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Huntington Museum Fund, 1987", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.103.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.103.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.103.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1987.103.TIF", "IsPrimary" : "1", "_SurrogateID" : "9907", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 848, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/848", "Disp_Access_No" : "1994.137.24/30", "_AccNumSort1" : "", "Disp_Create_DT" : "1988", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1988", "Disp_Title" : "El filo de la angustia, from I Portfolio de arte boliviano", "Alt_Title" : "", "Obj_Title" : "El filo de la angustia, from I Portfolio de arte boliviano", "Series_Title" : "", "Disp_Maker_1" : "Walter Solón Romero", "Sort_Artist" : "Romero, Walter Solón", "Disp_Dimen" : "86 cm x 56 cm (33 7/8 in. x 22 1/16 in.)", "Disp_Height" : "86 cm", "Disp_Width" : "56 cm", "Dimen_Extent" : "Sheet", "Medium" : "Ten-color screenprint", "Support" : "", "Disp_Medium" : "Ten-color screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1994", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Bolivian", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.137.24-30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.137.24-30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.137.24-30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.137.24-30.tif", "IsPrimary" : "1", "_SurrogateID" : "8772", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 972, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/972", "Disp_Access_No" : "1997.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1896-1897", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1897", "Disp_Title" : "Les Baigneurs (grande planche) [The Large Bathers]", "Alt_Title" : "", "Obj_Title" : "Les Baigneurs (grande planche) [The Large Bathers]", "Series_Title" : "", "Disp_Maker_1" : "Paul Cézanne", "Sort_Artist" : "Cézanne, Paul", "Disp_Dimen" : "47.4 cm x 62 cm (18 11/16 in. x 24 7/16 in.)", "Disp_Height" : "47.4 cm", "Disp_Width" : "62 cm", "Dimen_Extent" : "Sheet", "Medium" : "Transfer and color lithograph", "Support" : "", "Disp_Medium" : "Transfer and color lithograph", "Info_Page_Comm" : "Paul Cézanne treated the subject of the bather in more than two hundred works over the course of twenty years, approaching this most conventional of themes in a radically unconventional manner. He created this, his most elaborate print, after his painting of the same composition in 1876–1877 (Barnes Foundation, Merion, Pennsylvania; variation in Musée d’art et d’histoire, Geneva) at the insistence of the dealer Ambroise Vollard. Uninterested in printmaking, Cézanne used transfer lithography for the project, relying on the printer Auguste Clot to translate his color into print. Each male figure is suspended in a swirl of vegetation, the lack of modeling denying them any volume, the disregard for perspective creating additional tension between representation and surface. Instead Cézanne gave the figures solidity and the composition stability by using bold contours, robust forms, and a rigorous pictorial structure. Yet the ambiguous relationship between man and nature remains, accentuated by the indifferent foreshortening of the thighs of the central figure. 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Invented in Germany in 1798, lithography was first used primarily as a means to reproduce music and scripts. Its use in making images was still somewhat experimental and not yet fully embraced by the art establishment. This work shows an allegory of the debate between neoclassical and romantic artists over whether antiquity or nature should serve as the model for art. Seduced by nature, a classically trained artist discards his tools (the palette and brush), leaving his talent and fame unrealized. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1994", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.4.tif", "IsPrimary" : "1", "_SurrogateID" : "5417", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2084, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2084", "Disp_Access_No" : "2002.2063", "_AccNumSort1" : "", "Disp_Create_DT" : "1530", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1530", "Disp_Title" : "Lot and His Daughters", "Alt_Title" : "", "Obj_Title" : "Lot and His Daughters", "Series_Title" : "", "Disp_Maker_1" : "Lucas van Leyden", "Sort_Artist" : "Leyden, Lucas van", "Disp_Dimen" : "18.5 cm x 23.9 cm (7 5/16 in. x 9 7/16 in.)", "Disp_Height" : "18.5 cm", "Disp_Width" : "23.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2063.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2063.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2063.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2063.tif", "IsPrimary" : "1", "_SurrogateID" : "1894", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2087, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2087", "Disp_Access_No" : "2002.757", "_AccNumSort1" : "", "Disp_Create_DT" : "1532", "_Disp_Start_Dat" : "1532", "_Disp_End_Date" : "1532", "Disp_Title" : "Marcus Curtius", "Alt_Title" : "", "Obj_Title" : "Marcus Curtius", "Series_Title" : "", "Disp_Maker_1" : "Heinrich Aldegrever", "Sort_Artist" : "Aldegrever, Heinrich", "Disp_Dimen" : "15.3 cm x 10.6 cm (6 in. x 4 3/16 in.)", "Disp_Height" : "15.3 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "In a legend recounted by the ancient Roman historian Livy, Marcus Curtius at the instruction of an oracle leapt on horseback into a chasm that had opened in the forum in order to save the city. Exaggerating the antique flavor, Aldegrever has juxtaposed this emblem of sacrifice with a group of five female nudes and, evident in this extraordinary impression, imparted the plasticity of statuary to the whole scene. 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"Disp_Title" : "Death of the Niobids", "Alt_Title" : "", "Obj_Title" : "Death of the Niobids", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "33.8 cm x 44.7 cm (13 5/16 in. x 17 5/8 in.)", "Disp_Height" : "33.8 cm", "Disp_Width" : "44.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1680.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1680.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1680.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1680.tif", "IsPrimary" : "1", "_SurrogateID" : "6026", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2105, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2105", "Disp_Access_No" : "1997.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1542", "_Disp_Start_Dat" : "1542", "_Disp_End_Date" : "1542", "Disp_Title" : "The Rape of Hippodamia, after Rosso Fiorentino", "Alt_Title" : "", "Obj_Title" : "The Rape of Hippodamia, after Rosso Fiorentino", "Series_Title" : "", "Disp_Maker_1" : "Enea Vico", "Sort_Artist" : "Vico, Enea", "Disp_Dimen" : "36 cm x 48.5 cm (14 3/16 in. x 19 1/8 in.)", "Disp_Height" : "36 cm", "Disp_Width" : "48.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.7.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.7.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.7.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.7.tif", "IsPrimary" : "1", "_SurrogateID" : "4897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2305, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2305", "Disp_Access_No" : "2002.2170.1/10", "_AccNumSort1" : "", "Disp_Create_DT" : "1586", "_Disp_Start_Dat" : "1586", "_Disp_End_Date" : "1586", "Disp_Title" : "Title Page to The Roman Heroes", "Alt_Title" : "", "Obj_Title" : "Title Page to The Roman Heroes", 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Huntington Art Gallery, 1992", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.292.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.292.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.292.