Dat" : "1720", "_Disp_End_Date" : "1720", "Disp_Title" : "Anthony and Cleopatra", "Alt_Title" : "", "Obj_Title" : "Anthony and Cleopatra", "Series_Title" : "", "Disp_Maker_1" : "Andrea Casali", "Sort_Artist" : "Casali, Andrea", "Disp_Dimen" : "49 cm x 64.9 cm (19 5/16 in. x 25 9/16 in.)", "Disp_Height" : "49 cm", "Disp_Width" : "64.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1004.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1004.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1004.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1004.tif", "IsPrimary" : "1", "_SurrogateID" : "3434", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16392, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16392", "Disp_Access_No" : "2017.932", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Brawl in a Guardhouse", "Alt_Title" : "", "Obj_Title" : "A Brawl in a Guardhouse", "Series_Title" : "", "Disp_Maker_1" : "Sébastien Bourdon", "Sort_Artist" : "Bourdon, Sébastien", "Disp_Dimen" : "64.4 cm x 54.5 cm (25 3/8 in. x 21 7/16 in.)", "Disp_Height" : "64.4 cm", "Disp_Width" : "54.5 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. Should go up. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.932.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.932.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.932.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.932.TIF", "IsPrimary" : "1", "_SurrogateID" : "9313", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16415, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16415", "Disp_Access_No" : "2017.1067", "_AccNumSort1" : "", "Disp_Create_DT" : "1710s", "_Disp_Start_Dat" : "1710", "_Disp_End_Date" : "1710", "Disp_Title" : "Lady with a String of Pearls", "Alt_Title" : "Cleopatra Dissolving a Pearl (Changed per JP 1/23/2018) Lady with a String of Pearls (Changed per JB 11/01) Cleopatra (changed per JB 4/2011)", "Obj_Title" : "Lady with a String of Pearls", "Series_Title" : "", "Disp_Maker_1" : "Donato Creti", "Sort_Artist" : "Creti, Donato", "Disp_Dimen" : "75.1 cm x 61.3 cm (29 9/16 in. x 24 1/8 in.)", "Disp_Height" : "75.1 cm", "Disp_Width" : "61.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Donato Creti’s style represents the most self-conscious and rarefied classicism in late Baroque painting. Trained in the Bolognese academy, he reacted against its increasingly stale and unfelt formulae by attempting to return to its first principles, or at least early manifestation, in the art of Guido Reni. The result of this deliberate archaism is an extreme refinement of form and color, a complete suppression of affect, and an unearthly beauty. In character and appearance, Creti’s works recall Mannerism created in the region of Emilia and equally anticipate the true Neoclassicism of several generations later. Cleopatra is a perfect demonstration of this ideal style. The attitude could scarcely be more contrived, the drawing more elegant, the palette more artificial, and the psychology more remote. Intellectual appeal overwhelms plausibility and empathy. Light, space, and sentiment—reasoned and shaped but still accessible in the period’s conventional classicism—here become near abstractions. Creti would often create replicas of individual motifs from larger compositions. This figure corresponds to one that appears in the painting Achilles Dipped in the Styx (Pinacoteca Nazionale, Bologna). Here, however, the motif is more logical and better resolved, suggesting that it preceded the larger composition. Patrons, it seems, requested not just replication but incorporation of favorite motifs, which Creti’s conceptual and systematic style could readily accommodate. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Possible conservation / restoration issues (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1067.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1067.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1067.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1067.tif", "IsPrimary" : "1", "_SurrogateID" : "2597", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16559, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16559", "Disp_Access_No" : "2002.2810", "_AccNumSort1" : "", "Disp_Create_DT" : "2000", "_Disp_Start_Dat" : "2000", "_Disp_End_Date" : "2000", "Disp_Title" : "Intellectual Baggage", "Alt_Title" : "", "Obj_Title" : "Intellectual Baggage", "Series_Title" : "", "Disp_Maker_1" : "A. Robert Birmelin", "Sort_Artist" : "Birmelin, A. Robert", "Disp_Dimen" : "76.3 cm x 56.6 cm (30 1/16 in. x 22 5/16 in.)", "Disp_Height" : "76.3 cm", "Disp_Width" : "56.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Dewayne Perry, 2002", "Copyright_Type" : "All", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2810.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2810.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2810.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2810.tif", "IsPrimary" : "1", "_SurrogateID" : "1978", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16780, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16780", "Disp_Access_No" : "2003.