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Do you want to provoke the keenest passions to submit all hearts to your kind laws [?] Thus in your prime, show yourself in a state of simple nature, Without pretense and without finery. - Cheryl Snay, 9/13/06", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.180.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.180.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.180.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.180.tif", "IsPrimary" : "1", "_SurrogateID" : "4539", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.180.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.180.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.180.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.180.tif", "IsPrimary" : "0", "_SurrogateID" : "4559", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3561, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3561", "Disp_Access_No" : "2002.1662", "_AccNumSort1" : "", "Disp_Create_DT" : "1769", "_Disp_Start_Dat" : "1769", "_Disp_End_Date" : "1769", "Disp_Title" : "Drawing from the Gladiator, after Joseph Wright of Derby", "Alt_Title" : "", "Obj_Title" : "Drawing from the Gladiator, after Joseph Wright of Derby", "Series_Title" : "", "Disp_Maker_1" : "William Pether", "Sort_Artist" : "Pether, William", "Disp_Dimen" : "48.1 cm x 55.7 cm (18 15/16 in. x 21 15/16 in.)", "Disp_Height" : "48.1 cm", "Disp_Width" : "55.7 cm", "Dimen_Extent" : "", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1662.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1662.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1662.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1662.tif", "IsPrimary" : "1", "_SurrogateID" : "8172", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3613", "Disp_Access_No" : "1999.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1775", "_Disp_Start_Dat" : "1775", "_Disp_End_Date" : "1775", "Disp_Title" : "Le Pharmacie rustique [The Rural Pharmacy (Michel Schuppach, Uroscopist)], after Gottfried Locher", "Alt_Title" : "", "Obj_Title" : "Le Pharmacie rustique [The Rural Pharmacy (Michel Schuppach, Uroscopist)], after Gottfried Locher", "Series_Title" : "", "Disp_Maker_1" : "Barthelemi Hübner", "Sort_Artist" : "Hübner, Barthelemi", "Disp_Dimen" : "37 cm x 38.9 cm (14 9/16 in. x 15 5/16 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "38.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "In the late eighteenth century, apothecaries had the legal right to attend and prescribe for the sick as long as they charged only for the drugs dispensed. Physical examination rarely occurred except uroscopy, the examination of urine, a method based on the humors. Uroscopy was a common method for diagnosing illness. The color of the urine, as well as the cloudiness, precipitates, and particles in the urine, was believed to indicate the cause of the disorder. It is one of the oldest forms of diagnostic testing, extending back to the days of Hippocrates. It was a necessary procedure because direct examination of a patient, or at least disrobing the patient, was socially unacceptable. Perhaps it is for this reason that while apothecaries still carried an aura of trade, the profession was nonetheless considered a genteel business and was quite popular. Michel Schuppach, a famed uroscopist, is celebrated in this print. He is portrayed at work in his pharmacy, examining a vial of the young lady’s urine, while others wait their turn. The well-mannered clientele in their fine costume offer visual testimony to the widespread reputation of the distinguished uroscopist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.16.tif", "IsPrimary" : "1", "_SurrogateID" : "2851", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3817, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3817", "Disp_Access_No" : "2002.724", "_AccNumSort1" : "", "Disp_Create_DT" : "1823", "_Disp_Start_Dat" : "1823", "_Disp_End_Date" : "1823", "Disp_Title" : "Cheval de ferme [Horse Farm]", "Alt_Title" : "", "Obj_Title" : "Cheval de ferme [Horse Farm]", "Series_Title" : "", "Disp_Maker_1" : "Jean-Louis-André-Théodore Géricault", "Sort_Artist" : "Géricault, Jean-Louis-André-Théodore", "Disp_Dimen" : "25.5 cm x 34.6 cm (10 1/16 in. x 13 5/8 in.)", "Disp_Height" : "25.5 cm", "Disp_Width" : "34.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.724.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.724.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.724.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.724.tif", "IsPrimary" : "1", "_SurrogateID" : "7837", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3869, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3869", "Disp_Access_No" : "1992.298", "_AccNumSort1" : "", "Disp_Create_DT" : "1833", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1833", "Disp_Title" : "Un Forgeron [A Blacksmith]", "Alt_Title" : "", "Obj_Title" : "Un Forgeron [A Blacksmith]", "Series_Title" : "", "Disp_Maker_1" : "Eugène Delacroix", "Sort_Artist" : "Delacroix, Eugène", "Disp_Dimen" : "52.5 cm x 37.1 cm (20 11/16 in. x 14 5/8 in.)", "Disp_Height" : "52.5 cm", "Disp_Width" : "37.