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[The Modern Print]", "Series_Title" : "", "Disp_Maker_1" : "Charles-François-Prosper Guérin", "Sort_Artist" : "Guérin, Charles-François-Prosper", "Disp_Dimen" : "37.9 cm x 30.5 cm (14 15/16 in. x 12 in.)", "Disp_Height" : "37.9 cm", "Disp_Width" : "30.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Color lithograph", "Support" : "", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "A provocative image of the femme fatale, Guérin’s siren peers menacingly from her watery lair. L’Estampe moderne was a subscription-based publication promoting original prints for collectors. The variety of styles and subjects available in its pages underscores Roger Marx’s observation about the efflorescence of the medium. 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Parasol Press conceived of the portfolio as an inexpensive and easily reproducible group of prints by well-known and emerging artists that would entice new and established collectors. In collaboration with The Museum of Modern Art, Parasol Press sold the portfolios for $100 each. 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[Where is Mother Going?], plate 65 from Los Caprichos", "Series_Title" : "", "Disp_Maker_1" : "Francisco de Goya y Lucientes", "Sort_Artist" : "Goya y Lucientes, Francisco de", "Disp_Dimen" : "31.6 cm x 21.7 cm (12 7/16 in. x 8 9/16 in.)", "Disp_Height" : "31.6 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, aquatint and drypoint", "Support" : "", "Disp_Medium" : "Etching, aquatint and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Makoto Miyagi, 1994", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.56.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.56.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.56.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.56.tif", "IsPrimary" : "1", "_SurrogateID" : "8308", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8723, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8723", "Disp_Access_No" : "1996.261", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "The Conflict between Satan and Death, from John Milton's Paradise Lost, Book 2, line 727", "Alt_Title" : "", "Obj_Title" : "The Conflict between Satan and Death, from John Milton's Paradise Lost, Book 2, line 727", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.7 cm x 37.3 cm (10 7/8 in. x 14 11/16 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint", "Info_Page_Comm" : "From the gates of hell Sin leaps up to stop these two demons—Satan and Death—from annihilating each other. Satan, with his bat-like wings, stands poised to thrust his spear, while a toad-like Death emerges shrouded in black fog. Martin hints at Death’s form, burnishing out only the whites of its eyes, unable or unwilling to define it for us.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.261.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.261.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.261.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.261.tif", "IsPrimary" : "1", "_SurrogateID" : "5476", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8888, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8888", "Disp_Access_No" : "1999.255", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "Baigneuse debout, à mi-jambes [Standing bather, three quarter length]", "Alt_Title" : "", "Obj_Title" : "Baigneuse debout, à mi-jambes [Standing bather, three quarter length]", "Series_Title" : "", "Disp_Maker_1" : "Pierre-Auguste Renoir", "Sort_Artist" : "Renoir, Pierre-Auguste", "Disp_Dimen" : "24.9 cm x 16.2 cm (9 13/16 in. x 6 3/8 in.)", "Disp_Height" : "24.9 cm", "Disp_Width" : "16.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Pierre-Auguste Renoir began printmaking in the 1890s at the urging of friends and publishers. Renoir never owned a press and did not supervise the printing of his etchings. He was more interested in the medium’s commercial possibilities than its expressive potential. Renoir’s first prints reproduced some of his earlier drawings from 1887. In total, he made about fifty prints, featuring the familiar subject matter of his paintings—portraits of friends and children as well as a series of reclining nudes and bathers, as exemplified by this etching.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.255.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.255.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.255.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.255.tif", "IsPrimary" : "1", "_SurrogateID" : "5444", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8920, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8920", "Disp_Access_No" : "1980.91", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Nue endormie [Sleeping Nude]", "Alt_Title" : "Nude Sleeping", "Obj_Title" : "Nue endormie [Sleeping Nude]", "Series_Title" : "", "Disp_Maker_1" : "Paul Albert Besnard", "Sort_Artist" : "Besnard, Paul Albert", "Disp_Dimen" : "20 cm x 27.3 cm (7 7/8 in. x 10 3/4 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Sepia etching", "Support" : "", "Disp_Medium" : "Sepia etching", "Info_Page_Comm" : "Unlike many of the other artists shown here, Besnard successfully navigated the official academic art establishment, winning the coveted Prix de Rome, which allowed him to study at the government’s expense in Rome for five years and subsequently to earn many publicly funded commissions. The Symbolists were attracted to Besnard’s ability to create mood through a manipulation of luminous effects in his prints and paintings. His best-known print series is Elle [She], an essay on the femme fatale. This single image shows the alternative to the femme fatale – woman as vulnerable and innocent, resting peacefully, unencumbered by desire or ambition. The choice of a sepia toned ink and a cream laid paper contribute to the warmth and intimacy of the subject.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1980", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.91.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.91.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.91.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.91.tif", "IsPrimary" : "1", "_SurrogateID" : "4932", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8961, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8961", "Disp_Access_No" : "1982.705", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1879-1880", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1880", "Disp_Title" : "La Sortie du bain [Leaving the Bath]", "Alt_Title" : "", "Obj_Title" : "La Sortie du bain ", "Series_Title" : "", "Disp_Maker_1" : "Hilaire-Germain-Edgar Degas", "Sort_Artist" : "Degas, Hilaire-Germain-Edgar", "Disp_Dimen" : "22.7 cm x 16.5 cm (8 15/16 in. x 6 1/2 in.)", "Disp_Height" : "22.7 cm", "Disp_Width" : "16.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Electric crayon, etching, drypoint and aquatint", "Support" : "", "Disp_Medium" : "Electric crayon, etching, drypoint and aquatint", "Info_Page_Comm" : "Depicting scenes of a woman bathing, usually in the guise of a classical goddess or biblical heroine, is a long-held tradition in Western art, simultaneously satisfying the presumably male viewer’s prurient interests while conveying a moral lesson about women’s virtue. Edgar Degas’s interpretations of the subject, however, were anything but idealized or conventional. Daring in his composition, Degas here has given us an essentially empty center formed by the white towel held behind the bather and a raking perspective that accentuates the awkwardness of the model. Unlike his predecessors and contemporaries, including fellow Impressionist Pierre-Auguste Renoir, Degas delighted in showing women as imperfect beings and frequently focused on what he perceived to be their “beastly” traits. He once admitted, “Perhaps I have considered woman too much as an animal.” Along with horses and dancers, bathers were a favorite subject of the artist. Degas never meant La sortie du bain to be published or commercially distributed. It was instead a personal essay the artist worked and reworked over the course of a year. There are twenty-two states of this plate, variously done in etching, engraving, and aquatint. Recently, the museum acquired a very good impression of the cancelled plate as further demonstration of Degas’s variation upon the theme.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.705.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.705.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.705.