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13422, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13422", "Disp_Access_No" : "2002.2214.10/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1587", "_Disp_Start_Dat" : "1587", "_Disp_End_Date" : "1587", "Disp_Title" : "Treasurer, plate 10 from Officers and Soldiers, after Hendrick Goltzius", "Alt_Title" : "", "Obj_Title" : "Treasurer, plate 10 from Officers and Soldiers, after Hendrick Goltzius", "Series_Title" : "", "Disp_Maker_1" : "Jacques de Gheyn II", "Sort_Artist" : "Gheyn II, Jacques de", "Disp_Dimen" : "21.7 cm x 16.1 cm (8 9/16 in. x 6 5/16 in.)", "Disp_Height" : "21.7 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2214.10-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2214.10-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2214.10-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2214.10-12.tif", "IsPrimary" : "1", "_SurrogateID" : "4996", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13423, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13423", "Disp_Access_No" : "2002.2214.4/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1587", "_Disp_Start_Dat" : "1587", "_Disp_End_Date" : "1587", "Disp_Title" : "Standard-Bearer, plate 4 from Officers and Soldiers, after Hendrick Goltzius", "Alt_Title" : "", "Obj_Title" : "Standard-Bearer, plate 4 from Officers and Soldiers, after Hendrick Goltzius", "Series_Title" : "", "Disp_Maker_1" : "Jacques de Gheyn II", "Sort_Artist" : "Gheyn II, Jacques de", "Disp_Dimen" : "22.1 cm x 16.3 cm (8 11/16 in. x 6 7/16 in.)", "Disp_Height" : "22.1 cm", "Disp_Width" : "16.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2214.4-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2214.4-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2214.4-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2214.4-12.tif", "IsPrimary" : "1", 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domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2214.12-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2214.12-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2214.12-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2214.12-12.tif", "IsPrimary" : "1", "_SurrogateID" : "4997", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14280, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14280", "Disp_Access_No" : "2001.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "The Samaritan", "Alt_Title" : "", "Obj_Title" : "The Samaritan", "Series_Title" : "", "Disp_Maker_1" : 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"", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14624, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14624", "Disp_Access_No" : "1988.4", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Ca-Lou, 1969: Firing the One O Six", "Alt_Title" : "", "Obj_Title" : "Ca-Lou, 1969: Firing the One O Six", "Series_Title" : "", "Disp_Maker_1" : "David Smith", "Sort_Artist" : "Smith, David", "Disp_Dimen" : "43.2 cm x 25.2 cm (17 in. x 9 15/16 in.)", "Disp_Height" : "43.2 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "Board", "Medium" : "Egg tempera, aluminum and gold leaf on board", "Support" : "Board", "Disp_Medium" : "Egg tempera, aluminum and gold leaf on board on Board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1988", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American 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(43 3/8 in. x 34 3/8 in.)", "Disp_Height" : "110.2 cm", "Disp_Width" : "87.3 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.85.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.85.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.85.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.85.tif", "IsPrimary" : "1", "_SurrogateID" : "1334", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14826, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14826", "Disp_Access_No" : "1985.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "Troops on Review", "Alt_Title" : "", "Obj_Title" : "Troops on Review", "Series_Title" : "", "Disp_Maker_1" : "Frank Freed", "Sort_Artist" : "Freed, Frank", "Disp_Dimen" : "61.1 cm x 51.1 cm (24 1/16 in. x 20 1/8 in.)", "Disp_Height" : "61.1 cm", "Disp_Width" : "51.1 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1985", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.64.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.64.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.64.