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1801", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1801", "Disp_Title" : "The Union Club", "Alt_Title" : "", "Obj_Title" : "The Union Club", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "30.8 cm x 45.2 cm (12 1/8 in. x 17 13/16 in.)", "Disp_Height" : "30.8 cm", "Disp_Width" : "45.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "The Union Club in London, a fashionable spot for jovial debauchery, was established after the formation of the United Kingdom of Great Britain and Ireland on 1 January 1801. In the foreground members of the ministry raise glasses, shake hands and celebrate the successful union while a heated fight takes places in the background.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.26.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.26.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.26.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.26.tif", "IsPrimary" : "1", "_SurrogateID" : "8333", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16865", "Disp_Access_No" : "2003.89.7/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "Kolor de Kuba Black and White, from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Alt_Title" : "", "Obj_Title" : "Kolor de Kuba Black and White, from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Series_Title" : "", "Disp_Maker_1" : "Tonel", "Sort_Artist" : "Tonel", "Disp_Dimen" : "42.5 cm x 29.8 cm (16 3/4 in. x 11 3/4 in.)", "Disp_Height" : "42.5 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "This print from a series of lithographs grew out of the artist’s first experiences of winter as he traveled through Canada and Europe in the 1990s. In the artist’s own words, “Like the texts, the images (all self-portraits) speak of loss, mutilation, encounter, and rupture. The accompanying boleros—a form of Caribbean music intertwined with the lure and sleeplessness of erotic passion, requited or not—set up a virtually sonorous cultural counterpoint with the images of gray, wintry landscapes and bitter, frustrated figures. The bolero supplies a sugary sweet, abundantly smooth musical background to the sordid experiences and disagreements depicted here in hostile cities or messy rooms—locations marked by grotesque and tragic qualities—or in landscapes sketched under lead-gray clouds.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Fran Magee and Gallery 106, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Cuban", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.89.7-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.89.7-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.89.7-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.89.7-12.tif", "IsPrimary" : "1", "_SurrogateID" : "2962", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17170, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17170", "Disp_Access_No" : "2004.123", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Peasants in a Tavern", "Alt_Title" : "", "Obj_Title" : "Peasants in a Tavern", "Series_Title" : "", "Disp_Maker_1" : "Anonymous (formerly attributed to David Teniers II)", "Sort_Artist" : "Anonymous (formerly attributed to David Teniers II)", "Disp_Dimen" : "30.5 cm x 42.6 cm (12 in. x 16 3/4 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "42.6 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas, mounted on board", "Disp_Medium" : "Oil on canvas, mounted on board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 2004", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The composition is very similar to that of David Tenier II''s Smokers in an Interior (c. 1637) in the Museo Thyssen-Bornemisza (Inv. Nr. 387; 1970.35). JP 4/23/2015", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.123.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.123.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.123.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2004.123.TIF", "IsPrimary" : "1", "_SurrogateID" : "10523", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17231, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17231", "Disp_Access_No" : "2004.147.8/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1735", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1735", "Disp_Title" : "The Madhouse, plate VIII from A Rake's Progress", "Alt_Title" : "", "Obj_Title" : "The Madhouse, plate VIII from A Rake's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "45.6 cm x 57.6 cm (17 15/16 in. x 22 11/16 in.)", "Disp_Height" : "45.6 cm", "Disp_Width" : "57.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "ii/ii (1758, before final revisions)". Revised by CZ Sept. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.147.8-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.147.8-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.147.8-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.147.8-8.tif", "IsPrimary" : "1", "_SurrogateID" : "8252", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17230, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17230", "Disp_Access_No" : "2004.147.7/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1735", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1735", "Disp_Title" : "The Prison, plate VII from A Rake's Progress", "Alt_Title" : "", "Obj_Title" : "The Prison, plate VII from A Rake's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "45.6 cm x 57.6 cm (17 15/16 in. x 22 11/16 in.)", "Disp_Height" : "45.6 cm", "Disp_Width" : "57.