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Huntington Museum Fund, 1986", "Copyright_Type" : "Case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.92.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.92.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.92.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.92.tif", "IsPrimary" : "1", "_SurrogateID" : "7131", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4953, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4953", "Disp_Access_No" : "1986.94", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Autorretrato [Self Portrait]", "Alt_Title" : "", "Obj_Title" : "Autorretrato [Self Portrait]", "Series_Title" : "", "Disp_Maker_1" : "Diego Rivera", "Sort_Artist" : "Rivera, Diego", "Disp_Dimen" : "52 cm x 37.2 cm (20 1/2 in. x 14 5/8 in.)", "Disp_Height" : "52 cm", "Disp_Width" : "37.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "Case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.94.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.94.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.94.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.94.tif", "IsPrimary" : "1", "_SurrogateID" : "5963", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4958", "Disp_Access_No" : "1986.103", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Nude, Frida Kahlo", "Alt_Title" : "", "Obj_Title" : "Nude, Frida Kahlo", "Series_Title" : "", "Disp_Maker_1" : "Diego Rivera", "Sort_Artist" : "Rivera, Diego", "Disp_Dimen" : "57.5 cm x 42 cm (22 5/8 in. x 16 9/16 in.)", "Disp_Height" : "57.5 cm", "Disp_Width" : "42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "This intimate black-and-white print differs in almost every way from the colorful epic murals that made Diego Rivera famous, yet its clear, sure, curvaceous lines are characteristic of his style. Relatively detailed in the foreground and sketchy in the background, the lines build a delicate structure. The modeling, concentrated at the center and foreground, solidifies the head in a way that contrasts with the rest of the drawing. Rivera took advantage of the fine texture of the lithographic stone to create even, soft tones that reveal the curves of the body and the yielding mattress, adding to the picture’s atmosphere of sensuous pleasure. Whereas Rivera’s public works treat heroic themes of Mexico’s past, present, and future, the subject matter here is intimate. The artist had married Frida Kahlo in 1929, so they were newlyweds when he made this print. Kahlo’s parents called it the marriage of an elephant and a dove: he was 44, hefty, and famous; she was 23, petite, not-yet-famous, and feisty. With obvious admiration, Rivera shows Kahlo as both dainty and strong.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "Case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.103.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.103.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.103.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.103.tif", "IsPrimary" : "1", "_SurrogateID" : "7136", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6266, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6266", "Disp_Access_No" : "1991.81", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Arthur Rimbaud", "Alt_Title" : "", "Obj_Title" : "Arthur Rimbaud", "Series_Title" : "", "Disp_Maker_1" : "Jacques Villon", "Sort_Artist" : "Villon, Jacques", "Disp_Dimen" : "27.3 cm x 20.3 cm (10 3/4 in. x 8 in.)", "Disp_Height" : "27.3 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.81.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.81.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.81.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1991.81.TIF", "IsPrimary" : "1", "_SurrogateID" : "10028", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7463, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7463", "Disp_Access_No" : "1982.505.3/10", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Delacroix, from Artist Series", "Alt_Title" : "", "Obj_Title" : "Delacroix, from Artist Series", "Series_Title" : "", "Disp_Maker_1" : "Red Grooms", "Sort_Artist" : "Grooms, Red", "Disp_Dimen" : "38 cm x 28 cm (14 15/16 in. x 11 in.)", "Disp_Height" : "38 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1978", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.505.3-10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.505.3-10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.505.3-10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.505.3-10.tif", "IsPrimary" : "1", "_SurrogateID" : "4756", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8092, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8092", "Disp_Access_No" : "1996.111", "_AccNumSort1" : "", "Disp_Create_DT" : "1530's", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1530", "Disp_Title" : "Self-Portrait, after Raphael", "Alt_Title" : "", "Obj_Title" : "Self-Portrait, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "28.2 cm x 18.5 cm (11 1/8 in. x 7 5/16 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "18.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print interprets the figure traditionally identified as Raphael himself in the artist’s Double-Portrait of circa 1518, today in the Louvre.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.111.tif", "IsPrimary" : "1", "_SurrogateID" : "8209", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8417, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8417", "Disp_Access_No" : "1997.215", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Self-Portrait, after Pierre Mignard", "Alt_Title" : "", "Obj_Title" : "Self-Portrait, after Pierre Mignard", "Series_Title" : "", "Disp_Maker_1" : "Gérard Edelinck", "Sort_Artist" : "Edelinck, Gérard", "Disp_Dimen" : "36.3 cm x 27.2 cm (14 5/16 in. x 10 11/16 in.)", "Disp_Height" : "36.3 cm", "Disp_Width" : "27.