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"Los agachados" (1934), showing a group of workers eating at a Mexico City diner, suggests a similar unveiling of a hidden reality. Facing away from the viewer, the laborers are solidly anchored to their seats as the low metal curtain shields them from the midday sun. His carefully composed images reveal his modern sense of aesthetics. Regardless of circumstances, Álvarez Bravo presents his subjects with a sense quiet dignity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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[You do not make studies?--I will make use of yours.], plate 5 from Les Artistes, in Le Charivari, 13 June 1838", "Series_Title" : "", "Disp_Maker_1" : "Paul Gavarni", "Sort_Artist" : "Gavarni, Paul", "Disp_Dimen" : "26.4 cm x 19.5 cm (10 3/8 in. x 7 11/16 in.)", "Disp_Height" : "26.4 cm", "Disp_Width" : "19.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph with hand coloring", "Support" : "", "Disp_Medium" : "Lithograph with hand coloring", "Info_Page_Comm" : "published in Le Charivari, 13 June 1838", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1977", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.499.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.499.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.499.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.499.tif", "IsPrimary" : "1", "_SurrogateID" : "5442", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 867, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/867", "Disp_Access_No" : "1982.447", "_AccNumSort1" : "", "Disp_Create_DT" : "1839", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1839", "Disp_Title" : "Si l’Art est noble, la Critique est sainte…[If Art is noble, then the Critic is holy…]plate 4 from Leçons et Conseils [Lessons and Advice], in Le Charivari, 27 November 1839", "Alt_Title" : "Si l’Art est noble, la Critique est sainte: la Critique est au-dessus de l’Art! --Qui dit cela? --La Critique [If Art is noble, then the Critic is holy: the Critic is above Art! --Who says so? --The Critic!], plate 4 from Leçons et Conseils [Lessons and Advice], in Le Charivari, 27 November 1839", "Obj_Title" : "Si l’Art est noble, la Critique est sainte…[If Art is noble, then the Critic is holy…]plate 4 from Leçons et Conseils [Lessons and Advice], in Le Charivari, 27 November 1839", "Series_Title" : "", "Disp_Maker_1" : "Paul Gavarni", "Sort_Artist" : "Gavarni, Paul", "Disp_Dimen" : "27.2 cm x 19.4 cm (10 11/16 in. x 7 5/8 in.)", "Disp_Height" : "27.2 cm", "Disp_Width" : "19.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "The caption beneath the image reads: -- . . . if art is noble, the critic is holy; the critic is above art! -- Who says that? -- The critic.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1977", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.447.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.447.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.447.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.447.tif", "IsPrimary" : "1", "_SurrogateID" : "5489", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 870, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/870", "Disp_Access_No" : "1982.479", "_AccNumSort1" : "", "Disp_Create_DT" : "1839", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1839", "Disp_Title" : "--482?…Le comte de T. et sa famille. 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[482?...The count of T. and his family.], plate 2 from Le Salon, in Le Charivari, 4 April 1839", "Series_Title" : "", "Disp_Maker_1" : "Paul Gavarni", "Sort_Artist" : "Gavarni, Paul", "Disp_Dimen" : "27.8 cm x 21.75 cm (10 15/16 in. x 8 9/16 in.)", "Disp_Height" : "27.8 cm", "Disp_Width" : "21.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "published in Le Charivari, 4 April 1839", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1977", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.479.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.479.tif", "PreviewPath" : 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"Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Published in Le Charivari, 6 May 1850", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1970", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1970.10.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1970.10.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1970.10.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1970.10.11.tif", "IsPrimary" : "1", "_SurrogateID" : "8418", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 929, "URL" : 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"Lithograph", "Info_Page_Comm" : "Published in Le Charivari, 29 June 1850", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1970", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1970.10.16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1970.10.16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1970.10.16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1970.10.16.tif", "IsPrimary" : "1", "_SurrogateID" : "8423", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 930, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/930", "Disp_Access_No" : "G1970.10.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1851", "_Disp_Start_Dat" : "1851", "_Disp_End_Date" : "1851", "Disp_Title" : "Expliquez-moi donc, Monsieur Badoulard...[Explain that to me, Monsieur Badoulard...], plate 93 from Actualités, in Le Charivari, 24 March 1851", "Alt_Title" : "", "Obj_Title" : "Expliquez-moi donc, Monsieur Badoulard...[Explain that to me, Monsieur Badoulard...], plate 93 from Actualités, in Le Charivari, 24 March 1851", "Series_Title" : "", "Disp_Maker_1" : "Honoré Daumier", "Sort_Artist" : "Daumier, Honoré", "Disp_Dimen" : "32.7 cm x 23.5 cm (12 7/8 in. x 9 1/4 in.)", "Disp_Height" : "32.7 cm", "Disp_Width" : "23.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Published in Le Charivari, 24 March 1851", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1970", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1970.10.15.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1970.10.15.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1970.10.15.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1970.10.15.tif", "IsPrimary" : "1", "_SurrogateID" : "8422", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 931, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/931", "Disp_Access_No" : "G1970.10.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1851", "_Disp_Start_Dat" : "1851", "_Disp_End_Date" : "1851", "Disp_Title" : "Capucinade - La pauvreté contente [The Principle of Capuchin Friars - Povery Brings Happiness], plate 88 from Actualités, in Le Charivari, 14 March 1851", "Alt_Title" : "", "Obj_Title" : "Capucinade - La pauvreté contente [The Principle of Capuchin Friars - Povery Brings Happiness], plate 88 from Actualités, in Le Charivari, 14 March 1851", "Series_Title" : "", "Disp_Maker_1" : "Honoré Daumier", "Sort_Artist" : "Daumier, Honoré", "Disp_Dimen" : "23.5 cm x 33.05 cm (9 1/4 in. x 13 in.)", "Disp_Height" : "23.5 cm", "Disp_Width" : "33.05 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Published in Le Charivari, 14 March 1851", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1970", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1970.10.18.tif", "ThumbnailPath" : 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cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph on chine collé", "Support" : "", "Disp_Medium" : "Lithograph on chine collé", "Info_Page_Comm" : "Published in La Caricature, 9 January 1834", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1993", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.106.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.106.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.106.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.106.tif", "IsPrimary" : "1", "_SurrogateID" : "3832", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1120, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1120", "Disp_Access_No" : "1986.344", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Vue prise dans la salle des pas perdus quelques instants avant la réouverture des portes de l'Assemblée Nationale [View into the lobby, before the reopening of the doors to the National Assembly], plate 245 from Actualités, in Le Charivari, 4 November 185", "Alt_Title" : "", "Obj_Title" : "Vue prise dans la salle des pas perdus quelques instants avant la réouverture des portes de l'Assemblée Nationale [View into the lobby, before the reopening of the doors to the National Assembly], plate 245 from Actualités, in Le Charivari, 4 November 1851", "Series_Title" : "", "Disp_Maker_1" : "Honoré Daumier", "Sort_Artist" : "Daumier, Honoré", "Disp_Dimen" : "24.9 cm x 30.2 cm (9 13/16 in. x 11 7/8 in.)", "Disp_Height" : "24.9 cm", "Disp_Width" : "30.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph with hand-coloring", "Support" : "", "Disp_Medium" : "Lithograph with hand-coloring", "Info_Page_Comm" : "Published in Charivari Belge, 8 November 1851 nr. 310; Published in Le Charivari, 4 November 1851", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. Alexander and Ivria Sackton, 1986", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.344.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.344.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.344.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.344.tif", "IsPrimary" : "1", "_SurrogateID" : "8407", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1125, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1125", "Disp_Access_No" : "1992.7", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1820", "_Disp_Start_Dat" : "1815", "_Disp_End_Date" : "1825", "Disp_Title" : "Sommeil du sage [Sleep of the Sage], from the Recueil d'esquisses [Collection of Sketches]", "Alt_Title" : "", "Obj_Title" : "Sommeil du sage [Sleep of the Sage], from the Recueil d'esquisses [Collection of Sketches]", "Series_Title" : "", "Disp_Maker_1" : "Philippe-Auguste Hennequin", "Sort_Artist" : "Hennequin, Philippe-Auguste", "Disp_Dimen" : "46.4 cm x 29.7 cm (18 1/4 in. x 11 11/16 in.)", "Disp_Height" : "46.4 cm", "Disp_Width" : "29.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "A student of the neoclassical artist Jacques-Louis David, Hennequin won first prize at the Salon of 1799, the official exhibition organized by the French Academy, for his monumental history painting, The Triumph of the French People on 10 August. After Napoleon I’s final defeat and the restoration of the Bourbon monarchy in 1815, Hennequin, like David, went into exile in Belgium where he gradually fell into poverty. Hoping to bank on his earlier successes, he gathered examples of his past work to reproduce or re-issue. More modest in scale than his oversized paintings, this print was part of a set of fifty published in 1825. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Sydney and Dean Kilgore, 1992", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.7.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.7.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.7.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.7.tif", "IsPrimary" : "1", "_SurrogateID" : "5548", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1128, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1128", "Disp_Access_No" : "1982.718", "_AccNumSort1" : "", "Disp_Create_DT" : "1821", "_Disp_Start_Dat" : "1821", "_Disp_End_Date" : "1821", "Disp_Title" : "Pity the Sorrows of a Poor Old Man!, from Various Subjects Drawn from Life and on Stone (The English Series)", "Alt_Title" : "", "Obj_Title" : "Pity the Sorrows of a Poor Old Man!, from Various Subjects Drawn from Life and on Stone (The English Series)", "Series_Title" : "", "Disp_Maker_1" : "Jean-Louis-André-Théodore Géricault", "Sort_Artist" : "Géricault, Jean-Louis-André-Théodore", "Disp_Dimen" : "38.8 cm x 55 cm (15 1/4 in. x 21 5/8 in.)", "Disp_Height" : "38.8 cm", "Disp_Width" : "55 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.718.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.718.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.718.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.718.tif", "IsPrimary" : "1", "_SurrogateID" : "1252", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1130, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1130", "Disp_Access_No" : "1995.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1828", "_Disp_Start_Dat" : "1828", "_Disp_End_Date" : "1828", "Disp_Title" : "Jane Shore", "Alt_Title" : "", "Obj_Title" : "Jane Shore", "Series_Title" : "", "Disp_Maker_1" : "Eugène Delacroix", "Sort_Artist" : "Delacroix, Eugène", "Disp_Dimen" : "43.3 cm x 54.6 cm (17 1/16 in. x 21 1/2 in.)", "Disp_Height" : "43.3 cm", "Disp_Width" : "54.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph on chine collé", "Support" : "", "Disp_Medium" : "Lithograph on chine collé", "Info_Page_Comm" : "Jane Shore (circa 1445-1527) was the mistress of King Edward IV of England. After the king’s death, his brother Richard, Duke of Gloucester, accused her of conspiracy for her role in the crisis of succession and the civil war that followed. The story was resurrected (and liberally and dramatically changed) by Nicholas Rowe in his play The Tragedy of Jane Shore, written in 1714 during a similar period of political unrest in England over the rightful heir to the throne. In Rowe’s play, King Richard III deprives Jane Shore of her property, forcing her into poverty, homelessness, and, finally, a tragic death on the streets. Fundamentally, the play was about the rules of succession and the property rights of private citizens. The subject may have been of special interest to Delacroix considering that France had just undergone its own monarchical succession when Charles X ascended to the throne after Louis XVIII’s death in 1824. The new ministers Charles X appointed initiated policies that similarly threatened the property rights of French citizens. Matters grew worse, and in 1830 another revolution erupted.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of M.K. Hage, Jr., 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.34.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.34.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.34.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.34.tif", "IsPrimary" : "1", "_SurrogateID" : "5418", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1229, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1229", "Disp_Access_No" : "G1966.2.111", "_AccNumSort1" : "", "Disp_Create_DT" : "1834", "_Disp_Start_Dat" : "1834", "_Disp_End_Date" : "1834", "Disp_Title" : "Moderne Galilée: Et pourtant elle marche [A Modern Galileo: And yet it moves], in La Caricature, 6 November 1834", "Alt_Title" : "", "Obj_Title" : "Moderne Galilée: Et pourtant elle marche [A Modern Galileo: And yet it moves], in La Caricature, 6 November 1834", "Series_Title" : "", "Disp_Maker_1" : "Honoré Daumier", "Sort_Artist" : "Daumier, Honoré", "Disp_Dimen" : "26.95 cm x 36.5 cm (10 5/8 in. x 14 3/8 in.)", "Disp_Height" : "26.95 cm", "Disp_Width" : "36.