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.705.tif", "IsPrimary" : "1", "_SurrogateID" : "1251", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8984, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8984", "Disp_Access_No" : "1977.138", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Floréal", "Alt_Title" : "", "Obj_Title" : "Floréal", "Series_Title" : "", "Disp_Maker_1" : "Théophile Alexandre Steinlen", "Sort_Artist" : "Steinlen, Théophile Alexandre", "Disp_Dimen" : "64.8 cm x 46.3 cm (25 1/2 in. x 18 1/4 in.)", "Disp_Height" : "64.8 cm", "Disp_Width" : "46.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin And Ethel Romansky, 1977", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1977.138.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1977.138.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1977.138.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1977.138.tif", "IsPrimary" : "1", "_SurrogateID" : "4800", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8986, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8986", "Disp_Access_No" : "1982.617", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Floréal", "Alt_Title" : "", "Obj_Title" : "Floréal", "Series_Title" : "", "Disp_Maker_1" : "Théophile Alexandre Steinlen", "Sort_Artist" : "Steinlen, Théophile Alexandre", "Disp_Dimen" : "63.5 cm x 43 cm (25 in. x 16 15/16 in.)", "Disp_Height" : "63.5 cm", "Disp_Width" : "43 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1977", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.617.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.617.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.617.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.617.tif", "IsPrimary" : "1", "_SurrogateID" : "4777", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9547, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9547", "Disp_Access_No" : "G1969.6.307", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Handmaidens", "Alt_Title" : "", "Obj_Title" : "Handmaidens", "Series_Title" : "", "Disp_Maker_1" : "Charles William Cain", "Sort_Artist" : "Cain, Charles William", "Disp_Dimen" : "51 cm x 33.3 cm (20 1/16 in. x 13 1/8 in.)", "Disp_Height" : "51 cm", "Disp_Width" : "33.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Transfer from the Humanities Research Center, The University of Texas at Austin, 1969", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1969.6.307.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1969.6.307.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1969.6.307.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1969.6.307.tif", "IsPrimary" : "1", "_SurrogateID" : "7263", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9833, "URL" : 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(Albrecht Glockendon)", "Sort_Artist" : "Master A.G. 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Huntington Museum Fund, 1981", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.43.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.43.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.43.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.43.tif", "IsPrimary" : "1", "_SurrogateID" : "9016", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11093, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11093", "Disp_Access_No" : "1995.32", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1547", "_Disp_Start_Dat" : "1542", "_Disp_End_Date" : "1552", "Disp_Title" : "Lussuria [Lust], from The Seven Capital Sins, after Luca Penni", "Alt_Title" : "", "Obj_Title" : "Lussuria [Lust], from The Seven Capital Sins, after Luca Penni", "Series_Title" : "", "Disp_Maker_1" : "Léon Davent", "Sort_Artist" : "Davent, Léon", "Disp_Dimen" : "26.2 cm x 29.3 cm (10 5/16 in. x 11 9/16 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "29.3 cm", "Dimen_Extent" : "Image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.32.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.32.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.32.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.32.tif", "IsPrimary" : "1", "_SurrogateID" : "7005", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11098, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11098", "Disp_Access_No" : "1995.53", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1554", "_Disp_Start_Dat" : "1549", "_Disp_End_Date" : "1559", "Disp_Title" : "Venus and Adonis, after Titian", "Alt_Title" : "", "Obj_Title" : "Venus and Adonis, after Titian", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Battista Franco", "Sort_Artist" : "Franco, Attributed to Battista", "Disp_Dimen" : "42.2 cm x 33.4 cm (16 5/8 in. x 13 1/8 in.)", "Disp_Height" : "42.2 cm", "Disp_Width" : "33.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "The Venus and Adonis was painted for Philip II in 1553 and sent to him in London on the occasion of his wedding to Mary Tudor in 1554. 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For a short period he engaged the printmaker Christoffel Jegher to translate some of his compositions into woodcut. The results are among the technique’s most audacious achievements. They could not, however, accommodate the range and subtlety of effects in similarly intended engravings and therefore were a short-lived endeavor.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1992", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.230.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.230.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.230.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.230.tif", "IsPrimary" : "1", "_SurrogateID" : "5950", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11456, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11456", "Disp_Access_No" : "1982.618", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Floréal", "Alt_Title" : "", "Obj_Title" : "Floréal", "Series_Title" : 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"IsPrimary" : "1", "_SurrogateID" : "4778", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11687, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11687", "Disp_Access_No" : "1990.113", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1943", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1948", "Disp_Title" : "Untitled [Three nude figures with a bird]", "Alt_Title" : "", "Obj_Title" : "Untitled [Three nude figures with a bird]", "Series_Title" : "", "Disp_Maker_1" : "Constance Forsyth", "Sort_Artist" : "Forsyth, Constance", "Disp_Dimen" : "28.8 cm x 44.4 cm (11 5/16 in. x 17 1/2 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "44.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Robert Selby, 1990", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.113.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.113.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.113.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1990.113.TIF", "IsPrimary" : "1", "_SurrogateID" : "9411", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11849, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11849", "Disp_Access_No" : "2002.11", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Ariadne (Cleopatra), after the Antique", "Alt_Title" : "", "Obj_Title" : "Ariadne (Cleopatra), after the Antique", "Series_Title" : "", 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Huntington Museum Fund, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Taiwanese", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.195.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.195.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.195.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.195.tif", "IsPrimary" : "1", "_SurrogateID" : "3453", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14806, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14806", "Disp_Access_No" : "1986.176", "_AccNumSort1" : "", "Disp_Create_DT" : "1961", "_Disp_Start_Dat" : "1961", "_Disp_End_Date" : "1961", "Disp_Title" : "Two Nudes", "Alt_Title" : "", "Obj_Title" : "Two Nudes", "Series_Title" : "", "Disp_Maker_1" : "Tamara De Lempicka", "Sort_Artist" : "De Lempicka, Tamara", "Disp_Dimen" : "91.4 cm x 61 cm (36 in. x 24 in.)", "Disp_Height" : "91.4 cm", "Disp_Width" : "61 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Kizette de Lempicka Foxhall, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Polish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.176.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.176.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.176.