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For Self Help Graphics, he produced a series of prints representing Mesoamerican mythical figures. The Aztecs considered Toci to be the mother of the gods. Here she is depicted as a pregnant female figure wearing a deer headdress and a lacy garment, a suggestion of the somehow sinful quality of Toci, who also shares some aspects with Tlazolteotl, goddess of fertility, sin, and filth.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.282.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.282.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.282.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.282.tif", "IsPrimary" : "1", "_SurrogateID" : "17106", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23204, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23204", "Disp_Access_No" : "2017.285", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1992", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1997", "Disp_Title" : "Night Vision", "Alt_Title" : "", "Obj_Title" : "Night Vision", "Series_Title" : "", "Disp_Maker_1" : "Patricia Ancona Ha", "Sort_Artist" : "Ancona Ha, Patricia", "Disp_Dimen" : "71.5 x 50.9 cm (28 1/8 x 20 1/16 in.)", "Disp_Height" : "71.5 cm", "Disp_Width" : "50.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "Inspired by ancient representations of Maya rulers, Patricia Ancona Ha depicted a female figure, seated crossed-legged on an altar or stone dais that is decorated with hieroglyphs in the style of Maya script. Around her body twists a dragon-headed vision serpent, a symbol of communication with deceased ancestors who are summoned for their wise advice. The Maya achieved a hallucinogenic vision of the snake through a ritual process involving fasting and bloodletting. Here, the mysterious quality of the vision is enhanced by the nocturnal setting under the light of a crescent moon. During the 1970s and ’80s, advances in Mesoamerican scholarship facilitated Chicanx artists’ access to the art and culture of the Ancient Americas.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.285-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.285-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.285-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.285-Sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "19184", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23237, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23237", "Disp_Access_No" : "2017.315", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "Manto A Tamayo", "Alt_Title" : "", "Obj_Title" : "Manto A Tamayo", "Series_Title" : "", "Disp_Maker_1" : "Alfredo Calderón", "Sort_Artist" : "Calderón, Alfredo", "Disp_Dimen" : "111.9 x 76.4 cm (44 1/16 x 30 1/16 in.)", "Disp_Height" : "111.9 cm", "Disp_Width" : "76.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.315.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.315.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.315.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.315.tif", "IsPrimary" : "1", "_SurrogateID" : "20705", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23249, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23249", "Disp_Access_No" : "2017.329", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "El pueblo chicano con el pueblo centroamericano [The Chicano People with the Central American People]", "Alt_Title" : "", "Obj_Title" : "El pueblo chicano con el pueblo centroamericano [The Chicano People with the Central American People]", "Series_Title" : "", "Disp_Maker_1" : "Yreina D. Cervántez", "Sort_Artist" : "Cervántez, Yreina D.", "Disp_Dimen" : "97.1 x 63.4 cm (38 1/4 x 24 15/16 in.)", "Disp_Height" : "97.1 cm", "Disp_Width" : "63.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "Many Chicanx artists draw from the rich visual reservoir of Mexico and Central American countries as a way of negotiating their lives and artistic practice in the United States and maintaining a link to their ancestral and community heritage. Yreina Cervántez’s print features well-known figures and motifs: Augusto César Sandino, Che Guevara, Quetzalcoatl, the Virgin of Guadalupe, and Indigenous people. Cervántez transforms these visual icons, lending them new meanings in the context of the struggle for social justice that took place in Central America during the 1980s. What seems at first like a dense collage reveals a clever logic: the viewer is positioned as if inside a car, looking out at a series of Chicanx murals painted along the freeway in support of the Nicaraguan Sandinista rebels fighting Anastasio Somoza’s dictatorial regime.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.329.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.329.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.329.