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Aquatint", "Support" : "", "Disp_Medium" : "Aquatint", "Info_Page_Comm" : "Delacroix and Jean-Auguste-Dominique Ingres were rivals representing different sides of the debate over the form that art should take, and the Academy accepted both of them into its ranks. Unlike Ingres’s linear style, Delacroix’s art relies more on color (or in the case of prints, tone), rather than line and contour, and on an expressive application of the medium to convey its message. An unconventional and anti-classical subject, Delacroix’s blacksmith, fashioned in the aftermath of the July Revolution (1830), offers a new and threatening image of the working class. Powerful and determined, standing in his shadowy and sinister workshop, the image of a blacksmith provoked strong emotions – confidence, pride and hope among the under class; fear and contempt among those who held political power. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Tonkin, 1966", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American (?)", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.46.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.46.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.46.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.46.TIF", "IsPrimary" : "1", "_SurrogateID" : "9734", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8270, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8270", "Disp_Access_No" : "1998.381", "_AccNumSort1" : "", "Disp_Create_DT" : "1619-1620", "_Disp_Start_Dat" : "1619", "_Disp_End_Date" : "1620", "Disp_Title" : "Restauration du Dome de S. Maria del Fiore à Florence [The Restoration of the Dome of Santa Maria del Fiore in Florence], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Alt_Title" : "", "Obj_Title" : "Restauration du Dome de S. Maria del Fiore à Florence [The Restoration of the Dome of Santa Maria del Fiore in Florence], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "20.4 cm x 29.8 cm (8 1/16 in. x 11 3/4 in.)", "Disp_Height" : "20.4 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This plate comes from a series of sixteen commissioned by Cosimo II de' Medici to honor his father, Ferdinando I, who had died five years earlier. Ten of the scenes depict military scenes, while the others show public works or political events. All are based on designs by the Florentine painter Matteo Rosselli with substantial elaboration by Callot. Conceived as an extension of the Life of the Medici designed by Stradanus and engraved in Antwerp, the series maintains their format and the technique of pure engraving, which is exceptional for Callot.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.381.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.381.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.381.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.381.tif", "IsPrimary" : "1", "_SurrogateID" : "6038", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8345, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8345", "Disp_Access_No" : "1996.183", "_AccNumSort1" : "", "Disp_Create_DT" : "1634-1635", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1635", "Disp_Title" : "Le Savetier [The Cobbler], from Les Métiers", "Alt_Title" : "", "Obj_Title" : "Le Savetier [The Cobbler], from Les Métiers", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "26.1 cm x 33.7 cm (10 1/4 in. x 13 1/4 in.)", "Disp_Height" : "26.1 cm", "Disp_Width" : "33.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.183.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.183.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.183.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.183.tif", "IsPrimary" : "1", "_SurrogateID" : "2708", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8482, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8482", "Disp_Access_No" : "2000.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1771", "_Disp_Start_Dat" : "1771", "_Disp_End_Date" : "1771", "Disp_Title" : "The Female Consultation on the Blessed Medicine", "Alt_Title" : "", "Obj_Title" : "The Female Consultation on the Blessed Medicine", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "23 cm x 15.5 cm (9 1/16 in. x 6 1/8 in.)", "Disp_Height" : "23 cm", "Disp_Width" : "15.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint with burin", "Support" : "", "Disp_Medium" : "Mezzotint with burin", "Info_Page_Comm" : "“Blessed medicine” is a euphemism for the treatment of syphilis, putting the probity of these women into question. Practically from the origin of the medium, anonymous printmakers conveyed subjects of everyday concern using rudimentary techniques. Occasionally, such popular subjects have appeared in “artistic” works. Over the course of the eighteenth-century, and especially in England, this upward migration became more common. This print, done in the most sophisticated technique of the day––mezzotint––is a choice example.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.51.tif", "IsPrimary" : "1", "_SurrogateID" : "9054", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8519, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8519", "Disp_Access_No" : "2000.25", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Gout and the Spider, from The Fables of Jean de La Fontaine, after Jean-Baptiste Oudry", "Alt_Title" : "", "Obj_Title" : "Gout and the Spider, from The Fables of Jean de La Fontaine, after Jean-Baptiste Oudry", "Series_Title" : "", "Disp_Maker_1" : "Pierre-Louis de Surugue, the younger", "Sort_Artist" : "Surugue, the younger, Pierre-Louis de", "Disp_Dimen" : "30.7 cm x 22.8 cm (12 1/16 in. x 9 in.)", "Disp_Height" : "30.7 cm", "Disp_Width" : "22.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.25.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.25.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.25.