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "ii/ii (1758, before final revisions)". Revised by CZ Sept. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.147.7-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.147.7-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.147.7-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.147.7-8.tif", "IsPrimary" : "1", "_SurrogateID" : "8251", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17228, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17228", "Disp_Access_No" : "2004.147.5/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1735", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1735", "Disp_Title" : "The Marriage, plate V from A Rake's Progress", "Alt_Title" : "", "Obj_Title" : "The Marriage, plate V from A Rake's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "45.6 cm x 57.6 cm (17 15/16 in. x 22 11/16 in.)", "Disp_Height" : "45.6 cm", "Disp_Width" : "57.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "ii/ii (1758, before final revisions)". Revised by CZ Sept. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.147.5-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.147.5-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.147.5-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.147.5-8.tif", "IsPrimary" : "1", "_SurrogateID" : "8249", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17226, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17226", "Disp_Access_No" : "2004.147.3/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1735", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1735", "Disp_Title" : "The Orgy, plate III from A Rake's Progress", "Alt_Title" : "", "Obj_Title" : "The Orgy, plate III from A Rake's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "45.6 cm x 57.6 cm (17 15/16 in. x 22 11/16 in.)", "Disp_Height" : "45.6 cm", "Disp_Width" : "57.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "ii/ii (1758, before final revisions)". Revised by CZ Sept. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. 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"Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18512, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18512", "Disp_Access_No" : "2006.128.2/11", "_AccNumSort1" : "", "Disp_Create_DT" : "1635", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1635", "Disp_Title" : "Jésus enfant parmi les docteurs [The Child Jesus Among the Doctors], from Le Nouveau Testament [The New Testament]", "Alt_Title" : "", "Obj_Title" : "Jésus enfant parmi les docteurs [The Child Jesus Among the Doctors], from Le Nouveau Testament [The New Testament]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "8.5 cm x 10.2 cm (3 3/8 in. x 4 in.)", "Disp_Height" : "8.5 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Art Acquisition Endowment Fund, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.128.2-11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.128.2-11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.128.2-11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.128.2-11.tif", "IsPrimary" : "1", "_SurrogateID" : "6170", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18522, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18522", "Disp_Access_No" : "2006.129", "_AccNumSort1" : "", "Disp_Create_DT" : "1772", "_Disp_Start_Dat" : "1772", "_Disp_End_Date" : "1772", "Disp_Title" : "Father with His Children, after Johann Eleazar Schenau", "Alt_Title" : "", "Obj_Title" : "Father with His Children, after Johann Eleazar Schenau", "Series_Title" : "", "Disp_Maker_1" : "Carl Friedrich Holzmann", "Sort_Artist" : "Holzmann, Carl Friedrich", "Disp_Dimen" : "27.3 cm x 21 cm (10 3/4 in. x 8 1/4 in.)", "Disp_Height" : "27.3 cm", "Disp_Width" : "21 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Art Acquisition Endowment Fund, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.129.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.129.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.129.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.129.tif", "IsPrimary" : "1", "_SurrogateID" : "6510", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18854, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18854", "Disp_Access_No" : "2007.39", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1503", "_Disp_Start_Dat" : "1498", "_Disp_End_Date" : "1508", "Disp_Title" : "Christ Among the Doctors, from the Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Christ Among the Doctors, from the Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30.5 cm x 21.9 cm (12 in. x 8 5/8 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The adolescent Christ is shown at a lectern in the right background, disputing the Pharisees within the great hall of a stylized temple. The seventeen prints in Dürer’s Life of the Virgin brought the perspective construction, refined forms, and complex expression of Renaissance painting to woodcut, a technique previously associated with simple, generally popular imagery. Disseminated across Europe, this series’ compositions and figural motifs were probably the most frequently quoted images of the sixteenth century. This impression, printed before the usual addition of text to the verso, is notable for its exceptional clarity and perfect condition. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Julia and Stephen Wilkinson in honor of Jonathan Bober's twentieth anniversary as Curator of Prints and Drawings, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.39.tif", "IsPrimary" : "1", "_SurrogateID" : "4807", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18891, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18891", "Disp_Access_No" : "2007.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Untitled (Women Mourning at Bedside)", "Alt_Title" : "", "Obj_Title" : "Untitled (Women Mourning at Bedside)", "Series_Title" : "", "Disp_Maker_1" : "Emil Bisttram", "Sort_Artist" : "Bisttram, Emil", "Disp_Dimen" : "31.8 cm x 48.2 cm (12 1/2 in. x 19 in.)", "Disp_Height" : "31.8 cm", "Disp_Width" : "48.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2007", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.75.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.75.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.75.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.75.tif", "IsPrimary" : "1", "_SurrogateID" : "9063", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18893, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18893", "Disp_Access_No" : "2007.77", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1860", "_Disp_Start_Dat" : "1855", "_Disp_End_Date" : "1865", "Disp_Title" : "Couple with Lady Seated at a Piano", "Alt_Title" : "", "Obj_Title" : "Couple with Lady Seated at a Piano", "Series_Title" : "", "Disp_Maker_1" : "Francis Grant", "Sort_Artist" : "Grant, Francis", "Disp_Dimen" : "14.3 cm x 11.4 cm (5 5/8 in. x 4 1/2 in.)", "Disp_Height" : "14.3 cm", "Disp_Width" : "11.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Ian Kennedy, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Scottish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.77.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.77.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.77.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.77.tif", "IsPrimary" : "1", "_SurrogateID" : "4473", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18963, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18963", "Disp_Access_No" : "2008.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1811", "_Disp_Start_Dat" : "1811", "_Disp_End_Date" : "1811", "Disp_Title" : "Rosaspina's Zeichnungsschule [Rosaspina's Drawing School], after Felice Giani", "Alt_Title" : "", "Obj_Title" : "Rosaspina's Zeichnungsschule [Rosaspina's Drawing School], after Felice Giani", "Series_Title" : "", "Disp_Maker_1" : "Giulio Tomba", "Sort_Artist" : "Tomba, Giulio", "Disp_Dimen" : "37.4 cm x 4.7 cm (14 3/4 in. x 1 7/8 in.)", "Disp_Height" : "37.4 cm", "Disp_Width" : "4.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Francesco Rosaspina was the leading printmaker in late eighteenth-century Bologna and a professor at its academy. Here he appears as the older, heavy-set figure in topcoat seated at the right end of the table as he supervises a class of young draftsmen. Tomba studied with Rosapina and carried on his activity as a reproductive engraver. He conceived this print as a tribute to his teacher, with its fine order and meticulous execution conferring a special dignity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.10.tif", "IsPrimary" : "1", "_SurrogateID" : "4726", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19572, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19572", "Disp_Access_No" : "2010.72", "_AccNumSort1" : "", "Disp_Create_DT" : "1809", "_Disp_Start_Dat" : "1809", "_Disp_End_Date" : "1809", "Disp_Title" : "Pandora Opening Her Box", "Alt_Title" : "", "Obj_Title" : "Pandora Opening Her Box", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "48.3 cm x 35 cm (19 in. x 13 3/4 in.)", "Disp_Height" : "48.3 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "Illustrating a scandal that absorbed the public for months, Mary Anne Clarke is pictured before the bar of the House of Commons. She and her lover, the Duke of York, were accused of selling army commissions at bargain prices. The Duke resigned shortly after being acquitted; Clarke, however, was convicted of libel and imprisoned.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.72.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.72.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.72.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.72.tif", "IsPrimary" : "1", "_SurrogateID" : "7898", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19563, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19563", "Disp_Access_No" : "2010.