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Steinberg’s six etchings by Claude are of a quality now unobtainable.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.385.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.385.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.385.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.385.tif", "IsPrimary" : "1", "_SurrogateID" : "2051", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2663, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2663", "Disp_Access_No" : "2002.455", "_AccNumSort1" : "", "Disp_Create_DT" : "1635", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1635", "Disp_Title" : "Jésus prêche sur le bord de la mer [Jesus Preaches on the Edge of the Sea], from Le Nouveau Testament [The New Testament]", "Alt_Title" : "", "Obj_Title" : "Jésus prêche sur le bord de la mer [Jesus Preaches on the Edge of the Sea], from Le Nouveau Testament [The New Testament]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "5.9 cm x 8.3 cm (2 5/16 in. x 3 1/4 in.)", "Disp_Height" : "5.9 cm", "Disp_Width" : "8.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.455.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.455.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.455.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.455.tif", "IsPrimary" : "1", "_SurrogateID" : "6152", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2726, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2726", "Disp_Access_No" : "2002.2446", "_AccNumSort1" : "", "Disp_Create_DT" : "1643", "_Disp_Start_Dat" : "1643", "_Disp_End_Date" : "1643", "Disp_Title" : "The Cabriolet", "Alt_Title" : "", "Obj_Title" : "The Cabriolet", "Series_Title" : "", "Disp_Maker_1" : "Gerrit Claesz Bleker", "Sort_Artist" : "Bleker, Gerrit Claesz", "Disp_Dimen" : "19.7 cm x 29.5 cm (7 3/4 in. x 11 5/8 in.)", "Disp_Height" : "19.7 cm", "Disp_Width" : "29.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Cabriolet is especially engaging as a measured, dignified presentation of a humble means of transportation and of peasants in proud relation to their terrains. The print is also an early example of figures and animals in particular –– both the horse and the cattle in the background –– given prominence over the forms and personality of the landscape. Perhaps inspired by Bleker, Paul Potter would specialize in etchings that focused on such stolid creatures, establishing a genre of Dutch and later European printmaking", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2446.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2446.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2446.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2446.tif", "IsPrimary" : "1", "_SurrogateID" : "1945", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2753, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2753", "Disp_Access_No" : "2002.1204", "_AccNumSort1" : "", "Disp_Create_DT" : "1647", "_Disp_Start_Dat" : "1647", "_Disp_End_Date" : "1647", "Disp_Title" : "Nauis Bellica Hollandica (Dutch Warship), from Nauium Variae Figurae et Formae", "Alt_Title" : "", "Obj_Title" : "Nauis Bellica Hollandica (Dutch Warship), from Nauium Variae Figurae et Formae", "Series_Title" : "", "Disp_Maker_1" : "Wenzel Hollar", "Sort_Artist" : "Hollar, Wenzel", "Disp_Dimen" : "14.4 cm x 23.3 cm (5 11/16 in. x 9 3/16 in.)", "Disp_Height" : "14.4 cm", "Disp_Width" : "23.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Bohemian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3015", "Disp_Access_No" : "1992.285", "_AccNumSort1" : "", "Disp_Create_DT" : "1689", "_Disp_Start_Dat" : "1689", "_Disp_End_Date" : "1689", "Disp_Title" : "Reception of Her Royal Highness the Princess of Orange as Queen of Great Britain", "Alt_Title" : "", "Obj_Title" : "Reception of Her Royal Highness the Princess of Orange as Queen of Great Britain", "Series_Title" : "", "Disp_Maker_1" : "Romeyn de Hooghe", "Sort_Artist" : "Hooghe, Romeyn de", "Disp_Dimen" : "47.6 cm x 57 cm (18 3/4 in. x 22 7/16 in.)", "Disp_Height" : "47.6 cm", "Disp_Width" : "57 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with engraving", "Support" : "", "Disp_Medium" : "Etching with engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1992", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.285.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.285.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.285.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.285.tif", "IsPrimary" : "1", "_SurrogateID" : "8952", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3464, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3464", "Disp_Access_No" : "2002.1094", "_AccNumSort1" : "", "Disp_Create_DT" : "1761", "_Disp_Start_Dat" : "1761", "_Disp_End_Date" : "1761", "Disp_Title" : "Sailboat, after Saftleven", "Alt_Title" : "", "Obj_Title" : "Sailboat, after Saftleven ", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Ploos van Amstel", "Sort_Artist" : "Ploos van Amstel, Cornelis", "Disp_Dimen" : "9.1 cm x 6.4 cm (3 9/16 in. x 2 1/2 in.)", "Disp_Height" : "9.1 cm", "Disp_Width" : "6.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching, aquatint and mezzotint", "Support" : "", "Disp_Medium" : "Etching, aquatint and mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3465, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3465", "Disp_Access_No" : "2002.1095", "_AccNumSort1" : "", "Disp_Create_DT" : "1761", "_Disp_Start_Dat" : "1761", "_Disp_End_Date" : "1761", "Disp_Title" : "A Boatyard, after Saftleven", "Alt_Title" : "", "Obj_Title" : "A Boatyard, after Saftleven", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Ploos van Amstel", "Sort_Artist" : "Ploos van Amstel, Cornelis", "Disp_Dimen" : "9.1 cm x 6.4 cm (3 9/16 in. x 2 1/2 in.)", "Disp_Height" : "9.1 cm", "Disp_Width" : "6.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching, aquatint and mezzotint", "Support" : "", "Disp_Medium" : "Etching, aquatint and mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3617, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3617", "Disp_Access_No" : "1985.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1775", "_Disp_Start_Dat" : "1775", "_Disp_End_Date" : "1775", "Disp_Title" : "Landscape with Rape of Europa, no. 111 from Liber Veritatis, after Claude Lorrain", "Alt_Title" : "", "Obj_Title" : "Landscape with Rape of Europa, no. 111 from Liber Veritatis, after Claude Lorrain", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "28.5 cm x 43.2 cm (11 1/4 in. x 17 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "43.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "The Liber Veritatis [Book of Truth] is an album of drawings Claude Lorrain (1604-1682) created to document his own paintings and combat the already prevalent forgeries of his work. In England in the 1770s, printmaker Earlom reproduced the Liber Veritatis as a series of mezzotints, approximating the quality of light and variegated tones and textures of the master’s drawings. The publication and distribution of the French artist’s designs proved seminal to the British landscape school.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.29.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.29.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.29.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.29.tif", "IsPrimary" : "1", "_SurrogateID" : "5470", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3808, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3808", "Disp_Access_No" : "2000.