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.215.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.215.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.215.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.215.tif", "IsPrimary" : "1", "_SurrogateID" : "8372", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8917, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8917", "Disp_Access_No" : "P1961.59", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1879", "_Disp_Start_Dat" : "1874", "_Disp_End_Date" : "1884", "Disp_Title" : "Le Peintre de marine [The Marine Painter]", "Alt_Title" : "", "Obj_Title" : "Le Peintre de marine [The Marine Painter]", "Series_Title" : "", "Disp_Maker_1" : "Félix Buhot", "Sort_Artist" : "Buhot, Félix", "Disp_Dimen" : "21.85 cm x 34.9 cm (8 5/8 in. x 13 3/4 in.)", "Disp_Height" : "21.85 cm", "Disp_Width" : "34.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, drypoint, aquatint, stop out, sandpaper ground, and spit bite", "Support" : "", "Disp_Medium" : "Etching, drypoint, aquatint, stop out, sandpaper ground, and spit bite", "Info_Page_Comm" : "By employing different methods to ink a plate (sometimes with rollers, sometimes with rags), by adding pastel or turpentine to his inks, manipulating the grounds (sandpaper and salt lift), choosing different kinds of paper and sometimes soaking the sheets in tea before printing on them, Buhot took the idea of original multiples to the extreme. Although using the same plate, he achieved such a wide variety of effects that each impression could be called unique. For this reason, artists began numbering and signing each sheet individually, usually in pencil, rather than signing their work in the plate, which signaled uniformity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.59.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.59.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.59.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.59.tif", "IsPrimary" : "1", "_SurrogateID" : "4460", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9809", "Disp_Access_No" : "1981.76", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Portrait of the Sculptor Paul Manship", "Alt_Title" : "", "Obj_Title" : "Portrait of the Sculptor Paul Manship", "Series_Title" : "", "Disp_Maker_1" : "Antonio Mancini", "Sort_Artist" : "Mancini, Antonio", "Disp_Dimen" : "26.7 cm x 17.8 cm (10 1/2 in. x 7 in.)", "Disp_Height" : "26.7 cm", "Disp_Width" : "17.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Charcoal touched with white", "Support" : "", "Disp_Medium" : "Charcoal touched with white", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1981", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 10928, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10928", "Disp_Access_No" : "1991.154", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1626", "_Disp_Start_Dat" : "1627", "_Disp_End_Date" : "1636", "Disp_Title" : "Jan Brueghel, the elder, from the Iconography ", "Alt_Title" : "", "Obj_Title" : "Jan Brueghel, the elder, from the Iconography ", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "24.7 cm x 16.1 cm (9 3/4 in. x 6 5/16 in.)", "Disp_Height" : "24.7 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "An unknown engraver completed the background in stages, as is evident in the differing states of this print. In the fifth state one can see the progressive wearing of the plate; the engraved portion of the second state prints lighter than the rest of the background. Son of Pieter Brueghel, Jan was a celebrated landscape and seascape painter. He often collaborated with other artists, including Peter Paul Rubens. Brueghel provided the landscape while Rubens furnished the narrative compositions with figures. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11013, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11013", "Disp_Access_No" : "1992.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1530s", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1530", "Disp_Title" : "Self-Portrait, after Raphael", "Alt_Title" : "", "Obj_Title" : "Self-Portrait, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "28.1 cm x 18.8 cm (11 1/16 in. x 7 3/8 in.)", "Disp_Height" : "28.1 cm", "Disp_Width" : "18.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1992", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.6.tif", "IsPrimary" : "1", "_SurrogateID" : "8208", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11187, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11187", "Disp_Access_No" : "1995.145", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Michiel Jansz. van Miereveld, after Anthony van Dyck, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Michiel Jansz. van Miereveld, after Anthony van Dyck, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Willem Jacobsz. Delff", "Sort_Artist" : "Delff, Willem Jacobsz.", "Disp_Dimen" : "27.7 cm x 20.7 cm (10 7/8 in. x 8 1/8 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "20.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The image is complete in the fourth state. Avant la lettre, meaning before letters, is a phrase often used to refer to the state where no identifying information such as title or publisher has been engraved in the margin. Miereveld was an accomplished portrait painter known for his sincerity in capturing a sitter’s likeness and his harmonious use of color. Artist circles at this time were notoriously tightly knit; if apprentices were not already blood relatives, they usually married into the family. Miereveld’s son-in-law engraved his portrait. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11189, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11189", "Disp_Access_No" : "1998.172", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630-1644", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1644", "Disp_Title" : "Justus Sustermans, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Justus Sustermans, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "29.4 cm x 20.6 cm (11 9/16 in. x 8 1/8 in.)", "Disp_Height" : "29.4 cm", "Disp_Width" : "20.