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1833", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1833", "Disp_Title" : "Descente dans les ateliers de la liberté de la presse, plate 16 from La Caricature's Association Mensuelle lithographique", "Alt_Title" : "", "Obj_Title" : "Descente dans les ateliers de la liberté de la presse, plate 16 from La Caricature's Association Mensuelle lithographique", "Series_Title" : "", "Disp_Maker_1" : "J.J. Grandville", "Sort_Artist" : "Grandville, J.J.", "Disp_Dimen" : "35.9 cm x 53.9 cm (14 1/8 in. x 21 1/4 in.)", "Disp_Height" : "35.9 cm", "Disp_Width" : "53.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.65.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.65.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.65.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.65.tif", "IsPrimary" : "1", "_SurrogateID" : "8223", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19199, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19199", "Disp_Access_No" : "2008.125", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Woman Leaning Through an Open Door, after Rembrandt van Rijn(?)", "Alt_Title" : "", "Obj_Title" : "Woman Leaning Through an Open Door, after Rembrandt van Rijn(?)", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Ploos van Amstel", "Sort_Artist" : "Ploos van Amstel, Cornelis", "Disp_Dimen" : "15.3 cm x 14.7 cm (6 in. x 5 13/16 in.)", "Disp_Height" : "15.3 cm", "Disp_Width" : "14.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with roulette, printed in sepia", "Support" : "", "Disp_Medium" : "Etching with roulette, printed in sepia", "Info_Page_Comm" : "Ploos van Amstel was a discriminating collector of earlier drawings and an extraordinarily talented self-taught printmaker. Refining techniques and developing new processes for etching, he brought the reproduction of drawings to an unprecedented level, with many of his works appearing hand-drawn. This is a choice example because of its very appealing subject, semblance of rich ink wash, and perfect preservation. The estate stamp on the verso shows that it remained in Ploos’s own collection.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence Lawver, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.125.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.125.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.125.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.125.tif", "IsPrimary" : "1", "_SurrogateID" : "4925", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19314, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19314", "Disp_Access_No" : "2009.3", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1764", "_Disp_Start_Dat" : "1759", "_Disp_End_Date" : "1769", "Disp_Title" : "Illustration for Pierre Corneille's Polyeucte; Verso fragment of an equestrian figure", "Alt_Title" : "", "Obj_Title" : "Illustration for Pierre Corneille's Polyeucte; Verso fragment of an equestrian figure", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Hubert-François Bourguignon Gravelot", "Sort_Artist" : "Gravelot, Attributed to Hubert-François Bourguignon", "Disp_Dimen" : "17 cm x 10.5 cm (6 11/16 in. x 4 1/8 in.)", "Disp_Height" : "17 cm", "Disp_Width" : "10.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brown ink and wash on laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash on laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. and Mrs. Glen D. McCreless, 2009", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.3.tif", "IsPrimary" : "1", "_SurrogateID" : "5252", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.3_detail.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.3_detail.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.3_detail.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.3_detail.tif", "IsPrimary" : "0", "_SurrogateID" : "5256", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19317, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19317", "Disp_Access_No" : "2009.6", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1591", "_Disp_Start_Dat" : "1586", "_Disp_End_Date" : "1596", "Disp_Title" : "Hyacum, et Lues Venerea [The Discovery of Guaiacum as a Cure for Syphillis], plate 6 from Nova Repertum [New Inventions of Modern Times], after Jan van der Straet, called Stradanus", "Alt_Title" : "", "Obj_Title" : "Hyacum, et Lues Venerea [The Discovery of Guaiacum as a Cure for Syphillis], plate 6 from Nova Repertum [New Inventions of Modern Times], after Jan van der Straet, called Stradanus", "Series_Title" : "", "Disp_Maker_1" : "Theodor Galle", "Sort_Artist" : "Galle, Theodor", "Disp_Dimen" : "20.3 cm x 27.6 cm (8 in. x 10 7/8 in.)", "Disp_Height" : "20.3 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Antwerp became the center of European print production in the late sixteenth century. Its enterprising publishers coordinated vast projects illustrating an encyclopedic range of subjects. Organized by the Galle family and designed by a Flemish artist living in Florence, Nova Repertum depicted the supposed origins of important modern inventions. This scene of the preparation and ministering of a cure for syphilis is a striking inclusion and a famous image in the history of the disease.