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.176.tif", "IsPrimary" : "1", "_SurrogateID" : "3451", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14807", "Disp_Access_No" : "1986.175", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1957", "_Disp_Start_Dat" : "1952", "_Disp_End_Date" : "1962", "Disp_Title" : "Le Modèle II", "Alt_Title" : "Le Modèle", "Obj_Title" : "Le Modèle II", "Series_Title" : "", "Disp_Maker_1" : "Tamara De Lempicka", "Sort_Artist" : "De Lempicka, Tamara", "Disp_Dimen" : "76.2 cm x 46.9 cm (30 in. x 18 7/16 in.)", "Disp_Height" : "76.2 cm", "Disp_Width" : "46.9 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Kizette de Lempicka Foxhall, 1986", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Polish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.175.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.175.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.175.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.175.tif", "IsPrimary" : "0", "_SurrogateID" : "3450", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.175-2018.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.175-2018.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.175-2018.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.175-2018.tif", "IsPrimary" : "1", "_SurrogateID" : "18063", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14836, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14836", "Disp_Access_No" : "1985.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "De la alegría y el amor [Of Happiness and Love]", "Alt_Title" : "[Of Happiness and Love]", "Obj_Title" : "De la alegría y el amor [Of Happiness and Love]", "Series_Title" : "", "Disp_Maker_1" : "Julio Alpuy", "Sort_Artist" : "Alpuy, Julio", "Disp_Dimen" : "125 cm x 162 cm (49 3/16 in. x 63 3/4 in.)", "Disp_Height" : "125 cm", "Disp_Width" : "162 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, 1985", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Uruguay", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.40.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.40.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.40.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.40.tif", "IsPrimary" : "1", "_SurrogateID" : "3393", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14837, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14837", "Disp_Access_No" : "1985.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "Five Nudes with Still Life", "Alt_Title" : "", "Obj_Title" : "Five Nudes with Still Life", "Series_Title" : "", "Disp_Maker_1" : "Judy Rifka", "Sort_Artist" : "Rifka, Judy", "Disp_Dimen" : "243.8 cm x 280.6 cm x 31.7 cm (96 in. x 110 1/2 in. x 12 1/2 in.)", "Disp_Height" : "243.8 cm", "Disp_Width" : "280.6 cm", "Dimen_Extent" : "HLW", "Medium" : "Oil on two linen panels", "Support" : "canvas", "Disp_Medium" : "Oil on two linen panels on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.36.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.36.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.36.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.36.tif", "IsPrimary" : "1", "_SurrogateID" : "3390", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15019, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15019", "Disp_Access_No" : "1982.182", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1605-1608", "_Disp_Start_Dat" : "1605", "_Disp_End_Date" : "1608", "Disp_Title" : "Diana and Callisto", "Alt_Title" : "", "Obj_Title" : "Diana and Callisto", "Series_Title" : "", "Disp_Maker_1" : "Jan Brueghel the Elder and Hendrick van Balen", "Sort_Artist" : "Brueghel the Elder and Hendrick van Balen, Jan", "Disp_Dimen" : "26.4 cm x 37.9 cm (10 3/8 in. x 14 15/16 in.)", "Disp_Height" : "26.4 cm", "Disp_Width" : "37.9 cm", "Dimen_Extent" : "panel", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "The goddess Diana and her chaste nymphs have returned from hunting to bathe in their sacred stream, but Callisto is reluctant. Sensing she is hiding something, Diana orders her entourage to forcibly remove Callisto’s garments, revealing her pregnancy. According to Ovid’s "Metamorphoses," Jupiter had disguised himself as Diana and lured Callisto into his embrace. No longer virginal and pure, Callisto was banished from Diana’s sacred waters. Depicting the climactic moment of the myth, this painting alludes to the immediate and eternal punishment of Callisto. Diana leans forward in the same direction as Callisto’s movement backwards, emphasizing their roles as punisher and punished. A bearded iris near Diana represents the goddess Iris, Juno’s messenger of bad tidings. The collection of shells, corals, and accessories for grooming after the bath are abandoned at the bottom right, which signals the final outcome for Callisto. Collaborations between artists of different specialties were fashionable in early seventeenth-century Flanders. Here, as in many pieces by this pair, Hendrick van Balen’s ability to render the female nude and Jan Brueghel’s skills as a landscape painter work in tandem. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Flemish", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Display case to show copper on back (FC:jb 4/2/15) Could potentially go with Sprangers, northern European gallery (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.182.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.182.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.182.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.182.tif", "IsPrimary" : "1", "_SurrogateID" : "1233", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16700, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16700", "Disp_Access_No" : "2002.2878", "_AccNumSort1" : "", "Disp_Create_DT" : "1908", "_Disp_Start_Dat" : "1908", "_Disp_End_Date" : "1908", "Disp_Title" : "Liegendes Weib [Reclining Nude]", "Alt_Title" : "", "Obj_Title" : "Liegendes Weib [Reclining Nude]", "Series_Title" : "", "Disp_Maker_1" : "Emil Nolde", "Sort_Artist" : "Nolde, Emil", "Disp_Dimen" : "49.5 cm x 62.1 cm (19 1/2 in. x 24 7/16 in.)", "Disp_Height" : "49.5 cm", "Disp_Width" : "62.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint on iron", "Support" : "", "Disp_Medium" : "Etching and aquatint on iron", "Info_Page_Comm" : "Unusual in Emil Nolde’s oeuvre, the female nude served as the focus of ten prints executed between 1907 and 1908. Before this, Nolde’s print production consisted of boldly carved woodcuts, a medium he embraced for its references to the origins of printmaking and for its seeming naïveté. For similar reasons, he chose iron rather than copper plates for his etchings: the earliest etchings were made by German artists using iron plates. The quality of the metal lent a coarseness to the line that may have been problematic for Renaissance artists, but this kind of primitivism was exactly what Expressionist artists sought. That this impression is so rare—there were only about 18—signals the experimental nature of the artist’s efforts. Unusually large, Nolde’s Liegendes Weib emerges from the gray tone of the ground to confront the viewer. Unlike the conventional nude, she does not offer herself in a pose of abandon, but leans forward on her folded arms and makes eye contact with the onlooker. Exploiting the crudeness of the line produced in an iron ground, the figure’s contours are sharp, irregular, broken, and discontinuous, seeming to violate the murky tone from which they have materialized. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2878.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2878.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2878.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2878.tif", "IsPrimary" : "1", "_SurrogateID" : "2035", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15888, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15888", "Disp_Access_No" : "2017.1371", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1763", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1773", "Disp_Title" : "Tarquin and Lucretia", "Alt_Title" : "", "Obj_Title" : "Tarquin and Lucretia", "Series_Title" : "", "Disp_Maker_1" : "Franz Sigrist, the elder", "Sort_Artist" : "Sigrist, the elder, Franz", "Disp_Dimen" : "11.43 cm x 20.32 cm (4 1/2 in. x 8 in.)", "Disp_Height" : "11.43 cm", "Disp_Width" : "20.32 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil on canvas", "Support" : "", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Trained in the Viennese academy, Sigrist was active at Augsburg before retuning to the Austrian capital in service to the imperial family. While few of his conventional drawings have been identified, such monochrome oil sketches were frequent in his work. Here, the figures’ more robust construction and the composition’s more regulated movement––signs of an emerging classicism––correspond to Sigrist’s later Viennese activity. Rendered on a scrap of canvas, it was probably preparatory for a large easel picture. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1371.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1371.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1371.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1371.tif", "IsPrimary" : "1", "_SurrogateID" : "5676", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15917, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15917", "Disp_Access_No" : "2017.1115", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Female Nude (recto and verso)", "Alt_Title" : "", "Obj_Title" : "A Female Nude (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Anselm Feuerbach", "Sort_Artist" : "Feuerbach, Anselm", "Disp_Dimen" : "15.24 cm x 12.7 cm (6 in. x 5 in.)", "Disp_Height" : "15.24 cm", "Disp_Width" : "12.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalk, on gray paper", "Support" : "", "Disp_Medium" : "Black and white chalk, on gray paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1115.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1115.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1115.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1115.tif", "IsPrimary" : "1", "_SurrogateID" : "5900", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15961, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15961", "Disp_Access_No" : "2017.1050", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1600", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "Diana and Actaeon", "Alt_Title" : "", "Obj_Title" : "Diana and Actaeon", "Series_Title" : "", "Disp_Maker_1" : "Franz Cleyn", "Sort_Artist" : "Cleyn, Franz", "Disp_Dimen" : "18.7 cm x 16.1 cm (7 3/8 in. x 6 5/16 in.)", "Disp_Height" : "18.7 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and gray and pink washes over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and gray and pink washes over traces of black chalk", "Info_Page_Comm" : "Cleyn was active in various media and especially projects for decoration in the area of his native north Germany, in Denmark for an extended period, and in England continuously from 1625. With a dedicatory inscription by the artist, this drawing was a finished work, probably for a kind of cultural souvenir album that was popular at the time in Central Europe. Precious in its rendering, dependent upon an engraving by Jacob de Gheyn II after Dirck Barendsz., it suggests Cleyn’s early training with his father as a goldsmith and continuing interest in printmaking.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1050.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1050.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1050.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1050.tif", "IsPrimary" : "1", "_SurrogateID" : "3336", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15973, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15973", "Disp_Access_No" : "2017.1253", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Three Nudes and a Term", "Alt_Title" : "", "Obj_Title" : "Three Nudes and a Term", "Series_Title" : "", "Disp_Maker_1" : "Circle of Bartolommeo Neroni", "Sort_Artist" : "Neroni, Circle of Bartolommeo", "Disp_Dimen" : "19.05 cm x 25.08 cm (7 1/2 in. x 9 7/8 in.)", "Disp_Height" : "19.05 cm", "Disp_Width" : "25.08 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1253.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1253.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1253.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1253.tif", "IsPrimary" : "1", "_SurrogateID" : "5699", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15976, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15976", "Disp_Access_No" : "2017.1166", "_AccNumSort1" : "", "Disp_Create_DT" : "1648", "_Disp_Start_Dat" : "1648", "_Disp_End_Date" : "1648", "Disp_Title" : "Andromeda Chained to the Rock", "Alt_Title" : "", "Obj_Title" : "Andromeda Chained to the Rock", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "19.8 cm x 24.4 cm (7 13/16 in. x 9 5/8 in.)", "Disp_Height" : "19.8 cm", "Disp_Width" : "24.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink on cream antique laid paper, backed", "Support" : "", "Disp_Medium" : "Pen and iron gall ink on cream antique laid paper, backed", "Info_Page_Comm" : "By the 1640s, with the artist’s continuing conversion of the compelling naturalism of his first style into a more ideal manner, the controlled stroke and regular stipple that earlier characterized drawings for prints could almost as easily appear in preparatory studies for paintings, as well as in his exquisite landscapes. Although differences are apparent, the format of the composition and the position of Andromeda suggest that this was an advanced but alternative design for the painting of 1648 in the Balbi Senarega Collection, Genoa. Backing removed during Conservation is matted separately and stored with drawing.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1166.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1166.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1166.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1166.tif", "IsPrimary" : "1", "_SurrogateID" : "2617", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16018", "Disp_Access_No" : "2017.1273", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Creation of Eve", "Alt_Title" : "", "Obj_Title" : "The Creation of Eve", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Negretti, called Palma Giovane", "Sort_Artist" : "Palma Giovane, Jacopo Negretti, called", "Disp_Dimen" : "17.9 cm x 21.5 cm (7 1/16 in. x 8 7/16 in.)", "Disp_Height" : "17.9 cm", "Disp_Width" : "21.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink with brush and gray wash and white heightening over black chalk on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and black ink with brush and gray wash and white heightening over black chalk on beige antique laid paper, laid down", "Info_Page_Comm" : "Palma Giovane’s style embodies late Mannerism in Venice. Countless, his paintings carry on Tintoretto’s difficult synthesis of painterly values and complex design with an automatic ease, reemergent naturalism, and self-conscious reference to earlier 16th-century examples, Titian in particular. Ceaseless as both pre-paratory activity and exercise, his draftsmanship is similarly predicated upon lin-ear procedure and rhythmic organization, but ultimately unconcerned with structure and instead dedicated to momentary optical properties. Inspired by a lost scene in Tintoretto’s celebrated History of Adam and Eve for the Scuola della Trinità, rendered in Palma’s most frequent technique, and especially vibrant despite a conspicuous loss, this is an excellent example.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1273.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1273.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1273.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1273.tif", "IsPrimary" : "1", "_SurrogateID" : "5705", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16046, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16046", "Disp_Access_No" : "2017.876", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Venus and Cupid", "Alt_Title" : "", "Obj_Title" : "Venus and Cupid", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Venetian", "Sort_Artist" : "Anonymous, Venetian", "Disp_Dimen" : "23.02 cm x 29.85 cm (9 1/16 in. x 11 3/4 in.)", "Disp_Height" : "23.02 cm", "Disp_Width" : "29.85 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional. Bizarre. Looks 19th C. Possibly fake? (FC:jb 4/15/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.876.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.876.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.876.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.876.TIF", "IsPrimary" : "1", "_SurrogateID" : "10829", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16050", "Disp_Access_No" : "2017.1117", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Design for a Fan with Apollo and Daphne", "Alt_Title" : "", "Obj_Title" : "A Design for a Fan with Apollo and Daphne", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "23.18 cm x 38.42 cm (9 1/8 in. x 15 1/8 in.)", "Disp_Height" : "23.18 cm", "Disp_Width" : "38.42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink, gray wash", "Support" : "", "Disp_Medium" : "Pen and black ink, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1117.