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1820", "_Disp_Start_Dat" : "1820", "_Disp_End_Date" : "1820", "Disp_Title" : "The Shipwreck of the Medusa", "Alt_Title" : "", "Obj_Title" : "The Shipwreck of the Medusa", "Series_Title" : "", "Disp_Maker_1" : "Jean-Louis-Andre-Théodore Géricault and Nicolas-Toussaint Charlet", "Sort_Artist" : "Géricault and Nicolas-Toussaint Charlet, Jean-Louis-Andre-Théodore", "Disp_Dimen" : "17.5 cm x 24.7 cm (6 7/8 in. x 9 3/4 in.)", "Disp_Height" : "17.5 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Provoked by the wreck of a French naval vessel and the loss of most of her crew, The Shipwreck of the Medusa is Géricault most ambitious work and a landmark of early modern painting. In 1820 Géricault took this monumental canvas to England for a traveling exhibition. As part of the promotional effort, he collaborated with the accomplished early lithographer Charlet to produce for visitors this small-scale reproduction of the painting. If modest as an example of early lithography, the print is a fascinating precursor of the contemporary poster and postcard as an exhibition souvenir. Because of its more ephemeral nature and function, it is today an uncommon print. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.19.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.19.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.19.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.19.tif", "IsPrimary" : "1", "_SurrogateID" : "4059", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3874, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3874", "Disp_Access_No" : "2002.1961", "_AccNumSort1" : "", "Disp_Create_DT" : "1833", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1833", "Disp_Title" : "Radoub d'une Barque à Marée Basse [Repair of a Ship at Low Tide], plate 4 from Six Marines [Six Marine Views]", "Alt_Title" : "", "Obj_Title" : "Radoub d'une Barque à Marée Basse [Repair of a Ship at Low Tide], plate 4 from Six Marines [Six Marine Views]", "Series_Title" : "", "Disp_Maker_1" : "Eugène Isabey", "Sort_Artist" : "Isabey, Eugène", "Disp_Dimen" : "34.4 cm x 26.7 cm (13 9/16 in. x 10 1/2 in.)", "Disp_Height" : "34.4 cm", "Disp_Width" : "26.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3996, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3996", "Disp_Access_No" : "P1961.71", "_AccNumSort1" : "", "Disp_Create_DT" : "1879", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1879", "Disp_Title" : "The 'Adam and Eve,' Old Chelsea, from The Thames Set", "Alt_Title" : "", "Obj_Title" : "The 'Adam and Eve,' Old Chelsea, from The Thames Set", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "21.8 cm x 33 cm (8 9/16 in. x 13 in.)", "Disp_Height" : "21.8 cm", "Disp_Width" : "33 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.71.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.71.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.71.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.71.tif", "IsPrimary" : "1", "_SurrogateID" : "3946", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3997, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3997", "Disp_Access_No" : "1989.159", "_AccNumSort1" : "", "Disp_Create_DT" : "1859", "_Disp_Start_Dat" : "1859", "_Disp_End_Date" : "1859", "Disp_Title" : "Billingsgate", "Alt_Title" : "", "Obj_Title" : "Billingsgate", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "17.7 cm x 24.8 cm (6 15/16 in. x 9 3/4 in.)", "Disp_Height" : "17.7 cm", "Disp_Width" : "24.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.159.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.159.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.159.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.159.tif", "IsPrimary" : "1", "_SurrogateID" : "8306", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4000, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4000", "Disp_Access_No" : "2000.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1860", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1860", "Disp_Title" : "Rotherhithe, from 16 Etchings or The Thames Set", "Alt_Title" : "", "Obj_Title" : "Rotherhithe, from 16 Etchings or The Thames Set", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "36.5 cm x 23.6 cm (14 3/8 in. x 9 5/16 in.)", "Disp_Height" : "36.5 cm", "Disp_Width" : "23.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "Shortly after settling in London in 1859, Whistler created his second series of etchings, the sixteen plates that would be published in 1871 as “The Thames Set”. Recording vignettes along the river, these plates were realist in subject and naturalistic in conventions going back 17th-century Dutch etching and recently revitalized by etchers like Meryon and Bracquemond in Paris. They became the virtual constitution of the Etching Revival in England and the United States. Rotherhithe is the largest and most complex plate in the Set. The informal subject, mixing harbor view and genre scene, is typical. The composition, however, is unusual in its proportions, cropping, and divisions, which diminish any conventional middleground and emphasize the perimeter. These indicate Whistler’s awareness of Japanese prints as well as photography, and predict the modernist character of his later etchings. This impression is distinguished by rich plate tone that gives the sky weight, meticulous wiping that makes the horizon luminous, and dark brown ink that warms the entire scene. Likely printed by Eugène Delâtre, a great exponent of individuality in impressions, it is perhaps the finest in existence. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, with a matching contribution from Julia Wilkinson, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.45.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.45.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.45.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.45.tif", "IsPrimary" : "1", "_SurrogateID" : "4063", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4004, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4004", "Disp_Access_No" : "1998.156", "_AccNumSort1" : "", "Disp_Create_DT" : "1861", "_Disp_Start_Dat" : "1861", "_Disp_End_Date" : "1861", "Disp_Title" : "Le Bateau-atelier, from Voyage en bateau [The Voyage by Boat]", "Alt_Title" : "", "Obj_Title" : "Le Bateau-atelier, from Voyage en bateau [The Voyage by Boat]", "Series_Title" : "", "Disp_Maker_1" : "Charles-François Daubigny", "Sort_Artist" : "Daubigny, Charles-François", "Disp_Dimen" : "19.7 cm x 24.7 cm (7 3/4 in. x 9 3/4 in.)", "Disp_Height" : "19.7 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "One of the hallmarks of the Barbizon artists was their effort to capture the immediacy of their direct response to nature. In his series of sixteen prints from Voyage en bateau, characterized as an amusement for a small circle of friends, Daubigny recorded his trip down the Oise and Seine rivers. In 1857 he outfitted a small boat as a studio where he sketched some of his views, finishing them at a later date. Considered one of the "most remarkable" sheets in the album, this strongly backlit self-portrait was reprinted in contemporary monographs of the artist (1874, the year of the first Impressionist exhibition, and 1912) validating the Impressionists' firmly held belief in painting en plein air (outdoors).", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.156.