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Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1977, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1977", "Disp_Access_No" : "G1964.1.150", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "Thomas Hill Green", "Alt_Title" : "", "Obj_Title" : "Thomas Hill Green", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "22.6 cm x 15.9 cm (8 7/8 in. x 6 1/4 in.)", "Disp_Height" : "22.6 cm", "Disp_Width" : "15.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1978, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1978", "Disp_Access_No" : "G1964.1.151", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "Thomas Hill Green", "Alt_Title" : "", "Obj_Title" : "Thomas Hill Green", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "25.4 cm x 19.4 cm (10 in. x 7 5/8 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "19.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2008, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2008", "Disp_Access_No" : "1985.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1875", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1875", "Disp_Title" : "Modern Poetry (Portrait of Robert Browning), from Vanity Fair", "Alt_Title" : "", "Obj_Title" : "Modern Poetry (Portrait of Robert Browning), from Vanity Fair", "Series_Title" : "", "Disp_Maker_1" : "Carlo Pellegrini", "Sort_Artist" : "Pellegrini, Carlo", "Disp_Dimen" : "38.2 cm x 26.5 cm (15 1/16 in. x 10 7/16 in.)", "Disp_Height" : "38.2 cm", "Disp_Width" : "26.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Color lithograph", "Support" : "", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Latane Temple, 1985", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2076", "Disp_Access_No" : "1991.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1526", "_Disp_Start_Dat" : "1526", "_Disp_End_Date" : "1526", "Disp_Title" : "Erasmus of Rotterdam", "Alt_Title" : "", "Obj_Title" : "Erasmus of Rotterdam", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "25.4 cm x 19.5 cm (10 in. x 7 11/16 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "19.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Portrait engraving was a significant aspect of Albrecht Dürer’s late activity. His portrait of the great humanist Desiderius Erasmus is his largest and most complex. Dürer had drawn the sitter on a visit to the Netherlands in 1520. By 1525 Erasmus lamented that he had still not seen the promised print. Returning to the project, Dürer borrowed the composition from a painting of Erasmus by Quentin Massys (Louvre, Paris) and inserted his earlier bust-length study. Seeing the engraving, Erasmus noted that the likeness was “not altogether striking.” Later observers have often criticized the composition as awkward. Dürer’s technique, however, rises to a level of differentiation unusual in the late engravings. In their focus and conspicuous detail, numerous passages approach still-life. The light has a pervasiveness and a mystery that suggest both the scholar’s theological concerns and the artist’s own late spirituality. Then there is the conceit of the frame in the background, rhyming with the print’s shape, shedding light like a window but instead bearing inscriptions. The first, in Latin, identifies the artist and the sitter. The second, in Greek, notes, “His writings offer a better likeness.” These inscriptions may refer to the circumstances of the engraving’s creation. In any case, the portrait becomes an extraordinarily modern meditation upon the nature and limits of visual representation.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.114.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.114.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.114.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.114.tif", "IsPrimary" : "1", "_SurrogateID" : "1504", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.114 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"_AccNumSort1" : "", "Disp_Create_DT" : "1530", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1530", "Disp_Title" : "Charles V, headpiece to "All Römisch Keiser nach ordung und wie lang yeder geregiert hat...bis auff den yetzige grossmechtigsten Keiser Carl" [sic] (Nuremberg, 1530), after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "Charles V, headpiece to "All Römisch Keiser nach ordung und wie lang yeder geregiert hat...bis auff den yetzige grossmechtigsten Keiser Carl" [sic] (Nuremberg, 1530), after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "18.5 cm x 13.4 cm (7 5/16 in. x 5 1/4 in.)", "Disp_Height" : "18.5 cm", "Disp_Width" : "13.