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.25.tif", "IsPrimary" : "1", "_SurrogateID" : "9080", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8563, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8563", "Disp_Access_No" : "1980.79", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Caricature of an Academician", "Alt_Title" : "", "Obj_Title" : "Caricature of an Academician", "Series_Title" : "", "Disp_Maker_1" : "François André Vincent", "Sort_Artist" : "Vincent, François André", "Disp_Dimen" : "51.4 cm x 29.5 cm (20 1/4 in. x 11 5/8 in.)", "Disp_Height" : "51.4 cm", "Disp_Width" : "29.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk, counterproof", "Support" : "", "Disp_Medium" : "Red chalk, counterproof", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1980", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.79.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.79.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.79.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1980.79.TIF", "IsPrimary" : "1", "_SurrogateID" : "6293", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8567, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8567", "Disp_Access_No" : "1980.83", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Caricature of an Academician", "Alt_Title" : "", "Obj_Title" : "Caricature of an Academician", "Series_Title" : "", "Disp_Maker_1" : "François André Vincent", "Sort_Artist" : "Vincent, François André", "Disp_Dimen" : "57.2 cm x 29.9 cm (22 1/2 in. x 11 3/4 in.)", "Disp_Height" : "57.2 cm", "Disp_Width" : "29.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk, counterproof", "Support" : "", "Disp_Medium" : "Red chalk, counterproof", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1980", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8604, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8604", "Disp_Access_No" : "2001.76.1/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1763-1764", "_Disp_Start_Dat" : "1763", "_Disp_End_Date" : "1764", "Disp_Title" : "Two Girls Conversing, Plate 1 from The Twelve Etchings Dedicated to Lord Exeter", "Alt_Title" : "", "Obj_Title" : "Two Girls Conversing, Plate 1 from The Twelve Etchings Dedicated to Lord Exeter", "Series_Title" : "", "Disp_Maker_1" : "Francesco Londonio", "Sort_Artist" : "Londonio, Francesco", "Disp_Dimen" : "32.5 cm x 38.2 cm (12 13/16 in. x 15 1/16 in.)", "Disp_Height" : "32.5 cm", "Disp_Width" : "38.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Christie's Australia, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.76.1-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.76.1-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.76.1-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.76.1-12.tif", "IsPrimary" : "1", "_SurrogateID" : "4571", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8605, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8605", "Disp_Access_No" : "2001.76.2/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1763-1764", "_Disp_Start_Dat" : "1763", "_Disp_End_Date" : "1764", "Disp_Title" : "Shepherd with His Flock, Plate 2, from The Twelve Etchings Dedicated to Lord Exeter", "Alt_Title" : "", "Obj_Title" : "Shepherd with His Flock, Plate 2, from The Twelve Etchings Dedicated to Lord Exeter", "Series_Title" : "", "Disp_Maker_1" : "Francesco Londonio", "Sort_Artist" : "Londonio, Francesco", "Disp_Dimen" : "33.3 cm x 49.4 cm (13 1/8 in. x 19 7/16 in.)", "Disp_Height" : "33.3 cm", "Disp_Width" : "49.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Christie's Australia, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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"Londonio, Francesco", "Disp_Dimen" : "33.3 cm x 49.2 cm (13 1/8 in. x 19 3/8 in.)", "Disp_Height" : "33.3 cm", "Disp_Width" : "49.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Christie's Australia, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.76.4-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.76.4-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.76.4-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.76.4-12.tif", "IsPrimary" : "1", "_SurrogateID" : "4576", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8611, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8611", "Disp_Access_No" : "2001.76.8/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1763-1764", "_Disp_Start_Dat" : "1763", "_Disp_End_Date" : "1764", "Disp_Title" : "Sleeping Shepherd with a Standing Spinner, Plate 8, from The Twelve Etchings Dedicated to Lord Exeter", "Alt_Title" : "", "Obj_Title" : "Sleeping Shepherd with a Standing Spinner, Plate 8, from The Twelve Etchings Dedicated to Lord Exeter", "Series_Title" : "", "Disp_Maker_1" : "Francesco Londonio", "Sort_Artist" : "Londonio, Francesco", "Disp_Dimen" : "32.8 cm x 50 cm (12 15/16 in. x 19 11/16 in.)", "Disp_Height" : "32.8 cm", "Disp_Width" : "50 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Christie's Australia, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.76.8-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.76.8-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.76.8-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.76.8-12.tif", "IsPrimary" : "1", "_SurrogateID" : "4580", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8612, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8612", "Disp_Access_No" : "2001.76.9/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1763-1764", "_Disp_Start_Dat" : "1763", "_Disp_End_Date" : "1764", "Disp_Title" : "Shepherdess Milking a Goat, Plate 9, from The Twelve Etchings Dedicated to Lord Exeter", "Alt_Title" : "", "Obj_Title" : "Shepherdess Milking a Goat, Plate 9, from The Twelve Etchings Dedicated to Lord Exeter", "Series_Title" : "", "Disp_Maker_1" : "Francesco Londonio", "Sort_Artist" : "Londonio, Francesco", "Disp_Dimen" : "33 cm x 49.7 cm (13 in. x 19 9/16 in.)", "Disp_Height" : "33 cm", "Disp_Width" : "49.