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Published in La Caricature, 6 November 1834", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.111.tif", "IsPrimary" : "1", "_SurrogateID" : "8404", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1230, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1230", "Disp_Access_No" : "1986.347", "_AccNumSort1" : "", "Disp_Create_DT" : "1835", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1835", "Disp_Title" : "Pour un pauvre Américain, s'il vous plait [Please, for a Poor American!], in Le Charivari, 3 May 1835", "Alt_Title" : "", "Obj_Title" : "Pour un pauvre Américain, s'il vous plait [Please, for a Poor American!], in Le Charivari, 3 May 1835", "Series_Title" : "", "Disp_Maker_1" : "Honoré Daumier", "Sort_Artist" : "Daumier, Honoré", "Disp_Dimen" : "25.2 cm x 32.7 cm (9 15/16 in. x 12 7/8 in.)", "Disp_Height" : "25.2 cm", "Disp_Width" : "32.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Published in La Caricature, 5 February 1835; Published in Le Charivari, 3 May 1835", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. Alexander and Ivria Sackton, 1986", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.347.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.347.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.347.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.347.tif", "IsPrimary" : "1", "_SurrogateID" : "8390", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1233, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1233", "Disp_Access_No" : "1991.96", "_AccNumSort1" : "", "Disp_Create_DT" : "1827", "_Disp_Start_Dat" : "1827", "_Disp_End_Date" : "1827", "Disp_Title" : "Les Amateurs du café, 1827, No. 88 from Les Grimaces", "Alt_Title" : "", "Obj_Title" : "Les Amateurs du café, 1827, No. 88 from Les Grimaces", "Series_Title" : "", "Disp_Maker_1" : "Louis-Léopold Boilly", "Sort_Artist" : "Boilly, Louis-Léopold", "Disp_Dimen" : "35.9 cm x 26.4 cm (14 1/8 in. x 10 3/8 in.)", "Disp_Height" : "35.9 cm", "Disp_Width" : "26.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph with hand coloring", "Support" : "", "Disp_Medium" : "Lithograph with hand coloring", "Info_Page_Comm" : "This print comes from an extensive series of caricatures of the principle types and occupations of contemporary French society. The interweaving of the figures and the extremely elegant drawing are characteristic. Both are inspired by the compound physiognomic studies invented by Parmigianino and carried down through the Bolognese tradition", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Ware, Jr. Collection, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.147.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.147.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.147.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.147.tif", "IsPrimary" : "1", "_SurrogateID" : "3840", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2045", "Disp_Access_No" : "2002.2327", "_AccNumSort1" : "", "Disp_Create_DT" : "1512", "_Disp_Start_Dat" : "1512", "_Disp_End_Date" : "1512", "Disp_Title" : "Christ Before Caiaphas, from The Engraved Passion", "Alt_Title" : "", "Obj_Title" : "Christ Before Caiaphas, from The Engraved Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12 cm x 7.5 cm (4 3/4 in. x 2 15/16 in.)", "Disp_Height" : "12 cm", "Disp_Width" : "7.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2327.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2327.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2327.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2327.TIF", "IsPrimary" : "1", "_SurrogateID" : "5641", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2058, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2058", "Disp_Access_No" : "P1961.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1519", "_Disp_Start_Dat" : "1519", "_Disp_End_Date" : "1519", "Disp_Title" : "The Peasant Couple at Market", "Alt_Title" : "", "Obj_Title" : "The Peasant Couple at Market", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.7 cm x 7.4 cm (4 5/8 in. x 2 15/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "7.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Humorous depictions of peasants formed a popular genre for German engravings during the fifteenth and sixteenth centuries. Customarily, these scenes provided the opportunity to describe peasant outfits, manners and facial caricatures. While Dürer’s peasants adhere to this tradition, they have been rendered as physically monumental and maintain a degree of dignity in their mores. Like Dürer’s other engravings from this period, the figures have been modeled with fine parallel strokes that tend toward a single tone. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.1.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.1.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.1.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.1.TIF", "IsPrimary" : "1", "_SurrogateID" : "5646", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2065", "Disp_Access_No" : "2002.2333", "_AccNumSort1" : "", "Disp_Create_DT" : "1519 - 1520", "_Disp_Start_Dat" : "1519", "_Disp_End_Date" : "1520", "Disp_Title" : "The Pilgrimage to the Beautiful Virgin at Regensburg", "Alt_Title" : "", "Obj_Title" : "The Pilgrimage to the Beautiful Virgin at Regensburg", "Series_Title" : "", "Disp_Maker_1" : "Michael Ostendorfer", "Sort_Artist" : "Ostendorfer, Michael", "Disp_Dimen" : "54.4 cm x 38.1 cm (21 7/16 in. x 15 in.)", "Disp_Height" : "54.4 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The Beautiful Virgin was a statue (after an Altdorfer painting of the same subject inside the church) at a popular pilgrimage church in Regensburg in southern Germany. Ostendorfer represents the statue of the Virgin and Child being adored by a crowd of pilgrims. He accentuates the extreme practices of the pilgrims who visited this site, showing figures throwing themselves against the base of the Virgin’s statue or prostrating themselves before her. Unlike A Devotional Virgin, this print can be seen as an expression of Reformation ideology in its condemnation of the worship of saints by Catholics.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2333.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2333.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2333.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2333.tif", "IsPrimary" : "1", "_SurrogateID" : "9036", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2076", "Disp_Access_No" : "1991.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1526", "_Disp_Start_Dat" : "1526", "_Disp_End_Date" : "1526", "Disp_Title" : "Erasmus of Rotterdam", "Alt_Title" : "", "Obj_Title" : "Erasmus of Rotterdam", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "25.4 cm x 19.5 cm (10 in. x 7 11/16 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "19.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Portrait engraving was a significant aspect of Albrecht Dürer’s late activity. His portrait of the great humanist Desiderius Erasmus is his largest and most complex. Dürer had drawn the sitter on a visit to the Netherlands in 1520. By 1525 Erasmus lamented that he had still not seen the promised print. Returning to the project, Dürer borrowed the composition from a painting of Erasmus by Quentin Massys (Louvre, Paris) and inserted his earlier bust-length study. Seeing the engraving, Erasmus noted that the likeness was “not altogether striking.” Later observers have often criticized the composition as awkward. Dürer’s technique, however, rises to a level of differentiation unusual in the late engravings. In their focus and conspicuous detail, numerous passages approach still-life. The light has a pervasiveness and a mystery that suggest both the scholar’s theological concerns and the artist’s own late spirituality. Then there is the conceit of the frame in the background, rhyming with the print’s shape, shedding light like a window but instead bearing inscriptions. The first, in Latin, identifies the artist and the sitter. The second, in Greek, notes, “His writings offer a better likeness.” These inscriptions may refer to the circumstances of the engraving’s creation. In any case, the portrait becomes an extraordinarily modern meditation upon the nature and limits of visual representation.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.114.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.114.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.114.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.114.tif", "IsPrimary" : "1", "_SurrogateID" : "1504", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.114 audioEng.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.114 audioEng.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.114 audioEng.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.114 audioEng.mp3", "IsPrimary" : "0", "_SurrogateID" : "8184", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.114 audioSpan.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.114 audioSpan.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.114 audioSpan.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.114 audioSpan.mp3", "IsPrimary" : "0", "_SurrogateID" : "8185", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2093, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2093", "Disp_Access_No" : "1995.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1538", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1538", "Disp_Title" : "The Transfiguration, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Transfiguration, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Follower of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Follower of Marcantonio", "Disp_Dimen" : "34.1 cm x 24.4 cm (13 7/16 in. x 9 5/8 in.)", "Disp_Height" : "34.1 cm", "Disp_Width" : "24.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is the earliest interpretation of Raphael’s painting of 1520 for San Pietro in Montorio, today in the Vatican’s Pinacoteca.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.39.tif", "IsPrimary" : "1", "_SurrogateID" : "5951", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2094, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2094", "Disp_Access_No" : "1995.119", "_AccNumSort1" : "", "Disp_Create_DT" : "1538", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1538", "Disp_Title" : "Dancing Couple, plate 5 from The Large Wedding Dancers", "Alt_Title" : "", "Obj_Title" : "Dancing Couple, plate 5 from The Large Wedding Dancers", "Series_Title" : "", "Disp_Maker_1" : "Heinrich Aldegrever", "Sort_Artist" : "Aldegrever, Heinrich", "Disp_Dimen" : "11.9 cm x 8.3 cm (4 11/16 in. x 3 1/4 in.)", "Disp_Height" : "11.9 cm", "Disp_Width" : "8.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Inspired by the series of woodcuts by Hans Schäufelein (c. 1535)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.119.tif", "ThumbnailPath" : 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"Disp_Medium" : "Engraving", "Info_Page_Comm" : "Inspired by the series of woodcuts by Hans Schäufelein (c. 1535)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.120.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.120.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.120.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.120.tif", "IsPrimary" : "1", "_SurrogateID" : "2915", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2109, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2109", "Disp_Access_No" : "2002.1714", "_AccNumSort1" : "", "Disp_Create_DT" : "1543", "_Disp_Start_Dat" : "1543", "_Disp_End_Date" : "1543", "Disp_Title" : "David and Abigail, after Baccio Bandinelli or Giulio Romano", "Alt_Title" : "", "Obj_Title" : "David and Abigail, after Baccio Bandinelli or Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "School of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, School of Marcantonio", "Disp_Dimen" : "27.6 cm x 43 cm (10 7/8 in. x 16 15/16 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "43 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1714.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1714.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1714.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1714.tif", "IsPrimary" : "1", "_SurrogateID" : "5480", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2141, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2141", "Disp_Access_No" : "2002.1345", "_AccNumSort1" : "", "Disp_Create_DT" : "1547", "_Disp_Start_Dat" : "1547", "_Disp_End_Date" : "1547", "Disp_Title" : "Pietà, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Pietà, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Antonio Salamanca", "Sort_Artist" : "Salamanca, Antonio", "Disp_Dimen" : "37 cm x 26.4 cm (14 9/16 in. x 10 3/8 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "26.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1345.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1345.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1345.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1345.tif", "IsPrimary" : "1", "_SurrogateID" : "4985", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2153, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2153", "Disp_Access_No" : "2002.1171", "_AccNumSort1" : "", "Disp_Create_DT" : "1549", "_Disp_Start_Dat" : "1549", "_Disp_End_Date" : "1549", "Disp_Title" : "Jacob Wrestling with the Angel, plate 7 from the Story of Jacob, after Maarten van Heemskerck", "Alt_Title" : "", "Obj_Title" : "Jacob Wrestling with the Angel, plate 7 from the Story of Jacob, after Maarten van Heemskerck", "Series_Title" : "", "Disp_Maker_1" : "Dirck Volckertsz Coornhert", "Sort_Artist" : "Coornhert, Dirck Volckertsz", "Disp_Dimen" : "36.9 cm x 28.2 cm (14 1/2 in. x 11 1/8 in.)", "Disp_Height" : "36.9 cm", "Disp_Width" : "28.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Most of Coornhert's works translate drawings by Heemskerck into an exaggerated but perfectly regular Romanist style that became an idiom of mid-century engraving. Many, in series of six to ten plates, illustrate Old Testament narratives. Jacob Wrestling with the Angel is noteworthy as a vivid impression of an alternative plate for one such series that is therefore very rare. The Steinberg Collection includes seven complete series by Coornhert and his circle, as well as several large independent plates. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1171.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1171.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1171.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1171.tif", "IsPrimary" : "1", "_SurrogateID" : "1761", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2191, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2191", "Disp_Access_No" : "2002.1175.6/6", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1561", "_Disp_Start_Dat" : "1556", "_Disp_End_Date" : "1566", "Disp_Title" : "Jehu Commanding Jezebel's Death and the Dogs Eating Her Flesh, plate 6 from The Story of Ahab, Jezebel and Naboth, after Maarten van Heemskerck", "Alt_Title" : "", "Obj_Title" : "Jehu Commanding Jezebel's Death and the Dogs Eating Her Flesh, plate 6 from The Story of Ahab, Jezebel and Naboth, after Maarten van Heemskerck", "Series_Title" : "", "Disp_Maker_1" : "Philip Galle", "Sort_Artist" : "Galle, Philip", "Disp_Dimen" : "28.2 cm x 36.3 cm (11 1/8 in. x 14 5/16 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "36.