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching ", "Support" : "", "Disp_Medium" : "Etching ", "Info_Page_Comm" : "Active in Italy, Sustermans was one of the country’s most popular portrait painters. As a testament to his abilities, he became court painter to the famous and powerful merchant family, the Medici.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11212, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11212", "Disp_Access_No" : "2002.2349", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1641", "_Disp_Start_Dat" : "1636", "_Disp_End_Date" : "1646", "Disp_Title" : "Man Drawing from a Cast", "Alt_Title" : "", "Obj_Title" : "Man Drawing from a Cast", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "9.1 cm x 6.4 cm (3 9/16 in. x 2 1/2 in.)", "Disp_Height" : "9.1 cm", "Disp_Width" : "6.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Man Drawing from a Cast is one of a number of etchings in which Rembrandt mused about the nature and activity of artistic representation. So modest in scale, so intimate in tenor, it is probably the most earnest and absorbing. 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On the other hand, Frederick replaced the line block with an etched plate, which better conveyed the elegant line and complicated rhythm of his father’s pen work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2424.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2424.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2424.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2424.tif", "IsPrimary" : "1", "_SurrogateID" : "8173", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11404, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11404", "Disp_Access_No" : "G1966.2.81", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1880-1881", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1881", "Disp_Title" : "Portrait of Whistler in White Ducks", "Alt_Title" : "", "Obj_Title" : "Portrait of Whistler in White Ducks", "Series_Title" : "", "Disp_Maker_1" : "Mortimer Menpes", "Sort_Artist" : "Menpes, Mortimer", "Disp_Dimen" : "33.95 cm x 25.55 cm (13 3/8 in. x 10 1/16 in.)", "Disp_Height" : "33.95 cm", "Disp_Width" : "25.55 cm", "Dimen_Extent" : "Sheet", "Medium" : "Drypoint and chine collé", "Support" : "", "Disp_Medium" : "Drypoint and chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.81.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.81.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.81.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.81.tif", "IsPrimary" : "1", "_SurrogateID" : "6315", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.81 audioEng.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.81 audioEng.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.81 audioEng.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.81 audioEng.mp3", "IsPrimary" : "0", "_SurrogateID" : "8200", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.81 audioSpan.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.81 audioSpan.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.81 audioSpan.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.81 audioSpan.mp3", "IsPrimary" : "0", "_SurrogateID" : "8201", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11418", "Disp_Access_No" : "P1961.91", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1890", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1895", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "Self-Portrait", "Series_Title" : "", "Disp_Maker_1" : "Camille Pissarro", "Sort_Artist" : "Pissarro, Camille", "Disp_Dimen" : "32.7 cm x 22.5 cm (12 7/8 in. x 8 7/8 in.)", "Disp_Height" : "32.7 cm", "Disp_Width" : "22.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Unlike others of the Impressionists who had to be coaxed into making prints and then usually made only copies of their paintings, Pissarro embraced etching early as a means of producing original work. 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He used the expressive potential of the etched line to convey the coarseness of his beard, the wizened face, the knowing eyes.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.91.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.91.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.91.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.91.tif", "IsPrimary" : "1", "_SurrogateID" : "4463", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11980, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11980", "Disp_Access_No" : "2002.166", "_AccNumSort1" : "", "Disp_Create_DT" : "1587", "_Disp_Start_Dat" : "1587", "_Disp_End_Date" : "1587", "Disp_Title" : "Portrait of Titian", "Alt_Title" : "", "Obj_Title" : "Portrait of Titian", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "31.9 cm x 23.2 cm (12 9/16 in. x 9 1/8 in.)", "Disp_Height" : "31.9 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The engraving reproduces the Self-Portrait of circa 1550, today in Berlin", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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"Disp_Create_DT" : "1829", "_Disp_Start_Dat" : "1829", "_Disp_End_Date" : "1829", "Disp_Title" : "L'Artiste, from Album lithographique", "Alt_Title" : "", "Obj_Title" : "L'Artiste, from Album lithographique", "Series_Title" : "", "Disp_Maker_1" : "Achille Devéria", "Sort_Artist" : "Devéria, Achille", "Disp_Dimen" : "30.4 cm x 21.1 cm (11 15/16 in. x 8 5/16 in.)", "Disp_Height" : "30.4 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.709.tif", "ThumbnailPath" : 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Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1106.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1106.