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.292.tif", "IsPrimary" : "1", "_SurrogateID" : "3666", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3813, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3813", "Disp_Access_No" : "2002.1949", "_AccNumSort1" : "", "Disp_Create_DT" : "1821", "_Disp_Start_Dat" : "1821", "_Disp_End_Date" : "1821", "Disp_Title" : "Aurora and Cephalus, after Baron Guérin", "Alt_Title" : "", "Obj_Title" : 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Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.184.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.184.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.184.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.184.tif", "IsPrimary" : "1", "_SurrogateID" : "1700", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4135, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4135", "Disp_Access_No" : "1999.182", "_AccNumSort1" : "", "Disp_Create_DT" : "1876", "_Disp_Start_Dat" : "1876", "_Disp_End_Date" : "1876", "Disp_Title" : "Le Crépuscule [Dusk], after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Le Crépuscule [Dusk], after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Claude-Ferdinand Gaillard", "Sort_Artist" : "Gaillard, Claude-Ferdinand", "Disp_Dimen" : "28.7 cm x 36.8 cm (11 5/16 in. x 14 1/2 in.)", "Disp_Height" : "28.7 cm", "Disp_Width" : "36.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.182.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.182.tif", 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Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.183.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.183.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.183.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.183.tif", "IsPrimary" : "1", "_SurrogateID" : "4804", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4881, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4881", "Disp_Access_No" : "G1969.6.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1929", "_Disp_Start_Dat" : "1929", "_Disp_End_Date" : "1929", "Disp_Title" : "Perseus", "Alt_Title" : "", "Obj_Title" : "Perseus", "Series_Title" : "", "Disp_Maker_1" : "William Evan Charles Morgan", "Sort_Artist" : "Morgan, William Evan Charles", "Disp_Dimen" : "46.3 cm x 28.6 cm (18 1/4 in. x 11 1/4 in.)", "Disp_Height" : "46.3 cm", "Disp_Width" : "28.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Transfer from the Humanities Research Center, The University of Texas at Austin, 1969", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1969.6.53.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1969.6.53.tif", "PreviewPath" : 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settled in Mexico. A modernist, he drew from a rich variety of sources, including his indigenous heritage and the work of surrealist painters he met abroad. In the early 1930s, Mérida developed a simplified figurative style that he combined with fluid fields of color. Here, he presents the ambiguous outlines of three stocky figures with missing limbs, which could be read as mannequins, classical sculptures, or ancient Mexican figurines. They blend with the painterly background as the soft white and gray tones simultaneously give solidity to the figures and engulf them.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1978", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Guatemalan", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1978.89.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1978.89.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1978.89.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1978.89.tif", "IsPrimary" : "1", "_SurrogateID" : "3108", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5341, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5341", "Disp_Access_No" : "1979.32.3/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1939", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1939", "Disp_Title" : "Por eso los hacen pandos...porque los montan tiernitos, from Dichos populares [They Make Them Bend...Because They Ride Them from Early On, from Popular Sayings]", "Alt_Title" : "They Make Them Bend...Because They Ride Them from Early On, from Popular Sayings", "Obj_Title" : "Por eso los hacen pandos...porque los montan tiernitos, from Dichos populares [They Make Them Bend...Because They Ride Them from Early On, from Popular Sayings]", "Series_Title" : "", "Disp_Maker_1" : "Raúl Anguiano", "Sort_Artist" : "Anguiano, Raúl", "Disp_Dimen" : "44.8 cm x 57.3 cm (17 5/8 in. x 22 9/16 in.)", "Disp_Height" : "44.8 cm", "Disp_Width" : "57.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Folder for Dichos populares located in flat file 1: drawer 3.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Transfer from the General Libraries, The University of Texas at Austin, 1979", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1979.32.3-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1979.32.3-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1979.32.3-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1979.32.3-6.tif", "IsPrimary" : "1", "_SurrogateID" : "1182", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5567, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5567", "Disp_Access_No" : "1977.86", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "Desnudo de hombre (Estudio para Icaro, hombre con alas) [Male Nude (Study for Icarus, The Man with Wings)]", "Alt_Title" : "", "Obj_Title" : "Desnudo de hombre (Estudio para Icaro, hombre con alas) [Male Nude (Study for Icarus, The Man with Wings)]", "Series_Title" : "", "Disp_Maker_1" : "Guillermo Meza Alvarez", "Sort_Artist" : "Meza Alvarez, Guillermo", "Disp_Dimen" : "50.4 cm x 40.5 cm (19 13/16 in. x 15 15/16 in.)", "Disp_Height" : "50.4 cm", "Disp_Width" : "40.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pencil on paper", "Support" : "", "Disp_Medium" : "Pencil on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1977", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1977.86.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1977.86.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1977.86.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1977.86.tif", "IsPrimary" : "1", "_SurrogateID" : "13517", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5926, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5926", "Disp_Access_No" : "1982.1022", "_AccNumSort1" : "", "Disp_Create_DT" : "1952", "_Disp_Start_Dat" : "1952", "_Disp_End_Date" : "1952", "Disp_Title" : "Spirit of the Maguey, or Las tres caídas [The Three Falls]", "Alt_Title" : "Espíritu del Maguey, or The Three Falls (of Christ)", "Obj_Title" : "Spirit of the Maguey, or Las tres caídas [The Three Falls]", "Series_Title" : "", "Disp_Maker_1" : "Guillermo Meza Alvarez", "Sort_Artist" : "Meza Alvarez, Guillermo", "Disp_Dimen" : "37.8 cm x 24.7 cm (14 7/8 in. x 9 3/4 in.)", "Disp_Height" : "37.8 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph, 54/80", "Support" : "", "Disp_Medium" : "Lithograph, 54/80", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1022.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1022.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1022.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1022.tif", "IsPrimary" : "1", "_SurrogateID" : "1206", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6637, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6637", "Disp_Access_No" : "2002.1986", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "347, from Suite 347", "Alt_Title" : "", "Obj_Title" : "347, from Suite 347", "Series_Title" : "", "Disp_Maker_1" : "Pablo Picasso", "Sort_Artist" : "Picasso, Pablo", "Disp_Dimen" : "32.6 cm x 25.2 cm (12 13/16 in. x 9 15/16 in.)", "Disp_Height" : "32.6 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "1968 marked an exceptionally productive year for Picasso. Between the months of March and October he created 347 graphic works, published as the 347 Suite. With no central theme or technique in mind, Picasso’s creative thought flowed from one innovative idea to the next. In this print, he returns to the dual vantage motif he developed in the twenties. An aged Picasso on the right blankly stares past the woman on the left whose breasts and rear are presented to the audience simultaneously. 