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Christie's Australia, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.76.9-12.tif", "ThumbnailPath" : 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Ware, Jr. Collection, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.69.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.69.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.69.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.69.tif", "IsPrimary" : "1", "_SurrogateID" : "9072", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11248, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11248", "Disp_Access_No" : "2002.2424", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1655", "Disp_Title" : "Title page from The Drawing-Book of Abraham Bloemaert, after Abraham Bloemaert", "Alt_Title" : "", "Obj_Title" : "Title page from The Drawing-Book of Abraham Bloemaert, after Abraham Bloemaert", "Series_Title" : "", "Disp_Maker_1" : "Frederick Bloemaert", "Sort_Artist" : "Bloemaert, Frederick", "Disp_Dimen" : "30.7 cm x 22.1 cm (12 1/16 in. x 8 11/16 in.)", "Disp_Height" : "30.7 cm", "Disp_Width" : "22.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and chiaroscuro woodcut from two blocks printed in ochre and brown", "Support" : "", "Disp_Medium" : "Etching and chiaroscuro woodcut from two blocks printed in ochre and brown", "Info_Page_Comm" : "Exquisitely refined and widely influential, Abraham Bloemaert was the last great figure of Dutch Mannerism. 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Most of his prints were created in the 1630s. They evolved from the densely worked and animated style of Roman tradition to one approximating the subtlety of the artist’s mature paintings. For nearly a decade after that, Claude did not return to etching. Berger et bergère conversant was one of the first plates after he resumed. As with many of Claude’s etchings, the composition is related to that of a painting (Barnes Foundation, Merion, Pennsylvania). Much more than in early works, however, the conception was improvisatory, the initial handling broad, and the reworking of the plate pronounced. Claude had always made subtle changes to his plates in pursuing a desired effect. Now, the states test possibilities, vary mood as much as detail, and do not necessarily reach a conclusion. Here, the second state of the print involved extensive scraping and burnishing of the plate, eradicating entire passages, mottling the surface, and lightening the tone. 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Smith, 1985", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.84.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.84.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.84.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.84.tif", "IsPrimary" : "1", "_SurrogateID" : "1333", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11523, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11523", "Disp_Access_No" : "1986.109", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1927", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1932", "Disp_Title" : "Man Pulling up Tree Trunks", "Alt_Title" : "", "Obj_Title" : "Man Pulling up Tree Trunks", "Series_Title" : "", "Disp_Maker_1" : "Rufino Tamayo", "Sort_Artist" : "Tamayo, Rufino", "Disp_Dimen" : "14.4 cm x 12.7 cm (5 11/16 in. x 5 in.)", "Disp_Height" : "14.4 cm", "Disp_Width" : "12.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Huntington Museum Fund, 1978", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Venezuelan", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1978.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1978.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1978.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1978.79.tif", "IsPrimary" : "1", "_SurrogateID" : "3104", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15121, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15121", "Disp_Access_No" : "1977.97", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Mediodía [Noontime]", "Alt_Title" : "[Mediodía]", "Obj_Title" : "Mediodía [Noontime]", "Series_Title" : "", "Disp_Maker_1" : "Antonio Berni", "Sort_Artist" : "Berni, Antonio", "Disp_Dimen" : "198.7 cm x 199 cm (78 1/4 in. x 78 3/8 in.)", "Disp_Height" : "198.7 cm", "Disp_Width" : "199 cm", "Dimen_Extent" : "canvas", "Medium" : "Acrylic and collage", "Support" : "canvas", "Disp_Medium" : "Acrylic and collage on canvas", "Info_Page_Comm" : "Antonio Berni was one of the great painters of social themes and critical commentary in the twentieth century. Although less known internationally, his work merits comparison with that of the Mexican Muralists. Unlike the Muralists, Berni was never part of a large government-sponsored art program. And while he remained committed to themes of social justice shared with the Muralists, he adopted a range of different artistic styles, from his experiments with Surrealism and Socialist Realism in the 1930s, to his subversion of Pop art in the 1960s and 1970s. Like many Latin American artists, Berni moved to New York in the 1970s, escaping political uncertainty and persecution at home in Argentina. He painted Mediodía in New York, and while the subject is clearly Argentine (the sign is in Spanish), the treatment of the professionally painted advertising sign indicates his awareness of American and European Pop art. However, the stark contrast between the brightly colored sign advertising new cars and the humble black and white used in depicting the workers who produce those consumer goods shows an explicit political conscience missing in much American Pop art of the period.