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1106.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1106.tif", "IsPrimary" : "1", "_SurrogateID" : "5918", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12687, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12687", "Disp_Access_No" : "2002.1130", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Joos de Momper, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Joos de Momper, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "24.1 cm x 15.3 cm (9 1/2 in. x 6 in.)", "Disp_Height" : "24.1 cm", "Disp_Width" : "15.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Momper gestures to the rocky landscape in the background, signaling his reputation as an accomplished landscape painter during the transition from Mannerism to Realism.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1130.tif", "ThumbnailPath" : 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"Etching (and engraving by another hand)", "Info_Page_Comm" : "This print is one of the fifteen etched by Van Dyck himself. The set of fifteen were not included in the first publication. They have little to no background and seem unfinished when compared to the engraved plates. It has been suggested that Van Dyck planned to etch the face and the basic shape of the composition then pass the plate to an engraver to add detail in the same way that a painted portrait was produced in a workshop. However, only a few plates were embellished with the burin leaving Van Dyck’s etchings untouched. An inventory of Rembrandt’s paper collection included a book of portrait prints by Van Dyck; it is highly likely that he owned a few of Van Dyck’s pure etchings. Van Noort married the daughter of a wealthy merchant and became a member of Antwerp’s high society. A successful historical painter, Van Noort’s pupils included Peter Paul Rubens and Jacob Jordaens. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 12701, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12701", "Disp_Access_No" : "2002.1146", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Michiel Jansz. van Miereveld, after Anthony van Dyck, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Michiel Jansz. van Miereveld, after Anthony van Dyck, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Willem Jacobsz. Delff", "Sort_Artist" : "Delff, Willem Jacobsz.", "Disp_Dimen" : "26.8 cm x 19.5 cm (10 9/16 in. x 7 11/16 in.)", "Disp_Height" : "26.8 cm", "Disp_Width" : "19.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Miereveld was an accomplished portrait painter known for his sincerity in capturing a sitter’s likeness and his harmonious use of color. Artist circles at this time were notoriously tightly knit; if apprentices were not already blood relatives, they usually married into the family. Miereveld’s son-in-law engraved his portrait. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 12927, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12927", "Disp_Access_No" : "2002.1458", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Self-Portrait, after Robert Nanteuil", "Alt_Title" : "", "Obj_Title" : "Self-Portrait, after Robert Nanteuil", "Series_Title" : "", "Disp_Maker_1" : "Gérard Edelinck", "Sort_Artist" : "Edelinck, Gérard", "Disp_Dimen" : "25.9 cm x 20.4 cm (10 3/16 in. x 8 1/16 in.)", "Disp_Height" : "25.9 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1458.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1458.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1458.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1458.tif", "IsPrimary" : "1", "_SurrogateID" : "8379", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13122, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13122", "Disp_Access_No" : "2002.1760", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1662", "_Disp_Start_Dat" : "1657", "_Disp_End_Date" : "1667", "Disp_Title" : "Alexander in the Studio of Apelles", "Alt_Title" : "", "Obj_Title" : "Alexander in the Studio of Apelles", "Series_Title" : "", "Disp_Maker_1" : "Salvator Rosa", "Sort_Artist" : "Rosa, Salvator", "Disp_Dimen" : "59 cm x 43.5 cm (23 1/4 in. x 17 1/8 in.)", "Disp_Height" : "59 cm", "Disp_Width" : "43.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with drypoint", "Support" : "", "Disp_Medium" : "Etching with drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1760.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1760.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1760.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1760.tif", "IsPrimary" : "1", "_SurrogateID" : "5978", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13239, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13239", "Disp_Access_No" : "2002.1988", "_AccNumSort1" : "", "Disp_Create_DT" : "1933", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1933", "Disp_Title" : "Sculptor and Model, plate 39 from Suite Vollard", "Alt_Title" : "", "Obj_Title" : "Sculptor and Model, plate 39 from Suite Vollard", "Series_Title" : "", "Disp_Maker_1" : "Pablo Picasso", "Sort_Artist" : "Picasso, Pablo", "Disp_Dimen" : "44.6 cm x 33.6 cm (17 9/16 in. x 13 1/4 in.)", "Disp_Height" : "44.6 cm", "Disp_Width" : "33.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1988.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1988.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1988.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1988.tif", "IsPrimary" : "1", "_SurrogateID" : "5374", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13278, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13278", "Disp_Access_No" : "2002.2043", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1614", "_Disp_Start_Dat" : "1609", "_Disp_End_Date" : "1619", "Disp_Title" : "Saint Luke Painting the Virgin, after Hendrick Goltzius", "Alt_Title" : "", "Obj_Title" : "Saint Luke Painting the Virgin, after Hendrick Goltzius", "Series_Title" : "", "Disp_Maker_1" : "Jacob Matham", "Sort_Artist" : "Matham, Jacob", "Disp_Dimen" : "50.4 cm x 37.4 cm (19 13/16 in. x 14 3/4 in.)", "Disp_Height" : "50.4 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2043.