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.156.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.156.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.156.tif", "IsPrimary" : "1", "_SurrogateID" : "4030", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4042, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4042", "Disp_Access_No" : "P1961.66", "_AccNumSort1" : "", "Disp_Create_DT" : "1866", "_Disp_Start_Dat" : "1866", "_Disp_End_Date" : "1866", "Disp_Title" : "Le Botin à Conflans (Le paysagiste en bateau)", "Alt_Title" : "", "Obj_Title" : "Le Botin à Conflans (Le paysagiste en bateau)", "Series_Title" : "", "Disp_Maker_1" : "Charles-François Daubigny", "Sort_Artist" : "Daubigny, Charles-François", "Disp_Dimen" : "26.7 cm x 35.2 cm (10 1/2 in. x 13 7/8 in.)", "Disp_Height" : "26.7 cm", "Disp_Width" : "35.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chine collé etching", "Support" : "", "Disp_Medium" : "Chine collé etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.66.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.66.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.66.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.66.tif", "IsPrimary" : "1", "_SurrogateID" : "2497", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4115, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4115", "Disp_Access_No" : "1998.281", "_AccNumSort1" : "", "Disp_Create_DT" : "1873", "_Disp_Start_Dat" : "1873", "_Disp_End_Date" : "1873", "Disp_Title" : "Bordeaux", "Alt_Title" : "", "Obj_Title" : "Bordeaux", "Series_Title" : "", "Disp_Maker_1" : "Maxime Lalanne", "Sort_Artist" : "Lalanne, Maxime", "Disp_Dimen" : "13.1 cm x 19 cm (5 3/16 in. x 7 1/2 in.)", "Disp_Height" : "13.1 cm", "Disp_Width" : "19 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.281.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.281.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.281.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.281.tif", "IsPrimary" : "1", "_SurrogateID" : "4518", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4143, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4143", "Disp_Access_No" : "1997.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1878", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1878", "Disp_Title" : "Nocturne: The River at Battersea", "Alt_Title" : "", "Obj_Title" : "Nocturne: The River at Battersea", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "28.2 cm x 37 cm (11 1/8 in. x 14 9/16 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithotint with scraping, printed in grayish-black ink on grayish-blue laid paper, mounted on wove paper", "Support" : "", "Disp_Medium" : "Lithotint with scraping, printed in grayish-black ink on grayish-blue laid paper, mounted on wove paper", "Info_Page_Comm" : "James McNeill Whistler spent much of his career working in London, whose dense urban landscapes were a frequent theme for this master of evocative realism. From his home in the riverside neighborhood of Chelsea, he could easily see the industrial tracts of Battersea on the opposite shore. During the 1870s he developed the type of image for which he became best known—the evening landscape, or nocturne—in scores of oil paintings and lithographs. Nocturne: The River at Battersea is among his first and most successful experiments in lithography, which allows both fluidity of expressionistic effects and the rendering of specific detail. Whistler and his printer, Thomas Way and Son, pushed the limits of lithography’s expressive potential when they developed the lithotint, a method that produces subtle areas of tone by applying a fine aerosol spray of lithographic ink directly on the stone. The atmospheric effects of this haunting image, in which buildings seem to reflect and dissolve in the dusky light, were enhanced by the new technique. Whistler’s use of a cool, blue-gray paper underscores the romantic mood of the scene, reinforcing its dreamlike quality and the musical allusions of its title. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.21.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.21.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.21.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.21.tif", "IsPrimary" : "1", "_SurrogateID" : "1679", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4163, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4163", "Disp_Access_No" : "G1964.1.154", "_AccNumSort1" : "", "Disp_Create_DT" : "1880", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1880", "Disp_Title" : "Limehouse Reach, Barge Building at Limehouse", "Alt_Title" : "", "Obj_Title" : "Limehouse Reach, Barge Building at Limehouse", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "33.35 cm x 47.9 cm (13 1/8 in. x 18 7/8 in.)", "Disp_Height" : "33.35 cm", "Disp_Width" : "47.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4164, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4164", "Disp_Access_No" : "G1964.1.155", "_AccNumSort1" : "", "Disp_Create_DT" : "1880", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1880", "Disp_Title" : "Limehouse Reach, Barge Building at Limehouse", "Alt_Title" : "", "Obj_Title" : "Limehouse Reach, Barge Building at Limehouse", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "27.65 cm x 51.4 cm (10 7/8 in. x 20 1/4 in.)", "Disp_Height" : "27.65 cm", "Disp_Width" : "51.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4182, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4182", "Disp_Access_No" : "1998.291", "_AccNumSort1" : "", "Disp_Create_DT" : "1881", "_Disp_Start_Dat" : "1881", "_Disp_End_Date" : "1881", "Disp_Title" : "Tour de Montalban, Amsterdam", "Alt_Title" : "", "Obj_Title" : "Tour de Montalban, Amsterdam", "Series_Title" : "", "Disp_Maker_1" : "Maxime Lalanne", "Sort_Artist" : "Lalanne, Maxime", "Disp_Dimen" : "28.8 cm x 43.9 cm (11 5/16 in. x 17 5/16 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "43.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.291.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.291.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.291.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.291.tif", "IsPrimary" : "1", "_SurrogateID" : "4501", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4186, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4186", "Disp_Access_No" : "G1964.1.157", "_AccNumSort1" : "", "Disp_Create_DT" : "1882", "_Disp_Start_Dat" : "1882", "_Disp_End_Date" : "1882", "Disp_Title" : "Limehouse, the Two Brewer's Inn", "Alt_Title" : "", "Obj_Title" : "Limehouse, the Two Brewer's Inn", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "25 cm x 50.1 cm (9 13/16 in. x 19 3/4 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "50.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4432, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4432", "Disp_Access_No" : "1981.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Splinter Beach", "Alt_Title" : "", "Obj_Title" : "Splinter Beach", "Series_Title" : "", "Disp_Maker_1" : "George Wesley Bellows", "Sort_Artist" : "Bellows, George Wesley", "Disp_Dimen" : "41.8 cm x 53.2 cm (16 7/16 in. x 20 15/16 in.)", "Disp_Height" : "41.8 cm", "Disp_Width" : "53.