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2090, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2090", "Disp_Access_No" : "1995.183", "_AccNumSort1" : "", "Disp_Create_DT" : "1536", "_Disp_Start_Dat" : "1536", "_Disp_End_Date" : "1536", "Disp_Title" : "George, Duke of Saxony", "Alt_Title" : "", "Obj_Title" : "George, Duke of Saxony", "Series_Title" : "", "Disp_Maker_1" : "Monogrammist C.G.", "Sort_Artist" : "Monogrammist C.G.", "Disp_Dimen" : "11 cm x 8.1 cm (4 5/16 in. x 3 3/16 in.)", "Disp_Height" : "11 cm", "Disp_Width" : "8.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2281, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2281", "Disp_Access_No" : "1995.163", "_AccNumSort1" : "", "Disp_Create_DT" : "1582", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1582", "Disp_Title" : "Philip Galle", "Alt_Title" : "", "Obj_Title" : "Philip Galle", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "21.9 cm x 14 cm (8 5/8 in. x 5 1/2 in.)", "Disp_Height" : "21.9 cm", "Disp_Width" : "14 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.163.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.163.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.163.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.163.tif", "IsPrimary" : "1", "_SurrogateID" : "7221", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2303, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2303", "Disp_Access_No" : "1997.221", "_AccNumSort1" : "", "Disp_Create_DT" : "1586", "_Disp_Start_Dat" : "1586", "_Disp_End_Date" : "1586", "Disp_Title" : "Publius Horatius, from The Roman Heroes", "Alt_Title" : "", "Obj_Title" : "Publius Horatius, from The Roman Heroes", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "36.9 cm x 23.6 cm (14 1/2 in. x 9 5/16 in.)", "Disp_Height" : "36.9 cm", "Disp_Width" : "23.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2309, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2309", "Disp_Access_No" : "2002.2170.5/10", "_AccNumSort1" : "", "Disp_Create_DT" : "1586", "_Disp_Start_Dat" : "1586", "_Disp_End_Date" : "1586", "Disp_Title" : "Marcus Curtius, plate 4, from The Roman Heroes", "Alt_Title" : "", "Obj_Title" : "Marcus Curtius, plate 4, from The Roman Heroes", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "36.9 cm x 23.7 cm (14 1/2 in. x 9 5/16 in.)", "Disp_Height" : "36.9 cm", "Disp_Width" : "23.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The Roman Heroes constitute Goltzius’s first series of humanistic theme and a capital example of his early, muscular style. The Collection includes uniformly superb impressions of all ten plates. Goltzius and his followers, the so-called Haarlem Mannerists, brought engraving to a new level of technical accomplishment, syntactic organization, and descriptive range. Their work was little considered by art historians and out of fashion with most collectors until the 1970s. By that time, Steinberg had gathered scores of choice works. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2170.5-10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2170.5-10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2170.5-10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2170.5-10.tif", "IsPrimary" : "1", "_SurrogateID" : "1907", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2346, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2346", "Disp_Access_No" : "2002.2173.2/3", "_AccNumSort1" : "", "Disp_Create_DT" : "1592", "_Disp_Start_Dat" : "1592", "_Disp_End_Date" : "1592", "Disp_Title" : "Commodus as Hercules, after the Antique", "Alt_Title" : "", "Obj_Title" : "Commodus as Hercules, after the Antique ", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "41.5 cm x 29.3 cm (16 5/16 in. x 11 9/16 in.)", "Disp_Height" : "41.5 cm", "Disp_Width" : "29.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "By the end of the 16th century the interest in antique sculpture had begun to take a more literal, archaeological form. Quintessential examples include Hendrick Goltzius’s series of Roman Statues. The prints he completed for an unfinished set were based on drawings of many sculptures that he had made during his first and only trip to Italy—a pilgrimage that was becoming the standard for artists from all over Europe. This print shows an unprecedented attention to detail and exactness in form and plasticity. More broadly, Goltzius’s series is symptomatic of the emergence of a canon of ancient sculpture that would transform the public’s understanding, as well as the ways artists were educated, for centuries to come. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "2347", "Rel_Obj_Title" : "Apollo Belvedere, after the Antique" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2173.2-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2173.2-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2173.2-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2173.2-3.tif", "IsPrimary" : "1", "_SurrogateID" : "7279", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2374, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2374", "Disp_Access_No" : "1992.288", "_AccNumSort1" : "", "Disp_Create_DT" : "1596", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1596", "Disp_Title" : "Chilon, Philosopher of Sparta", "Alt_Title" : "", "Obj_Title" : "Chilon, Philosopher of Sparta", "Series_Title" : "", "Disp_Maker_1" : "Jan Muller", "Sort_Artist" : "Muller, Jan", "Disp_Dimen" : "47.4 cm x 36 cm (18 11/16 in. x 14 3/16 in.)", "Disp_Height" : "47.4 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1992", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.288.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.288.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.288.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.288.tif", "IsPrimary" : "1", "_SurrogateID" : "4874", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2376, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2376", "Disp_Access_No" : "1999.118", "_AccNumSort1" : "", "Disp_Create_DT" : "1596", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1596", "Disp_Title" : "Giuseppe Cesare Arpino", "Alt_Title" : "", "Obj_Title" : "Giuseppe Cesare Arpino", "Series_Title" : "", "Disp_Maker_1" : "Copy after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Copy after Marcantonio", "Disp_Dimen" : "25 cm x 17.8 cm (9 13/16 in. x 7 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "17.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2388", "Disp_Access_No" : "1991.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1600", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1600", "Disp_Title" : "Marie de' Medici, Queen of France", "Alt_Title" : "", "Obj_Title" : "Marie de' Medici, Queen of France", "Series_Title" : "", "Disp_Maker_1" : "Jan Wierix", "Sort_Artist" : "Wierix, Jan", "Disp_Dimen" : "40.2 cm x 29 cm (15 13/16 in. x 11 7/16 in.)", "Disp_Height" : "40.2 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Among Wierix's original works is this portrait of Marie de' Medici commemorating her marriage to Henry IV of France in 1600. Henry, the leader of the Protestants in France during the wars of religion, converted to Catholicism in 1593, partly to secure his place on the throne, and finally received absolution from the pope in 1595. His marriage to the daughter of the grand duke of Tuscany, an advisor to the pope, signaled to the governments of Europe France's reconciliation with Rome and a political alliance with the duke. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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"", "Disp_Maker_1" : "Aegidius Sadeler II", "Sort_Artist" : "Sadeler II, Aegidius", "Disp_Dimen" : "35.7 cm x 27.4 cm (14 1/16 in. x 10 13/16 in.)", "Disp_Height" : "35.7 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving, pricked for transfer", "Support" : "", "Disp_Medium" : "Engraving, pricked for transfer", "Info_Page_Comm" : "The slave at lower right has been pricked from transfer.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pricking for transfer indicates re-use of lower figures.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1648.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1648.tif", "PreviewPath" : 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Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2401, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2401", "Disp_Access_No" : "2002.2716", "_AccNumSort1" : "", "Disp_Create_DT" : "1604", "_Disp_Start_Dat" : "1604", "_Disp_End_Date" : "1604", "Disp_Title" : "Cardinal Dietrichstein", "Alt_Title" : "", "Obj_Title" : "Cardinal Dietrichstein", "Series_Title" : "", "Disp_Maker_1" : "Aegidius Sadeler II", "Sort_Artist" : "Sadeler II, Aegidius", "Disp_Dimen" : "23.2 cm x 15.2 cm (9 1/8 in. x 6 in.)", "Disp_Height" : "23.2 cm", "Disp_Width" : "15.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2402, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2402", "Disp_Access_No" : "1997.262", "_AccNumSort1" : "", "Disp_Create_DT" : "1605", "_Disp_Start_Dat" : "1605", "_Disp_End_Date" : "1605", "Disp_Title" : "Henry IV, King of France", "Alt_Title" : "", "Obj_Title" : "Henry IV, King of France", "Series_Title" : "", "Disp_Maker_1" : "Thomas de Leu", "Sort_Artist" : "Leu, Thomas de", "Disp_Dimen" : "19.5 cm x 14.2 cm (7 11/16 in. x 5 9/16 in.)", "Disp_Height" : "19.5 cm", "Disp_Width" : "14.