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1175.6-6.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1175.6-6.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1175.6-6.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1175.6-6.TIF", "IsPrimary" : "1", "_SurrogateID" : "9396", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2258", "Disp_Access_No" : "2002.2089", "_AccNumSort1" : "", "Disp_Create_DT" : "1581", "_Disp_Start_Dat" : "1581", "_Disp_End_Date" : "1581", "Disp_Title" : "The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro ", "Alt_Title" : "", "Obj_Title" : "The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro ", "Series_Title" : "", "Disp_Maker_1" : "Egidius Horbeck", "Sort_Artist" : "Horbeck, Egidius", "Disp_Dimen" : "11.63 cm x 44.13 cm (4 9/16 in. x 17 3/8 in.)", "Disp_Height" : "11.63 cm", "Disp_Width" : "44.13 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The scene of the Annunciation is at the center of the print, which demonstrates the centrality of the scene to the Christian faithful. Old Testament Prophets surround the scene and Adam and Eve occupy the upper corners of the printed frame. The print conveys the moment when the Old Law (Judaism) gave way to the New Law (Christianity) and allowed for the sins of Adam and Eve to be forgiven.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2089.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2089.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2089.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2089.tif", "IsPrimary" : "1", "_SurrogateID" : "9035", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2274", "Disp_Access_No" : "2002.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1580", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "Saint Joachim Holding a Censer, from The Angel Appearing to Zacharias, after Andrea del Sarto", "Alt_Title" : "", "Obj_Title" : "Saint Joachim Holding a Censer, from The Angel Appearing to Zacharias, after Andrea del Sarto", "Series_Title" : "The Angel Appearing to Zacharias", "Disp_Maker_1" : "Domenico Vito", "Sort_Artist" : "Vito, Domenico", "Disp_Dimen" : "34.6 cm x 22.8 cm (13 5/8 in. x 9 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "22.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The little known Vito worked as a reproductive engraver before retiring young to a monastery. The same personality, hermetic and involuted, seems evident in this very rare print. It is unusual first in addressing a motif from an early 16th-century Florentine prototype, one of Andrea del Sarto’s frescoes in the cloister of the church of Santissima Annunziata. More unusual still, it translates the motif into a style of less inflected line work and even tonality that revives the language of Marcantonio Raimondi and his immediate followers. Indeed, were the engraving not dated, it might be confused with one of a half-century earlier. 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"Horatius Cocles, plate 2 from The Roman Heroes", "Alt_Title" : "", "Obj_Title" : "Horatius Cocles, plate 2 from The Roman Heroes", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "37 cm x 23.9 cm (14 9/16 in. x 9 7/16 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "23.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2170.3-10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2170.3-10.tif", "PreviewPath" : 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"Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.320.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.320.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.320.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.320.tif", "IsPrimary" : "1", "_SurrogateID" : "1692", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2761, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2761", "Disp_Access_No" : "2002.1767", "_AccNumSort1" : "", "Disp_Create_DT" : "1648", "_Disp_Start_Dat" : "1648", "_Disp_End_Date" : "1648", "Disp_Title" : "The Genius of Castiglione", "Alt_Title" : "", "Obj_Title" : "The Genius of Castiglione", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "37 cm x 24.6 cm (14 9/16 in. x 9 11/16 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "24.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2762, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2762", "Disp_Access_No" : "1981.93", "_AccNumSort1" : "", "Disp_Create_DT" : "1649", "_Disp_Start_Dat" : "1649", "_Disp_End_Date" : "1649", "Disp_Title" : "Frontispiece, from Les Oeuvres de Scarron", "Alt_Title" : "", "Obj_Title" : "Frontispiece, from Les Oeuvres de Scarron", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "20.8 cm x 15.6 cm (8 3/16 in. x 6 1/8 in.)", "Disp_Height" : "20.8 cm", "Disp_Width" : "15.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The early realistic novelist and burlesque playwright Paul Scarron (1610-1660) was apparently well known also for his physical deformities. Concealing the writer behind a draped chair while he entertains a group (perhaps of his own characters), this unconventional frontispiece cleverly refers to the nature of both his works and appearance.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1981", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.93.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.93.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.93.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.93.tif", "IsPrimary" : "1", "_SurrogateID" : "7551", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2797, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2797", "Disp_Access_No" : "1997.421", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Maximilian I, after Peter Paul Rubens (?), plate 33 from Counts and Countesses of Holland, Zeeland, and West-Frisia", "Alt_Title" : "", "Obj_Title" : "Maximilian I, after Peter Paul Rubens (?), plate 33 from Counts and Countesses of Holland, Zeeland, and West-Frisia", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Visscher", "Sort_Artist" : "Visscher, Cornelis", "Disp_Dimen" : "48 cm x 36 cm (18 7/8 in. x 14 3/16 in.)", "Disp_Height" : "48 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.421.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.421.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.421.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.421.tif", "IsPrimary" : "1", "_SurrogateID" : "5934", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2798, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2798", "Disp_Access_No" : "1997.422", "_AccNumSort1" : "", "Disp_Create_DT" : "1650", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1650", "Disp_Title" : "Philip II of Holland, plate XXXIV, from Counts and Countesses of Holland, Zeeland and West-Frisia, after Peter Paul Rubens (?)", "Alt_Title" : "", "Obj_Title" : "Philip II of Holland, plate XXXIV, from Counts and Countesses of Holland, Zeeland and West-Frisia, after Peter Paul Rubens (?) ", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Visscher", "Sort_Artist" : "Visscher, Cornelis", "Disp_Dimen" : "48 cm x 35.7 cm (18 7/8 in. x 14 1/16 in.)", "Disp_Height" : "48 cm", "Disp_Width" : "35.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Possibly after a painting by Gillis Mostaert", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.422.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.422.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.422.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.422.tif", "IsPrimary" : "1", "_SurrogateID" : "5935", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2803, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2803", "Disp_Access_No" : "2002.1387", "_AccNumSort1" : "", "Disp_Create_DT" : "1650", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1650", "Disp_Title" : "Title Page, from Diverses têtes et figures [Various heads and figures]", "Alt_Title" : "", "Obj_Title" : "Title Page, from Diverses têtes et figures [Various heads and figures]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "8.4 cm x 6.1 cm (3 5/16 in. x 2 3/8 in.)", "Disp_Height" : "8.4 cm", "Disp_Width" : "6.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1387.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1387.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1387.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1387.tif", "IsPrimary" : "1", "_SurrogateID" : "7292", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2808, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2808", "Disp_Access_No" : "2002.2546", "_AccNumSort1" : "", "Disp_Create_DT" : "1650", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1650", "Disp_Title" : "Charles the Bold, after Peter Paul Rubens, plate 31 from Counts and Countesses of Holland, Zeeland, and West-Frisia", "Alt_Title" : "", "Obj_Title" : "Charles the Bold, after Peter Paul Rubens, plate 31 from Counts and Countesses of Holland, Zeeland, and West-Frisia", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Visscher", "Sort_Artist" : "Visscher, Cornelis", "Disp_Dimen" : "48.2 cm x 35 cm (19 in. x 13 3/4 in.)", "Disp_Height" : "48.2 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "This print is after painting by Rubens in the Kunsthistorisches Museum, Vienna. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2546.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2546.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2546.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2546.tif", "IsPrimary" : "1", "_SurrogateID" : "5936", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2809", "Disp_Access_No" : "2002.2547", "_AccNumSort1" : "", "Disp_Create_DT" : "1650", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1650", "Disp_Title" : "Charles V, after Peter Paul Rubens, after Titian, plate 35 from Counts and Countesses of Holland, Zeeland, and West-Frisia", "Alt_Title" : "", "Obj_Title" : "Charles V, after Peter Paul Rubens, after Titian, plate 35 from Counts and Countesses of Holland, Zeeland, and West-Frisia", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Visscher", "Sort_Artist" : "Visscher, Cornelis", "Disp_Dimen" : "45 cm x 32 cm (17 11/16 in. x 12 5/8 in.)", "Disp_Height" : "45 cm", "Disp_Width" : "32 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "This print is after a painting by Rubens in Demold (W. Goepel Coll.) after the original by Titian, which was lost in the Alcàzar fire of 1734.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2547.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2547.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2547.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2547.tif", "IsPrimary" : "1", "_SurrogateID" : "5937", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2812, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2812", "Disp_Access_No" : "1987.87", "_AccNumSort1" : "", "Disp_Create_DT" : "1651", "_Disp_Start_Dat" : "1651", "_Disp_End_Date" : "1651", "Disp_Title" : "Clement de Jonghe, Printseller", "Alt_Title" : "", "Obj_Title" : "Clement de Jonghe, Printseller", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "21.1 cm x 16.5 cm (8 5/16 in. x 6 1/2 in.)", "Disp_Height" : "21.1 cm", "Disp_Width" : "16.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, drypoint and burin", "Support" : "", "Disp_Medium" : "Etching, drypoint and burin", "Info_Page_Comm" : "De Jonghe was a prominent printseller in Amsterdam. Although he did not publish any works by Rembrandt, he assembled a large collection of the etchings. His inventory was the first catalogue of the artist's work. While this impression was printed after numerous changes to the plate, it is still beautifully varied in tone and suggestive in expression. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.87.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.87.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.87.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.87.tif", "IsPrimary" : "1", "_SurrogateID" : "3790", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2858, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2858", "Disp_Access_No" : "1995.197", "_AccNumSort1" : "", "Disp_Create_DT" : "1655", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1655", "Disp_Title" : "The Rat Catcher", "Alt_Title" : "", "Obj_Title" : "The Rat Catcher", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Visscher", "Sort_Artist" : "Visscher, Cornelis", "Disp_Dimen" : "37.8 cm x 31.4 cm (14 7/8 in. x 12 3/8 in.)", "Disp_Height" : "37.8 cm", "Disp_Width" : "31.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.197.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.197.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.197.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.197.tif", "IsPrimary" : "1", "_SurrogateID" : "3878", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2867, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2867", "Disp_Access_No" : "P1961.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1656", "_Disp_Start_Dat" : "1656", "_Disp_End_Date" : "1656", "Disp_Title" : "Jan Lutma, the elder, Goldsmith and Sculptor", "Alt_Title" : "", "Obj_Title" : "Jan Lutma, the elder, Goldsmith and Sculptor", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "19.8 cm x 15.1 cm (7 13/16 in. x 5 15/16 in.)", "Disp_Height" : "19.8 cm", "Disp_Width" : "15.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, drypoint and burin", "Support" : "", "Disp_Medium" : "Etching, drypoint and burin", "Info_Page_Comm" : "Lutma was a famous goldsmith in Amsterdam. Rembrandt depticts him with a statuette in his right hand, the tools of his trade at his left. This impression is late, with the work in drypoint worn, the shadows pale, and the light harsh.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.10.tif", "IsPrimary" : "1", "_SurrogateID" : "3796", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2882, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2882", "Disp_Access_No" : "2000.38.5/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1656", "_Disp_Start_Dat" : "1656", "_Disp_End_Date" : "1656", "Disp_Title" : "Two Horsemen Passing a Flock, from Six Large Views of Rome and the Roman Campagna", "Alt_Title" : "", "Obj_Title" : "Two Horsemen Passing a Flock, from Six Large Views of Rome and the Roman Campagna", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "28.9 cm x 26 cm (11 3/8 in. x 10 1/4 in.)", "Disp_Height" : "28.9 cm", "Disp_Width" : "26 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.38.5-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.38.5-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.38.5-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.38.5-6.tif", "IsPrimary" : "1", "_SurrogateID" : "4636", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2900, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2900", "Disp_Access_No" : "1996.316", "_AccNumSort1" : "", "Disp_Create_DT" : "1658", "_Disp_Start_Dat" : "1658", "_Disp_End_Date" : "1658", "Disp_Title" : "Basile Fouquet", "Alt_Title" : "", "Obj_Title" : "Basile Fouquet", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil", "Sort_Artist" : "Nanteuil, Robert", "Disp_Dimen" : "32.1 cm x 24.4 cm (12 5/8 in. x 9 5/8 in.)", "Disp_Height" : "32.1 cm", "Disp_Width" : "24.