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2009", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.6.tif", "IsPrimary" : "1", "_SurrogateID" : "5399", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19332, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19332", "Disp_Access_No" : "2009.19", "_AccNumSort1" : "", "Disp_Create_DT" : "2008", "_Disp_Start_Dat" : "2008", "_Disp_End_Date" : "2008", "Disp_Title" : "Nicola Costurera [Nicola Seamstress]", "Alt_Title" : "", "Obj_Title" : "Nicola Costurera [Nicola Seamstress]", "Series_Title" : "", "Disp_Maker_1" : "Nicola Costantino", "Sort_Artist" : "Costantino, Nicola", "Disp_Dimen" : "124.5 cm x 104.1 cm (49 in. x 41 in.)", "Disp_Height" : "124.5 cm", "Disp_Width" : "104.1 cm", "Dimen_Extent" : "", "Medium" : "Inkjet", "Support" : "", "Disp_Medium" : "Inkjet", "Info_Page_Comm" : "Constantino’s work has always placed issues related to feminism at its core. Following the subversive artistic practices of artists such as Cindy Sherman, she inserts herself into art history, playing dual roles as both the creator and the object of representation. Nicola costurera [Nicola Seamstress] is a reference to Primeros pasos [First Steps] (1937), a painting by Antonio Berni, one of Argentina’s most popular and prolific artists whose career spanned sixty years and incorporated aspects of Surrealism, social realism, and Pop art in order to address class issues. In this photograph Constantino situates herself as the protagonist of the tableau, appropriating the compositional balance and posture of the seamstress depicted by Berni and dramatizing the scene through the use of theatrical lighting. In contrast to Berni’s picture, in which a male dancer is passively observed by a seamstress, Constantino diverts the viewer’s attention to her own likeness, accentuating the seamstress role within the scene and, by extension, the female presence in the history of art.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the Pinta Museum Acquisition Program with generosity from the Arts Connection Foundation, Gail and Louis Adler, Michael Chesser, and Melissa Jones, 2009", "Copyright_Type" : "", "Disp_Obj_Type" : "photograph", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.19.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.19.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.19.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19.tif", "IsPrimary" : "1", "_SurrogateID" : "6560", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.19 audioEng.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.19 audioEng.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.19 audioEng.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19 audioEng.mp3", "IsPrimary" : "0", "_SurrogateID" : "8198", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.19 audioSpan.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.19 audioSpan.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.19 audioSpan.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19 audioSpan.mp3", "IsPrimary" : "0", "_SurrogateID" : "8199", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19527, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19527", "Disp_Access_No" : "2010.34", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Caricature of Portrait Painting", "Alt_Title" : "", "Obj_Title" : "Caricature of Portrait Painting", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "17.1 cm x 24 cm (6 3/4 in. x 9 7/16 in.)", "Disp_Height" : "17.1 cm", "Disp_Width" : "24 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.34.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.34.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.34.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.34.tif", "IsPrimary" : "1", "_SurrogateID" : "7708", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19686, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19686", "Disp_Access_No" : "2012.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "The Collector Revisited", "Alt_Title" : "", "Obj_Title" : "The Collector Revisited", "Series_Title" : "", "Disp_Maker_1" : "Kelly Fearing", "Sort_Artist" : "Fearing, Kelly", "Disp_Dimen" : "33.3 cm x 27.5 cm (13 1/8 in. x 10 13/16 in.)", "Disp_Height" : "33.3 cm", "Disp_Width" : "27.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and softground etching", "Support" : "", "Disp_Medium" : "Etching and softground etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift from the Estate of Alvin A. Nickel, Professor Emeritus, The University of Texas at Austin, 2012", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2012.6.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2012.6.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2012.6.