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Henri IV (1553-1610) reigned from 1589 until his death.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2404, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2404", "Disp_Access_No" : "2002.2713", "_AccNumSort1" : "", "Disp_Create_DT" : "1605", "_Disp_Start_Dat" : "1605", "_Disp_End_Date" : "1605", "Disp_Title" : "Mechti Kuli Beg", "Alt_Title" : "", "Obj_Title" : "Mechti Kuli Beg", "Series_Title" : "", "Disp_Maker_1" : "Aegidius Sadeler II", "Sort_Artist" : "Sadeler II, Aegidius", "Disp_Dimen" : "28 cm x 20.3 cm (11 in. x 8 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Mechti Kuli Beg was 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"Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2699, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2699", "Disp_Access_No" : "1999.209", "_AccNumSort1" : "", "Disp_Create_DT" : "1639", "_Disp_Start_Dat" : "1639", "_Disp_End_Date" : "1639", "Disp_Title" : "Francis Junius", "Alt_Title" : "", "Obj_Title" : "Francis Junius", "Series_Title" : "", "Disp_Maker_1" : "Wenzel Hollar", "Sort_Artist" : "Hollar, Wenzel", "Disp_Dimen" : "19 cm x 13.1 cm (7 1/2 in. x 5 3/16 in.)", "Disp_Height" : "19 cm", "Disp_Width" : "13.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : 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"Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2709, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2709", "Disp_Access_No" : "2002.1450", "_AccNumSort1" : "", "Disp_Create_DT" : "1640", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1640", "Disp_Title" : "Henri-Louis Habert de Montmor", "Alt_Title" : "", "Obj_Title" : "Henri-Louis Habert de Montmor", "Series_Title" : "", "Disp_Maker_1" : "Claude Mellan", "Sort_Artist" : "Mellan, Claude", "Disp_Dimen" : "33.9 cm x 23 cm (13 3/8 in. x 9 1/16 in.)", "Disp_Height" : "33.9 cm", "Disp_Width" : "23 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2713, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2713", "Disp_Access_No" : "1999.214", "_AccNumSort1" : "", "Disp_Create_DT" : "1641", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1641", "Disp_Title" : "The Reverend Richard Bernard, Puritan Writer", "Alt_Title" : "", "Obj_Title" : "The Reverend Richard Bernard, Puritan Writer", "Series_Title" : "", "Disp_Maker_1" : "Wenzel Hollar", "Sort_Artist" : "Hollar, Wenzel", "Disp_Dimen" : "27 cm x 18.4 cm (10 5/8 in. x 7 1/4 in.)", "Disp_Height" : "27 cm", "Disp_Width" : "18.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Bohemian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2714, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2714", "Disp_Access_No" : "2002.1449", "_AccNumSort1" : "", "Disp_Create_DT" : "1641", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1641", "Disp_Title" : "Henriette-Maria de Buade-Frontenac, épouse de Henri-Louis Habert de Montmor", "Alt_Title" : "", "Obj_Title" : "Henriette-Maria de Buade-Frontenac, épouse de Henri-Louis Habert de Montmor", "Series_Title" : "", "Disp_Maker_1" : "Claude Mellan", "Sort_Artist" : "Mellan, 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Van Dyck painted stop-out varnish on the left and right edges of the plate to prevent acid from biting. Halfway through the etching process he removed the plate from the acid bath, added more varnish, and etched the plate again. The deeper bite resulted in thicker lines. Painter, draftsman and tapestry designer, Snellinck was also a successful art dealer. He is depicted with a strong, proud stance and a focused gaze. Van Dyck shows him as a general, alluding to the subject matter, battle scenes and historical, for which he is best known.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1133.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1133.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1133.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1133.tif", "IsPrimary" : "1", "_SurrogateID" : "1760", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2740, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2740", "Disp_Access_No" : "2002.1446", "_AccNumSort1" : "", "Disp_Create_DT" : "1645", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1645", "Disp_Title" : "Louise-Marie de Gonzaga, reine de Pologne [Louise-Marie de Gonzaga, Queen of Poland]", "Alt_Title" : "", "Obj_Title" : "Louise-Marie de Gonzaga, reine de Pologne [Louise-Marie de Gonzaga, Queen of Poland]", "Series_Title" : "", "Disp_Maker_1" : "Claude Mellan", "Sort_Artist" : "Mellan, Claude", "Disp_Dimen" : "37 cm x 26.2 cm (14 9/16 in. x 10 5/16 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "26.