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, 1977", "Copyright_Type" : "all approved", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1977.97.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1977.97.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1977.97.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1977.97.tif", "IsPrimary" : "1", "_SurrogateID" : "1166", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16637, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16637", "Disp_Access_No" : "2002.2847.4/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "28.3 cm x 43.7 cm (11 1/8 in. x 17 3/16 in.)", "Disp_Height" : "28.3 cm", "Disp_Width" : "43.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.4-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.4-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.4-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.4-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8256", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16628, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16628", "Disp_Access_No" : "2002.2847.1/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Fellow 'Prentices at their Looms, plate I from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Fellow 'Prentices at their Looms, plate I from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "28.3 cm x 43.3 cm (11 1/8 in. x 17 1/16 in.)", "Disp_Height" : "28.3 cm", "Disp_Width" : "43.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.1-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.1-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.1-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.1-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8253", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15908, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15908", "Disp_Access_No" : "2017.1366", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Family of Goats in a Landscape", "Alt_Title" : "", "Obj_Title" : "Family of Goats in a Landscape", "Series_Title" : "", "Disp_Maker_1" : "Sinibaldo Scorza", "Sort_Artist" : "Scorza, Sinibaldo", "Disp_Dimen" : "14.6 cm x 21.2 cm (5 3/4 in. x 8 3/8 in.)", "Disp_Height" : "14.6 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown and black inks with the outline of the male goat indented on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown and black inks with the outline of the male goat indented on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1366.tif", "ThumbnailPath" : 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"Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1165.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1165.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1165.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1165.tif", "IsPrimary" : "1", "_SurrogateID" : "5745", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16106, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16106", "Disp_Access_No" : "2017.1230", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Construction of a Church", "Alt_Title" : "", "Obj_Title" : "The Construction of a Church", "Series_Title" : "", "Disp_Maker_1" : "Paolo de Matteis", "Sort_Artist" : "Matteis, Paolo de", "Disp_Dimen" : "26.67 cm x 42.55 cm (10 1/2 in. x 16 3/4 in.)", "Disp_Height" : "26.67 cm", "Disp_Width" : "42.55 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk; red chalk studies on the verso.", "Support" : "", "Disp_Medium" : "Red chalk; red chalk studies on the verso.", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1230.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1230.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1230.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1230.tif", "IsPrimary" : "1", "_SurrogateID" : "5861", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16176, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16176", "Disp_Access_No" : "2017.1423", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1675-1699", "_Disp_Start_Dat" : "1675", "_Disp_End_Date" : "1699", "Disp_Title" : "A Pawnbroker’s Shop", "Alt_Title" : "", "Obj_Title" : "A Pawnbroker’s Shop", "Series_Title" : "", "Disp_Maker_1" : "Circle of Claude Vignon", "Sort_Artist" : "Vignon, Circle of Claude", "Disp_Dimen" : "30.8 cm x 42.55 cm (12 1/8 in. x 16 3/4 in.)", "Disp_Height" : "30.8 cm", "Disp_Width" : "42.55 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalk on buff laid paper", "Support" : "", "Disp_Medium" : "Black and white chalk on buff laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1423-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1423-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1423-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1423-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "4292", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/592.1999_verso.tif", "ThumbnailPath" : 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"Disp_Medium" : "Black chalk, brown wash, white heightening and graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1005.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1005.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1005.