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2043.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2043.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2043.tif", "IsPrimary" : "1", "_SurrogateID" : "1888", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13825, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13825", "Disp_Access_No" : "2002.2737", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled [Interior with an Etcher Working before a Transparente]", "Alt_Title" : "", "Obj_Title" : "Untitled [Interior with an Etcher Working before a Transparente]", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "7.5 cm x 9.7 cm (2 15/16 in. x 3 13/16 in.)", "Disp_Height" : "7.5 cm", "Disp_Width" : "9.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2737_Crop.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2737_Crop.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2737_Crop.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2737_Crop.tif", "IsPrimary" : "1", "_SurrogateID" : "18688", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14211", "Disp_Access_No" : "G1968.102", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "Sueno y verdad de Picasso", "Alt_Title" : "", "Obj_Title" : "Sueno y verdad de Picasso", "Series_Title" : "", "Disp_Maker_1" : "Norman Narotzky", "Sort_Artist" : "Narotzky, Norman", "Disp_Dimen" : "146 cm x 114 cm (57 1/2 in. x 44 7/8 in.)", "Disp_Height" : "146 cm", "Disp_Width" : "114 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil, acrylic and collage", "Support" : "canvas", "Disp_Medium" : "Oil, acrylic and collage on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1968", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.102.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.102.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.102.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.102.tif", "IsPrimary" : "1", "_SurrogateID" : "8480", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.102.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.102.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.102.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.102.mp3", "IsPrimary" : "0", "_SurrogateID" : "8485", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 16562, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16562", "Disp_Access_No" : "2002.2813", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1546-1561", "_Disp_Start_Dat" : "1546", "_Disp_End_Date" : "1561", "Disp_Title" : "The Academy of Baccio Bandinelli, after Baccio Bandinelli", "Alt_Title" : "", "Obj_Title" : "The Academy of Baccio Bandinelli, after Baccio Bandinelli", "Series_Title" : "", "Disp_Maker_1" : "Enea Vico", "Sort_Artist" : "Vico, Enea", "Disp_Dimen" : "30.8 cm x 47.7 cm (12 1/8 in. x 18 3/4 in.)", "Disp_Height" : "30.8 cm", "Disp_Width" : "47.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This is the later of two engravings of Bandinelli’s studio. Students drawing by the light of an oil lamp and candle dominate the composition. Accessories of the sculptor’s art fill the foreground and the shelf behind: models, skeletal fragments, and various volumes. Bandinelli himself stands at the far right. On his coat and above the mantle appear a cross denoting the knighthood conferred by his principal early patron, Pope Clement VII. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2813.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2813.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2813.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2813.tif", "IsPrimary" : "1", "_SurrogateID" : "4145", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16627, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16627", "Disp_Access_No" : "2002.2846", "_AccNumSort1" : "", "Disp_Create_DT" : "1758", "_Disp_Start_Dat" : "1758", "_Disp_End_Date" : "1758", "Disp_Title" : "William Hogarth Painting the Comic Muse", "Alt_Title" : "", "Obj_Title" : "William Hogarth Painting the Comic Muse", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "57.4 cm x 45.6 cm (22 5/8 in. x 17 15/16 in.)", "Disp_Height" : "57.4 cm", "Disp_Width" : "45.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2846.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2846.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2846.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2846.tif", "IsPrimary" : "1", "_SurrogateID" : "8241", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16033", "Disp_Access_No" : "2017.1412", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1568", "_Disp_Start_Dat" : "1569", "_Disp_End_Date" : "1578", "Disp_Title" : "Decorative Border with the Portrait of Fra Filippo Lippi, from Il Libro de' ", "Alt_Title" : "", "Obj_Title" : "Decorative Border with the Portrait of Fra Filippo Lippi, from Il Libro de' Disegni [Book of Drawings]", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Vasari", "Sort_Artist" : "Vasari, Giorgio", "Disp_Dimen" : "22.54 cm x 17.46 cm (8 7/8 in. x 6 7/8 in.)", "Disp_Height" : "22.54 cm", "Disp_Width" : "17.46 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, and woodcut", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, and woodcut", "Info_Page_Comm" : "woodcut is from Giorgio Vasari, Vite, 2nd edition, 1568", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1412.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1412.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1412.