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "George Bellows was associated with the Ashcan School, a group of American painters that also included Robert Henri, John Sloan, and George Luks, who were committed to conveying the character of the new urban American experience through a nuanced realism. Best known for his paintings (the museum owns a remarkable seascape dating from 1913), Bellows began exploring the medium of lithography in 1916. Splinter Beach is one of his early lithographs, made with printer George C. Miller. The complex image presents a rare moment of leisure in these workers’ lives as, in various states of undress, they prepare for a swim on a stretch of urban river that was surely not meant for that purpose. Bellows juxtaposes this teeming—and timeless—figurative tableau against the contemporary engine of burgeoning commerce, literalized here by a boat forging through choppy waters. In the distance the new metropolis beckons: the engineering wonder of the Brooklyn Bridge and the new skyscrapers surrounding it. This was the future vision of America—dynamic, productive, ingenious—and the topic seems uniquely well suited to Bellows, a visionary man. 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"print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1392.8-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1392.8-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1392.8-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1392.8-8.tif", "IsPrimary" : "1", "_SurrogateID" : "7675", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12998, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12998", "Disp_Access_No" : "2002.1533", "_AccNumSort1" : "", "Disp_Create_DT" : "1836", "_Disp_Start_Dat" : "1836", "_Disp_End_Date" : "1836", "Disp_Title" : "Vue prise en angleterre [View Taken in England]", "Alt_Title" : "", "Obj_Title" : "Vue prise en angleterre [View Taken in England]", "Series_Title" : "", "Disp_Maker_1" : "Jules Dupré", "Sort_Artist" : "Dupré, Jules", "Disp_Dimen" : "21.4 cm x 28 cm (8 7/16 in. x 11 in.)", "Disp_Height" : "21.4 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Much influenced by Turner, Bonington, and Constable, whom he met in England, Dupré saw in nature a synchronicity between the eternal and the transitory – a theme that was later expanded by Charles Baudelaire and became the mantra of modernists. Like Constable, Dupré was interested in changing weather conditions and the shifting quality of light, but he was equally impressed by nature’s majesty and regarded trees as a mystical connection between earth and heaven.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1533.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1533.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1533.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1533.tif", "IsPrimary" : "1", "_SurrogateID" : "5423", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13087, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13087", "Disp_Access_No" : "2002.1697", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1581-1586", "_Disp_Start_Dat" : "1581", "_Disp_End_Date" : "1586", "Disp_Title" : "A Naumachia, plate 5, from the Speculum Romanae Magnificentiae [Mirror of Roman Magnificence]", "Alt_Title" : "", "Obj_Title" : "A Naumachia, plate 5, from the Speculum Romanae Magnificentiae [Mirror of Roman Magnificence]", "Series_Title" : "", "Disp_Maker_1" : "Etienne Dupérac", "Sort_Artist" : "Dupérac, Etienne", "Disp_Dimen" : "30.5 cm x 45.8 cm (12 in. x 18 1/16 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "45.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 13250, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13250", "Disp_Access_No" : "2002.2005", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Paul Shipwrecked (The Shipwreck of Saint Paul near Malta), after Dirk Barendsz", "Alt_Title" : "", "Obj_Title" : "Saint Paul Shipwrecked (The Shipwreck of Saint Paul near Malta), after Dirk Barendsz", "Series_Title" : "", "Disp_Maker_1" : "Herman Jansz Muller", "Sort_Artist" : "Muller, Herman Jansz", "Disp_Dimen" : "34.9 cm x 44.5 cm (13 3/4 in. x 17 1/2 in.)", "Disp_Height" : "34.9 cm", "Disp_Width" : "44.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 13536, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13536", "Disp_Access_No" : "2002.2397", "_AccNumSort1" : "", "Disp_Create_DT" : "1675-1704", "_Disp_Start_Dat" : "1675", "_Disp_End_Date" : "1704", "Disp_Title" : "September, from The Months", "Alt_Title" : "", "Obj_Title" : "September, from The Months", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Dusart", "Sort_Artist" : "Dusart, Cornelis", "Disp_Dimen" : "20 cm x 15.5 cm (7 7/8 in. x 6 1/8 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "15.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 13986, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13986", "Disp_Access_No" : "G1976.21.33", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1840-circa 1850", "_Disp_Start_Dat" : "1840", "_Disp_End_Date" : "1850", "Disp_Title" : "The First Ship", "Alt_Title" : "", "Obj_Title" : "The First Ship", "Series_Title" : "", "Disp_Maker_1" : "Joshua Shaw", "Sort_Artist" : "Shaw, Joshua", "Disp_Dimen" : "63.5 cm x 91.4 cm (25 in. x 36 in.)", "Disp_Height" : "63.5 cm", "Disp_Width" : "91.4 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "English", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.33.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.33.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.33.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.33.tif", "IsPrimary" : "1", "_SurrogateID" : "2483", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14225, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14225", "Disp_Access_No" : "G1964.27", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1955", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1960", "Disp_Title" : "After the Storm", "Alt_Title" : "", "Obj_Title" : "After the Storm", "Series_Title" : "", "Disp_Maker_1" : "Michael Frary", "Sort_Artist" : "Frary, Michael", "Disp_Dimen" : "122 cm x 152.3 cm (48 1/16 in. x 59 15/16 in.)", "Disp_Height" : "122 cm", "Disp_Width" : "152.3 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "Michael Frary spent the early part of his career working in the film industry in Los Angeles. In 1949, he moved to San Antonio, and then joined the faculty at The University of Texas Art Department in 1952. He held a full professorship from 1970 to 1989. His modernist style was strongly influenced by Cubism and Surrealism. Frary also had a keen eye for architecture, and loved to treat it with a blocky and reductive geometry, as he does here. Locally, he is best known for his watercolors and his devotion to the theme of the Texas landscape, as in his series Impressions of the The Big Thicket, Watercolors of the Rio Grande, and Impressions of the Texas Panhandle, each published as books by The University of Texas Press and Texas A&M University Press.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of D.D. Feldman, 1964", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.27.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.27.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.27.