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ 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"Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.320.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.320.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.320.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.320.tif", "IsPrimary" : "1", "_SurrogateID" : "1692", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2749, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2749", "Disp_Access_No" : "1999.213", "_AccNumSort1" : "", "Disp_Create_DT" : "1647", "_Disp_Start_Dat" : "1647", "_Disp_End_Date" : "1647", "Disp_Title" : "Mr. Morett, after Hans Holbein, the younger", "Alt_Title" : "", "Obj_Title" : "Mr. Morett, after Hans Holbein, the younger", "Series_Title" : "", "Disp_Maker_1" : "Wenzel Hollar", "Sort_Artist" : "Hollar, Wenzel", "Disp_Dimen" : "17.8 cm x 12.4 cm (7 in. x 4 7/8 in.)", "Disp_Height" : "17.8 cm", "Disp_Width" : "12.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Bohemian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2755, "URL" : 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"1650", "_Disp_End_Date" : "1650", "Disp_Title" : "Charles the Bold, after Peter Paul Rubens, plate 31 from Counts and Countesses of Holland, Zeeland, and West-Frisia", "Alt_Title" : "", "Obj_Title" : "Charles the Bold, after Peter Paul Rubens, plate 31 from Counts and Countesses of Holland, Zeeland, and West-Frisia", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Visscher", "Sort_Artist" : "Visscher, Cornelis", "Disp_Dimen" : "48.2 cm x 35 cm (19 in. x 13 3/4 in.)", "Disp_Height" : "48.2 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "This print is after painting by Rubens in the Kunsthistorisches Museum, Vienna. 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Goepel Coll.) after the original by Titian, which was lost in the Alcàzar fire of 1734.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2547.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2547.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2547.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2547.tif", "IsPrimary" : "1", "_SurrogateID" : "5937", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2811", "Disp_Access_No" : "2002.2750", "_AccNumSort1" : "", "Disp_Create_DT" : "1650", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1650", "Disp_Title" : "St. Wulfram, from Saints of the North and South Netherlands, after Pieter Soutman", "Alt_Title" : "", "Obj_Title" : "St. Wulfram, from Saints of the North and South Netherlands, after Pieter Soutman", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Visscher", "Sort_Artist" : "Visscher, Cornelis", "Disp_Dimen" : "44 cm x 31 cm (17 5/16 in. x 12 3/16 in.)", "Disp_Height" : "44 cm", "Disp_Width" : "31 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2812, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2812", "Disp_Access_No" : "1987.87", "_AccNumSort1" : "", "Disp_Create_DT" : "1651", "_Disp_Start_Dat" : "1651", "_Disp_End_Date" : "1651", "Disp_Title" : "Clement de Jonghe, Printseller", "Alt_Title" : "", "Obj_Title" : "Clement de Jonghe, Printseller", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "21.1 cm x 16.5 cm (8 5/16 in. x 6 1/2 in.)", "Disp_Height" : "21.1 cm", "Disp_Width" : "16.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, drypoint and burin", "Support" : "", "Disp_Medium" : "Etching, drypoint and burin", "Info_Page_Comm" : "De Jonghe was a prominent printseller in Amsterdam. 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Shortly after the foundation of the Royal Academy of Painting and Sculpture in 1648, engraving was elevated by royal edict from an industrial to a liberal art, incorporated as an academic discipline, and thus given equally systematic means for transmitting its skills and values. The portraits of Robert Nanteuil were the first expression of this system. His work proceeds from an appropriation of Jean Morin’s and Claude Mellan’s modes, through a synthesis of their respective naturalism and idealism, to a moment in the late 1650s of extraordinary balance in the relation of one mark to another, sitter to frame, and form to ethos. Portraying a tenacious councillor of state who was later disgraced, this print is one of the artist’s masterpieces. 