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1412.tif", "IsPrimary" : "1", "_SurrogateID" : "5730", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16034, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16034", "Disp_Access_No" : "2017.1411", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1568", "_Disp_Start_Dat" : "1569", "_Disp_End_Date" : "1578", "Disp_Title" : "Decorative Border with the Portrait of Cosimo Rosselli, from Il Libro de' Disegni", "Alt_Title" : "", "Obj_Title" : "Decorative Border with the Portrait of Cosimo Rosselli, from Il Libro de' Disegni [Book of Drawings]", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Vasari", "Sort_Artist" : "Vasari, Giorgio", "Disp_Dimen" : "22.54 cm x 17.46 cm (8 7/8 in. x 6 7/8 in.)", "Disp_Height" : "22.54 cm", "Disp_Width" : "17.46 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, blue and brown washes, and woodcut", "Support" : "", "Disp_Medium" : "Pen and brown ink, blue and brown washes, and woodcut", "Info_Page_Comm" : "woodcut is from Giorgio Vasari, Vite, 2nd edition, 1568", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1411.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1411.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1411.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1411.tif", "IsPrimary" : "1", "_SurrogateID" : "5737", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16278, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16278", "Disp_Access_No" : "2017.1451", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1760s", "_Disp_Start_Dat" : "1755", "_Disp_End_Date" : "1765", "Disp_Title" : "Apollo, Mercury, and the Arts", "Alt_Title" : "", "Obj_Title" : "Apollo, Mercury, and the Arts", "Series_Title" : "", "Disp_Maker_1" : "Francesco Zugno", "Sort_Artist" : "Zugno, Francesco", "Disp_Dimen" : "41.2 cm x 28.8 cm (16 1/4 in. x 11 5/16 in.)", "Disp_Height" : "41.2 cm", "Disp_Width" : "28.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique...", "Info_Page_Comm" : "A follower and frequent collaborator of Giovanni Battista Tiepolo, Zugno was active across the Veneto in a style distinguished from that of his mentor by slacker design, a sweet palette, and a precious touch. Also responsive to pro-gressive French painting, this style can be seen in the Collection’s Young Noble Couple Playing Cards. From its subject, format, and foreshortening, it is clear that this drawing prepared the design of a ceiling decoration. The attenuated rhythms of the composition, the rounding contours of its figures, their scalloped modeling, and the generally refined handling are at once gentle deductions from Tiepolo’s pen-and-wash manner of the 1740s and precise equivalents of Zugno’s own habits in painting. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1451.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1451.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1451.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1451.tif", "IsPrimary" : "1", "_SurrogateID" : "5907", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17238, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17238", "Disp_Access_No" : "2004.154", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1754", "_Disp_Start_Dat" : "1749", "_Disp_End_Date" : "1759", "Disp_Title" : "An Artist at the French Academy in Rome (?), plate 5, from Recueil de Caricatures, after Jacques-François-Joseph Saly", "Alt_Title" : "", "Obj_Title" : "An Artist at the French Academy in Rome (?), plate 5, from Recueil de Caricatures, after Jacques-François-Joseph Saly", "Series_Title" : "", "Disp_Maker_1" : "Ange-Laurent de La Live de Jully", "Sort_Artist" : "La Live de Jully, Ange-Laurent de", "Disp_Dimen" : "33.7 cm x 24.5 cm (13 1/4 in. x 9 5/8 in.)", "Disp_Height" : "33.7 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.154.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.154.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.154.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.154.tif", "IsPrimary" : "1", "_SurrogateID" : "2824", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17239, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17239", "Disp_Access_No" : "2004.155", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1754", "_Disp_Start_Dat" : "1749", "_Disp_End_Date" : "1759", "Disp_Title" : "An Artist at the French Academy in Rome (?), plate 7, from Recueil de Caricatures, after Jacques-François-Joseph Saly", "Alt_Title" : "", "Obj_Title" : "An Artist at the French Academy in Rome (?), plate 7, from Recueil de Caricatures, after Jacques-François-Joseph Saly", "Series_Title" : "", "Disp_Maker_1" : "Ange-Laurent de La Live de Jully", "Sort_Artist" : "La Live de Jully, Ange-Laurent de", "Disp_Dimen" : "33.8 cm x 24.7 cm (13 5/16 in. x 9 3/4 in.)", "Disp_Height" : "33.8 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.155.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.155.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.155.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.155.tif", "IsPrimary" : "1", "_SurrogateID" : "2825", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19509, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19509", "Disp_Access_No" : "2010.16", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1830", "_Disp_Start_Dat" : "1825", "_Disp_End_Date" : "1835", "Disp_Title" : "Self-portrait", "Alt_Title" : "", "Obj_Title" : "Self-portrait", "Series_Title" : "", "Disp_Maker_1" : "Achille Devéria", "Sort_Artist" : "Devéria, Achille", "Disp_Dimen" : "57 cm x 40.1 cm (22 7/16 in. x 15 13/16 in.)", "Disp_Height" : "57 cm", "Disp_Width" : "40.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph on chine collé", "Support" : "", "Disp_Medium" : "Lithograph on chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.16.tif", "IsPrimary" : "1", "_SurrogateID" : "6539", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19508, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19508", "Disp_Access_No" : "2010.