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Mid-seventeenth-century France saw the emergence of an utterly coherent system of engraving that is among the major manifestations of the classical Baroque and among the great languages in the history of printmaking. Shortly after the foundation of the Royal Academy of Painting and Sculpture in 1648, engraving was elevated by royal edict from an industrial to a liberal art, incorporated as an academic discipline, and thus given equally systematic means for transmitting its skills and values. The portraits of Robert Nanteuil were the first expression of this system. His work proceeds from an appropriation of Jean Morin’s and Claude Mellan’s modes, through a synthesis of their respective naturalism and idealism, to a moment in the late 1650s of extraordinary balance in the relation of one mark to another, sitter to frame, and form to ethos. Portraying a tenacious councillor of state who was later disgraced, this print is one of the artist’s masterpieces. Much more than the conventions that Nanteuil established, it is his eminently rational conception and procedure, governing individual works and artistic development alike, that has been called “the constitution of French engraving.” Nanteuil’s achievement should be compared with that of Nicolas Poussin in painting, Pierre Corneille in tragedy, and René Descartes in philosophy. The collection boasts 122 engravings by Nanteuil, more than half his oeuvre, with numerous prints in multiple states. 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He created the earlier portrait of Philbert-Emmanuel de Beaumanoir de Lavardin, bishop of Le Mans, in 1660. During the 1660s Beaumanoir de Lavardin developed a reputation as an atheist. He was formally denounced by the Church leadership after his death in 1671. Sometime after the decline in the bishop’s reputation, an anonymous artist transformed the sitter into a type of quack doctor that was popular in Dutch genre painting, which was appropriate for an individual whose name became synonymous with fraud. In the new print, Le Bassin, an unknown, different artist added etching to the engraved plate to change various details. The bishop of Le Mans was provided with a fur lined mantel that academics wore, and an oversized hat and pincenez. Various pills and sprigs of flowers are arranged on the parapet. The artist also added a bottle containing a tartar emetic, a "vomitive medicament," that indicates the contents of the chamber-pot. The inclusion of tartar emetic adds a distinctly Parisian twist. This (potentially deadly) remedy made of antimony caused a 100-year paper war between the rival medical faculties of Paris and Montpelier, which ended in the humiliation of the Paris School of Medicine in 1666.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, purchase from the Leo Steinberg Collection", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "2918", "Rel_Obj_Title" : "Philibert-Emmanuel de Beaumanoir de Lavardin" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.85.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.85.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.85.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.85.tif", "IsPrimary" : "1", "_SurrogateID" : "4868", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2932, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2932", "Disp_Access_No" : "1991.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1662", "_Disp_Start_Dat" : "1662", "_Disp_End_Date" : "1662", "Disp_Title" : "Victor Bouthillier, Archbishop of Tours", "Alt_Title" : "", "Obj_Title" : "Victor Bouthillier, Archbishop of Tours", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil", "Sort_Artist" : "Nanteuil, Robert", "Disp_Dimen" : "37.9 cm x 47.8 cm (14 15/16 in. x 18 13/16 in.)", "Disp_Height" : "37.9 cm", "Disp_Width" : "47.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Victor Bouthillier (1596-1670) was bishop of Boulogne from 1630, then archbishop of Tours from 1641. He also served as chaplain to Marie de' Medici and to Gaston d'Orléans, brother of Louis XIII.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.11.tif", "IsPrimary" : "1", "_SurrogateID" : "4873", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2988, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2988", "Disp_Access_No" : "1981.82", "_AccNumSort1" : "", "Disp_Create_DT" : "1674", "_Disp_Start_Dat" : "1674", "_Disp_End_Date" : "1674", "Disp_Title" : "Seven Arhats", "Alt_Title" : "", "Obj_Title" : "Seven Arhats", "Series_Title" : "", "Disp_Maker_1" : "Chou Hsun", "Sort_Artist" : "Chou Hsun", "Disp_Dimen" : "40.64 cm x 660.4 cm (16 in. x 260 in.)", "Disp_Height" : "40.64 cm", "Disp_Width" : "660.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Ink and color", "Support" : "silk", "Disp_Medium" : "Ink and color on silk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1981", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Chinese", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.82.tif", "ThumbnailPath" : 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"Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.129.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.129.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.129.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.129.tif", "IsPrimary" : "1", "_SurrogateID" : "8368", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2996, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2996", "Disp_Access_No" : "1991.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1677", "_Disp_Start_Dat" : "1677", "_Disp_End_Date" : "1677", "Disp_Title" : "Louis Dauphin", "Alt_Title" : "", "Obj_Title" : "Louis Dauphin", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil", "Sort_Artist" : "Nanteuil, Robert", "Disp_Dimen" : "53.9 cm x 45 cm (21 1/4 in. x 17 11/16 in.)", "Disp_Height" : "53.9 cm", "Disp_Width" : "45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Son of Louis XIV, the prince (1661-1711) was called both "Le Grand Dauphin" and "Monseigneur."", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.9.tif", "ThumbnailPath" : 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"Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2586.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2586.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2586.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2586.tif", "IsPrimary" : "1", "_SurrogateID" : "5943", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3153, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3153", "Disp_Access_No" : "1998.406", "_AccNumSort1" : "", "Disp_Create_DT" : "1719", "_Disp_Start_Dat" : "1719", "_Disp_End_Date" : "1719", "Disp_Title" : "L'Horoscope du lion, from the Fables of la Motte, book 5, Fable 13", "Alt_Title" : "", "Obj_Title" : "L'Horoscope du lion, from the Fables of la Motte, book 5, Fable 13", "Series_Title" : "", "Disp_Maker_1" : "Claude Gillot", "Sort_Artist" : "Gillot, Claude", "Disp_Dimen" : "7.8 cm x 9.6 cm (3 1/16 in. x 3 3/4 in.)", "Disp_Height" : "7.8 cm", "Disp_Width" : "9.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.406.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.406.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.406.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1998.406.TIF", "IsPrimary" : "1", "_SurrogateID" : "9392", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3154, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3154", "Disp_Access_No" : "1998.407", "_AccNumSort1" : "", "Disp_Create_DT" : "1719", "_Disp_Start_Dat" : "1719", "_Disp_End_Date" : "1719", "Disp_Title" : "Le Rat tenant table, from the Fables of la Motte, book 3, Fable 117", "Alt_Title" : "", "Obj_Title" : "Le Rat tenant table, from the Fables of la Motte, book 3, Fable 117", "Series_Title" : "", "Disp_Maker_1" : "Claude Gillot", "Sort_Artist" : "Gillot, Claude", "Disp_Dimen" : "8 cm x 9.5 cm (3 1/8 in. x 3 3/4 in.)", "Disp_Height" : "8 cm", "Disp_Width" : "9.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.407.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.407.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.407.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1998.407.TIF", "IsPrimary" : "1", "_SurrogateID" : "9393", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3157, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3157", "Disp_Access_No" : "2000.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1723", "_Disp_Start_Dat" : "1723", "_Disp_End_Date" : "1723", "Disp_Title" : "Standing Youth (Saint John the Baptist?), after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Standing Youth (Saint John the Baptist?), after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Antonio Maria Zanetti", "Sort_Artist" : "Zanetti, Antonio Maria", "Disp_Dimen" : "15.7 cm x 7.7 cm (6 3/16 in. x 3 1/16 in.)", "Disp_Height" : "15.7 cm", "Disp_Width" : "7.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chiaroscuro woodcut from three blocks printed in rose and two shades of gray", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from three blocks printed in rose and two shades of gray", "Info_Page_Comm" : "Zanetti was an important collector of drawings and an amateur printmaker. This exquisite chiaroscuro not only reproduces one of his own Parmigianinos, but revives the technique with which the earliest reproductions of the master’s drawings were associated. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.50.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.50.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.50.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.50.tif", "IsPrimary" : "1", "_SurrogateID" : "4069", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3160, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3160", "Disp_Access_No" : "1995.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1724", "_Disp_Start_Dat" : "1724", "_Disp_End_Date" : "1724", "Disp_Title" : "Cardinal Guillaume Dubois, after Hyacinthe Rigaud", "Alt_Title" : "", "Obj_Title" : "Cardinal Guillaume Dubois, after Hyacinthe Rigaud", "Series_Title" : "", "Disp_Maker_1" : "Pierre-Imbert Drevet", "Sort_Artist" : "Drevet, Pierre-Imbert", "Disp_Dimen" : "50.1 cm x 37 cm (19 3/4 in. x 14 9/16 in.)", "Disp_Height" : "50.1 cm", "Disp_Width" : "37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "After theological training, then a military career, Dubois became bishop of Cambrai (1720), archbishop (1721) prime minister (1722), and finally president of the Clergy of Paris (1723).", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.64.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.64.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.64.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.64.tif", "IsPrimary" : "1", "_SurrogateID" : "1662", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3164, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3164", "Disp_Access_No" : "1999.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1726", "_Disp_Start_Dat" : "1726", "_Disp_End_Date" : "1726", "Disp_Title" : "Cunicularii, or The Wise Men of Godliman in Consultation", "Alt_Title" : "", "Obj_Title" : "Cunicularii, or The Wise Men of Godliman in Consultation", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "19 cm x 25.6 cm (7 1/2 in. x 10 1/16 in.)", "Disp_Height" : "19 cm", "Disp_Width" : "25.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "The Weekly Journal of 19 November 1726 read: From Guilford comes a strange but well-attested Piece of News. That a poor Woman who lives at Godalmin [sic], near that Town, was about a Month past delivered by Mr John Howard, an Eminent Surgeon and Man-Midwife, of a creature resembling a Rabbit but whose Heart and Lungs grew without its Belly, about 14 Days since she was delivered by the same Person, of a perfect Rabbit: and in a few Days after of 4 more; and on Friday, Saturday, Sunday, the 4th, 5th, and 6th instant, of one in each day: in all nine, they died all in bringing into the World. The woman hath made Oath, that two months ago, being working in a Field with other Women, they put up a Rabbit, who running from them, they pursued it, but to no Purpose: This created in her such a Longing to it, that she (being with Child) was taken ill and miscarried, and from that Time she hath not been able to avoid thinking of Rabbits. This print by Hogarth was published on 12 December 1726, a few days after Mary Toft's full confession of fraud. Strangely enough, it is not Mary Toft but rather the doctors who are chastised in this composition, a mock heroic type of a bedside drama. It is said that a group of surgeons commissioned this print in order to expose the failings of the doctors so carefully identified at the bottom. After the circulation of this print, it took some time for the physicians identified here to repair their reputation. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.14.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.14.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.14.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.14.tif", "IsPrimary" : "1", "_SurrogateID" : "8233", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3165", "Disp_Access_No" : "1999.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1728, (c. 1768)", "_Disp_Start_Dat" : "1728", "_Disp_End_Date" : "1728", "Disp_Title" : "The Political Clyster", "Alt_Title" : "", "Obj_Title" : "The Political Clyster", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "21.2 cm x 32.3 cm (8 3/8 in. x 12 11/16 in.)", "Disp_Height" : "21.2 cm", "Disp_Width" : "32.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "The subject of this print comes from Jonathan Swift’s satirical masterpiece, Gulliver’s Travels. The various societies that Gulliver encounters in this four-book series parodies the follies of humankind. This image derives from Book I, in which the shipwrecked Gulliver finds himself a prisoner of the six-inch high arrogant and self-important Lilliputians. It shows Gulliver, on the receiving end of an enema, being punished for urinating on the Royal Palace of Midland, an act he performed in order to extinguish a fire. In part, this is Hogarth’s critique of contemporary medical practices that seemed ineffectual. It is also a critique of politicians and public servants that includes a clergy man officiating from a chamber pot and a First Minister observing from his thimble carriage. Both ignore the activities of their own people, who misbehave in the landscape around them", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.15.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.15.