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"Paisaje al atardecer [Landscape at Twilight]", "Alt_Title" : "Landscape at Twilight", "Obj_Title" : "Paisaje al atardecer [Landscape at Twilight]", "Series_Title" : "", "Disp_Maker_1" : "Julio Alpuy", "Sort_Artist" : "Alpuy, Julio", "Disp_Dimen" : "25.4 cm x 29.8 cm (10 in. x 11 3/4 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Color etching and aquatint", "Support" : "", "Disp_Medium" : "Color etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Ronald Christ, 1982", "Copyright_Type" : "All", "Disp_Obj_Type" : "print", "Creation_Place2" : "Uruguay", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.680.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.680.tif", 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University of Texas at Austin, Gift of Barbara Duncan, 1994", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Colombian", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.95.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.95.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.95.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.95.tif", "IsPrimary" : "1", "_SurrogateID" : "3874", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8086, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8086", "Disp_Access_No" : "1995.188", "_AccNumSort1" : "", "Disp_Create_DT" : "1510's", "_Disp_Start_Dat" : "1510", "_Disp_End_Date" : "1510", "Disp_Title" : "Two Satyrs Placing Silenus on an Ass, 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"", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.6.tif", "IsPrimary" : "1", "_SurrogateID" : "4790", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8132", "Disp_Access_No" : "1997.219", "_AccNumSort1" : "", "Disp_Create_DT" 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Martin hints at Death’s form, burnishing out only the whites of its eyes, unable or unwilling to define it for us.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.261.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.261.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.261.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.261.tif", "IsPrimary" : "1", "_SurrogateID" : "5476", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9976, "URL" : 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"Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1969; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.992.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.992.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.992.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.992.tif", "IsPrimary" : "0", "_SurrogateID" : "9020", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10713, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10713", "Disp_Access_No" : "1982.681", "_AccNumSort1" : "", 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Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Nicolas-Henri Tardieu", "Sort_Artist" : "Tardieu, Nicolas-Henri", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.177-178.TIF", "ThumbnailPath" : 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"Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Early in the 16th century artists tended to use motifs from antique sculpture with relative freedom, reflecting a more developed sense of historical continuity. For example, Marcantonio Raimondi’s Hercules and Antaeus is inspired by a marble sculpture that, lacking Antaeus’s head and Hercules’s legs, lay on its side at the Belvedere Courtyard. In the print the group has not only been imaginatively restored by the engraver, but also brought to life. The two figures struggle in a stylized setting, with a crumbling classical building in the background.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.16.tif", "IsPrimary" : "1", "_SurrogateID" : "6025", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11011, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11011", "Disp_Access_No" : "1982.844", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1963", "_Disp_Start_Dat" : "1953", "_Disp_End_Date" : "1962", "Disp_Title" : "The Bathers", "Alt_Title" : "", "Obj_Title" : "The Bathers", "Series_Title" : "", "Disp_Maker_1" : "Federico Cantú", "Sort_Artist" : "Cantú, Federico", "Disp_Dimen" : "34.3 cm x 28.5 cm (13 1/2 in. x 11 1/4 in.)", "Disp_Height" : "34.3 cm", "Disp_Width" : "28.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.844.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.844.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.844.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.844.tif", "IsPrimary" : "1", "_SurrogateID" : "6902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11016, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11016", "Disp_Access_No" : "2002.799", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1475-1490", "_Disp_Start_Dat" : "1475", "_Disp_End_Date" : "1490", "Disp_Title" : "Descent into Limbo, after Martin Schongauer", "Alt_Title" : "", "Obj_Title" : "Descent into Limbo, after Martin Schongauer", "Series_Title" : "", "Disp_Maker_1" : "Master A.G. (Albrecht Glockendon)", "Sort_Artist" : "Master A.G. (Albrecht Glockendon)", "Disp_Dimen" : "14.8 cm x 10.6 cm (5 13/16 in. x 4 3/16 in.)", "Disp_Height" : "14.8 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.799.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.799.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.799.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.799.tif", "IsPrimary" : "1", "_SurrogateID" : "5395", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11023, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11023", "Disp_Access_No" : "1989.122", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1498", "_Disp_Start_Dat" : "1493", "_Disp_End_Date" : "1503", "Disp_Title" : "Hercules or The Effects of Jealousy", "Alt_Title" : "", "Obj_Title" : "Hercules or The Effects of Jealousy", "Series_Title" : "", "Disp_Maker_1" : "Copy after Albrecht Dürer", "Sort_Artist" : "Dürer, Copy after Albrecht", "Disp_Dimen" : "34.9 cm x 24.1 cm (13 3/4 in. x 9 1/2 in.)", "Disp_Height" : "34.9 cm", "Disp_Width" : "24.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.122.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.122.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.122.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1989.122.TIF", "IsPrimary" : "1", "_SurrogateID" : "5649", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11068, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11068", "Disp_Access_No" : "1995.73", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1528", "_Disp_Start_Dat" : "1523", "_Disp_End_Date" : "1533", "Disp_Title" : "Hercules and the Nemean Lion; Hercules Fighting Two Satyrs with a Nymph, from The Labors of Hercules", "Alt_Title" : "", "Obj_Title" : "Hercules and the Nemean Lion; Hercules Fighting Two Satyrs with a Nymph, from The Labors of Hercules", "Series_Title" : "", "Disp_Maker_1" : "Gabriel Salmon", "Sort_Artist" : "Salmon, Gabriel", "Disp_Dimen" : "29.8 cm x 41 cm (11 3/4 in. x 16 1/8 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "41 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut (printed on one sheet)", "Support" : "", "Disp_Medium" : "Woodcut (printed on one sheet)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.73.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.73.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.73.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.73.tif", "IsPrimary" : "1", "_SurrogateID" : "4894", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11077, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11077", "Disp_Access_No" : "1996.108", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540", "_Disp_Start_Dat" : "1535", "_Disp_End_Date" : "1545", "Disp_Title" : "Milo of Croton, after Pordenone", "Alt_Title" : "", "Obj_Title" : "Milo of Croton, after Pordenone", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Nicolò Boldrini", "Sort_Artist" : "Boldrini, Attributed to Nicolò", "Disp_Dimen" : "30.5 cm x 41.9 cm (12 in. x 16 1/2 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "41.