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1117.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1117.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1117.tif", "IsPrimary" : "1", "_SurrogateID" : "5883", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16081, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16081", "Disp_Access_No" : "2017.1364", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Venus and Cupid with River Gods", "Alt_Title" : "", "Obj_Title" : "Venus and Cupid with River Gods", "Series_Title" : "", "Disp_Maker_1" : "School of Fontainebleau", "Sort_Artist" : "School of Fontainebleau", "Disp_Dimen" : "25.4 cm x 39.37 cm (10 in. x 15 1/2 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "39.37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash, heightened with white on brown laid paper, laid down", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash, heightened with white on brown laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1364.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1364.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1364.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1364.tif", "IsPrimary" : "1", "_SurrogateID" : "4291", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16104, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16104", "Disp_Access_No" : "2017.1131", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Neptune and Amphitrite (?)", "Alt_Title" : "", "Obj_Title" : "Neptune and Amphitrite (?)", "Series_Title" : "", "Disp_Maker_1" : "Circle of Gaetano Gandolfi", "Sort_Artist" : "Gandolfi, Circle of Gaetano", "Disp_Dimen" : "26.67 cm x 35.56 cm (10 1/2 in. x 14 in.)", "Disp_Height" : "26.67 cm", "Disp_Width" : "35.56 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1131.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1131.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1131.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1131.tif", "IsPrimary" : "1", "_SurrogateID" : "5783", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16111, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16111", "Disp_Access_No" : "2017.982", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Fortitude", "Alt_Title" : "", "Obj_Title" : "Fortitude", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "27.4 cm x 14.4 cm (10 13/16 in. x 5 11/16 in.)", "Disp_Height" : "27.4 cm", "Disp_Width" : "14.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash", "Info_Page_Comm" : "Attribution change to Workshop of Luca Cambiaso by Jonathan Bober 5/13/11)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.982.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.982.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.982.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.982.tif", "IsPrimary" : "1", "_SurrogateID" : "2869", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16173, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16173", "Disp_Access_No" : "2017.1413", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1699", "_Disp_Start_Dat" : "1694", "_Disp_End_Date" : "1704", "Disp_Title" : "Hercules on Olympus", "Alt_Title" : "", "Obj_Title" : "Hercules on Olympus", "Series_Title" : "", "Disp_Maker_1" : "François Verdier", "Sort_Artist" : "Verdier, François", "Disp_Dimen" : "30.48 cm x 55.25 cm (12 in. x 21 3/4 in.)", "Disp_Height" : "30.48 cm", "Disp_Width" : "55.25 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalk on blue laid paper", "Support" : "", "Disp_Medium" : "Black and white chalk on blue laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1413.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1413.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1413.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1413.tif", "IsPrimary" : "1", "_SurrogateID" : "2667", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16178, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16178", "Disp_Access_No" : "2017.813", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bathsheba", "Alt_Title" : "", "Obj_Title" : "Bathsheba", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "31.12 cm x 21.59 cm (12 1/4 in. x 8 1/2 in.)", "Disp_Height" : "31.12 cm", "Disp_Width" : "21.59 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and gray ink, gray wash", "Support" : "", "Disp_Medium" : "Black chalk, pen and gray ink, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.813.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.813.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.813.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.813.tif", "IsPrimary" : "1", "_SurrogateID" : "3339", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16200, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16200", "Disp_Access_No" : "2017.1288", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1647-1650", "_Disp_Start_Dat" : "1647", "_Disp_End_Date" : "1650", "Disp_Title" : "Bacchus and Ariadne", "Alt_Title" : "", "Obj_Title" : "Bacchus and Ariadne", "Series_Title" : "", "Disp_Maker_1" : "François Perrier", "Sort_Artist" : "Perrier, François", "Disp_Dimen" : "33.5 cm x 44 cm (13 3/16 in. x 17 5/16 in.)", "Disp_Height" : "33.5 cm", "Disp_Width" : "44 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Similar to Louvre picture, Orpheus before Pluto & Proserpina, circa 1647-50 (inv. 7163) is close to Suida-Manning in scale & style.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1288.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1288.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1288.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1288.tif", "IsPrimary" : "1", "_SurrogateID" : "2755", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16207, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16207", "Disp_Access_No" : "2017.987", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Venus and Cupid", "Alt_Title" : "", "Obj_Title" : "Venus and Cupid", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "34.29 cm x 24.13 cm (13 1/2 in. x 9 1/2 in.)", "Disp_Height" : "34.29 cm", "Disp_Width" : "24.13 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.987.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.987.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.987.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.987.tif", "IsPrimary" : "1", "_SurrogateID" : "2911", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16211", "Disp_Access_No" : "2017.954", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Triumph of Amphitrite", "Alt_Title" : "", "Obj_Title" : "The Triumph of Amphitrite", "Series_Title" : "", "Disp_Maker_1" : "Copy after Luca Cambiaso", "Sort_Artist" : "Cambiaso, Copy after Luca", "Disp_Dimen" : "34.61 cm x 25.08 cm (13 5/8 in. x 9 7/8 in.)", "Disp_Height" : "34.61 cm", "Disp_Width" : "25.08 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.954.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.954.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.954.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.954.tif", "IsPrimary" : "1", "_SurrogateID" : "2897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16268, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16268", "Disp_Access_No" : "2017.1362", "_AccNumSort1" : "", "Disp_Create_DT" : "1540s", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "Diana and Callisto", "Alt_Title" : "", "Obj_Title" : "Diana and Callisto", "Series_Title" : "", "Disp_Maker_1" : "Andrea Schiavone (Andrea Meldolla)", "Sort_Artist" : "Schiavone (Andrea Meldolla), Andrea", "Disp_Dimen" : "40 cm x 132.5 cm (15 3/4 in. x 52 3/16 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "132.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "This lovely panel appears to render the passage from Ovid’s Metamorphoses in which Diana and her nymphs discover that one of their companions, Callisto, has been made pregnant by Jupiter. The exaggerated horizontal format and size indicate that it originally served as part of an interior ensemble or piece of furniture, perhaps a cassone (storage chest) or spalliera (chair back). Especially considering this function, the panel is in excellent condition. Bonifazio was perhaps the first painter in Venice to explore ways of reconciling the school’s traditional insistence upon more naturalistic representation with Central Italian concerns of the moment: complex design, complicated linear rhythm, and self-conscious elegance. In this exploration of a distinctively Venetian Mannerism, his work anticipated and helped prepare the brilliant researches of Tintoretto and Veronese. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional. Could go above a doorway or in a medallion hang. Should be in galleries. Needs to be unframed, picture might go beyond frame (FC:jb 4/14/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1362.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1362.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1362.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1362.tif", "IsPrimary" : "1", "_SurrogateID" : "9155", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16269, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16269", "Disp_Access_No" : "2017.1376", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Jerome in the Wilderness in an Ornamental Surround", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in the Wilderness in an Ornamental Surround", "Series_Title" : "", "Disp_Maker_1" : "Valerio Spada", "Sort_Artist" : "Spada, Valerio", "Disp_Dimen" : "40.01 cm x 33.02 cm (15 3/4 in. x 13 in.)", "Disp_Height" : "40.01 cm", "Disp_Width" : "33.02 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, the drawing in gray wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, the drawing in gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1376.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1376.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1376.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1376.tif", "IsPrimary" : "1", "_SurrogateID" : "5872", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16319, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16319", "Disp_Access_No" : "2017.1208", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Fall of Phaeton", "Alt_Title" : "", "Obj_Title" : "The Fall of Phaeton", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Pietro Liberi", "Sort_Artist" : "Liberi, Attributed to Pietro", "Disp_Dimen" : "46.99 cm x 31.75 cm (18 1/2 in. x 12 1/2 in.)", "Disp_Height" : "46.99 cm", "Disp_Width" : "31.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1208.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1208.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1208.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1208.tif", "IsPrimary" : "1", "_SurrogateID" : "5902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16368, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16368", "Disp_Access_No" : "2017.814", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1750s-1760s", "_Disp_Start_Dat" : "1750", "_Disp_End_Date" : "1760", "Disp_Title" : "Bathsheba", "Alt_Title" : "", "Obj_Title" : "Bathsheba", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "57.7 cm x 40.7 cm (22 11/16 in. x 16 in.)", "Disp_Height" : "57.7 cm", "Disp_Width" : "40.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.814.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.814.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.814.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.814.tif", "IsPrimary" : "1", "_SurrogateID" : "4846", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16369, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16369", "Disp_Access_No" : "2017.1203", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1671", "_Disp_Start_Dat" : "1666", "_Disp_End_Date" : "1676", "Disp_Title" : "Mercury Transforming Chelone into a Turtle", "Alt_Title" : "", "Obj_Title" : "Mercury Transforming Chelone into a Turtle", "Series_Title" : "", "Disp_Maker_1" : "Filippo Lauri", "Sort_Artist" : "Lauri, Filippo", "Disp_Dimen" : "59 cm x 71.2 cm (23 1/4 in. x 28 1/16 in.)", "Disp_Height" : "59 cm", "Disp_Width" : "71.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Mercury, here seen in his winged hat, invited all gods, humans, and animals to his father Jupiter’s wedding to the goddess Juno. Everyone came, except the nymph Chelone, who mocked the union. Enraged by her arrogance, Mercury threw Chelone’s house into the river and turned her into a turtle. This painting diverges from the popular version of the story and presents Juno as the protagonist who condemns Chelone. Mercury occupies a secondary place behind the seated Jupiter. Cupid, the god of love, evokes the nuptial context of the scene, which is also highlighted by the youthful features of Jupiter and Juno. The oval shape of the canvas likely indicates that it was a decorative painting to be placed over a doorway or a window. Filippo Lauri was renowned for depicting landscapes, architecture, flowers, and animals to embellish important palaces in Rome. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with Lauri''s Venus and Adonis (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1203.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1203.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1203.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1203.tif", "IsPrimary" : "1", "_SurrogateID" : "2748", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16376, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16376", "Disp_Access_No" : "2017.1285", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Venus and Cupid", "Alt_Title" : "", "Obj_Title" : "Venus and Cupid", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Antonio Pellegrini", "Sort_Artist" : "Pellegrini, Giovanni Antonio", "Disp_Dimen" : "71.12 cm x 61.6 cm (28 in. x 24 1/4 in.)", "Disp_Height" : "71.12 cm", "Disp_Width" : "61.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up (FC:jb 4/2/15) Medallion (FC:jb 4/2/15) Potentially pair with Bellona, need to see them together (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1285.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1285.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1285.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1285.tif", "IsPrimary" : "1", "_SurrogateID" : "7756", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16404, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16404", "Disp_Access_No" : "2017.883", "_AccNumSort1" : "", "Disp_Create_DT" : "1740s", "_Disp_Start_Dat" : "1740", "_Disp_End_Date" : "1740", "Disp_Title" : "The Toilet of Bathsheba", "Alt_Title" : "", "Obj_Title" : "The Toilet of Bathsheba", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Amigoni", "Sort_Artist" : "Amigoni, Jacopo", "Disp_Dimen" : "72.4 cm x 61.6 cm (28 1/2 in. x 24 1/4 in.)", "Disp_Height" : "72.4 cm", "Disp_Width" : "61.6 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil on canvas", "Support" : "", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up Oval shape very 18th C., could present it for historical nature Venetian medallion hang, could be at top left (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.883.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.883.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.883.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.883.tif", "IsPrimary" : "1", "_SurrogateID" : "3444", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16438, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16438", "Disp_Access_No" : "2017.919", "_AccNumSort1" : "", "Disp_Create_DT" : "1620s", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Danaë", "Alt_Title" : "", "Obj_Title" : "Danaë", "Series_Title" : "", "Disp_Maker_1" : "Jacques Blanchard", "Sort_Artist" : "Blanchard, Jacques", "Disp_Dimen" : "93.4 cm x 128.4 cm (36 3/4 in. x 50 9/16 in.)", "Disp_Height" : "93.4 cm", "Disp_Width" : "128.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation. Candidate for medallion hang. Louis Waldman: better than other Blanchard. (FC:jb 4/23/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.919.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.919.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.919.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.919.tif", "IsPrimary" : "1", "_SurrogateID" : "2669", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.919-pre.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.919-pre.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.919-pre.