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.64.tif", "IsPrimary" : "1", "_SurrogateID" : "3400", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14959", "Disp_Access_No" : "1983.124", "_AccNumSort1" : "", "Disp_Create_DT" : "650 BCE-600 BCE", "_Disp_Start_Dat" : "650 BCE", "_Disp_End_Date" : "600 BCE", "Disp_Title" : "Belt", "Alt_Title" : "", "Obj_Title" : "Belt", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "116.8 cm (46 in.)", "Disp_Height" : "116.8 cm", "Disp_Width" : "", "Dimen_Extent" : "Original length", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "The object originates from the ancient culture of Urartu that flourished in present-day Armenia from about 860 BCE to 590 BCE. The Urartians excelled in metalwork, the best examples of which are found in belts like the work presented here. These wide bronze strips were probably sewn to a leather backing and worn as personal decoration. The Blanton’s belt features three horizontal rows of animals and human figures. A chariot with two horses and two figures chases a springing lion, which chases a mounted figure carrying a spear, which chases a galloping bull, which chases a mounted figure carrying a shield. Animal motifs like these inspired ancient Greek art during the eighth and seventh centuries BCE.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1983", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Urartia", "Department" : "", "Obj_Name" : "", "Period" : "ancient", "Style" : "", "Edition" : "", "Curator" : "Very cool, Assyrian-looking belt. (FC:jb 5/8/15) It needs to be on a rotating base. Current mount is flimsy. Interactive software near display case might be helpful. Lighting is key for the display of this work. 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"Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.803.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.803.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.803.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.803.tif", "IsPrimary" : "1", "_SurrogateID" : "5864", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16006, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16006", "Disp_Access_No" : "2017.907", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1560-62", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Minerva (recto and verso)", "Alt_Title" : "", "Obj_Title" : "Minerva (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Castello, called Bergamasco", "Sort_Artist" : "Bergamasco, Giovanni Battista Castello, called", "Disp_Dimen" : "20.6 cm x 13.9 cm (8 1/8 in. x 5 1/2 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "13.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk", "Info_Page_Comm" : "During the 1560s, Bergamasco collaborated so closely and constantly with Genoa’s most advanced native artist, Luca Cambiaso, and they so influenced one another that their styles in painting and drawing can be difficult to distinguish. Similar to a motif in the decoration of the Palazzo Imperiale di piazza Campetto, this study evinces that collaboration and influence in its swift and approximative calligraphy.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/156.1999_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/156.1999_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/156.1999_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/156.1999_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "3297", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.907-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.907-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.907-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.907-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6451", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16059, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16059", "Disp_Access_No" : "2017.1396", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Head of a Warrior", "Alt_Title" : "", "Obj_Title" : "The Head of a Warrior", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Battista", "Disp_Dimen" : "23.81 cm x 17.46 cm (9 3/8 in. x 6 7/8 in.)", "Disp_Height" : "23.81 cm", "Disp_Width" : "17.46 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red and white chalks on blue paper", "Support" : "", "Disp_Medium" : "Red and white chalks on blue paper", "Info_Page_Comm" : "Fifteenth century Italian painter and writer Cennino Cennini wrote: “To approach the glory of painting . . . start by taking up a system of drawing on tinted paper.” Three hundred years later artists continued to follow Cennini’s advice. They commonly drew with black, red, and white chalks on a variety of colored papers, allowing them to model forms in light and dark. With the color of paper as a backdrop, drawings in this manner exhibit the light, volume, and texture of paintings. Giovanni Battista Tiepolo’s sinuous and rhythmic lines of red and white cause The Head of a Warrior to emerge slowly. Only after recognizing the old warrior’s plumed helmet do we see the delicate and somewhat faded lines of his face coalesce into his upward-looking gaze.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1396.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1396.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1396.