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2012.6.TIF", "IsPrimary" : "1", "_SurrogateID" : "11000", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 24120, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/24120", "Disp_Access_No" : "2019.16", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1980", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1985", "Disp_Title" : "Untitled (Artist's Table)", "Alt_Title" : "", "Obj_Title" : "[title unknown]", "Series_Title" : "", "Disp_Maker_1" : "Saul Steinberg", "Sort_Artist" : "Steinberg, Saul", "Disp_Dimen" : "68.8 x 102.3 cm (27 1/16 x 40 1/4 in.)", "Disp_Height" : "68.8 cm", "Disp_Width" : "102.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Offset lithograph", "Support" : "", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Saul Steinberg Foundation, 2019", "Copyright_Type" : "Non-Exclusive License", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2019.16.tif", "IsPrimary" : "1", "_SurrogateID" : "22755", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23188, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23188", "Disp_Access_No" : "2017.271", "_AccNumSort1" : "", "Disp_Create_DT" : "1988", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1988", "Disp_Title" : "Oriental Blond", "Alt_Title" : "", "Obj_Title" : "Oriental Blond", "Series_Title" : "", "Disp_Maker_1" : "Alex Alferov", "Sort_Artist" : "Alferov, Alex", "Disp_Dimen" : "66.7 x 83.7 cm (26 1/4 x 32 15/16 in.)", "Disp_Height" : "66.7 cm", "Disp_Width" : "83.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.271.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.271.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.271.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.271.tif", "IsPrimary" : "1", "_SurrogateID" : "20634", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23246, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23246", "Disp_Access_No" : "2017.331", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "Mas Alla", "Alt_Title" : "", "Obj_Title" : "Mas Alla", "Series_Title" : "", "Disp_Maker_1" : "Yreina D. Cervántez", "Sort_Artist" : "Cervántez, Yreina D.", "Disp_Dimen" : "71.4 x 102 cm (28 1/8 x 40 3/16 in.)", "Disp_Height" : "71.4 cm", "Disp_Width" : "102 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.331.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.331.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.331.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.331.tif", "IsPrimary" : "1", "_SurrogateID" : "20717", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23252, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23252", "Disp_Access_No" : "2017.333", "_AccNumSort1" : "", "Disp_Create_DT" : "1988", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1988", "Disp_Title" : "Stadium", "Alt_Title" : "", "Obj_Title" : "Stadium", "Series_Title" : "", "Disp_Maker_1" : "Ann Chamberlin", "Sort_Artist" : "Chamberlin, Ann", "Disp_Dimen" : "58.4 x 89 cm (23 x 35 1/16 in.)", "Disp_Height" : "58.4 cm", "Disp_Width" : "89 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.333.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.333.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.333.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.333.tif", "IsPrimary" : "1", "_SurrogateID" : "20721", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23278, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23278", "Disp_Access_No" : "2017.359", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "David and Delilah", "Alt_Title" : "", "Obj_Title" : "David and Delilah", "Series_Title" : "", "Disp_Maker_1" : "Alex Donis", "Sort_Artist" : "Donis, Alex", "Disp_Dimen" : "102.1 x 71.5 cm (40 3/16 x 28 1/8 in.)", "Disp_Height" : "102.1 cm", "Disp_Width" : "71.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.359.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.359.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.359.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.359.tif", "IsPrimary" : "1", "_SurrogateID" : "20779", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23298, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23298", "Disp_Access_No" : "2017.378", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Little Gold Man", "Alt_Title" : "", "Obj_Title" : "Little Gold Man", "Series_Title" : "", "Disp_Maker_1" : "Diane Gamboa", "Sort_Artist" : "Gamboa, Diane", "Disp_Dimen" : "66.4 x 97 cm (26 1/8 x 38 3/16 in.)", "Disp_Height" : "66.4 cm", "Disp_Width" : "97 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "Elaborately dressed and decorated bodies populate an interior scene of patterned excess in "Little Gold Man". Figures, genders, and objects blend together awash in acidic colors in what appears to be a private club. The print comes from a series of works of what Diane Gamboa characterizes as "futuristic urban royalty.” The space, though exclusive, is one of liberation for these androgynous individuals. They escape the violence of the outside world and embrace their sexual bodies donned with scars and ornamentation. 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A tale of seduction can be quickly deduced by her placement of these inanimate objects. 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