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chiaroscuro Woodcut", "Support" : "", "Disp_Medium" : "Chiaroscuro Woodcut", "Info_Page_Comm" : "Looking at impressions like this one, some early connoisseurs speculated that the composition allowed for the printing of a tone block in pale ink and that the print was conceived as a chiaroscuro. The existence of one such impression, in the British Museum, proves their intuition. That tone block must have been damaged or lost early in the printing. Nonetheless, the second, line block was so skillfully cut and elaborate that it could function well on its own. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.108.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.108.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.108.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.108.tif", "IsPrimary" : "1", "_SurrogateID" : "9125", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11080, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11080", "Disp_Access_No" : "1988.2", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1541", "_Disp_Start_Dat" : "1536", "_Disp_End_Date" : "1546", "Disp_Title" : "Allegory of Imperial Liberality Toward Education", "Alt_Title" : "", "Obj_Title" : "Allegory of Imperial Liberality Toward Education", "Series_Title" : "", "Disp_Maker_1" : "Circle of Giulio Campi", "Sort_Artist" : "Campi, Circle of Giulio", "Disp_Dimen" : "11.9 cm x 13 cm (4 11/16 in. x 5 1/8 in.)", "Disp_Height" : "11.9 cm", "Disp_Width" : "13 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and two brown inks with brush and brown wash and white heightening on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and two brown inks with brush and brown wash and white heightening on beige antique laid paper, laid down", "Info_Page_Comm" : "From its subject and the probable date of its style, this drawing is apparently connected to the ephemeral decorations that welcomed the visit of Emperor Charles V to Cremona in 1541. Much more than his painting, Parmigianino’s draftsmanship was a touchstone for Giulio Campi. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.2.tif", "IsPrimary" : "1", "_SurrogateID" : "6999", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11084, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11084", "Disp_Access_No" : "2002.1845", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1548", "Disp_Title" : "Male Figure Leaning on a Socle", "Alt_Title" : "", "Obj_Title" : "Male Figure Leaning on a Socle", "Series_Title" : "", "Disp_Maker_1" : "Juste de Juste", "Sort_Artist" : "Juste, Juste de", "Disp_Dimen" : "17.6 cm x 9.1 cm (6 15/16 in. x 3 9/16 in.)", "Disp_Height" : "17.6 cm", "Disp_Width" : "9.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This is one of a series of twelve etchings of single male figures. Anti-classical in their contorted postures and disconcerting in their strained expressions, they elaborate on types that appear in works by Rosso Fiorentino and seem to caricature the ideal nudes of antique statuary. Their meaning and circumstance are, however, unknown. Based on the inscription of a related plate, they are assigned to Juste de Juste, a sculptor from Tours and an assistant at Fontainebleau. The Collection includes two more of these very rare prints. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1845.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1845.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1845.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1845.tif", "IsPrimary" : "1", "_SurrogateID" : "23599", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11085, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11085", "Disp_Access_No" : "2002.1846", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1548", "Disp_Title" : "Male Nude", "Alt_Title" : "Acrobat", "Obj_Title" : "Male Nude", "Series_Title" : "", "Disp_Maker_1" : "Juste de Juste", "Sort_Artist" : "Juste, Juste de", "Disp_Dimen" : "17.6 cm x 9.1 cm (6 15/16 in. x 3 9/16 in.)", "Disp_Height" : "17.6 cm", "Disp_Width" : "9.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1846.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1846.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1846.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1846.tif", "IsPrimary" : "1", "_SurrogateID" : "23600", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11086, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11086", "Disp_Access_No" : "2002.1847", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1548", "Disp_Title" : "Male Nude", "Alt_Title" : "Acrobat", "Obj_Title" : "Male Nude", "Series_Title" : "", "Disp_Maker_1" : "Juste de Juste", "Sort_Artist" : "Juste, Juste de", "Disp_Dimen" : "19.3 cm x 8.9 cm (7 5/8 in. x 3 1/2 in.)", "Disp_Height" : "19.3 cm", "Disp_Width" : "8.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1847.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1847.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1847.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1847.tif", "IsPrimary" : "1", "_SurrogateID" : "1864", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11126, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11126", "Disp_Access_No" : "2002.2173.1/3", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1591-1592", "_Disp_Start_Dat" : "1591", "_Disp_End_Date" : "1592", "Disp_Title" : "The Farnese Hercules", "Alt_Title" : "", "Obj_Title" : "The Farnese Hercules", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "42.2 cm x 30.4 cm (16 5/8 in. x 11 15/16 in.)", "Disp_Height" : "42.2 cm", "Disp_Width" : "30.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print depicts one of the most famous statues of antiquity, the monumental Hercules in the Roman collection of the noble Farnese family. It forms a series with two other engravings of the Apollo Belvedere and the Emperor Commodus as Hercules. Goltzius studied these statues and evidently prepared the engravings during a visit to Italy in 1590/91. While published only in 1617, they are capital, and justly celebrated, examples of the artist’s mature style, with virtuoso cutting, rigorous system, and extraordinary plasticity. Through this technique, Goltzius succeeded in conveying both the powerful form and lofty ethos of the prototypes. The Collection includes the complete set of the “Three Antique Roman Statues” in splendid impressions", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "2347", "Rel_Obj_Title" : "Apollo Belvedere, after the Antique" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2173.1-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2173.1-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2173.1-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2173.1-3.tif", "IsPrimary" : "1", "_SurrogateID" : "1909", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11128, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11128", "Disp_Access_No" : "1983.48", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1588-1590", "_Disp_Start_Dat" : "1588", "_Disp_End_Date" : "1590", "Disp_Title" : "Helios, from Pairs of Deities", "Alt_Title" : "", "Obj_Title" : "Helios, from Pairs of Deities", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "35.2 cm x 27 cm (13 7/8 in. x 10 5/8 in.)", "Disp_Height" : "35.2 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chiaroscuro woodcut from three blocks, tone blocks printed in ochre and brown", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from three blocks, tone blocks printed in ochre and brown", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1983", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1983.48.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1983.48.