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.329.tif", "IsPrimary" : "1", "_SurrogateID" : "17193", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23251, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23251", "Disp_Access_No" : "2017.328", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "Danza Ocelotl [Jaguar Dance]", "Alt_Title" : "", "Obj_Title" : "Danza Ocelotl [Jaguar Dance]", "Series_Title" : "", "Disp_Maker_1" : "Yreina D. Cervántez", "Sort_Artist" : "Cervántez, Yreina D.", "Disp_Dimen" : "89 x 58.6 cm (35 1/16 x 23 1/16 in.)", "Disp_Height" : "89 cm", "Disp_Width" : "58.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "Yreina Cervántez’s "Danza Ocelotl", facilitated by master printer Stephen Grace, includes several "ocelotl"—jaguar, in the Nahuatl language—that in Mesoamerican culture was seen as a symbol of power. The jaguars surround a self-portrait of Cervántez holding a circular mask in front of her face. Within the disc, an orange feline creates the shape of a nose beneath a third-eye. This combination of symbols, vibrant color, and glitter together express Chicana pride and power.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.328.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.328.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.328.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.328.tif", "IsPrimary" : "1", "_SurrogateID" : "17141", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23285, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23285", "Disp_Access_No" : "2017.365", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "Beaning Indigenous", "Alt_Title" : "", "Obj_Title" : "Beaning Indigenous", "Series_Title" : "", "Disp_Maker_1" : "Ricardo Duffy", "Sort_Artist" : "Duffy, Ricardo", "Disp_Dimen" : "97.3 x 68.6 cm (38 5/16 x 27 in.)", "Disp_Height" : "97.3 cm", "Disp_Width" : "68.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; 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In "Dando gracias", he quotes a well-known Maya carved relief from Yaxchilan, in Chiapas, Mexico. In the relief, Lady Xook is in the hallucinatory stage of a bloodletting ritual, in which she conjures a vision serpent that is in turn bringing forth an ancestor. Limőn transformed the image by grounding it in the landscape of the Southwest. Lady Xook raises baskets of fruits and a flowery prickly pear or nopal cactus to the moon in a gesture of thanksgiving.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.443-sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.443-sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.443-sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.443-sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "19135", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23381", "Disp_Access_No" : "2017.459", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1981", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1986", "Disp_Title" : "Untitled [1981 calendar]", "Alt_Title" : "", "Obj_Title" : "Untitled [1981 calendar]", "Series_Title" : "", "Disp_Maker_1" : "Léo Limón", "Sort_Artist" : "Limón, Léo", "Disp_Dimen" : "61 x 50.8 cm (24 x 20 in.)", "Disp_Height" : "61 cm", "Disp_Width" : "50.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 23382, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23382", "Disp_Access_No" : "2017.440", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1980", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1985", "Disp_Title" : "[The Humanities: A Conference]", "Alt_Title" : "", "Obj_Title" : "[The Humanities: A Conference]", "Series_Title" : "", "Disp_Maker_1" : "Léo Limón", "Sort_Artist" : "Limón, Léo", "Disp_Dimen" : "63.5 x 48.2 cm (25 x 19 in.)", "Disp_Height" : "63.5 cm", "Disp_Width" : "48.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 23387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23387", "Disp_Access_No" : "2017.455", "_AccNumSort1" : "", "Disp_Create_DT" : "1981", "_Disp_Start_Dat" : "1981", "_Disp_End_Date" : "1981", "Disp_Title" : "Madre y Niño", "Alt_Title" : "", "Obj_Title" : "Madre y Niño", "Series_Title" : "", "Disp_Maker_1" : "Léo Limón", "Sort_Artist" : "Limón, Léo", "Disp_Dimen" : "63.6 x 48.4 cm (25 1/16 x 19 1/16 in.)", "Disp_Height" : "63.6 cm", "Disp_Width" : "48.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 23428, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23428", "Disp_Access_No" : "2017.508", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Border Bingo / Lotería fronteriza", "Alt_Title" : "", "Obj_Title" : "Border Bingo / Lotería fronteriza", "Series_Title" : "", "Disp_Maker_1" : "Victor Ochoa", "Sort_Artist" : "Ochoa, Victor", "Disp_Dimen" : "93 x 66.4 cm (36 5/8 x 26 1/8 in.)", "Disp_Height" : "93 cm", "Disp_Width" : "66.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "In his work, San Diego-based artist Victor Ochoa has often addressed the culture on the border between United States and Mexico, where aspects of both countries are blended into new local forms. 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