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1005.tif", "IsPrimary" : "1", "_SurrogateID" : "5897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16334, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16334", "Disp_Access_No" : "2017.1338", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1700-1710", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1710", "Disp_Title" : "Landscape with Fishermen and Washerwomen", "Alt_Title" : "", "Obj_Title" : "Landscape with Fishermen and Washerwomen", "Series_Title" : "", "Disp_Maker_1" : "Marco and Sebastiano Ricci", "Sort_Artist" : "Ricci, Marco and Sebastiano", "Disp_Dimen" : "48.9 cm x 36.83 cm (19 1/4 in. x 14 1/2 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "36.83 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Sebastiano’s nephew and regular collaborator, Marco, is an important figure in the development of landscape painting. Generally within the classical tradition of Carracci and Domenichino, he built upon the more moody and textured interpretations of it in the second half of the 17th century, while bringing to bear the luminosity of his native tradition. The result was a new style of pure landscape painting, paralleling and complementing the school’s celebrated view paintings. Marco worked in the major centers of North Italy as well as Venice, twice visited London, and affected the course of the genre across Europe. His work was an important source of picturesque landscape painting in the later 18th century. With its high viewpoint, articulated structure, heavier palette, and lively touch, this landscape recalls earlier, more subjective Baroque landscapes, like those of Salvator Rosa and Alessandro Magnasco. The particularly animated drawing and loaded brushwork in the figures have led to the probable suggestion that they were painted by Sebastiano. One should also note the picture’s exceptionally fine and fresh condition. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Keep in play because we don''t have many 18th C. landscapes Would choose Prodigal Son over this Landscape in background nice, figures among the weakest aspects of this (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1338.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1338.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1338.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1338.tif", "IsPrimary" : "1", "_SurrogateID" : "2647", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16381", "Disp_Access_No" : "2017.1214", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Peasants by a Well", "Alt_Title" : "", "Obj_Title" : "Peasants by a Well", "Series_Title" : "", "Disp_Maker_1" : "Pietro Longhi", "Sort_Artist" : "Longhi, Pietro", "Disp_Dimen" : "62.2 cm x 49.7 cm (24 1/2 in. x 19 9/16 in.)", "Disp_Height" : "62.2 cm", "Disp_Width" : "49.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1214.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1214.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1214.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1214.TIF", "IsPrimary" : "1", "_SurrogateID" : "10397", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16520, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16520", "Disp_Access_No" : "2017.981", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1572", "_Disp_Start_Dat" : "1573", "_Disp_End_Date" : "1582", "Disp_Title" : "Emperor of Trebizond Constructing a Fondaco for Megollo Lercari", "Alt_Title" : "", "Obj_Title" : "Emperor of Trebizond Constructing a Fondaco for Megollo Lercari", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "24.5 cm x 42.2 cm (9 5/8 in. x 16 5/8 in.)", "Disp_Height" : "24.5 cm", "Disp_Width" : "42.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "The decoration of the Palazzo Lercari-Parodi was Cambiaso's most important secular commission of the 1570s. In the principal scene on the ceiling of the main room, the mythical emperor of Trebizond builds a warehouse and lodging at the order of the Lercari family's legendary forebear. The primary version of the preparatory study for this composition is in the Nationalmusem , Stockholm. The Suida-Manning version is a workshop replica of another preparatory drawing that evidently studied the distribution of light and shadow. 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He offers as an antidote to contemporary society's ills, the redemptive figure of a peasant living simply and humbly off the land in the serenity of nature. Stylistically, he borrowed from his mentor as well, adding to his heavy contours and denial of conventional linear perspective a preference for the arabesque to enliven his otherwise static compositions.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.113.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.113.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.113.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.113.tif", "IsPrimary" : "1", "_SurrogateID" : "4725", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16922", "Disp_Access_No" : "2003.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1623", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1623", "Disp_Title" : "A Pupil of M. de Pluvinel Demonstrating an Equestrian Leap Before Louis XIII, from L'Instruction du Roy en L'Exercise de Monter a Cheval, by Antoine Pluvinel, second editiion, 1625", "Alt_Title" : "", "Obj_Title" : "A Pupil of M. de Pluvinel Demonstrating an Equestrian Leap Before Louis XIII, from L'Instruction du Roy en L'Exercise de Monter a Cheval, by Antoine Pluvinel, second editiion, 1625", "Series_Title" : "", "Disp_Maker_1" : "Crispijn de Passe II", "Sort_Artist" : "Passe II, Crispijn de", "Disp_Dimen" : "36.8 cm x 46.6 cm (14 1/2 in. x 18 3/8 in.)", "Disp_Height" : "36.8 cm", "Disp_Width" : "46.