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1983.48.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1983.48.tif", "IsPrimary" : "1", "_SurrogateID" : "7265", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11248, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11248", "Disp_Access_No" : "2002.2424", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1655", "Disp_Title" : "Title page from The Drawing-Book of Abraham Bloemaert, after Abraham Bloemaert", "Alt_Title" : "", "Obj_Title" : "Title page from The Drawing-Book of Abraham Bloemaert, after Abraham Bloemaert", "Series_Title" : "", "Disp_Maker_1" : "Frederick Bloemaert", "Sort_Artist" : "Bloemaert, Frederick", "Disp_Dimen" : "30.7 cm x 22.1 cm (12 1/16 in. x 8 11/16 in.)", "Disp_Height" : "30.7 cm", "Disp_Width" : "22.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and chiaroscuro woodcut from two blocks printed in ochre and brown", "Support" : "", "Disp_Medium" : "Etching and chiaroscuro woodcut from two blocks printed in ochre and brown", "Info_Page_Comm" : "Exquisitely refined and widely influential, Abraham Bloemaert was the last great figure of Dutch Mannerism. Around 1650 his son, Frederick, published a collection of prints after his father’s drawings. The use of chiaroscuro, unusual by that time, was an additional tribute to the period of his father’s activity and the work of contemporaries like Hendrick Goltzius. 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disassociated motifs in venerable early sixteenth-century Roman examples. Characteristic, this study derives from Raphael’s fresco of the Dispute over the Holy Sacrament in the Stanza della Segnatura. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.879-2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.879-2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.879-2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.879-2.tif", "IsPrimary" : "1", "_SurrogateID" : "5691", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.879-verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.879-verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.879-verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.879-verso.tif", "IsPrimary" : "0", "_SurrogateID" : "8335", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15996, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15996", "Disp_Access_No" : "2017.1070", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Studies of a Satyr and Diana (recto); Study of Diana (verso)", "Alt_Title" : "A Nude, Diana and other Studies", "Obj_Title" : "Studies of a Satyr and Diana (recto); Study of Diana (verso)", "Series_Title" : "", "Disp_Maker_1" : "Follower of Donato Creti", "Sort_Artist" : "Creti, Follower of Donato", "Disp_Dimen" : "20.3 cm x 19.6 cm (8 in. x 7 11/16 in.)", "Disp_Height" : "20.3 cm", "Disp_Width" : "19.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on cream antique laid paper (recto); pen and brown ink (verso)", "Support" : "", "Disp_Medium" : "Pen and brown ink on cream antique laid paper (recto); pen and brown ink (verso)", "Info_Page_Comm" : "Reacting against the formulae of academic Baroque painting, Creti attempted to return to the style’s first principles in the art of Guido Reni. The same ideality and affirmation of Bolognese tradition are evident in his drawings. Mostly in pen and ink, they are admirable in structure and fluency, but unnatural, rather abstract, in their regularity and abbreviations.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1070-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1070-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1070-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1070-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6681", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1070-verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1070-verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1070-verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1070-verso.tif", "IsPrimary" : "0", "_SurrogateID" : "6680", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16001", "Disp_Access_No" : "2017.946", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1544", "_Disp_Start_Dat" : "1539", "_Disp_End_Date" : "1549", "Disp_Title" : "Saint Luke", "Alt_Title" : "", "Obj_Title" : "Saint Luke", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Luca Cambiaso", "Sort_Artist" : "Cambiaso, Attributed to Luca", "Disp_Dimen" : "20.32 cm x 29.21 cm (8 in. x 11 1/2 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "29.21 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.946.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.946.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.946.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.946.tif", "IsPrimary" : "1", "_SurrogateID" : "2904", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16018", "Disp_Access_No" : "2017.1273", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Creation of Eve", "Alt_Title" : "", "Obj_Title" : "The Creation of Eve", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Negretti, called Palma Giovane", "Sort_Artist" : "Palma Giovane, Jacopo Negretti, called", "Disp_Dimen" : "17.9 cm x 21.5 cm (7 1/16 in. x 8 7/16 in.)", "Disp_Height" : "17.9 cm", "Disp_Width" : "21.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink with brush and gray wash and white heightening over black chalk on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and black ink with brush and gray wash and white heightening over black chalk on beige antique laid paper, laid down", "Info_Page_Comm" : "Palma Giovane’s style embodies late Mannerism in Venice. Countless, his paintings carry on Tintoretto’s difficult synthesis of painterly values and complex design with an automatic ease, reemergent naturalism, and self-conscious reference to earlier 16th-century examples, Titian in particular. Ceaseless as both pre-paratory activity and exercise, his draftsmanship is similarly predicated upon lin-ear procedure and rhythmic organization, but ultimately unconcerned with structure and instead dedicated to momentary optical properties. Inspired by a lost scene in Tintoretto’s celebrated History of Adam and Eve for the Scuola della Trinità, rendered in Palma’s most frequent technique, and especially vibrant despite a conspicuous loss, this is an excellent example.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1273.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1273.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1273.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1273.tif", "IsPrimary" : "1", "_SurrogateID" : "5705", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16021, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16021", "Disp_Access_No" : "2017.1089", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Male Nude Pounding", "Alt_Title" : "A Male Nude with Arm Upraised", "Obj_Title" : "A Male Nude Pounding", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "21.6 cm x 19.7 cm (8 1/2 in. x 7 3/4 in.)", "Disp_Height" : "21.6 cm", "Disp_Width" : "19.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk with faint squaring in black chalk on ivory antique laid paper mounted on paper", "Support" : "", "Disp_Medium" : "Red chalk with faint squaring in black chalk on ivory antique laid paper mounted on paper", "Info_Page_Comm" : "Very few red chalk drawings by Stefano Della Bella survive. A collector of Rembrandt’s prints and influenced by Jacques Callot, he preferred layering washes of gray or golden inks with black chalk to red chalk. Working rapidly, he would often flip the sheet and rework the drawing on the other side from the ghost image coming through the paper. At the edges of this drawing, stains confirm that the paper is glued down, preventing us from comfirming that it is a two-sided drawing. Della Bella’s delicate lines contrast with the intensity of the moment. Barely visible in the man’s raised hand is an object with three knobs. Supporting himself with the other arm, his whole body braces before the strike. His hair flows back, his mouth rages, and muscles strain. These are attributes normally associated with Samson who “with the jaw of an ass” killed “a thousand men” (Judges 15:16), but the drawing could also be a study of a man hammering, casting back to ten-year-old Della Bella’s apprenticeship in the shop of a metalsmith. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1089.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1089.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1089.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1089.tif", "IsPrimary" : "1", "_SurrogateID" : "5751", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16050", "Disp_Access_No" : "2017.1117", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Design for a Fan with Apollo and Daphne", "Alt_Title" : "", "Obj_Title" : "A Design for a Fan with Apollo and Daphne", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "23.18 cm x 38.42 cm (9 1/8 in. x 15 1/8 in.)", "Disp_Height" : "23.18 cm", "Disp_Width" : "38.42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink, gray wash", "Support" : "", "Disp_Medium" : "Pen and black ink, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1117.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1117.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1117.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1117.tif", "IsPrimary" : "1", "_SurrogateID" : "5883", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16072, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16072", "Disp_Access_No" : "2017.1287", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Jupiter", "Alt_Title" : "", "Obj_Title" : "Jupiter", "Series_Title" : "", "Disp_Maker_1" : "Circle of Piero Buonaccorsi, called Perino del Vaga", "Sort_Artist" : "Perino del Vaga, Circle of Piero Buonaccorsi, called", "Disp_Dimen" : "24.13 cm x 18.73 cm (9 1/2 in. x 7 3/8 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "18.73 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1287.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1287.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1287.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1287.tif", "IsPrimary" : "1", "_SurrogateID" : "3689", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16091, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16091", "Disp_Access_No" : "2017.1107", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Dragon Decapitated by Perseus, and Two Men", "Alt_Title" : "", "Obj_Title" : "A Dragon Decapitated by Perseus, and Two Men", "Series_Title" : "", "Disp_Maker_1" : "Paolo Farinati", "Sort_Artist" : "Farinati, Paolo", "Disp_Dimen" : "26.04 cm x 27.31 cm (10 1/4 in. x 10 3/4 in.)", "Disp_Height" : "26.04 cm", "Disp_Width" : "27.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash, heighened with white, over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash, heighened with white, over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1107.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1107.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1107.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1107.tif", "IsPrimary" : "1", "_SurrogateID" : "5847", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16113, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16113", "Disp_Access_No" : "2017.1092", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Decollation of a Female Saint (recto); Lot and His Daughters (verso)", "Alt_Title" : "", "Obj_Title" : "Decollation of a Female Saint (recto); Lot and his Daughters (verso)", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Diamantini", "Sort_Artist" : "Diamantini, Giuseppe", "Disp_Dimen" : "27.31 cm x 20.32 cm (10 3/4 in. x 8 in.)", "Disp_Height" : "27.31 cm", "Disp_Width" : "20.32 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and red chalk, pen and brown ink", "Support" : "", "Disp_Medium" : "Black and red chalk, pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1092.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1092.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1092.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1092.tif", "IsPrimary" : "1", "_SurrogateID" : "5743", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16159, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16159", "Disp_Access_No" : "2017.1394", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1743", "_Disp_Start_Dat" : "1738", "_Disp_End_Date" : "1748", "Disp_Title" : "Pluto", "Alt_Title" : "", "Obj_Title" : "Pluto", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Battista", "Disp_Dimen" : "29.6 cm x 20.3 cm (11 5/8 in. x 8 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "This is one of a series of mythological figures, numbered and probably also titled by Tiepolo himself. Seven of the series have been identified as designs for sculptures in the garden of the Villa Cordellina at Montecchio Maggiore, near Vicinza, where Tiepolo executed an important cycle of frescoes in 1743. The other drawings, including this sheet, are logically thought to have been intended for the same function. This is seconded by their conception, of unusually compact and stable forms, and execution, in a more evenly dispersed and simply volumetric version of the typical pen-and-wash of Tiepolo’s maturity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1394.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1394.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1394.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1394.tif", "IsPrimary" : "1", "_SurrogateID" : "5833", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16166, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16166", "Disp_Access_No" : "2017.1175", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Sisyphus", "Alt_Title" : "", "Obj_Title" : "Sisyphus", "Series_Title" : "", "Disp_Maker_1" : "Style of Giovanni Francesco Barbieri, called Guercino", "Sort_Artist" : "Guercino, Style of Giovanni Francesco Barbieri, called", "Disp_Dimen" : "29.7 cm x 21.1 cm (11 11/16 in. x 8 5/16 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on cream paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on cream paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1175.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1175.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1175.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1175.tif", "IsPrimary" : "1", "_SurrogateID" : "6458", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16173, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16173", "Disp_Access_No" : "2017.1413", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1699", "_Disp_Start_Dat" : "1694", "_Disp_End_Date" : "1704", "Disp_Title" : "Hercules on Olympus", "Alt_Title" : "", "Obj_Title" : "Hercules on Olympus", "Series_Title" : "", "Disp_Maker_1" : "François Verdier", "Sort_Artist" : "Verdier, François", "Disp_Dimen" : "30.48 cm x 55.25 cm (12 in. x 21 3/4 in.)", "Disp_Height" : "30.48 cm", "Disp_Width" : "55.25 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalk on blue laid paper", "Support" : "", "Disp_Medium" : "Black and white chalk on blue laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1413.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1413.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1413.