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.15.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.15.tif", "IsPrimary" : "1", "_SurrogateID" : "8234", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3167, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3167", "Disp_Access_No" : "1996.172", "_AccNumSort1" : "", "Disp_Create_DT" : "1727", "_Disp_Start_Dat" : "1727", "_Disp_End_Date" : "1727", "Disp_Title" : "La Troupe italienne [The Italian Theater Troupe], after Jean-Antoine Watteau", "Alt_Title" : "", "Obj_Title" : "La Troupe italienne [The Italian Theater Troupe], after Jean-Antoine Watteau", "Series_Title" : "", "Disp_Maker_1" : "François Boucher", "Sort_Artist" : "Boucher, François", "Disp_Dimen" : "33.3 cm x 22.5 cm (13 1/8 in. x 8 7/8 in.)", "Disp_Height" : "33.3 cm", "Disp_Width" : "22.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Here, five actors from the commedia dell’arte present themselves to the viewer, still in costume but out of role, as if at the end of a performance. Boucher created this etching apart from Julienne’s collection. It reproduces a red chalk drawing by Watteau that is today in Berlin. The same drawing was the basis of Watteau’s own most characteristic etching. 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Ware, Jr. Collection, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.54.tif", "IsPrimary" : "1", "_SurrogateID" : "9081", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3705, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3705", "Disp_Access_No" : "1985.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1789", "_Disp_Start_Dat" : "1789", "_Disp_End_Date" : "1789", "Disp_Title" : "Annette et Lubin", "Alt_Title" : "", "Obj_Title" : "Annette et Lubin", "Series_Title" : "", "Disp_Maker_1" : "Philibert-Louis Debucourt", "Sort_Artist" : "Debucourt, Philibert-Louis", "Disp_Dimen" : "38 cm x 27.3 cm (14 15/16 in. x 10 3/4 in.)", "Disp_Height" : "38 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Color aquatint, stipple, and etching from multiple plates", "Support" : "", "Disp_Medium" : "Color aquatint, stipple, and etching from multiple plates", "Info_Page_Comm" : "A comedy written by Madame Favart and first presented in 1762, Annette et Lubin was based upon the actual story of a young peasant couple that had elected to live outside civilization, in nature and poverty. 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Huntington Museum Fund, 1985", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.9.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.9.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.9.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.9.tif", "IsPrimary" : "1", "_SurrogateID" : "3389", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3721, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3721", "Disp_Access_No" : "2000.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1794", "_Disp_Start_Dat" : "1794", "_Disp_End_Date" : "1794", "Disp_Title" : "Resurrection Men Disturbed...", "Alt_Title" : "", "Obj_Title" : "Resurrection Men Disturbed...", "Series_Title" : "", "Disp_Maker_1" : "Isaac Cruikshank", "Sort_Artist" : "Cruikshank, Isaac", "Disp_Dimen" : "24.3 cm x 40.6 cm (9 9/16 in. x 16 in.)", "Disp_Height" : "24.3 cm", "Disp_Width" : "40.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.56.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.56.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.56.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.56.tif", "IsPrimary" : "1", "_SurrogateID" : "6213", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3731, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3731", "Disp_Access_No" : "G1966.2.210", "_AccNumSort1" : "", "Disp_Create_DT" : "1797-1799 (p. 1890-1900)", "_Disp_Start_Dat" : "1797", "_Disp_End_Date" : "1799", "Disp_Title" : "Devota profesion [Devout Profession], plate 70 from Los Caprichos", "Alt_Title" : "", "Obj_Title" : "Devota profesion [Devout Profession], plate 70 from Los Caprichos", "Series_Title" : "", "Disp_Maker_1" : "Francisco de Goya y Lucientes", "Sort_Artist" : "Goya y Lucientes, Francisco de", "Disp_Dimen" : "34.3 cm x 24.3 cm (13 1/2 in. x 9 9/16 in.)", "Disp_Height" : "34.3 cm", "Disp_Width" : "24.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, aquatint and drypoint", "Support" : "", "Disp_Medium" : "Etching, aquatint and drypoint", "Info_Page_Comm" : "The earliest of Goya’s four major print series by more than decade, the Caprichos were created in 1797-98. Free inventions, thus “caprices,” their eighty plates comment upon the tension between society and the individual, between ideals and realities, between belief and reason. Injustice, hypocrisy, and superstition are Goya’s principal targets; caricature, satire, and sarcasm his favorite weapons. In addition to the printed titles, a manuscript in the Prado Museum purportedly written by Goya elucidates the meaning of individual prints. The imagery of the Caprichos is rich with references, from established iconography to folk literature, songs, and sayings. But the series is above all original in the modern sense: the product of an individual and unfettered imagination. The Caprichos are also the first great demonstration of the expressive possibilities of aquatint, which had previously been used for reproducing the appearance of drawings. First published in 1799 they along with the Tauromaquia were the only series released during the artist’s lifetime. Retaining the plates, the Royal Academy in Madrid issued eleven more editions between 1855 and 1937, making the Caprichos the most widely circulated and best known of Goya’s prints. The Prado manuscript gives a detailed script of this scene of witchcraft: “Will you swear to obey and respect your masters and superiors, to sweep the garrets, to spin, to ring bells, to howl, to yell, to fly, to cook, to grease, to suck, to bake, to blow, to fry, everything and whatever time you are ordered to?” “I swear.” “Well then, my girl, you are now a witch. Congratulations.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.210.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.210.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.210.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.210.tif", "IsPrimary" : "1", "_SurrogateID" : "4922", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3735, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3735", "Disp_Access_No" : "1991.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1802", "_Disp_Start_Dat" : "1802", "_Disp_End_Date" : "1802", "Disp_Title" : "Landscape with Seated Shepherd, no. 18 from Liber Veritatis, after Claude Lorrain", "Alt_Title" : "", "Obj_Title" : "Landscape with Seated Shepherd, no. 18 from Liber Veritatis, after Claude Lorrain", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "26.4 cm x 41.5 cm (10 3/8 in. x 16 5/16 in.)", "Disp_Height" : "26.4 cm", "Disp_Width" : "41.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and mezzotint in brown ink", "Support" : "", "Disp_Medium" : "Etching and mezzotint in brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.54.tif", "IsPrimary" : "1", "_SurrogateID" : "5473", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3750, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3750", "Disp_Access_No" : "1990.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1808", "_Disp_Start_Dat" : "1808", "_Disp_End_Date" : "1808", "Disp_Title" : "Phaeton alarm’d!", "Alt_Title" : "", "Obj_Title" : "Phaeton alarm’d!", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "34.6 cm x 37.7 cm (13 5/8 in. x 14 13/16 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "37.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "According to Greek mythology, Phaeton convinced his father Apollo to allow him to drive the chariot of the sun across the heavens. When Phaeton could not control the horses, they galloped too close to the earth and scorched its surface. In one of Gillray’s finest political allegories, Foreign Secretary George Canning, a passionate follower of former Prime Minster William Pitt, plays the role of Phaeton. His chariot drives the sun of Anti-Jacobinism through hostile constellations personified by members of the political opposition. Napoleon, straddling the Russian Bear, heads towards Western Europe while the ghosts of Pitt and Charles James Fox cower in the lower corners, watching the flames spread across the globe", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.153.tif", "IsPrimary" : "1", "_SurrogateID" : "5015", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3755, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3755", "Disp_Access_No" : "1985.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1810", "_Disp_Start_Dat" : "1810", "_Disp_End_Date" : "1810", "Disp_Title" : "The Manor House, York", "Alt_Title" : "", "Obj_Title" : "The Manor House, York", "Series_Title" : "", "Disp_Maker_1" : "John Sell Cotman", "Sort_Artist" : "Cotman, John Sell", "Disp_Dimen" : "49.6 cm x 35.8 cm (19 1/2 in. x 14 1/8 in.)", "Disp_Height" : "49.6 cm", "Disp_Width" : "35.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.12.tif", "IsPrimary" : "1", "_SurrogateID" : "5469", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3785, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3785", "Disp_Access_No" : "1989.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1811", "_Disp_Start_Dat" : "1811", "_Disp_End_Date" : "1811", "Disp_Title" : "The Transfiguration, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Transfiguration, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Raphael Morghen", "Sort_Artist" : "Morghen, Raphael", "Disp_Dimen" : "91.3 cm x 60.9 cm (35 15/16 in. x 24 in.)", "Disp_Height" : "91.3 cm", "Disp_Width" : "60.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1989", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.27.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.27.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.27.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.27.tif", "IsPrimary" : "1", "_SurrogateID" : "5289", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3795, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3795", "Disp_Access_No" : "1995.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1816", "_Disp_Start_Dat" : "1816", "_Disp_End_Date" : "1816", "Disp_Title" : "Gabriel Cortois de Pressigny", "Alt_Title" : "", "Obj_Title" : "Gabriel Cortois de Pressigny", "Series_Title" : "", "Disp_Maker_1" : "Jean-Auguste-Dominique Ingres", "Sort_Artist" : "Ingres, Jean-Auguste-Dominique", "Disp_Dimen" : "37.6 cm x 28.1 cm (14 13/16 in. x 11 1/16 in.)", "Disp_Height" : "37.6 cm", "Disp_Width" : "28.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Claiming to be the rightful heir of Jacques-Louis David, Ingres relied on a linear style and classical antiquity for models. Although long considered the quintessential academic artist for these reasons, his membership in the Academy was, in fact, tumultuous. Colleagues criticized what they perceived as his elastic and decidedly anti-classical treatment of anatomy. This is the only print Ingres made in his career, and its impact on a later generation of artists is apparent in other works on view in this gallery, such as that by Alphonse Legros.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.17.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.17.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.17.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.17.tif", "IsPrimary" : "1", "_SurrogateID" : "4237", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3801, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3801", "Disp_Access_No" : "1998.425", "_AccNumSort1" : "", "Disp_Create_DT" : "1818", "_Disp_Start_Dat" : "1818", "_Disp_End_Date" : "1818", "Disp_Title" : "Repos de chasseur [The Resting Hunter]", "Alt_Title" : "", "Obj_Title" : "Repos de chasseur [The Resting Hunter]", "Series_Title" : "", "Disp_Maker_1" : "Horace Vernet", "Sort_Artist" : "Vernet, Horace", "Disp_Dimen" : "24.9 cm x 31.7 cm (9 13/16 in. x 12 1/2 in.)", "Disp_Height" : "24.9 cm", "Disp_Width" : "31.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. 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Huntington Museum Fund, 1982", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.722.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.722.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.722.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.722.tif", "IsPrimary" : "1", "_SurrogateID" : "5457", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3809", "Disp_Access_No" : "2000.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1820", "_Disp_Start_Dat" : "1820", "_Disp_End_Date" : "1820", "Disp_Title" : "Le Giaour, from Suite de sept petites pièces [Suite of Seven Small Sheets]", 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[If you do not know your lesson, your aunt will come: you will be scolded!], plate 36 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 17 May 1841", "Series_Title" : "", "Disp_Maker_1" : "Paul Gavarni", "Sort_Artist" : "Gavarni, Paul", "Disp_Dimen" : "33.7 cm x 24 cm (13 1/4 in. x 9 7/16 in.)", "Disp_Height" : "33.7 cm", "Disp_Width" : "24 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph with hand coloring", "Support" : "", "Disp_Medium" : "Lithograph with hand coloring", "Info_Page_Comm" : "published in Le Charivari, 17 May 1841", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Ira and Virginia Jackson, 1986", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.122.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.122.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.122.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.122.tif", "IsPrimary" : "1", "_SurrogateID" : "4667", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3922", "Disp_Access_No" : "1986.123", "_AccNumSort1" : "", "Disp_Create_DT" : "1841", "_Disp_Start_Dat" : "1841", "_Disp_End_Date" : "1841", "Disp_Title" : "Cette madame de Lieusaint est-elle bête! 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Published in Le Charivari, 29 September 1845", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.164.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.164.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.164.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.164.tif", "IsPrimary" : "1", "_SurrogateID" : "8411", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3956, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3956", "Disp_Access_No" : "1989.120", "_AccNumSort1" : "", "Disp_Create_DT" : "1850", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1850", "Disp_Title" : "Les Augures de l'Empire s'apprêtant à consulter les entrailles des canards sacrés avant que César ne choisisse d'autres ministres [The soothsayers about to consult the entrails of the sacred ducks before Caesar chooses the other ministers], plate 97 from ", "Alt_Title" : "", "Obj_Title" : "Les Augures de l'Empire s'apprêtant à consulter les entrailles des canards sacrés avant que César ne choisisse d'autres ministres [The soothsayers about to consult the entrails of the sacred ducks before Caesar chooses the other ministers], plate 97 from Actualités, in Le Charivari, 27 March 1850", "Series_Title" : "", "Disp_Maker_1" : "Honoré Daumier", "Sort_Artist" : "Daumier, Honoré", "Disp_Dimen" : "34.6 cm x 25.5 cm (13 5/8 in. x 10 1/16 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "25.