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.114.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.114.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.114.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.114.tif", "IsPrimary" : "1", "_SurrogateID" : "9351", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17121, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17121", "Disp_Access_No" : "2004.86", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1950", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1955", "Disp_Title" : "Happy New Year", "Alt_Title" : "", "Obj_Title" : "Happy New Year", "Series_Title" : "", "Disp_Maker_1" : "Georges Schreiber", "Sort_Artist" : "Schreiber, Georges", "Disp_Dimen" : "30.4 cm x 40.5 cm (11 15/16 in. x 15 15/16 in.)", "Disp_Height" : "30.4 cm", "Disp_Width" : "40.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.86.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.86.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.86.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.86.tif", "IsPrimary" : "1", "_SurrogateID" : "9091", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17224, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17224", "Disp_Access_No" : "2004.147.1/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1735", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1735", "Disp_Title" : "The Heir, plate I from A Rake's Progress", "Alt_Title" : "The Heir, plate I from A Rake's Progress", "Obj_Title" : "The Heir, plate I from A Rake's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "45.6 cm x 57.4 cm (17 15/16 in. x 22 5/8 in.)", "Disp_Height" : "45.6 cm", "Disp_Width" : "57.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "ii/iii (1758, before final revisions)". 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Ware, Jr. Collection, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.147.1-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.147.1-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.147.1-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.147.1-8.tif", "IsPrimary" : "1", "_SurrogateID" : "8245", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17264, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17264", "Disp_Access_No" : "2004.171.2/7", "_AccNumSort1" : "", "Disp_Create_DT" : "1768", "_Disp_Start_Dat" : "1768", "_Disp_End_Date" : "1768", "Disp_Title" : "Commissionaire apportant une letter [A Commissioner Carrying a Letter], plate 1 from Mes Gens ou Les Commissionnaires ultramontains [My People, or the Ultramontane Characters], after Augustin de Saint-Aubin", "Alt_Title" : "", "Obj_Title" : "Commissionaire apportant une letter [A Commissioner Carrying a Letter], plate 1 from Mes Gens ou Les Commissionnaires ultramontains [My People, or the Ultramontane Characters], after Augustin de Saint-Aubin", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste Tillard", "Sort_Artist" : "Tillard, Jean-Baptiste", "Disp_Dimen" : "30.5 cm x 21.5 cm (12 in. x 8 7/16 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "21.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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In mezzotint the artist painstakingly roughens the entire surface of the plate, creating a uniform black texture were the plate to be printed at this point. He then uses scrapers to remove and polish the roughened areas to be illuminated. Varying the degree of polishing, he works from dark to light and achieves a wide range of mid tones, or mezzotinto in the original Italian. Richard Earlom, whose work is well represented at the museum, used mezzotint to its greatest advantage in reproducing paintings such as Joseph Wright of Derby’s Iron Forge, in which dramatic light is central to its meaning. Fascinated with advances in science and industry, Wright romanticized the early years of the Industrial Revolution. The artist’s use of light here was compared to the illumination that emanates from the Christ Child in medieval and Renaissance nativities. By analogy, the forge and other new technologies were posited as Britain’s salvation in the modern world. Early and with its surface immaculate, this impression reveals the technique’s tremendous subtlety and inherent beauty. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, by exchange, and purchase through the Archer M. Huntington Museum Fund, 2004", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.188.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.188.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.188.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.188.tif", "IsPrimary" : "1", "_SurrogateID" : "3059", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19511, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19511", "Disp_Access_No" : "2010.