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1396.tif", "IsPrimary" : "1", "_SurrogateID" : "5837", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16110, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16110", "Disp_Access_No" : "2017.881", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1710", "_Disp_Start_Dat" : "1705", "_Disp_End_Date" : "1715", "Disp_Title" : "The Battle of the River Graniscus", "Alt_Title" : "", "Obj_Title" : "The Battle of the River Graniscus", "Series_Title" : "", "Disp_Maker_1" : "Martino Altomonte", "Sort_Artist" : "Altomonte, Martino", "Disp_Dimen" : "27.15 cm x 29.21 cm (10 11/16 in. x 11 1/2 in.)", "Disp_Height" : "27.15 cm", "Disp_Width" : "29.21 cm", "Dimen_Extent" : "Sheet", "Medium" : "pen and brown ink with brush and gray and brown washes", "Support" : "", "Disp_Medium" : "pen and brown ink with brush and gray and brown washes", "Info_Page_Comm" : "Trained in Rome with Baciccio, Altomonte worked first at the court of Poland, then from 1699 at Vienna. His many religious works and secular projects were important in bringing High Baroque style to Austria. This study for a ceiling painting is characteristic in function and style. It was probably a preparatory study for a canvas depicting the first major battle between Alexander and the Persians, part of Altomonte’s decoration of the residence of the prince-bishop at Salzburg. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.881.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.881.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.881.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.881.tif", "IsPrimary" : "1", "_SurrogateID" : "5664", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16120, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16120", "Disp_Access_No" : "2017.1081", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Continence of Scipio", "Alt_Title" : "", "Obj_Title" : "Continence of Scipio", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo De Ferrari", "Sort_Artist" : "De Ferrari, Lorenzo", "Disp_Dimen" : "27.8 cm x 20.9 cm (10 15/16 in. x 8 1/4 in.)", "Disp_Height" : "27.8 cm", "Disp_Width" : "20.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: Black chalk on cream antique laid paper Verso: Preparatory Sketch for the Continence of Scipio, in chalk", "Support" : "", "Disp_Medium" : "Recto: Black chalk on cream antique laid paper Verso: Preparatory Sketch for the Continence of Scipio, in chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1081.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1081.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1081.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1081.tif", "IsPrimary" : "1", "_SurrogateID" : "5778", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16153, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16153", "Disp_Access_No" : "2017.1123", "_AccNumSort1" : "", "Disp_Create_DT" : "1773", "_Disp_Start_Dat" : "1773", "_Disp_End_Date" : "1773", "Disp_Title" : "The Reconciliation of the Romans and Sabines, after Peter Paul Rubens", "Alt_Title" : "The Battle of Maxentius, after Peter Paul Rubens", "Obj_Title" : "The Reconciliation of the Romans and Sabines, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Jean-Honoré Fragonard", "Sort_Artist" : "Fragonard, Jean-Honoré", "Disp_Dimen" : "29.21 cm x 43.82 cm (11 1/2 in. x 17 1/4 in.)", "Disp_Height" : "29.21 cm", "Disp_Width" : "43.82 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brown wash and black chalk on antique laid paper, the corners cropped on paper", "Support" : "", "Disp_Medium" : "Brown wash and black chalk on antique laid paper, the corners cropped on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1123.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1123.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1123.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1123.tif", "IsPrimary" : "1", "_SurrogateID" : "4271", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16220, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16220", "Disp_Access_No" : "2017.1386", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1590s", "_Disp_Start_Dat" : "1585", "_Disp_End_Date" : "1595", "Disp_Title" : "Augustus and the Tiburtine Sibyl", "Alt_Title" : "", "Obj_Title" : "Augustus and the Tiburtine Sibyl", "Series_Title" : "", "Disp_Maker_1" : "Antonio Tempesta", "Sort_Artist" : "Tempesta, Antonio", "Disp_Dimen" : "35.1 cm x 25.5 cm (13 13/16 in. x 10 1/16 in.)", "Disp_Height" : "35.1 cm", "Disp_Width" : "25.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper", "Info_Page_Comm" : "The combination of complicated construction, formulaic elegance, and incipient narrative clarity identify this drawing as the effort of a progressive Tuscan artist, grounded in the graphic style of Vasari but persuaded by the reforms of Santi di Tito and Passignano. The rhythms, however, are sufficiently intricate, the types stylized, and the application of wash ornamental that the style is best referred to late-century Rome, where numerous Florentine artists gravitated after the elec-tion of the Aldobrandini pope, Clement VIII, and assimilated elements of the draftsmanship of the Zuccari. A similar admixture is found in certain drawings by one such artist, Agostino Ciampelli, and, with a comparably heavy touch and insistent hatching, in many by the prolific etcher Tempesta. In any case, the drawing is a very good example of late Tuscan Mannerism on the cusp of the Ba-roque", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1386.