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Published in Le Charivari, 27 March 1850", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.120.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.120.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.120.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.120.tif", "IsPrimary" : "1", "_SurrogateID" : "8408", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3960", "Disp_Access_No" : "1995.177", "_AccNumSort1" : "", "Disp_Create_DT" : "1851", "_Disp_Start_Dat" : "1851", "_Disp_End_Date" : "1851", "Disp_Title" : "Der Tod als Freund [Death as a Friend]", "Alt_Title" : "", "Obj_Title" : "Der Tod als Freund [Death as a Friend]", "Series_Title" : "", "Disp_Maker_1" : "Alfred Rethel", "Sort_Artist" : "Rethel, Alfred", "Disp_Dimen" : "30.2 x 27 cm (11 7/8 x 10 5/8 in.)", "Disp_Height" : "30.2 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wood engraving (by Richard Julius Jungtow)", "Support" : "", "Disp_Medium" : "Wood engraving (by Richard Julius Jungtow)", "Info_Page_Comm" : "Death as a Friend portrays a pious monk’s peaceful passage into eternity. As the sun sets, Death, who is dressed as an ally in his monk’s robe adorned with a pilgrim’s shell, respectfully bows his head as he tolls the knell for his friend", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.177.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.177.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.177.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.177.tif", "IsPrimary" : "1", "_SurrogateID" : "5550", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3961, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3961", "Disp_Access_No" : "1995.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1851", "_Disp_Start_Dat" : "1851", "_Disp_End_Date" : "1851", "Disp_Title" : "Der Tod als Erwürger [Death as Strangler]", "Alt_Title" : "", "Obj_Title" : "Der Tod als Erwürger [Death as Strangler]", "Series_Title" : "", "Disp_Maker_1" : "Alfred Rethel", "Sort_Artist" : "Rethel, Alfred", "Disp_Dimen" : "33.5 cm x 27.4 cm (13 3/16 in. x 10 13/16 in.)", "Disp_Height" : "33.5 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wood engraving (by Gustav Richard Steinbrecher)", "Support" : "", "Disp_Medium" : "Wood engraving (by Gustav Richard Steinbrecher)", "Info_Page_Comm" : "Death as an Enemy is inspired by a story of the first appearance of cholera in France written by the German poet Heinrich Heine. In the image, his dancing slippers appear from beneath Death’s monk’s robe as he dances to the fiddle music that he plays. In his wake lie the bodies of the costumed revelers, who were met unprepared for death. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.190.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.190.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.190.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.190.tif", "IsPrimary" : "1", "_SurrogateID" : "5551", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3979", "Disp_Access_No" : "G1966.2.286", "_AccNumSort1" : "", "Disp_Create_DT" : "1797-1799 (p. 1890-1900)", "_Disp_Start_Dat" : "1797", "_Disp_End_Date" : "1799", "Disp_Title" : "Muchachos al avío [Lads Making Ready], plate 11 from Los Caprichos", "Alt_Title" : "", "Obj_Title" : "Muchachos al avío [Lads Making Ready], plate 11 from Los Caprichos", "Series_Title" : "", "Disp_Maker_1" : "Francisco de Goya y Lucientes", "Sort_Artist" : "Goya y Lucientes, Francisco de", "Disp_Dimen" : "34.15 cm x 24.1 cm (13 7/16 in. x 9 1/2 in.)", "Disp_Height" : "34.15 cm", "Disp_Width" : "24.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, burnished aquatint and burin", "Support" : "", "Disp_Medium" : "Etching, burnished aquatint and burin", "Info_Page_Comm" : "The earliest of Goya’s four major print series by more than decade, the Caprichos were created in 1797-98. Free inventions, thus “caprices,” their eighty plates comment upon the tension betweensociety and the individual, between ideals and realities, between belief and reason. Injustice, hypocrisy, and superstition are Goya’s principal targets; caricature, satire, and sarcasm his favorite weapons. In addition to the printed titles, a manuscript in the Prado Museum purportedly written by Goya elucidates the meaning of individual prints. The imagery of the Caprichos is rich with references, from established iconography to folk literature, songs, and sayings. But the series is above all original in the modern sense: the product of an individual and unfettered imagination. The Caprichos are also the first great demonstration of the expressive possibilities of aquatint, which had previously been used for reproducing the appearance of drawings. First published in 1799 they along with the Tauromaquia were the only series released during the artist’s lifetime. Retaining the plates, the Royal Academy in Madrid issued eleven more editions between 1855 and 1937, making the Caprichos the most widely circulated and best known of Goya’s prints. A group of youths slouch in a stark landscape. The inscription “wild merchants” on a preparatory drawing in the Prado Museum suggests that they are smugglers. Goya’s commentary is simpler: “Their faces and their clothes make it clear what they are.” Unfortunately, the areas of aquatint have become worn in this impression, lightening the night sky and the shadows, diminishing the print’s sense of menace.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.286.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.286.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.286.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.286.tif", "IsPrimary" : "1", "_SurrogateID" : "4810", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3987, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3987", "Disp_Access_No" : "1996.287", "_AccNumSort1" : "", "Disp_Create_DT" : "1855", "_Disp_Start_Dat" : "1855", "_Disp_End_Date" : "1855", "Disp_Title" : "La rue de la Vieille Lanterne", "Alt_Title" : "", "Obj_Title" : "La rue de la Vieille Lanterne", "Series_Title" : "", "Disp_Maker_1" : "Gustave (Paul Gustave Louis Christophe) Doré", "Sort_Artist" : "Doré, Gustave (Paul Gustave Louis Christophe)", "Disp_Dimen" : "51.1 x 34.8 cm (20 1/8 x 13 11/16 in.)", "Disp_Height" : "51.1 cm", "Disp_Width" : "34.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Doré revived the Romantic language in printmaking to commemorate the death of the great Romantic poet, Gérard de Nerval. Lithography became the favored printmaking technique of the Romantics because the tonal variations and quickness in line allowed expression of the artist’s personality. Doré, in his operatic fashion, interprets the poet Nerval’s suicide which took place in the Rue de la Vieille Lanterne. In the image, Death pulls the soul from Nerval’s dead body toward Heaven, announcing the entry by blowing a horn. Gérard de Nerval was a French Romantic poet whose use of dreams and fantasies exhibit the interrelation of the real and supernatural worlds. The loss of his mother at a young age and the death of his true love, Jenny Colon, were two events that upset his already unstable mental health. During his most creative period in the early-1850s, Nerval was institutionalized at least eight times for severe mental disorders. The work he produced, such as Aurélia (1853-54) and Les Chimères (1854), are at once lyrical and complex. His tortured existence ended when he hung himself from a lamppost in the rue de la Vieille Lanterne in Paris. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.287.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.287.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.287.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.287.tif", "IsPrimary" : "1", "_SurrogateID" : "2817", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3992, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3992", "Disp_Access_No" : "G1966.2.272", "_AccNumSort1" : "", "Disp_Create_DT" : "1858", "_Disp_Start_Dat" : "1858", "_Disp_End_Date" : "1858", "Disp_Title" : "Rag Pickers, Quartier Mouffetard, Paris", "Alt_Title" : "", "Obj_Title" : "The Rag Gatherers", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "21.85 cm x 31.5 cm (8 5/8 in. x 12 3/8 in.)", "Disp_Height" : "21.85 cm", "Disp_Width" : "31.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.272.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.272.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.272.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.272.tif", "IsPrimary" : "1", "_SurrogateID" : "8317", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3997, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3997", "Disp_Access_No" : "1989.159", "_AccNumSort1" : "", "Disp_Create_DT" : "1859", "_Disp_Start_Dat" : "1859", "_Disp_End_Date" : "1859", "Disp_Title" : "Billingsgate", "Alt_Title" : "", "Obj_Title" : "Billingsgate", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "17.7 cm x 24.8 cm (6 15/16 in. x 9 3/4 in.)", "Disp_Height" : "17.7 cm", "Disp_Width" : "24.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.159.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.159.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.159.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.159.tif", "IsPrimary" : "1", "_SurrogateID" : "8306", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4000, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4000", "Disp_Access_No" : "2000.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1860", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1860", "Disp_Title" : "Rotherhithe, from 16 Etchings or The Thames Set", "Alt_Title" : "", "Obj_Title" : "Rotherhithe, from 16 Etchings or The Thames Set", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "36.5 cm x 23.6 cm (14 3/8 in. x 9 5/16 in.)", "Disp_Height" : "36.5 cm", "Disp_Width" : "23.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "Shortly after settling in London in 1859, Whistler created his second series of etchings, the sixteen plates that would be published in 1871 as “The Thames Set”. Recording vignettes along the river, these plates were realist in subject and naturalistic in conventions going back 17th-century Dutch etching and recently revitalized by etchers like Meryon and Bracquemond in Paris. They became the virtual constitution of the Etching Revival in England and the United States. Rotherhithe is the largest and most complex plate in the Set. The informal subject, mixing harbor view and genre scene, is typical. The composition, however, is unusual in its proportions, cropping, and divisions, which diminish any conventional middleground and emphasize the perimeter. These indicate Whistler’s awareness of Japanese prints as well as photography, and predict the modernist character of his later etchings. This impression is distinguished by rich plate tone that gives the sky weight, meticulous wiping that makes the horizon luminous, and dark brown ink that warms the entire scene. Likely printed by Eugène Delâtre, a great exponent of individuality in impressions, it is perhaps the finest in existence. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, with a matching contribution from Julia Wilkinson, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.45.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.45.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.45.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.45.tif", "IsPrimary" : "1", "_SurrogateID" : "4063", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4004, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4004", "Disp_Access_No" : "1998.156", "_AccNumSort1" : "", "Disp_Create_DT" : "1861", "_Disp_Start_Dat" : "1861", "_Disp_End_Date" : "1861", "Disp_Title" : "Le Bateau-atelier, from Voyage en bateau [The Voyage by Boat]", "Alt_Title" : "", "Obj_Title" : "Le Bateau-atelier, from Voyage en bateau [The Voyage by Boat]", "Series_Title" : "", "Disp_Maker_1" : "Charles-François Daubigny", "Sort_Artist" : "Daubigny, Charles-François", "Disp_Dimen" : "19.7 cm x 24.7 cm (7 3/4 in. x 9 3/4 in.)", "Disp_Height" : "19.7 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "One of the hallmarks of the Barbizon artists was their effort to capture the immediacy of their direct response to nature. In his series of sixteen prints from Voyage en bateau, characterized as an amusement for a small circle of friends, Daubigny recorded his trip down the Oise and Seine rivers. In 1857 he outfitted a small boat as a studio where he sketched some of his views, finishing them at a later date. 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Smith, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean (?)", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.38.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.38.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.38.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.38.tif", "IsPrimary" : "1", "_SurrogateID" : "6219", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4159, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4159", "Disp_Access_No" : "2002.1587", "_AccNumSort1" : "", "Disp_Create_DT" : "1879", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1879", "Disp_Title" : "L'Hiver à Paris ou La Neige à Paris [Winter in Paris or The Snow in Paris]", "Alt_Title" : "", "Obj_Title" : "L'Hiver à Paris ou La Neige à Paris [Winter in Paris or The Snow in Paris]", "Series_Title" : "", "Disp_Maker_1" : "Félix Buhot", "Sort_Artist" : "Buhot, Félix", "Disp_Dimen" : "30.4 cm x 43.7 cm (11 15/16 in. x 17 3/16 in.)", "Disp_Height" : "30.4 cm", "Disp_Width" : "43.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching, drypoint, aquatint, sulphur tint, softground, roulette", "Support" : "", "Disp_Medium" : "Etching, drypoint, aquatint, sulphur tint, softground, roulette", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1587.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1587.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1587.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1587.TIF", "IsPrimary" : "1", "_SurrogateID" : "5627", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4190, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4190", "Disp_Access_No" : "G1964.1.216", "_AccNumSort1" : "", "Disp_Create_DT" : "1882", "_Disp_Start_Dat" : "1882", "_Disp_End_Date" : "1882", "Disp_Title" : "The Smoker", "Alt_Title" : "", "Obj_Title" : "The Smoker", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "14 cm x 10.75 cm (5 1/2 in. x 4 1/4 in.)", "Disp_Height" : "14 cm", "Disp_Width" : "10.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. 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Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Swedish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.66.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.66.