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1877", "_Disp_Start_Dat" : "1877", "_Disp_End_Date" : "1877", "Disp_Title" : "Portrait of Renoir Seated", "Alt_Title" : "", "Obj_Title" : "Portrait of Renoir Seated", "Series_Title" : "", "Disp_Maker_1" : "Marcellin Gilbert Desboutin", "Sort_Artist" : "Desboutin, Marcellin Gilbert", "Disp_Dimen" : "25.8 cm x 18.9 cm (10 3/16 in. x 7 7/16 in.)", "Disp_Height" : "25.8 cm", "Disp_Width" : "18.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.15.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.15.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.15.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.15.tif", "IsPrimary" : "1", "_SurrogateID" : "6538", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18583, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18583", "Disp_Access_No" : "2006.164", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Monument to Jacques Callot", "Alt_Title" : "", "Obj_Title" : "Monument to Jacques Callot", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "25.7 cm x 17.1 cm (10 1/8 in. x 6 3/4 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "17.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.164.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.164.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.164.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.164.tif", "IsPrimary" : "1", "_SurrogateID" : "9209", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18636, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18636", "Disp_Access_No" : "2006.217", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Joos de Momper, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Joos de Momper, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "25.5 cm x 16.9 cm (10 1/16 in. x 6 5/8 in.)", "Disp_Height" : "25.5 cm", "Disp_Width" : "16.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.217.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.217.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.217.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.217.tif", "IsPrimary" : "1", "_SurrogateID" : "4798", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18798, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18798", "Disp_Access_No" : "2007.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1862", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1862", "Disp_Title" : "Portrait of Francis Seymour Haden, No. II (While Etching)", "Alt_Title" : "", "Obj_Title" : "Portrait of Francis Seymour Haden, No. II (While Etching)", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "22.3 cm x 29.2 cm (8 3/4 in. x 11 1/2 in.)", "Disp_Height" : "22.3 cm", "Disp_Width" : "29.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "Haden's self-portrait, in a pose normally associated with men of letters, is telling in its emphasis on the artist as intellectual. With the etching needle poised above the plate like a pen above paper, he shows himself in the act of creation. He merely suggests the chemical reaction of biting the plate with a beaker of acid at his elbow. Haden faulted artists who relied too heavily on elaborately bitten plates for their images, believing they crossed the line between fine art and mere craft.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.3.tif", "IsPrimary" : "1", "_SurrogateID" : "4753", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18807", "Disp_Access_No" : "2007.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1796", "_Disp_Start_Dat" : "1796", "_Disp_End_Date" : "1796", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "Self-Portrait", "Series_Title" : "", "Disp_Maker_1" : "Jean-Jacques de Boissieu", "Sort_Artist" : "Boissieu, Jean-Jacques de", "Disp_Dimen" : "37 cm x 29.2 cm (14 9/16 in. x 11 1/2 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "29.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching, drypoint and engraving", "Support" : "", "Disp_Medium" : "Etching, drypoint and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.9.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.9.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.9.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.9.tif", "IsPrimary" : "1", "_SurrogateID" : "4474", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18963, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18963", "Disp_Access_No" : "2008.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1811", "_Disp_Start_Dat" : "1811", "_Disp_End_Date" : "1811", "Disp_Title" : "Rosaspina's Zeichnungsschule [Rosaspina's Drawing School], after Felice Giani", "Alt_Title" : "", "Obj_Title" : "Rosaspina's Zeichnungsschule [Rosaspina's Drawing School], after Felice Giani", "Series_Title" : "", "Disp_Maker_1" : "Giulio Tomba", "Sort_Artist" : "Tomba, Giulio", "Disp_Dimen" : "37.4 cm x 4.7 cm (14 3/4 in. x 1 7/8 in.)", "Disp_Height" : "37.4 cm", "Disp_Width" : "4.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Francesco Rosaspina was the leading printmaker in late eighteenth-century Bologna and a professor at its academy. Here he appears as the older, heavy-set figure in topcoat seated at the right end of the table as he supervises a class of young draftsmen. Tomba studied with Rosapina and carried on his activity as a reproductive engraver. He conceived this print as a tribute to his teacher, with its fine order and meticulous execution conferring a special dignity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.10.tif", "IsPrimary" : "1", "_SurrogateID" : "4726", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19578, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19578", "Disp_Access_No" : "2010.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1780", "_Disp_Start_Dat" : "1780", "_Disp_End_Date" : "1780", "Disp_Title" : "Rubens and Family, after Jacob Jordaens", "Alt_Title" : "", "Obj_Title" : "Rubens and Family, after Jacob Jordaens", "Series_Title" : "", "Disp_Maker_1" : "James Watson", "Sort_Artist" : "Watson, James", "Disp_Dimen" : "63.4 cm x 47.8 cm (24 15/16 in. x 18 13/16 in.)", "Disp_Height" : "63.4 cm", "Disp_Width" : "47.