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Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3454, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3454", "Disp_Access_No" : "2000.201", "_AccNumSort1" : "", "Disp_Create_DT" : "1759", "_Disp_Start_Dat" : "1759", "_Disp_End_Date" : "1759", "Disp_Title" : "Madame de Maintenon, after Mignard", "Alt_Title" : "", "Obj_Title" : "Madame de Maintenon, after Mignard", "Series_Title" : "", "Disp_Maker_1" : "Etienne Ficquet", "Sort_Artist" : "Ficquet, Etienne", "Disp_Dimen" : "23.9 cm x 18.7 cm (9 7/16 in. x 7 3/8 in.)", "Disp_Height" : "23.9 cm", "Disp_Width" : "18.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift 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They render types rather than known individuals in casual poses, at close range and life-size. Their immediacy and psychology are unique in British portraiture of the time. This and another series of six female heads published in the following year are Frye’s only works as a printmaker. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4266, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4266", "Disp_Access_No" : "G1964.1.86", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "James Anderson Rose, after Frederick Sandys", "Alt_Title" : "", "Obj_Title" : "James Anderson Rose, after Frederick Sandys", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "26.7 cm x 21.25 cm (10 1/2 in. x 8 3/8 in.)", "Disp_Height" : "26.7 cm", "Disp_Width" : "21.25 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4277, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4277", "Disp_Access_No" : "G1966.2.66", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "Ernest Renan", "Alt_Title" : "", "Obj_Title" : "Ernest Renan", "Series_Title" : "", "Disp_Maker_1" : "Anders Leonard Zorn", "Sort_Artist" : "Zorn, Anders Leonard", "Disp_Dimen" : "34.6 cm x 48.5 cm (13 5/8 in. x 19 1/8 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "48.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Zorn’s stark portrait marked the death of an intellectual who had done much to secularize France. Renan (1823-1892) was born to a Breton woman, raised Catholic, and educated in seminaries with the intention of becoming a priest. The more he learned of his faith, however, the more doubtful of it he became. Renan was best known for his book The Life of Christ, a positivist biography of Jesus as an historical figure, which infuriated the Catholic Church. He was liberal in his politics and supported democratic forms of government. In 1882, he defined a nation as a group of people living together who “have done great things together and want to do more.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Swedish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.66.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.66.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.66.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.66.tif", "IsPrimary" : "1", "_SurrogateID" : "4942", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4284, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4284", "Disp_Access_No" : "2002.1964", "_AccNumSort1" : "", "Disp_Create_DT" : "1893", "_Disp_Start_Dat" : "1893", "_Disp_End_Date" : "1893", "Disp_Title" : "Alphonse Daudet", "Alt_Title" : "", "Obj_Title" : "Alphonse Daudet", "Series_Title" : "", "Disp_Maker_1" : "Eugène Carrière", "Sort_Artist" : "Carrière, Eugène", "Disp_Dimen" : "50.5 cm x 39 cm (19 7/8 in. x 15 3/8 in.)", "Disp_Height" : "50.5 cm", "Disp_Width" : "39 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Carrière trained first as a commercial lithographer, then studied at the Ecole des Beaux-Arts. After three failed attempts at winning the Prix de Rome, he abandoned the official art establishment. He met Symbolist writers and developed a style of painting and printmaking that was equivalent to their evocative and dreamlike manner in literature. This is the first in a series of portrait prints depicting his contemporaries. Working with tusche -- ink brushed onto the lithographic stone -- he scraped and scratched the surface to achieve a form that simultaneously emerges from and dissolves into the velvety ground. Alphonse Daudet (1840-1897) was a novelist often compared with the British author Charles Dickens. His Christ-like features were not lost on the writer and critic Edmond de Goncourt (1822-1896), who called it “A portrait of Daudet crucified.” . ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1964.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1964.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1964.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1964.tif", "IsPrimary" : "1", "_SurrogateID" : "1878", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4290, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4290", "Disp_Access_No" : "1992.310", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "Paolo Salviati, No. 5 in North Italian Set", "Alt_Title" : "", "Obj_Title" : "Paolo Salviati, No. 5 in North Italian Set", "Series_Title" : "", "Disp_Maker_1" : "Sir David Young Cameron", "Sort_Artist" : "Cameron, Sir David Young", "Disp_Dimen" : "36.2 cm x 22.4 cm (14 1/4 in. x 8 13/16 in.)", "Disp_Height" : "36.2 cm", "Disp_Width" : "22.