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1413.tif", "IsPrimary" : "1", "_SurrogateID" : "2667", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16202, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16202", "Disp_Access_No" : "2017.1296", "_AccNumSort1" : "", "Disp_Create_DT" : "1710s", "_Disp_Start_Dat" : "1710", "_Disp_End_Date" : "1710", "Disp_Title" : "Study of a Male Nude as Hercules", "Alt_Title" : "", "Obj_Title" : "Study of a Male Nude as Hercules", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piazzetta", "Sort_Artist" : "Piazzetta, Giovanni Battista", "Disp_Dimen" : "33.4 cm x 24.5 cm (13 1/8 in. x 9 5/8 in.)", "Disp_Height" : "33.4 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with touches of red chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Black chalk with touches of red chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "Piazzetta brought to Venetian painting a pungent naturalism that had largely escaped the school in the 17th century. To the school’s draftsmanship he introduced the systematic practice that he had learned in the Bolognese academy and upon which that naturalism was predicated. The first stage in that practice consisted of life drawing from a model in the studio. This is an especially fine and fresh example of such a study from Piazzetta’s informally organized Venetian academy. While the study is admirably correct, with gravity palpable and notation sure, it remains conspicuously Venetian in a light that seems to pervade the sheet, absorb form, and coarsen surface.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1296.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1296.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1296.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1296.tif", "IsPrimary" : "1", "_SurrogateID" : "5794", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16203, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16203", "Disp_Access_No" : "2017.1370", "_AccNumSort1" : "", "Disp_Create_DT" : "1620s", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "A Kneeling Youth with His Hands Bound", "Alt_Title" : "A Kneeling Youth, Partly Draped, His Hands Bound", "Obj_Title" : "A Kneeling Youth, Partly Draped, His Hands Bound", "Series_Title" : "", "Disp_Maker_1" : "Fra Semplice da Verona", "Sort_Artist" : "Semplice da Verona, Fra", "Disp_Dimen" : "33.5 cm x 24.7 cm (13 3/16 in. x 9 3/4 in.)", "Disp_Height" : "33.5 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black, red, and white chalks on blue antique laid paper, faded to gray-green, laid down", "Support" : "", "Disp_Medium" : "Black, red, and white chalks on blue antique laid paper, faded to gray-green, laid down", "Info_Page_Comm" : "A capuchin monk dedicated exclusively to religious works, Fra Semplice brought the fluid paint handling of Domenico Fetti and something of the regularized construction and rhetoric of the Bolognese school to the early 17th-century Veronese formulation. His drawings, typically figure studies in chalks on blue paper, similarly qualify 16th-Venetian usage, affording pronounced color, compact form, and succinct design. Reminiscent of drawings by the Bassano family, a bit cautious in the description of surface, this is probably an early study.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1370.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1370.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1370.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1370.tif", "IsPrimary" : "1", "_SurrogateID" : "3690", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16218, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16218", "Disp_Access_No" : "2017.1310", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Man Holding a Staff", "Alt_Title" : "", "Obj_Title" : "A Man Holding a Staff", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "34.93 cm x 21.59 cm (13 3/4 in. x 8 1/2 in.)", "Disp_Height" : "34.93 cm", "Disp_Width" : "21.59 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1310.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1310.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1310.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1310.tif", "IsPrimary" : "1", "_SurrogateID" : "5888", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16241, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16241", "Disp_Access_No" : "2017.945", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1545", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Saint Jerome in Penitence", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in Penitence", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Luca Cambiaso", "Sort_Artist" : "Cambiaso, Attributed to Luca", "Disp_Dimen" : "38.6 cm x 26.7 cm (15 3/16 in. x 10 1/2 in.)", "Disp_Height" : "38.6 cm", "Disp_Width" : "26.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk", "Info_Page_Comm" : "The Mannings proposed that this drawing and a Hercules in the same bizarre, rather unattractive hand were juvenile drawings by Cambiaso. While the attribution has not been seconded, it has great merit. The continuous, rhythmic pen work reflects a naïve understanding of the drawings of Perino del Vaga. And the identical isolated and quavering musculature, the hairpin articulation of the forearm, and the irregular fill of hatching characterize a very early drawing in the Prado that is closely related to Cambiaso’s frescoes in the palace of Antonio Doria and already unmistakable in certain mannerisms. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.945.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.945.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.945.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.945.tif", "IsPrimary" : "1", "_SurrogateID" : "2908", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16247, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16247", "Disp_Access_No" : "2017.1429", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bacchus and the Muses", "Alt_Title" : "", "Obj_Title" : "Bacchus and the Muses", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Maarten de Vos", "Sort_Artist" : "Vos, Attributed to Maarten de", "Disp_Dimen" : "38.42 cm x 29.85 cm (15 1/8 in. x 11 3/4 in.)", "Disp_Height" : "38.42 cm", "Disp_Width" : "29.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1429.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1429.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1429.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1429.tif", "IsPrimary" : "1", "_SurrogateID" : "5845", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16277, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16277", "Disp_Access_No" : "2017.898", "_AccNumSort1" : "", "Disp_Create_DT" : "1746", "_Disp_Start_Dat" : "1746", "_Disp_End_Date" : "1746", "Disp_Title" : "Studies of Figures for the 'Fall of Simon Magus' (recto and verso)", "Alt_Title" : "", "Obj_Title" : "Studies of Figures for the 'Fall of Simon Magus' (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Pompeo Batoni", "Sort_Artist" : "Batoni, Pompeo", "Disp_Dimen" : "41.1 cm x 26.9 cm (16 3/16 in. x 10 9/16 in.)", "Disp_Height" : "41.1 cm", "Disp_Width" : "26.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red and white chalks with traces of black chalk on blue antique laid paper (Recto); Red, white, and black chalks", "Support" : "", "Disp_Medium" : "Red and white chalks with traces of black chalk on blue antique laid paper (Recto); Red, white, and black chalks", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.898-verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.898-verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.898-verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.898-verso.tif", "IsPrimary" : "0", "_SurrogateID" : "5896", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.898-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.898-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.898-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.898-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6460", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16281, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16281", "Disp_Access_No" : "2017.953", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Hercules and Antaeus", "Alt_Title" : "", "Obj_Title" : "Hercules and Antaeus", "Series_Title" : "", "Disp_Maker_1" : "Copy after Luca Cambiaso", "Sort_Artist" : "Cambiaso, Copy after Luca", "Disp_Dimen" : "41.28 cm x 26.04 cm (16 1/4 in. x 10 1/4 in.)", "Disp_Height" : "41.28 cm", "Disp_Width" : "26.04 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.953.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.953.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.953.