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.919-pre.tif", "IsPrimary" : "0", "_SurrogateID" : "10339", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16462, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16462", "Disp_Access_No" : "2017.1339", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1712-1716", "_Disp_Start_Dat" : "1712", "_Disp_End_Date" : "1716", "Disp_Title" : "Flora", "Alt_Title" : "", "Obj_Title" : "Flora", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Ricci", "Sort_Artist" : "Ricci, Sebastiano", "Disp_Dimen" : "125.3 cm x 153.7 cm (49 5/16 in. x 60 1/2 in.)", "Disp_Height" : "125.3 cm", "Disp_Width" : "153.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Flora was the goddess of flowers who had previously been a nymph by the name of Chloris, known for her sensuous beauty. Ovid’s "Fasti" (8 CE) describes how she was seduced by Zephyrus, the Greek god of the west wind and harbinger of spring, and became his wife. This work captures the moment just before their encounter. Unnoticed by Flora, Zephyrus approaches her from behind, pointing at his future wife and cautioning silence to another putto. At the right, an urn spills over with flowers that celebrate their namesake, Flora. The pose of the goddess makes reference to that of the Crouching Venus, a Hellenistic sculpture type that was repeated in ancient Roman statuary and in Renaissance prints. In addition to the classical theme and composition, Sebastiano Ricci makes full use of the rich colors and free brushwork typical of Venetian painting to render the lush beauty of blossoms and youthful figures. Ricci likely painted this work for a private patron when he was active in London and Paris.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, with support from The Cain Foundation in memory of Effie Marie Cain, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Saved by incredible floral display and size Size and flowers charming; subject matter problematic (particularly the flowers, see Douglas''s research) Condition issues because you can see the ghost of the figure, muddy cloud at top, possibly cut at the top If we do a medallion hang in corner gallery, visitor should see this from much higher up, consider as the centerpiece of medallion (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1339.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1339.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1339.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1339.tif", "IsPrimary" : "1", "_SurrogateID" : "2645", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16471, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16471", "Disp_Access_No" : "2017.974", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1565", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1570", "Disp_Title" : "Suicide of Lucretia", "Alt_Title" : "", "Obj_Title" : "Suicide of Lucretia", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "166.4 cm x 90.2 cm (65 1/2 in. x 35 1/2 in.)", "Disp_Height" : "166.4 cm", "Disp_Width" : "90.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : " ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Medallion, would help hold in middle (FC:jb 4/2/15) Ranking adjusted (FC:jp 5/26/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.974.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.974.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.974.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.974.tif", "IsPrimary" : "1", "_SurrogateID" : "2580", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16778, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16778", "Disp_Access_No" : "2003.25", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1786", "_Disp_Start_Dat" : "1781", "_Disp_End_Date" : "1791", "Disp_Title" : "The Injured Count,,S-", "Alt_Title" : "", "Obj_Title" : "The Injured Count,,S-", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "28.2 cm x 42.5 cm (11 1/8 in. x 16 3/4 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "42.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and softground etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and softground etching with hand-coloring", "Info_Page_Comm" : "Because of their subject matter, several of Gillray’s prints, including this one, were not in circulation; these “suppressed plates” were published in a separate volume circa 1850. Mary Eleanor Bowes is pictured drinking with her servants, suckling her precious cats and neglecting her crying children while her footman beacons her to bed. Her cruel and adulterous husband, Andrew Stoney-Bowes, on the far left of the image, examines a map of his wife’s estates. His behavior drove his wife to petition for divorce, something that was rarely granted to woman at this time. In order to hinder her success, he launched a smear campaign against her; her husband probably funded the production of this particularly slanderous print for this purpose. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.25.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.25.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.25.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.25.tif", "IsPrimary" : "1", "_SurrogateID" : "2128", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16785, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16785", "Disp_Access_No" : "2003.32", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1535", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1540", "Disp_Title" : "Allegory of the Power of Love", "Alt_Title" : "", "Obj_Title" : "Allegory of the Power of Love", "Series_Title" : "", "Disp_Maker_1" : "Cristofano Robetta", "Sort_Artist" : "Robetta, Cristofano", "Disp_Dimen" : "29.2 cm x 27.3 cm (11 1/2 in. x 10 3/4 in.)", "Disp_Height" : "29.2 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.32.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.32.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.32.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.32.tif", "IsPrimary" : "1", "_SurrogateID" : "2130", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16814, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16814", "Disp_Access_No" : "2003.61", "_AccNumSort1" : "", "Disp_Create_DT" : "n.d.", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Tahitian Women", "Alt_Title" : "", "Obj_Title" : "Tahitian Women", "Series_Title" : "", "Disp_Maker_1" : "Bror Julius Olsson Nordfeldt", "Sort_Artist" : "Nordfeldt, Bror Julius Olsson", "Disp_Dimen" : "44 cm x 28.7 cm (17 5/16 in. x 11 5/16 in.)", "Disp_Height" : "44 cm", "Disp_Width" : "28.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Susan Sklar, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.61.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.61.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.61.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.61.tif", "IsPrimary" : "1", "_SurrogateID" : "2134", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16816, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16816", "Disp_Access_No" : "2003.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "Untitled [Three Nude Women]", "Alt_Title" : "", "Obj_Title" : "Untitled [Three Nude Women]", "Series_Title" : "", "Disp_Maker_1" : "Edgar Dorsey Taylor", "Sort_Artist" : "Taylor, Edgar Dorsey", "Disp_Dimen" : "28.5 cm x 44.1 cm (11 1/4 in. x 17 3/8 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "44.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Susan Sklar, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.63.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.63.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.63.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.63.tif", "IsPrimary" : "1", "_SurrogateID" : "2136", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16864, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16864", "Disp_Access_No" : "2003.89.9/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "[A Rather Tragic] Early Sunday Morning [after Hopper], from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Alt_Title" : "", "Obj_Title" : "[A Rather Tragic] Early Sunday Morning [after Hopper], from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Series_Title" : "", "Disp_Maker_1" : "Tonel", "Sort_Artist" : "Tonel", "Disp_Dimen" : "42 cm x 30 cm (16 9/16 in. x 11 13/16 in.)", "Disp_Height" : "42 cm", "Disp_Width" : "30 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "This print from a series of lithographs grew out of the artist’s first experiences of winter as he traveled through Canada and Europe in the 1990s. In the artist’s own words, “Like the texts, the images (all self-portraits) speak of loss, mutilation, encounter, and rupture. The accompanying boleros—a form of Caribbean music intertwined with the lure and sleeplessness of erotic passion, requited or not—set up a virtually sonorous cultural counterpoint with the images of gray, wintry landscapes and bitter, frustrated figures. The bolero supplies a sugary sweet, abundantly smooth musical background to the sordid experiences and disagreements depicted here in hostile cities or messy rooms—locations marked by grotesque and tragic qualities—or in landscapes sketched under lead-gray clouds.