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.27.tif", "IsPrimary" : "1", "_SurrogateID" : "2300", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14437, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14437", "Disp_Access_No" : "1991.327", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Across the Tracks", "Alt_Title" : "", "Obj_Title" : "Across the Tracks", "Series_Title" : "", "Disp_Maker_1" : "Niles Spencer", "Sort_Artist" : "Spencer, Niles", "Disp_Dimen" : "90.8 x 125.4 cm (35 3/4 x 49 3/8 in.)", "Disp_Height" : "90.8 cm", "Disp_Width" : "125.4 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "An industrial complex appears frozen in utter silence and stillness. In Across the Tracks, Niles Spencer presents an industrial scene composed of simple geometric forms deriving from the cylinder and cube. The artist has removed all that is superfluous, which, along with his application of monochromatic grays and browns, shortens the painting’s field of depth", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.327.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.327.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.327.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.327.tif", "IsPrimary" : "1", "_SurrogateID" : "1572", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14500, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14500", "Disp_Access_No" : "1991.251", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Approaching Storm, Lane's Cove", "Alt_Title" : "", "Obj_Title" : "Approaching Storm, Lane's Cove", "Series_Title" : "", "Disp_Maker_1" : "Abraham Leon Kroll", "Sort_Artist" : "Kroll, Abraham Leon", "Disp_Dimen" : "66.8 cm x 107.4 cm (26 5/16 in. x 42 5/16 in.)", "Disp_Height" : "66.8 cm", "Disp_Width" : "107.4 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.251.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.251.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.251.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.251.tif", "IsPrimary" : "1", "_SurrogateID" : "1544", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14501, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14501", "Disp_Access_No" : "1991.250", "_AccNumSort1" : "", "Disp_Create_DT" : "1960", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1960", "Disp_Title" : "Captain and Crew", "Alt_Title" : "", "Obj_Title" : "Captain and Crew", "Series_Title" : "", "Disp_Maker_1" : "Karl Knaths", "Sort_Artist" : "Knaths, Karl", "Disp_Dimen" : "104.5 cm x 150.5 cm (41 1/8 in. x 59 1/4 in.)", "Disp_Height" : "104.5 cm", "Disp_Width" : "150.5 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.250.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.250.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.250.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.250.tif", "IsPrimary" : "1", "_SurrogateID" : "7340", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.250.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.250.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.250.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.250.mp3", "IsPrimary" : "0", "_SurrogateID" : "8507", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14509, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14509", "Disp_Access_No" : "1991.243", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Highball on the Redball Manifest", "Alt_Title" : "", "Obj_Title" : "Highball on the Redball Manifest", "Series_Title" : "", "Disp_Maker_1" : "Robert Indiana", "Sort_Artist" : "Indiana, Robert", "Disp_Dimen" : "152.4 cm x 127 cm (60 in. x 50 in.)", "Disp_Height" : "152.4 cm", "Disp_Width" : "127 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Robert Indiana has characterized the iconic text and numberfilled canvases he produced in the 1960s as paintings of “the American scene.” Indeed, their fonts and formats are reminiscent of quintessentially American subjects such as midcentury roadside signs, pinball machines, or roulette wheels. The large circle emblazoned on this canvas resembles the front of an old-fashioned steam train and contains stenciled letters with arcane locomotive terminology. Although Indiana’s paintings are visually arresting, the phrases he chooses are often more complex and layered than they initially appear. “Highball,” for example, refers to a signal used to start a train, usually given by lights or a hand gesture. It also refers to a cocktail served in a tall glass historically served on trains. Similarly, the number in the center—“25”—suggests the number of the train but may also serve as a nod to his address at the time: 25 Coenties Slip. While words have long been Indiana’s chosen medium, he only began to incorporate bold colors and hard edges into his paintings after a romantic relationship with artist Ellsworth Kelly. The two met in 1956 in New York when Kelly purchased a Matisse postcard that Indiana had displayed in the window of a store where he worked at the time. They subsequently became neighbors in a building on the Coenties Slip in the southeastern edge of lower Manhattan where a community of artists, including Agnes Martin and James Rosenquist, lived. Indiana later explained: "My painting life began with Ellsworth. Before Coenties Slip, I was aesthetically at sea. With Ellsworth, my whole life perspective changed. All of a sudden I was in the twentieth century. . . . I never thought about color until I knew Ellsworth.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. 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", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of the Eugene McDermott Foundation in honor of Barbara Duncan, 1981", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Uruguay", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "14375", "Rel_Obj_Title" : "Sueño de las alturas [Dream of the Heights]" },{ "Rel_Obj_ID" : "9573", "Rel_Obj_Title" : "Untitled" },{ "Rel_Obj_ID" : "5092", "Rel_Obj_Title" : "Composición [Composition]" },{ "Rel_Obj_ID" : "9989", "Rel_Obj_Title" : "Untitled" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.40.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.40.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.40.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.40.tif", "IsPrimary" : "1", "_SurrogateID" : "1194", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15063, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15063", "Disp_Access_No" : "1981.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "The Unending Story [Historia sin fin]", "Alt_Title" : "[Historia sin fin]", "Obj_Title" : "Historia sin fin [The Unending Story]", "Series_Title" : "", "Disp_Maker_1" : "Liliana Porter", "Sort_Artist" : "Porter, Liliana", "Disp_Dimen" : "158 cm x 214.7 cm (62 3/16 in. x 84 1/2 in.)", "Disp_Height" : "158 cm", "Disp_Width" : "214.7 cm", "Dimen_Extent" : "Sight", "Medium" : "Acrylic, silkscreen, drawing, and collage", "Support" : "canvas", "Disp_Medium" : "Acrylic, silkscreen, drawing, and collage on canvas", "Info_Page_Comm" : "Liliana Porter’s art is traversed by a deep concern for language, which shapes works like this one in unexpected ways. 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Nada se compara a la mierda de pato que me hiciste saborear a orillas de Rhin, from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Alt_Title" : "", "Obj_Title" : "¡...Oh dios!... Nada se compara a la mierda de pato que me hiciste saborear a orillas de Rhin, from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book ", "Series_Title" : "", "Disp_Maker_1" : "Tonel", "Sort_Artist" : "Tonel", "Disp_Dimen" : "40.5 cm x 29.7 cm (15 15/16 in. x 11 11/16 in.)", "Disp_Height" : "40.5 cm", "Disp_Width" : "29.