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.953.tif", "IsPrimary" : "1", "_SurrogateID" : "2910", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16282, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16282", "Disp_Access_No" : "2017.1085", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Michael", "Alt_Title" : "", "Obj_Title" : "Saint Michael", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo De Ferrari", "Sort_Artist" : "De Ferrari, Lorenzo", "Disp_Dimen" : "41.28 cm x 27.31 cm (16 1/4 in. x 10 3/4 in.)", "Disp_Height" : "41.28 cm", "Disp_Width" : "27.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and gray ink", "Support" : "", "Disp_Medium" : "Black chalk, pen and gray ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1085.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1085.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1085.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1085.tif", "IsPrimary" : "1", "_SurrogateID" : "5893", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16286, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16286", "Disp_Access_No" : "2017.1151", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1656", "_Disp_Start_Dat" : "1651", "_Disp_End_Date" : "1661", "Disp_Title" : "Apollo and Marsayas", "Alt_Title" : "", "Obj_Title" : "Apollo and Marsyas", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Luca Giordano", "Sort_Artist" : "Giordano, Attributed to Luca", "Disp_Dimen" : "41.91 cm x 26.67 cm (16 1/2 in. x 10 1/2 in.)", "Disp_Height" : "41.91 cm", "Disp_Width" : "26.67 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Info_Page_Comm" : "Giordano, the leading painter in late century Naples, was active and influential throughout Italy. His biographer, De Domenici, mentions that in Rome around 1656, Giordano was struck by some drawings by Cambiaso and took to copying them. While clearly inspired by Cambiaso, the hand responsible for this drawing is broader in rhythm and more generalized in effect. It is consistent with other drawings that have been attributed to Giordano around this time. Apollo and Marsyas was also a favorite subject in seventeenth-century Naples. 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Blanton Curatorial Endowment Fund, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.32.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.32.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.32.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.32.tif", "IsPrimary" : "1", "_SurrogateID" : "2130", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16809", "Disp_Access_No" : "2003.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1550-1572", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1572", "Disp_Title" : "Latona Turning the Lycians into Frogs, from The Story of Apollo and Diana", "Alt_Title" : "", "Obj_Title" : "Latona Turning the Lycians into Frogs, from The Story of Apollo and Diana", "Series_Title" : "", "Disp_Maker_1" : "Etienne Delaune", "Sort_Artist" : "Delaune, Etienne", "Disp_Dimen" : "8.2 cm x 10.7 cm (3 1/4 in. x 4 3/16 in.)", "Disp_Height" : "8.2 cm", "Disp_Width" : "10.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.56.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.56.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.56.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2003.56.TIF", "IsPrimary" : "1", "_SurrogateID" : "9761", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16864, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16864", "Disp_Access_No" : "2003.89.9/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "[A Rather Tragic] Early Sunday Morning [after Hopper], from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Alt_Title" : "", "Obj_Title" : "[A Rather Tragic] Early Sunday Morning [after Hopper], from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Series_Title" : "", "Disp_Maker_1" : "Tonel", "Sort_Artist" : "Tonel", "Disp_Dimen" : "42 cm x 30 cm (16 9/16 in. x 11 13/16 in.)", "Disp_Height" : "42 cm", "Disp_Width" : "30 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "This print from a series of lithographs grew out of the artist’s first experiences of winter as he traveled through Canada and Europe in the 1990s. In the artist’s own words, “Like the texts, the images (all self-portraits) speak of loss, mutilation, encounter, and rupture. The accompanying boleros—a form of Caribbean music intertwined with the lure and sleeplessness of erotic passion, requited or not—set up a virtually sonorous cultural counterpoint with the images of gray, wintry landscapes and bitter, frustrated figures. The bolero supplies a sugary sweet, abundantly smooth musical background to the sordid experiences and disagreements depicted here in hostile cities or messy rooms—locations marked by grotesque and tragic qualities—or in landscapes sketched under lead-gray clouds.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Fran Magee and Gallery 106, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Cuban", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.89.9-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.89.9-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.89.9-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.89.9-12.tif", "IsPrimary" : "1", "_SurrogateID" : "2964", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16865", "Disp_Access_No" : "2003.89.7/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "Kolor de Kuba Black and White, from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Alt_Title" : "", "Obj_Title" : "Kolor de Kuba Black and White, from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Series_Title" : "", "Disp_Maker_1" : "Tonel", "Sort_Artist" : "Tonel", "Disp_Dimen" : "42.5 cm x 29.8 cm (16 3/4 in. x 11 3/4 in.)", "Disp_Height" : "42.5 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "This print from a series of lithographs grew out of the artist’s first experiences of winter as he traveled through Canada and Europe in the 1990s. In the artist’s own words, “Like the texts, the images (all self-portraits) speak of loss, mutilation, encounter, and rupture. The accompanying boleros—a form of Caribbean music intertwined with the lure and sleeplessness of erotic passion, requited or not—set up a virtually sonorous cultural counterpoint with the images of gray, wintry landscapes and bitter, frustrated figures. The bolero supplies a sugary sweet, abundantly smooth musical background to the sordid experiences and disagreements depicted here in hostile cities or messy rooms—locations marked by grotesque and tragic qualities—or in landscapes sketched under lead-gray clouds.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Fran Magee and Gallery 106, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Cuban", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.89.7-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.89.7-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.89.7-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.89.7-12.tif", "IsPrimary" : "1", "_SurrogateID" : "2962", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16967, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16967", "Disp_Access_No" : "2004.10", "_AccNumSort1" : "", "Disp_Create_DT" : "19th century reproduction", "_Disp_Start_Dat" : "19", "_Disp_End_Date" : "19", "Disp_Title" : "Apollo Belvedere", "Alt_Title" : "", "Obj_Title" : "Apollo Belvedere", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "228.6 cm x 160 cm x 91.4 cm (90 in. x 63 in. x 36 in.)", "Disp_Height" : "228.6 cm", "Disp_Width" : "160 cm", "Dimen_Extent" : "HWD", "Medium" : "Plaster cast from Roman adaptation or copy of a bronze original by the Greek sculptor Leochares, circa 330 BCE (Vatican Museum, Rome)", "Support" : "", "Disp_Medium" : "Plaster cast from Roman adaptation or copy of a bronze original by the Greek sculptor Leochares, circa 330 BCE (Vatican Museum, Rome)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The William J. 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