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1992", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Scottish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4292, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4292", "Disp_Access_No" : "G1964.1.177", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "R. Jackson: Picture Dealer & Printseller", "Alt_Title" : "", "Obj_Title" : "R. Jackson: Picture Dealer & Printseller", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "7.6 cm x 11.4 cm (3 in. x 4 1/2 in.)", "Disp_Height" : "7.6 cm", "Disp_Width" : "11.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Line engraving", "Support" : "", "Disp_Medium" : "Line engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4293", "Disp_Access_No" : "G1966.2.89", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "Paul Verlaine II, from Pan", "Alt_Title" : "", "Obj_Title" : "Paul Verlaine II, from Pan", "Series_Title" : "", "Disp_Maker_1" : "Anders Leonard Zorn", "Sort_Artist" : "Zorn, Anders Leonard", "Disp_Dimen" : "37.1 cm x 27.6 cm (14 5/8 in. x 10 7/8 in.)", "Disp_Height" : "37.1 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Verlaine was a recognized leader of Symbolism, and his blatant, extra-marital, affair with poet Arthur Rimbaud epitomized the decadent lifestyle. After their violent break-up and an eighteen-month jail sentence, Verlaine converted to Catholicism. His behavior in public, however, remained eccentric. His poetry in the 1890s was highly erotic and many of his earlier works were celebrated in new editions and anthologies. In 1894 his colleagues named him the “Prince of Poets,” two years before his death at the age of 52.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Swedish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.89.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.89.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.89.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.89.tif", "IsPrimary" : "1", "_SurrogateID" : "4943", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4295, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4295", "Disp_Access_No" : "2000.125", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "Etienne Chevalier with Saint Etienne, after Jean Fouquet", "Alt_Title" : "", "Obj_Title" : "Etienne Chevalier with Saint Etienne, after Jean Fouquet", "Series_Title" : "", "Disp_Maker_1" : "François Eugène Burney", "Sort_Artist" : "Burney, François Eugène", "Disp_Dimen" : "27 cm x 23.9 cm (10 5/8 in. x 9 7/16 in.)", "Disp_Height" : "27 cm", "Disp_Width" : "23.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4311, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4311", "Disp_Access_No" : "G1964.1.89", "_AccNumSort1" : "", "Disp_Create_DT" : "1897", "_Disp_Start_Dat" : "1897", "_Disp_End_Date" : "1897", "Disp_Title" : "William Shakespeare...Poeta Philosophus, Actor", "Alt_Title" : "", "Obj_Title" : "William Shakespeare...Poeta Philosophus, Actor", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "35.85 cm x 23.15 cm (14 1/8 in. x 9 1/8 in.)", "Disp_Height" : "35.85 cm", "Disp_Width" : "23.15 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. 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"Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8391, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8391", "Disp_Access_No" : "1990.14", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Prince Pomponius de Bellieure, Senator, after Charles Le Brun", "Alt_Title" : "", "Obj_Title" : "Prince Pomponius de Bellieure, Senator, after Charles Le Brun", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil", "Sort_Artist" : "Nanteuil, Robert", "Disp_Dimen" : 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"Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8397, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8397", "Disp_Access_No" : "1998.351", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Pope Alexander VII", "Alt_Title" : "", "Obj_Title" : "Pope Alexander VII", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Visscher", "Sort_Artist" : "Visscher, Cornelis", "Disp_Dimen" : "33.3 cm x 25.7 cm (13 1/8 in. x 10 1/8 in.)", "Disp_Height" : "33.3 cm", "Disp_Width" : "25.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", 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