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "This print from a series of lithographs grew out of the artist’s first experiences of winter as he traveled through Canada and Europe in the 1990s. In the artist’s own words, “Like the texts, the images (all self-portraits) speak of loss, mutilation, encounter, and rupture. The accompanying boleros—a form of Caribbean music intertwined with the lure and sleeplessness of erotic passion, requited or not—set up a virtually sonorous cultural counterpoint with the images of gray, wintry landscapes and bitter, frustrated figures. The bolero supplies a sugary sweet, abundantly smooth musical background to the sordid experiences and disagreements depicted here in hostile cities or messy rooms—locations marked by grotesque and tragic qualities—or in landscapes sketched under lead-gray clouds.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Fran Magee and Gallery 106, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Cuban", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.89.3-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.89.3-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.89.3-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.89.3-12.tif", "IsPrimary" : "1", "_SurrogateID" : "2958", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16867, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16867", "Disp_Access_No" : "2003.89.5/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "Free-Falling Vancouver-Havana, from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Alt_Title" : "", "Obj_Title" : "Free-Falling Vancouver-Havana, from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Series_Title" : "", "Disp_Maker_1" : "Tonel", "Sort_Artist" : "Tonel", "Disp_Dimen" : "42.2 cm x 29.5 cm (16 5/8 in. x 11 5/8 in.)", "Disp_Height" : "42.2 cm", "Disp_Width" : "29.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "This print from a series of lithographs grew out of the artist’s first experiences of winter as he traveled through Canada and Europe in the 1990s. In the artist’s own words, “Like the texts, the images (all self-portraits) speak of loss, mutilation, encounter, and rupture. The accompanying boleros—a form of Caribbean music intertwined with the lure and sleeplessness of erotic passion, requited or not—set up a virtually sonorous cultural counterpoint with the images of gray, wintry landscapes and bitter, frustrated figures. The bolero supplies a sugary sweet, abundantly smooth musical background to the sordid experiences and disagreements depicted here in hostile cities or messy rooms—locations marked by grotesque and tragic qualities—or in landscapes sketched under lead-gray clouds.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Fran Magee and Gallery 106, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Cuban", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.89.5-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.89.5-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.89.5-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.89.5-12.tif", "IsPrimary" : "1", "_SurrogateID" : "2960", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16916, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16916", "Disp_Access_No" : "2003.111", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "Elbe Landscape with Ships", "Alt_Title" : "", "Obj_Title" : "Elbe Landscape with Ships", "Series_Title" : "", "Disp_Maker_1" : "Ernst Ludwig Kirchner", "Sort_Artist" : "Kirchner, Ernst Ludwig", "Disp_Dimen" : "29.4 cm x 34.7 cm (11 9/16 in. x 13 11/16 in.)", "Disp_Height" : "29.4 cm", "Disp_Width" : "34.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.111.tif", "IsPrimary" : "1", "_SurrogateID" : "2109", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16929, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16929", "Disp_Access_No" : "2003.121", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "The Lenin Train", "Alt_Title" : "", "Obj_Title" : "The Lenin Train", "Series_Title" : "", "Disp_Maker_1" : "José Raúl Quintanilla Armijo", "Sort_Artist" : "Quintanilla Armijo, José Raúl", "Disp_Dimen" : "11.4 cm x 21.6 cm (4 1/2 in. x 8 1/2 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "plate", "Medium" : "Collograph", "Support" : "", "Disp_Medium" : "Collograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of David Craven, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Nicaraguan", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.121.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.121.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.121.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.121.tif", "IsPrimary" : "0", "_SurrogateID" : "2114", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.121-crop-rescan.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.121-crop-rescan.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.121-crop-rescan.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.121-crop-rescan.tif", "IsPrimary" : "1", "_SurrogateID" : "18130", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "new scan of transparency to correct color", "View" : "" } , ] },{ "embark_ID" : 17144, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17144", "Disp_Access_No" : "2004.97", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "Homeward Bound (The Race)", "Alt_Title" : "", "Obj_Title" : "Homeward Bound (The Race)", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hart Benton", "Sort_Artist" : "Benton, Thomas Hart", "Disp_Dimen" : "28.9 cm x 40.8 cm (11 3/8 in. x 16 1/16 in.)", "Disp_Height" : "28.9 cm", "Disp_Width" : "40.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Susan Garwood in memory of Sue Ann Reagan, 2004", "Copyright_Type" : "Case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.97.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.97.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.97.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2004.97.TIF", "IsPrimary" : "1", "_SurrogateID" : "10996", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19467, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19467", "Disp_Access_No" : "2010.11.1/3-3/3", "_AccNumSort1" : "", "Disp_Create_DT" : "1996-1998", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1998", "Disp_Title" : "Accidente en Rotterdam [Accident in Rotterdam]", "Alt_Title" : "", "Obj_Title" : "Accidente en Rotterdam [Accident in Rotterdam]", "Series_Title" : "", "Disp_Maker_1" : "Jorge Macchi", "Sort_Artist" : "Macchi, Jorge", "Disp_Dimen" : "95.6 cm x 95.6 cm (37 5/8 in. x 37 5/8 in.)", "Disp_Height" : "95.6 cm", "Disp_Width" : "95.6 cm", "Dimen_Extent" : "each panel", "Medium" : "Chromogenic color print on metal panel, triptych", "Support" : "", "Disp_Medium" : "Chromogenic color print on metal panel, triptych", "Info_Page_Comm" : "Jorge Macchi often combines the use of chance and found objects to suggest a poetic or humorous narrative. In these photographs, he took advantage of the shadows cast by windows on the floor of his temporary studio in Rotterdam to stage a series of recurrent imaginary scenes featuring two toy cars. He transforms the darkened floors into an urban grid devoid of traffic or human presence. Such emptiness cannot prevent the toy cars’ fatal attraction, challenging the very notion of an accident.