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.66.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.66.tif", "IsPrimary" : "1", "_SurrogateID" : "4942", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4293", "Disp_Access_No" : "G1966.2.89", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "Paul Verlaine II, from Pan", "Alt_Title" : "", "Obj_Title" : "Paul Verlaine II, from Pan", "Series_Title" : "", "Disp_Maker_1" : "Anders Leonard Zorn", "Sort_Artist" : "Zorn, Anders Leonard", "Disp_Dimen" : "37.1 cm x 27.6 cm (14 5/8 in. x 10 7/8 in.)", "Disp_Height" : "37.1 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Verlaine was a recognized leader of Symbolism, and his blatant, extra-marital, affair with poet Arthur Rimbaud epitomized the decadent lifestyle. 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Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.122.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.122.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.122.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.122.tif", "IsPrimary" : "1", "_SurrogateID" : "3378", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6303, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6303", "Disp_Access_No" : "1982.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Los padres de Ramona [Ramona’s Parents]", "Alt_Title" : "Ramona's Parents, from Illustrations for "Ramona Pupilla"", "Obj_Title" : "Los padres de Ramona [Ramona’s Parents]", "Series_Title" : "", "Disp_Maker_1" : "Antonio Berni", "Sort_Artist" : "Berni, Antonio", "Disp_Dimen" : "47.2 cm x 32.7 cm (18 9/16 in. x 12 7/8 in.)", "Disp_Height" : "47.2 cm", "Disp_Width" : "32.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Relief etching", "Support" : "", "Disp_Medium" : "Relief etching", "Info_Page_Comm" : "Beginning in the late 1950s, Antonio Berni turned to innovative collage and printmaking techniques as he pursued the central goal of his long and prolific career: an art of social engagement. He developed two narrative series based on the lives of imaginary characters Juanito Laguna, a boy from the slums, and Ramona Montiel, a prostitute from the lower class who was seduced by the media’s depiction of the good life. Here, we meet her parents. With their gaudy ornaments and affectations, Ramona’s parents seek material comforts. Behind their coin-spectacled eyes there is little feeling. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Museum of Modern Art, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.9.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.9.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.9.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.9.tif", "IsPrimary" : "1", "_SurrogateID" : "1261", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6352, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6352", "Disp_Access_No" : "1982.1025", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Photographer with Light Meter", "Alt_Title" : "", "Obj_Title" : "Photographer with Light Meter", "Series_Title" : "", "Disp_Maker_1" : "Benjamín Molina", "Sort_Artist" : "Molina, Benjamín", "Disp_Dimen" : "44.5 cm x 58.6 cm (17 1/2 in. x 23 1/16 in.)", "Disp_Height" : "44.5 cm", "Disp_Width" : "58.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Ink", "Support" : "", "Disp_Medium" : "Ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1969; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1025.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1025.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1025.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1025.tif", "IsPrimary" : "1", "_SurrogateID" : "3204", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6506, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6506", "Disp_Access_No" : "G1971.3.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Still", "Alt_Title" : "", "Obj_Title" : "Still", "Series_Title" : "", "Disp_Maker_1" : "José Luis Cuevas", "Sort_Artist" : "Cuevas, José Luis", "Disp_Dimen" : "39.4 cm x 52.4 cm (15 1/2 in. x 20 5/8 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "52.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Ink, wash and watercolor on paper", "Support" : "", "Disp_Medium" : "Ink, wash and watercolor on paper", "Info_Page_Comm" : "José Luis Cuevas is one of the twentieth century’s most acclaimed draftsmen, known for his unflinching description of the grotesque. In Mexico, he successfully contested the dominance of the muralists, and in Latin America he stimulated a graphic arts boom and pioneered neofiguration. The neofigurative artists of the 1960s embraced the existentialist belief that meaning can only be determined on an individual basis, through subjective experience. Therefore, even though Cuevas frequently draws inspiration from narrative forms such as the novel, cinema, and satirical drawing, he never provides intelligible stories. Still is an example of how Cuevas deploys figures in an evocative rather than narrative way. Second from the left is the artist himself, walking closely beside silent-era film star Harry Langdon in front of a gray-washed wall that divides the picture roughly in half; both stare out blankly toward the viewer. Sketched on the other half of the picture are the silent-era film stars who played the parents of Langdon’s character in the 1924 comedy Feet of Mud. Although Cuevas’s companions are comedians, the scene is humorless. It is up to the viewer to create meaning from this strange group of figures.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of John and Barbara Duncan, 1971", "Copyright_Type" : "Approval on case by case basis.", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.3.16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.3.16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.3.16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.3.16.tif", "IsPrimary" : "1", "_SurrogateID" : "4042", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6553, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6553", "Disp_Access_No" : "1982.1008", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "Al otro lado [To the Other Side]", "Alt_Title" : "To the Other Side", "Obj_Title" : "Al otro lado [To the Other Side]", "Series_Title" : "", "Disp_Maker_1" : "José Jesús Martínez Alvarez", "Sort_Artist" : "Martínez Alvarez, José Jesús", "Disp_Dimen" : "51 cm x 33.2 cm (20 1/16 in. x 13 1/16 in.)", "Disp_Height" : "51 cm", "Disp_Width" : "33.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1974; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1008.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1008.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1008.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1008.tif", "IsPrimary" : "1", "_SurrogateID" : "7053", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6554, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6554", "Disp_Access_No" : "1982.1013", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "Forma heróica [Heroic Form]", "Alt_Title" : "Heroic Form", "Obj_Title" : "Forma heróica [Heroic Form]", "Series_Title" : "", "Disp_Maker_1" : "José Jesús Martínez Alvarez", "Sort_Artist" : "Martínez Alvarez, José Jesús", "Disp_Dimen" : "32.7 cm x 50.5 cm (12 7/8 in. x 19 7/8 in.)", "Disp_Height" : "32.7 cm", "Disp_Width" : "50.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1974; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1013.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1013.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1013.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1013.tif", "IsPrimary" : "1", "_SurrogateID" : "7055", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6557, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6557", "Disp_Access_No" : "1982.1011", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "El prisionero [The Prisoner]", "Alt_Title" : "The Prisoner", "Obj_Title" : "El prisionero [The Prisoner]", "Series_Title" : "", "Disp_Maker_1" : "José Jesús Martínez Alvarez", "Sort_Artist" : "Martínez Alvarez, José Jesús", "Disp_Dimen" : "43.8 cm x 58.7 cm (17 1/4 in. x 23 1/8 in.)", "Disp_Height" : "43.8 cm", "Disp_Width" : "58.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Embossed etching and aquatint", "Support" : "", "Disp_Medium" : "Embossed etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1974; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1011.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1011.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1011.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1011.tif", "IsPrimary" : "1", "_SurrogateID" : "7109", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6564, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6564", "Disp_Access_No" : "1992.217", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "Posada Gaudi", "Alt_Title" : "", "Obj_Title" : "Posada Gaudi", "Series_Title" : "", "Disp_Maker_1" : "Bror Utter", "Sort_Artist" : "Utter, Bror", "Disp_Dimen" : "23.5 cm x 38 cm (9 1/4 in. x 14 15/16 in.)", "Disp_Height" : "23.5 cm", "Disp_Width" : "38 cm", "Dimen_Extent" : "Sheet", "Medium" : "Color etching", "Support" : "", "Disp_Medium" : "Color etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Still Water Foundation, 1992", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.217.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.217.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.217.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.217.tif", "IsPrimary" : "1", "_SurrogateID" : "3642", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6607, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6607", "Disp_Access_No" : "1982.944", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "El pensador [The Thinker]", "Alt_Title" : "The Thinker", "Obj_Title" : "El pensador [The Thinker]", "Series_Title" : "", "Disp_Maker_1" : "Melecio Galván", "Sort_Artist" : "Galván, Melecio", "Disp_Dimen" : "54.2 cm x 26.1 cm (21 5/16 in. x 10 1/4 in.)", "Disp_Height" : "54.2 cm", "Disp_Width" : "26.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and ink with grey wash on paper", "Support" : "", "Disp_Medium" : "Pen and ink with grey wash on paper", "Info_Page_Comm" : "Melecio Galván (San Rafael, Mexico, 1945—1982) was a Mexican draughtsman who was little-known during his lifetime. This is principally because he was a socio-politically committed artist wary of the commercial gallery circuit as well as art institutions controlled by the state. He arose from a working-class family in San Rafael, on the outskirts of Mexico City, and died under mysterious circumstances in that town at the age of 37, just when he was reaching the apogee of his mature style. Galván studied at the Academia San Carlos in Mexico City between 1965 and 1968. His preferred medium was ink on paper, and he created page upon page of sketchbooks filled with drawings. The major themes he developed in his work were reinterpretations of classical drawings of the human figure and anatomy studies, explorations of the grotesque, and themes related to the socio-political situation in Mexico, especially following the 1968 Tlateloco Massacre. In 1971-72, he traveled to Northern California where he collaborated on a mural in Fresno and created illustrations for the Latino journal Basta Ya (Enough Already) in San Francisco. Back in Mexico City, from 1977 to 1981 he was a member of the Grupo MIRA, primarily comprised of printmakers who favored themes of politics and social justice. He is perhaps best known for a series of politically-engaged works from 1980 entitled Militarismo y represión (Militarism and Repression). Galván had solo exhibitions at the Antonio Souza Gallery in Mexico City in 1968 and 1969, as well as a one-man show of thirty-five drawings at the G. Gallery in Wichita, Kansas, in 1970. With the exception of solo exhibitions at the Librería Gandhi (Gandhi Bookstore) in 1972 and the Escuela de Diseño y Artesanía del Instituto Nacional de Bellas Artes (School of Design and Crafts of the National Institute of Fine Arts) in 1977 in Mexico City, as well as several collective exhibitions, he had no further showings of his work while living, outside of many illustrations in books, periodicals, print compilations, and labor union materials. In the catalogue of a posthumous retrospective exhibition held at the Palacio de Bellas Artes in Mexico City in 1983, leading Mexican art historian Ida Rodríguez Prampolini asserted that “[Galván] left us an exceptional body of work which, had he promoted it, would have converted him into the most important draughtsman in the country.” (Melecio Galván: La ternura, la violencia, p. 13) ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill 1973; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<span style="font-family:''Helvetica''">Melecio Galván (San Rafael, Mexico, 1945—1982) was a Mexican draughtsman who was little-known during his lifetime. This is principally because he was a socio-politically committed artist wary of the commercial gallery circuit as well as art institutions controlled by the state. He arose from a working-class family in San Rafael, on the outskirts of Mexico City, and died under mysterious circumstances in that town at the age of 37, just when he was reaching the apogee of his mature style. <br/>Galván studied at the Academia San Carlos in Mexico City between 1965 and 1968. His preferred medium was ink on paper, and he created page upon page of sketchbooks filled with drawings. The major themes he developed in his work were reinterpretations of classical drawings of the human figure and anatomy studies, explorations of the grotesque, and themes related to the socio-political situation in Mexico, especially following the 1968 Tlateloco Massacre. In 1971-72, he traveled to Northern California where he collaborated on a mural in Fresno and created illustrations for the Latino journal <span style="font-style:italic">Basta Ya</span> (Enough Already) in San Francisco. Back in Mexico City, from 1977 to 1981 he was a member of the Grupo MIRA, primarily comprised of printmakers who favored themes of politics and social justice. He is perhaps best known for a series of politically-engaged works from 1980 entitled <span style="font-style:italic">Militarismo y represión</span> (Militarism and Repression).<br/>Galván had solo exhibitions at the Antonio Souza Gallery in Mexico City in 1968 and 1969, as well as a one-man show of thirty-five drawings at the G. Gallery in Wichita, Kansas, in 1970. With the exception of solo exhibitions at the Librería Gandhi (Gandhi Bookstore) in 1972 and the Escuela de Diseño y Artesanía del Instituto Nacional de Bellas Artes (School of Design and Crafts of the National Institute of Fine Arts) in 1977 in Mexico City, as well as several collective exhibitions, he had no further showings of his work while living, outside of many illustrations in books, periodicals, print compilations, and labor union materials. In the catalogue of a posthumous retrospective exhibition held at the Palacio de Bellas Artes in Mexico City in 1983, leading Mexican art historian Ida Rodríguez Prampolini asserted that “[Galván] left us an exceptional body of work which, had he promoted it, would have converted him into the most important draughtsman in the country.” (<span style="font-style:italic">Melecio Galván: La ternura, la violencia,</span> p. 13) <br/></span>", "Images": [ ] },{ "embark_ID" : 6627, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6627", "Disp_Access_No" : "1982.977", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Pependor con perro", "Alt_Title" : "", "Obj_Title" : "Pependor con perro", "Series_Title" : "", "Disp_Maker_1" : "Saskia Juárez Green", "Sort_Artist" : "Juárez Green, Saskia", "Disp_Dimen" : "50.2 cm x 33.5 cm (19 3/4 in. x 13 3/16 in.)", "Disp_Height" : "50.2 cm", "Disp_Width" : "33.