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "In 1779 the famous collection of Old Masters formed by the great English statesman Robert Walpole was sold by his descendents to Catherine the Great of Russia. To record what was regarded as a departing national treasure, the publisher John Boydell commissioned a series of mezzotints after the collection’s most important paintings. Named for Walpole’s residence, the Houghton Gallery was one of the major print projects in late eighteenth century Britain. Noted for its subject and geniality, Jordaens’s painting remains in the Hermitage, St. Petersburg.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence Lawver, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.79.tif", "IsPrimary" : "1", "_SurrogateID" : "7259", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19555, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19555", "Disp_Access_No" : "2010.62", "_AccNumSort1" : "", "Disp_Create_DT" : "1815", "_Disp_Start_Dat" : "1815", "_Disp_End_Date" : "1815", "Disp_Title" : "Quadruple Autoportraits [Quadruple Self-Portrait]", "Alt_Title" : "", "Obj_Title" : "Quadruple Autoportraits [Quadruple Self-Portrait]", "Series_Title" : "", "Disp_Maker_1" : "Louis-Léopold Boilly", "Sort_Artist" : "Boilly, Louis-Léopold", "Disp_Dimen" : "48.5 cm x 34.8 cm (19 1/8 in. x 13 11/16 in.)", "Disp_Height" : "48.5 cm", "Disp_Width" : "34.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.62.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.62.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.62.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.62.tif", "IsPrimary" : "1", "_SurrogateID" : "7242", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19327, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19327", "Disp_Access_No" : "2009.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1778", "_Disp_Start_Dat" : "1778", "_Disp_End_Date" : "1778", "Disp_Title" : "Self-Portrait with Palette", "Alt_Title" : "", "Obj_Title" : "Self-Portrait with Palette", "Series_Title" : "", "Disp_Maker_1" : "Jean-Pierre Norblin de la Gourdaine", "Sort_Artist" : "Norblin de la Gourdaine, Jean-Pierre", "Disp_Dimen" : "16.8 cm x 11.7 cm (6 5/8 in. x 4 5/8 in.)", "Disp_Height" : "16.8 cm", "Disp_Width" : "11.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with chine collé", "Support" : "", "Disp_Medium" : "Etching with chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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Following the subversive artistic practices of artists such as Cindy Sherman, she inserts herself into art history, playing dual roles as both the creator and the object of representation. Nicola costurera [Nicola Seamstress] is a reference to Primeros pasos [First Steps] (1937), a painting by Antonio Berni, one of Argentina’s most popular and prolific artists whose career spanned sixty years and incorporated aspects of Surrealism, social realism, and Pop art in order to address class issues. In this photograph Constantino situates herself as the protagonist of the tableau, appropriating the compositional balance and posture of the seamstress depicted by Berni and dramatizing the scene through the use of theatrical lighting. In contrast to Berni’s picture, in which a male dancer is passively observed by a seamstress, Constantino diverts the viewer’s attention to her own likeness, accentuating the seamstress role within the scene and, by extension, the female presence in the history of art.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the Pinta Museum Acquisition Program with generosity from the Arts Connection Foundation, Gail and Louis Adler, Michael Chesser, and Melissa Jones, 2009", "Copyright_Type" : "", "Disp_Obj_Type" : "photograph", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.19.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.19.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.19.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19.tif", "IsPrimary" : "1", "_SurrogateID" : "6560", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.19 audioEng.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.19 audioEng.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.19 audioEng.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19 audioEng.mp3", "IsPrimary" : "0", "_SurrogateID" : "8198", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.19 audioSpan.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.19 audioSpan.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.19 audioSpan.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19 audioSpan.mp3", "IsPrimary" : "0", "_SurrogateID" : "8199", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19522, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19522", "Disp_Access_No" : "2010.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1627", "_Disp_Start_Dat" : "1627", "_Disp_End_Date" : "1627", "Disp_Title" : "Franken, peintre du roi", "Alt_Title" : "", "Obj_Title" : "Franken, peintre du roi", "Series_Title" : "", "Disp_Maker_1" : "Jean Morin", "Sort_Artist" : "Morin, Jean", "Disp_Dimen" : "30.8 cm x 21.7 cm (12 1/8 in. x 8 9/16 in.)", "Disp_Height" : "30.8 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. 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In this print, she presents herself in a track-and-field uniform, a reference to the 1984 Los Angeles Olympics. The “2” across Carrasco’s chest addresses the competition within the male-dominated field of muralism and the inescapable notoriety of “No. 1,” the artist David Alfaro Siqueiros, whose name is written on her paintbrush. A roller brush threatens to whitewash her and the entire composition, indicative of the backlash Latina artists often faced for challenging traditional roles in both Anglo-American and Mexican American cultures. 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