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Donald R. Mullins, Jr. in honor of Gabriel Pérez-Barreiro, 2010", "Copyright_Type" : "", "Disp_Obj_Type" : "photograph", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.11.3-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.11.3-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.11.3-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.11.3-3.tif", "IsPrimary" : "0", "_SurrogateID" : "6726", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.11.2-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.11.2-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.11.2-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.11.2-3.tif", "IsPrimary" : "0", "_SurrogateID" : "6725", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.11.1-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.11.1-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.11.1-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.11.1-3.tif", "IsPrimary" : "0", "_SurrogateID" : "6724", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.11.1-3_3-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.11.1-3_3-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.11.1-3_3-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.11.1-3_3-3.tif", "IsPrimary" : "1", "_SurrogateID" : "6723", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19425, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19425", "Disp_Access_No" : "2009.28", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1890", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1895", "Disp_Title" : "Un Soir", "Alt_Title" : "", "Obj_Title" : "Un Soir", "Series_Title" : "", "Disp_Maker_1" : "Adolphe Appian", "Sort_Artist" : "Appian, Adolphe", "Disp_Dimen" : "12.1 cm x 18.8 cm (4 3/4 in. x 7 3/8 in.)", "Disp_Height" : "12.1 cm", "Disp_Width" : "18.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Graphite, ink, and scratching on Gillot paper", "Support" : "", "Disp_Medium" : "Graphite, ink, and scratching on Gillot paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Dr. and Mrs. Glen D. McCreless, 2009", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.28.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.28.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.28.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.28.tif", "IsPrimary" : "1", "_SurrogateID" : "5363", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.28_detail.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.28_detail.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.28_detail.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.28_detail.tif", "IsPrimary" : "0", "_SurrogateID" : "5722", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19458, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19458", "Disp_Access_No" : "2010.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1853", "_Disp_Start_Dat" : "1853", "_Disp_End_Date" : "1853", "Disp_Title" : "Snow Scene with Two Ladies, from Twelve Snow Scenes of the Eastern Capital", "Alt_Title" : "", "Obj_Title" : "Snow Scene with Two Ladies, from Twelve Snow Scenes of the Eastern Capital", "Series_Title" : "", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Hiroshige, Ando", "Disp_Dimen" : "35.3 cm x 37.2 cm (13 7/8 in. x 14 5/8 in.)", "Disp_Height" : "35.3 cm", "Disp_Width" : "37.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Multi-color woodcut", "Support" : "", "Disp_Medium" : "Multi-color woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Darryl Pedersen 2010", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Japanese", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.2.tif", "IsPrimary" : "1", "_SurrogateID" : "7138", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18027, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18027", "Disp_Access_No" : "2006.4", "_AccNumSort1" : "", "Disp_Create_DT" : "2001", "_Disp_Start_Dat" : "2001", "_Disp_End_Date" : "2001", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "Untitled", "Series_Title" : "", "Disp_Maker_1" : "Kcho", "Sort_Artist" : "Kcho", "Disp_Dimen" : "113 cm x 82.5 cm (44 1/2 in. x 32 1/2 in.)", "Disp_Height" : "113 cm", "Disp_Width" : "82.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Best known for his large-scale installations and sculptures, Kcho uses commonplace objects such as oars, boats, and debris from his native Cuba in his works.  These materials allude to the massive migration of Cubans from that country following Fidel Castro’s rise to power. This work presents the viewer with the difficulties of Cuban emigration. The ambiguous figures in the boat are reaching for the oar that will get them to their destination. The out-of-reach oar illustrates the struggle of Cuban emigrants trying to escape their country under Castro’s rule.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Fran Magee and Gallery 106, 2006", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Cuban", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.4.tif", "IsPrimary" : "1", "_SurrogateID" : "3733", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18513, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18513", "Disp_Access_No" : "2006.128.3/11", "_AccNumSort1" : "", "Disp_Create_DT" : "1635", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1635", "Disp_Title" : "Jésus prêche sur le bord de la mer [Jesus Preaches on the Edge of the Sea], from Le Nouveau Testament [The New Testament]", "Alt_Title" : "", "Obj_Title" : "Jésus prêche sur le bord de la mer [Jesus Preaches on the Edge of the Sea], from Le Nouveau Testament [The New Testament]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "8.6 cm x 10.1 cm (3 3/8 in. x 4 in.)", "Disp_Height" : "8.6 cm", "Disp_Width" : "10.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Art Acquisition Endowment Fund, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : 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"Under Pressure" is one of three music videos that grew out of the "Lavatory Self-Portraits in the Flemish Style" photo series, where the artist appears in improvised costumes made primarily with materials available in the airplane lavatory. As the artist states: "I was eager to challenge myself to do a performance that starts humorously but shifts to being genuinely moving. I decided to work with Freddie Mercury and David Bowie’s 1981 duet, “Under Pressure.” The title here alludes to the many kinds of pressure I’m under in the course of this project: time pressure, social pressure, creative pressure, and even cabin pressure. I’ve always loved the song for its arc, which starts very terse and controlled, moves to a middle section where the emotions spill over, and then ends with the song reining itself in again. I think of the interaction between the characters in my video as a lovers’ quarrel, with one character acting distant and cold as the other one begs to be given one more chance." 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Cervántez", "Sort_Artist" : "Cervántez, Yreina D.", "Disp_Dimen" : "97.1 x 63.4 cm (38 1/4 x 24 15/16 in.)", "Disp_Height" : "97.1 cm", "Disp_Width" : "63.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "Many Chicanx artists draw from the rich visual reservoir of Mexico and Central American countries as a way of negotiating their lives and artistic practice in the United States and maintaining a link to their ancestral and community heritage. Yreina Cervántez’s print features well-known figures and motifs: Augusto César Sandino, Che Guevara, Quetzalcoatl, the Virgin of Guadalupe, and Indigenous people. Cervántez transforms these visual icons, lending them new meanings in the context of the struggle for social justice that took place in Central America during the 1980s. What seems at first like a dense collage reveals a clever logic: the viewer is positioned as if inside a car, looking out at a series of Chicanx murals painted along the freeway in support of the Nicaraguan Sandinista rebels fighting Anastasio Somoza’s dictatorial regime.