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Fran Magee and Gallery 106, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Cuban", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.89.9-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.89.9-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.89.9-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.89.9-12.tif", "IsPrimary" : "1", "_SurrogateID" : "2964", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16865", "Disp_Access_No" : "2003.89.7/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "Kolor de Kuba Black and White, from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Alt_Title" : "", "Obj_Title" : "Kolor de Kuba Black and White, from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Series_Title" : "", "Disp_Maker_1" : "Tonel", "Sort_Artist" : "Tonel", "Disp_Dimen" : "42.5 cm x 29.8 cm (16 3/4 in. x 11 3/4 in.)", "Disp_Height" : "42.5 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "This print from a series of lithographs grew out of the artist’s first experiences of winter as he traveled through Canada and Europe in the 1990s. In the artist’s own words, “Like the texts, the images (all self-portraits) speak of loss, mutilation, encounter, and rupture. The accompanying boleros—a form of Caribbean music intertwined with the lure and sleeplessness of erotic passion, requited or not—set up a virtually sonorous cultural counterpoint with the images of gray, wintry landscapes and bitter, frustrated figures. 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Michael, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Paraguayan", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.99.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.99.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.99.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.99.tif", "IsPrimary" : "1", "_SurrogateID" : "2165", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16945, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16945", "Disp_Access_No" : "2003.135", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1600", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "Diana and Actaeon, after Joseph Heintz", "Alt_Title" : "Actaeon Changed into a Stag by Diana, after Joseph Heintz ", "Obj_Title" : "Diana and Actaeon, after Joseph Heintz", "Series_Title" : "", "Disp_Maker_1" : "Johann Theodor de Bry", "Sort_Artist" : "Bry, Johann Theodor de", "Disp_Dimen" : "10.1 cm x 10.2 cm (4 in. x 4 in.)", "Disp_Height" : "10.1 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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Battle Collection of Plaster Casts, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Greek", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.9.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.9.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.9.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.9.tif", "IsPrimary" : "1", "_SurrogateID" : "2264", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.9_rt_qtr.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.9_rt_qtr.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.9_rt_qtr.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.9_rt_qtr.tif", "IsPrimary" : "0", "_SurrogateID" : "3237", "Image_Type" : "B&W negative", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17259, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17259", "Disp_Access_No" : "2004.167", "_AccNumSort1" : "", "Disp_Create_DT" : "1728", "_Disp_Start_Dat" : "1728", "_Disp_End_Date" : "1728", "Disp_Title" : "Hercules and Omphale, after François Lemoyne", "Alt_Title" : "", "Obj_Title" : "Hercules and Omphale, after François Lemoyne", "Series_Title" : "", "Disp_Maker_1" : "Laurent Cars", "Sort_Artist" : "Cars, Laurent", "Disp_Dimen" : "38.9 cm x 28.5 cm (15 5/16 in. x 11 1/4 in.)", "Disp_Height" : "38.9 cm", "Disp_Width" : "28.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.167.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.167.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.167.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.167.tif", "IsPrimary" : "1", "_SurrogateID" : "4797", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17260, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17260", "Disp_Access_No" : "2004.168", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1879 - 1880", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1880", "Disp_Title" : "La Sortie du bain [Leaving the Bath]", "Alt_Title" : "", "Obj_Title" : "La Sortie du bain", "Series_Title" : "", "Disp_Maker_1" : "Hilaire-Germain-Edgar Degas", "Sort_Artist" : "Degas, Hilaire-Germain-Edgar", "Disp_Dimen" : "32.5 cm x 25 cm (12 13/16 in. x 9 13/16 in.)", "Disp_Height" : "32.5 cm", "Disp_Width" : "25 cm", "Dimen_Extent" : "sheet", "Medium" : "Drypoint and aquatint", "Support" : "", "Disp_Medium" : "Drypoint and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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Grounded in concepts of female empowerment, her paintings critique male fantasies about women’s bodies, but do so in a complicated, multifaceted way. In Mythologies and Me, the center image is a dispassionate self-portrait painted from a photograph that contrasts sharply with the two flanking images: one is Semmel’s interpretation of a so-called erotic centerfold from Hustler magazine, and the other is her parody of those iconic images of Abstract Expressionism, Willem de Kooning’s misogynistic Woman series.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Buffie Johnson, 1978", "Copyright_Type" : "all but merchandise and internet", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1978.92.3-3_detail.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1978.92.3-3_detail.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1978.92.3-3_detail.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1978.92.3-3_detail.tif", "IsPrimary" : "0", "_SurrogateID" : "7337", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1978.92.1-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1978.92.1-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1978.92.1-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1978.92.1-3.tif", "IsPrimary" : "0", "_SurrogateID" : "3116", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1978.92.2-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1978.92.2-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1978.92.2-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1978.92.2-3.tif", "IsPrimary" : "0", "_SurrogateID" : "3117", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1978.92.3-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1978.92.3-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1978.92.3-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1978.92.3-3.tif", "IsPrimary" : "0", "_SurrogateID" : "3118", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1978.92.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1978.92.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1978.92.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1978.92.tif", "IsPrimary" : "1", "_SurrogateID" : "6496", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19462, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19462", "Disp_Access_No" : "2010.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1997", "_Disp_Start_Dat" : "1997", "_Disp_End_Date" : "1997", "Disp_Title" : "Antlers", "Alt_Title" : "", "Obj_Title" : "Antlers", "Series_Title" : "", "Disp_Maker_1" : "Jody Mussoff", "Sort_Artist" : "Mussoff, Jody", "Disp_Dimen" : "76.2 cm x 55.8 cm (30 in. x 21 15/16 in.)", "Disp_Height" : "76.2 cm", "Disp_Width" : "55.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Colored pencil on paper", "Support" : "", "Disp_Medium" : "Colored pencil on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the artist, 2010", "Copyright_Type" : "All approved.", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "American", "Department" : "Prints and Drawings; 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