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1386.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1386.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1386.tif", "IsPrimary" : "1", "_SurrogateID" : "4204", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16246, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16246", "Disp_Access_No" : "2017.1328", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Queen before a Warrior at a Port", "Alt_Title" : "", "Obj_Title" : "A Queen before a Warrior at a Port", "Series_Title" : "", "Disp_Maker_1" : "Antonio Puglieschi", "Sort_Artist" : "Puglieschi, Antonio", "Disp_Dimen" : "38.1 cm x 52.07 cm (15 in. x 20 1/2 in.)", "Disp_Height" : "38.1 cm", "Disp_Width" : "52.07 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and grey wash, heightened with white, over black chalk on blue", "Support" : "", "Disp_Medium" : "Pen and brown ink and grey wash, heightened with white, over black chalk on blue", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 16258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16258", "Disp_Access_No" : "2017.1179", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650-1699", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1699", "Disp_Title" : "A Warrior Amid Classical Ruins", "Alt_Title" : "", "Obj_Title" : "A Warrior Amid Classical Ruins", "Series_Title" : "", "Disp_Maker_1" : "Circle of Daniel Hallé", "Sort_Artist" : "Hallé, Circle of Daniel", "Disp_Dimen" : "39.37 cm x 27.94 cm (15 1/2 in. x 11 in.)", "Disp_Height" : "39.37 cm", "Disp_Width" : "27.94 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk and brown wash heightened with white on brown laid paper", "Support" : "", "Disp_Medium" : "Black chalk and brown wash heightened with white on brown laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1179.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1179.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1179.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1179.tif", "IsPrimary" : "1", "_SurrogateID" : "3091", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1179-verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1179-verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1179-verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1179-verso.tif", "IsPrimary" : "0", "_SurrogateID" : "5388", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16295, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16295", "Disp_Access_No" : "2017.1027", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Allegory of Victory", "Alt_Title" : "", "Obj_Title" : "Allegory of Victory", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Sigismundo Caula", "Sort_Artist" : "Caula, Attributed to Sigismundo", "Disp_Dimen" : "43 cm x 29.2 cm (16 15/16 in. x 11 1/2 in.)", "Disp_Height" : "43 cm", "Disp_Width" : "29.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk and pen and brown ink with brush and brown wash and white heightening on brown antique laid paper", "Support" : "", "Disp_Medium" : "Black chalk and pen and brown ink with brush and brown wash and white heightening on brown antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1027.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1027.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1027.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1027.tif", "IsPrimary" : "1", "_SurrogateID" : "5875", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16307, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16307", "Disp_Access_No" : "2017.914", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "Christ on the Road to Calvary", "Alt_Title" : "", "Obj_Title" : "Christ on the Road to Calvary", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Ambrogio Bevilacqua", "Sort_Artist" : "Bevilacqua, Attributed to Giovanni Ambrogio", "Disp_Dimen" : "44.5 cm x 21.6 cm (17 1/2 in. x 8 1/2 in.)", "Disp_Height" : "44.5 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Tempera on wood panel", "Support" : "", "Disp_Medium" : "Tempera on wood panel", "Info_Page_Comm" : "If not a significant agent in the development of Milanese painting, Bevilacqua does epitomize the complicated situation of that school at the close of the 15th century. On the one hand, through appropriations from more innovative compatriots like Foppa and Bergognone, his style reflects a wide range of progressive elements, from the leading painter in North Italy, Mantegna, to early Netherlandish painting. On the other, these appropriations are subsumed by the school’s traditional concerns with rich decoration and material splendor, and there is no sign of the influence of long-time resident Leonardo da Vinci. Praised by the early chroniclers of Milanese painting, Bevilacqua was nearly forgotten until his rediscovery as a coherent personality in recent decades. This panel confirms a painter of conservative cast but narrative gift and considerable refinement. The only example of his work in this country, it must have been served as part of a portable altarpiece for private devotion. 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