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.329.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.329.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.329.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.329.tif", "IsPrimary" : "1", "_SurrogateID" : "17193", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23334, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23334", "Disp_Access_No" : "2017.500", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1982", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1987", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "Untitled", "Series_Title" : "", "Disp_Maker_1" : "Glugio Gronk Nicandro", "Sort_Artist" : "Nicandro, Glugio Gronk", "Disp_Dimen" : "76.2 x 50.9 cm (30 x 20 1/16 in.)", "Disp_Height" : "76.2 cm", "Disp_Width" : "50.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 23349, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23349", "Disp_Access_No" : "2017.421", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Self-Help Graphics in East Los", "Alt_Title" : "", "Obj_Title" : "Self-Help Graphics in East Los", "Series_Title" : "", "Disp_Maker_1" : "Roberto Gutiérrez", "Sort_Artist" : "Gutiérrez, Roberto", "Disp_Dimen" : "50.9 x 66.3 cm (20 1/16 x 26 1/8 in.)", "Disp_Height" : "50.9 cm", "Disp_Width" : "66.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "For artists like Roberto Gutiérrez, who grew up in East Los Angeles, Self Help felt like a second home that was always welcoming. He titled this fond depiction of the workshop with the term locals used for the "barrio": “East Los.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.421.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.421.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.421.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.421.tif", "IsPrimary" : "1", "_SurrogateID" : "19132", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23350, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23350", "Disp_Access_No" : "2017.420", "_AccNumSort1" : "", "Disp_Create_DT" : "1994", "_Disp_Start_Dat" : "1994", "_Disp_End_Date" : "1994", "Disp_Title" : "Cesar E. 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Through the arrival of new communities, Self Help remains a symbol of the Latinx history in the area.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.420-Crop.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.420-Crop.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.420-Crop.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.420-Crop.tif", "IsPrimary" : "1", "_SurrogateID" : "19169", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.420-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.420-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.420-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.420-Sheet.tif", "IsPrimary" : "0", "_SurrogateID" : "19170", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23355, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23355", "Disp_Access_No" : "2017.427", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "The Cosmic Cruise", "Alt_Title" : "", "Obj_Title" : "The Cosmic Cruise", "Series_Title" : "", "Disp_Maker_1" : "Ester Hernández", "Sort_Artist" : "Hernández, Ester", "Disp_Dimen" : "96.3 x 65.6 cm (37 15/16 x 25 13/16 in.)", "Disp_Height" : "96.3 cm", "Disp_Width" : "65.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "A California native of Indigenous Mexican (Yaqui) decent, Ester Hernández addresses the struggles and joys of Latina/Indigenous women in relation to rural labor issues and Mexican history since ancient times. She describes the theme of "The Cosmic Cruise" as "our interconnectedness with each other and the universe.” In the print, womanhood intersects with Mesoamerican and Catholic spirituality. She depicts the Virgen de Guadalupe, alongside a multigenerational trio of Indigenous Mexican and Latina women, driving a Model T among the stars. Seven golden discs depicting the Aztec moon goddess Coyolxāuhqui hover beneath the vehicle.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.427-sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.427-sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.427-sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.427-sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "19133", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23365, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23365", "Disp_Access_No" : "2017.436", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Some Kind of Buckaroo", "Alt_Title" : "", "Obj_Title" : "Some Kind of Buckaroo", "Series_Title" : "", "Disp_Maker_1" : "Jean La Marr", "Sort_Artist" : "La Marr, Jean", "Disp_Dimen" : "66.1 x 97.1 cm (26 x 38 1/4 in.)", "Disp_Height" : "66.1 cm", "Disp_Width" : "97.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; 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Many Indigenous groups in North America believed the world was suspended on the back of a mythic turtle. 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The print is titled after a famous 1929 novel by Mexican writer Mariano Azuela about the experience of a group of peasants during the Mexican Revolution.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.514-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.514-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.514-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.514-Sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "19177", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23500, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23500", "Disp_Access_No" : "2017.578", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "The Voyage of the Akatsuki Maru", "Alt_Title" : "", "Obj_Title" : "The Voyage of the Akatsuki Maru", "Series_Title" : "", "Disp_Maker_1" : "Mario Uribe", "Sort_Artist" : "Uribe, Mario", "Disp_Dimen" : "50.7 x 66.3 cm (19 15/16 x 26 1/8 in.)", "Disp_Height" : "50.7 cm", "Disp_Width" : "66.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 23512, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23512", "Disp_Access_No" : "2017.590", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "L.A./T.J.", "Alt_Title" : "", "Obj_Title" : "L.A./T.J.", "Series_Title" : "", "Disp_Maker_1" : "Patssi Valdez", "Sort_Artist" : "Valdez, Patssi", "Disp_Dimen" : "66.5 x 50.7 cm (26 3/16 x 19 15/16 in.)", "Disp_Height" : "66.5 cm", "Disp_Width" : "50.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "Boundaries blur and overlap in Patssi Valdez’s collaged depiction of Los Angeles (L.A.) and Tijuana (T.J.). Iconic images of L.A., including its city hall, palm trees, and highways occupy the top portion. A photographic portrait of the artist split in two hovers over the cityscape, visually bisecting her dual identities. Below, a chain-link fence separates the two cities. The barbed wire presses down on individuals that appear to wander aimlessly, presumably on the Tijuana side of the border. 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