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Conte crayon", "Support" : "", "Disp_Medium" : "Conte crayon", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1968; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.977.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.977.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.977.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.977.tif", "IsPrimary" : "1", "_SurrogateID" : "7050", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6648, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6648", "Disp_Access_No" : "P1974.4.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "Untitled", "Series_Title" : "", "Disp_Maker_1" : "Francisco Corzas", "Sort_Artist" : "Corzas, Francisco", "Disp_Dimen" : "50.75 cm x 70.5 cm (20 in. x 27 3/4 in.)", "Disp_Height" : "50.75 cm", "Disp_Width" : "70.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Color lithograph", "Support" : "", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1974", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1974.4.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1974.4.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1974.4.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1974.4.4.tif", "IsPrimary" : "1", "_SurrogateID" : "7154", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6713, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6713", "Disp_Access_No" : "G1970.7.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Farol de rodillas", "Alt_Title" : "", "Obj_Title" : "Farol de rodillas", "Series_Title" : "", "Disp_Maker_1" : "Leopoldo González", "Sort_Artist" : "González, Leopoldo", "Disp_Dimen" : "22.85 cm x 30.3 cm (9 in. x 11 15/16 in.)", "Disp_Height" : "22.85 cm", "Disp_Width" : "30.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Linoleum block print", "Support" : "", "Disp_Medium" : "Linoleum block print", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Amy Freeman Lee, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Brazilian", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1970.7.14.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1970.7.14.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1970.7.14.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1970.7.14.tif", "IsPrimary" : "1", "_SurrogateID" : "6929", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6741, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6741", "Disp_Access_No" : "1986.318", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Untitled ("101 Chesterfield": man in blue striped shirt)", "Alt_Title" : "", "Obj_Title" : "Untitled ("101 Chesterfield": man in blue striped shirt)", "Series_Title" : "", "Disp_Maker_1" : "Eddie Arning", "Sort_Artist" : "Arning, Eddie", "Disp_Dimen" : "56 cm x 41 cm (22 1/16 in. x 16 1/8 in.)", "Disp_Height" : "56 cm", "Disp_Width" : "41 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wax crayon", "Support" : "", "Disp_Medium" : "Wax crayon", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. Alexander and Ivria Sackton, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.318.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.318.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.318.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.318.tif", "IsPrimary" : "1", "_SurrogateID" : "8855", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.318_source.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.318_source.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.318_source.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.318_source.tif", "IsPrimary" : "0", "_SurrogateID" : "8922", "Image_Type" : "Slide", "Photo_Credit" : "", "Remarks" : "The artist used photos from magazines for ideas for his art work.", "View" : "" } , ] },{ "embark_ID" : 6760, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6760", "Disp_Access_No" : "1982.945", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Illustration for García Marquez's Cien Años de Soledad [One Hundred Years of Solitude]", "Alt_Title" : "", "Obj_Title" : "Illustration for García Marquez's Cien Años de Soledad [One Hundred Years of Solitude]", "Series_Title" : "", "Disp_Maker_1" : "Melecio Galván", "Sort_Artist" : "Galván, Melecio", "Disp_Dimen" : "15.5 cm x 22.2 cm (6 1/8 in. x 8 3/4 in.)", "Disp_Height" : "15.5 cm", "Disp_Width" : "22.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Ink on paper", "Support" : "", "Disp_Medium" : "Ink on paper", "Info_Page_Comm" : "Melecio Galván (San Rafael, Mexico, 1945—1982) was a Mexican draughtsman who was little-known during his lifetime. This is principally because he was a socio-politically committed artist wary of the commercial gallery circuit as well as art institutions controlled by the state. He arose from a working-class family in San Rafael, on the outskirts of Mexico City, and died under mysterious circumstances in that town at the age of 37, just when he was reaching the apogee of his mature style. Galván studied at the Academia San Carlos in Mexico City between 1965 and 1968. His preferred medium was ink on paper, and he created page upon page of sketchbooks filled with drawings. The major themes he developed in his work were reinterpretations of classical drawings of the human figure and anatomy studies, explorations of the grotesque, and themes related to the socio-political situation in Mexico, especially following the 1968 Tlateloco Massacre. In 1971-72, he traveled to Northern California where he collaborated on a mural in Fresno and created illustrations for the Latino journal Basta Ya (Enough Already) in San Francisco. Back in Mexico City, from 1977 to 1981 he was a member of the Grupo MIRA, primarily comprised of printmakers who favored themes of politics and social justice. He is perhaps best known for a series of politically-engaged works from 1980 entitled Militarismo y represión (Militarism and Repression). Galván had solo exhibitions at the Antonio Souza Gallery in Mexico City in 1968 and 1969, as well as a one-man show of thirty-five drawings at the G. Gallery in Wichita, Kansas, in 1970. With the exception of solo exhibitions at the Librería Gandhi (Gandhi Bookstore) in 1972 and the Escuela de Diseño y Artesanía del Instituto Nacional de Bellas Artes (School of Design and Crafts of the National Institute of Fine Arts) in 1977 in Mexico City, as well as several collective exhibitions, he had no further showings of his work while living, outside of many illustrations in books, periodicals, print compilations, and labor union materials. In the catalogue of a posthumous retrospective exhibition held at the Palacio de Bellas Artes in Mexico City in 1983, leading Mexican art historian Ida Rodríguez Prampolini asserted that “[Galván] left us an exceptional body of work which, had he promoted it, would have converted him into the most important draughtsman in the country.” (Melecio Galván: La ternura, la violencia, p. 13) ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1969; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<span style="font-family:''Helvetica''">Melecio Galván (San Rafael, Mexico, 1945—1982) was a Mexican draughtsman who was little-known during his lifetime. This is principally because he was a socio-politically committed artist wary of the commercial gallery circuit as well as art institutions controlled by the state. He arose from a working-class family in San Rafael, on the outskirts of Mexico City, and died under mysterious circumstances in that town at the age of 37, just when he was reaching the apogee of his mature style. <br/>Galván studied at the Academia San Carlos in Mexico City between 1965 and 1968. His preferred medium was ink on paper, and he created page upon page of sketchbooks filled with drawings. The major themes he developed in his work were reinterpretations of classical drawings of the human figure and anatomy studies, explorations of the grotesque, and themes related to the socio-political situation in Mexico, especially following the 1968 Tlateloco Massacre. In 1971-72, he traveled to Northern California where he collaborated on a mural in Fresno and created illustrations for the Latino journal <span style="font-style:italic">Basta Ya</span> (Enough Already) in San Francisco. Back in Mexico City, from 1977 to 1981 he was a member of the Grupo MIRA, primarily comprised of printmakers who favored themes of politics and social justice. He is perhaps best known for a series of politically-engaged works from 1980 entitled <span style="font-style:italic">Militarismo y represión</span> (Militarism and Repression).<br/>Galván had solo exhibitions at the Antonio Souza Gallery in Mexico City in 1968 and 1969, as well as a one-man show of thirty-five drawings at the G. Gallery in Wichita, Kansas, in 1970. With the exception of solo exhibitions at the Librería Gandhi (Gandhi Bookstore) in 1972 and the Escuela de Diseño y Artesanía del Instituto Nacional de Bellas Artes (School of Design and Crafts of the National Institute of Fine Arts) in 1977 in Mexico City, as well as several collective exhibitions, he had no further showings of his work while living, outside of many illustrations in books, periodicals, print compilations, and labor union materials. In the catalogue of a posthumous retrospective exhibition held at the Palacio de Bellas Artes in Mexico City in 1983, leading Mexican art historian Ida Rodríguez Prampolini asserted that “[Galván] left us an exceptional body of work which, had he promoted it, would have converted him into the most important draughtsman in the country.” (<span style="font-style:italic">Melecio Galván: La ternura, la violencia,</span> p. 13) <br/></span>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.945.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.945.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.945.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.945.tif", "IsPrimary" : "0", "_SurrogateID" : "3199", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6826, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6826", "Disp_Access_No" : "1981.87.6/11", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Mírate en este espejo, from Homage to Quevedo [Look at Yourself in this Mirror]", "Alt_Title" : "Look at Yourself in this Mirror, from Homage to Quevedo", "Obj_Title" : "Mírate en este espejo, from Homage to Quevedo [Look at Yourself in this Mirror]", "Series_Title" : "", "Disp_Maker_1" : "José Luis Cuevas", "Sort_Artist" : "Cuevas, José Luis", "Disp_Dimen" : "56.5 cm x 76.2 cm (22 1/4 in. x 30 in.)", "Disp_Height" : "56.5 cm", "Disp_Width" : "76.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph on silvered acetate, mounted on white arches", "Support" : "", "Disp_Medium" : "Lithograph on silvered acetate, mounted on white arches", "Info_Page_Comm" : "The parade of animal-like characters in this work recalls the disfigured bodies of the dead described by the Spanish writer Francisco de Quevedo (1580–1645) in his parody of the Last Judgement, Los sueños [The Visions] (1627). Among these deformed and tragicomic figures is a legless man who holds a red-framed mirror up to the viewer. As in a funhouse mirror, the viewer initially may be amused by the freakishness of the other figures before being confronted with his or her own distorted reflection in the shiny surface of the print. With the mirror and the command given by the work’s title, the artist encourages viewers to see themselves as part of his biting satire of humanity. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M. Maurice Abitbol, M.D., 1981", "Copyright_Type" : "Approval on case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.87.6-11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.87.6-11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.87.6-11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.87.6-11.tif", "IsPrimary" : "1", "_SurrogateID" : "2965", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6827, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6827", "Disp_Access_No" : "1981.87.3/11", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Lo Feo de este mundo III [The Ugliness of this World III], from Homage to Queved", "Alt_Title" : "The Ugly of this World III, from Homage to Quevedo", "Obj_Title" : "Lo Feo de este mundo III [The Ugliness of this World III], from Homage to Quevedo", "Series_Title" : "", "Disp_Maker_1" : "José Luis Cuevas", "Sort_Artist" : "Cuevas, José Luis", "Disp_Dimen" : "56.5 cm x 72 cm (22 1/4 in. x 28 3/8 in.)", "Disp_Height" : "56.5 cm", "Disp_Width" : "72 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "The bloated, ugly, often distorted figures in Cuevas’s prints reference the caricature-like subjects of the Spanish baroque satirist Francisco de Quevedo (1580–1645). Both artists’ work is sharply critical of humankind, but Cuevas exaggerates further Quevedo’s negative view with his bleak, humorless pictures. Though each print is crowded with multiple figures, they remain isolated from one another. Each figure occupies his or her own space, and they do not appear to speak to each other. The interaction that does take place is limited to men leering at nude, often distressed women. The occasional inclusion of short written texts seems ironic. The goal of writing is usually to communicate, but the atmosphere of these works is one of frustrated disconnection and lack of communication. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M. Maurice Abitbol, M.D., 1981", "Copyright_Type" : "Approval on case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.87.3-11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.87.3-11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.87.3-11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.87.3-11.tif", "IsPrimary" : "1", "_SurrogateID" : "1198", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6834, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6834", "Disp_Access_No" : "1981.87.10/11", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Desfile [Parade], from Homage to Quevedo ", "Alt_Title" : "Parade, from Homage to Quevedo", "Obj_Title" : "Desfile [Parade], from Homage to Quevedo ", "Series_Title" : "", "Disp_Maker_1" : "José Luis Cuevas", "Sort_Artist" : "Cuevas, José Luis", "Disp_Dimen" : "36.9 cm x 56.8 cm (14 1/2 in. x 22 3/8 in.)", "Disp_Height" : "36.9 cm", "Disp_Width" : "56.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M. 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