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1740", "_Disp_Start_Dat" : "1740", "_Disp_End_Date" : "1740", "Disp_Title" : "The Herd Being Driven Through an Arch", "Alt_Title" : "", "Obj_Title" : "The Herd Being Driven Through an Arch", "Series_Title" : "", "Disp_Maker_1" : "Christian Wilhelm Ernst Dietrich", "Sort_Artist" : "Dietrich, Christian Wilhelm Ernst", "Disp_Dimen" : "18.6 cm x 27 cm (7 5/16 in. x 10 5/8 in.)", "Disp_Height" : "18.6 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.18.tif", "IsPrimary" : "1", "_SurrogateID" : "8151", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19441, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19441", "Disp_Access_No" : "2009.38", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Lying Sheepdog", "Alt_Title" : "", "Obj_Title" : "A Lying Sheepdog", "Series_Title" : "", "Disp_Maker_1" : "Jan Weissenbruch", "Sort_Artist" : "Weissenbruch, Jan", "Disp_Dimen" : "12.1 cm x 16 cm (4 3/4 in. x 6 5/16 in.)", "Disp_Height" : "12.1 cm", "Disp_Width" : "16 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and chine collé", "Support" : "", "Disp_Medium" : "Etching and chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, by exchange, 2009", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.38.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.38.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.38.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2009.38.TIF", "IsPrimary" : "1", "_SurrogateID" : "9900", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17737, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17737", "Disp_Access_No" : "2005.174", "_AccNumSort1" : "", "Disp_Create_DT" : "2005", "_Disp_Start_Dat" : "2005", "_Disp_End_Date" : "2005", "Disp_Title" : "Trabajo forzado [Forced Labor]", "Alt_Title" : "", "Obj_Title" : "Trabajo forzado [Forced Labor]", "Series_Title" : "", "Disp_Maker_1" : "Liliana Porter", "Sort_Artist" : "Porter, Liliana", "Disp_Dimen" : "5 cm x 110 cm x 26 cm (1 15/16 in. x 43 5/16 in. x 10 1/4 in.)", "Disp_Height" : "5 cm", "Disp_Width" : "110 cm", "Dimen_Extent" : "shelf", "Medium" : "Shelf, plastic figure, mulch", "Support" : "", "Disp_Medium" : "Shelf, plastic figure, mulch", "Info_Page_Comm" : "A major figure in the development of Conceptual art since the 1960s, Porter continues to produce work with a unique blend of humor and literary or philosophical references. In Trabajo forzado, a tiny figure seems to be engaged in the monumental task of moving a large amount of mulch onto the floor. Given the sizes of the figure and pile, the little man must have been hard at work for a very long time. Unlike Camnitzer, Porter avoids severity and chooses to address injustice in a playful and absurd fashion. Through the use of humor, she is able to call attention to the plight of the ordinary person, long-standing social inequalities, and the punishingly hard nature of continuous physical labor. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Judy S. and Charles W. Tate, 2005", "Copyright_Type" : "all approved.", "Disp_Obj_Type" : "installation", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.174_detail.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.174_detail.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.174_detail.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.174_detail.tif", "IsPrimary" : "0", "_SurrogateID" : "3616", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.174.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.174.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.174.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.174.tif", "IsPrimary" : "1", "_SurrogateID" : "6501", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19510, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19510", "Disp_Access_No" : "2010.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1740", "_Disp_Start_Dat" : "1740", "_Disp_End_Date" : "1740", "Disp_Title" : "The Herd Being Driven Through an Arch", "Alt_Title" : "", "Obj_Title" : "The Herd Being Driven Through an Arch", "Series_Title" : "", "Disp_Maker_1" : "Christian Wilhelm Ernst Dietrich", "Sort_Artist" : "Dietrich, Christian Wilhelm Ernst", "Disp_Dimen" : "19.5 cm x 27.6 cm (7 11/16 in. x 10 7/8 in.)", "Disp_Height" : "19.5 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.17.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.17.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.17.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.17.tif", "IsPrimary" : "1", "_SurrogateID" : "8150", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18058, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18058", "Disp_Access_No" : "", "_AccNumSort1" : "", "Disp_Create_DT" : "2006", "_Disp_Start_Dat" : "2006", "_Disp_End_Date" : "2006", "Disp_Title" : "Whose Utopia", "Alt_Title" : "", "Obj_Title" : "Whose Utopia", "Series_Title" : "", "Disp_Maker_1" : "Cao Fei", "Sort_Artist" : "Fei, Cao", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Single channel color video with sound", "Support" : "", "Disp_Medium" : "Single channel color video with sound", "Info_Page_Comm" : "", "Dedication" : "Promised gift of Jeanne and Michael Klein, 2007", "Copyright_Type" : "", "Disp_Obj_Type" : "time based media", "Creation_Place2" : "Chinese", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/PG2007.5.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/PG2007.5.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/PG2007.5.tif", "IIIF_URL": "http://iiif.gallerysystems.com/PG2007.5.tif", "IsPrimary" : "1", "_SurrogateID" : "4660", "Image_Type" : "Video still", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18595, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18595", "Disp_Access_No" : "2006.176", "_AccNumSort1" : "", "Disp_Create_DT" : "1861", "_Disp_Start_Dat" : "1861", "_Disp_End_Date" : "1861", "Disp_Title" : "Lever de lune [Moonrise]", "Alt_Title" : "", "Obj_Title" : "Lever de lune [Moonrise]", "Series_Title" : "", "Disp_Maker_1" : "Charles-François Daubigny", "Sort_Artist" : "Daubigny, Charles-François", "Disp_Dimen" : "20.7 cm x 17.7 cm (8 1/8 in. x 6 15/16 in.)", "Disp_Height" : "20.7 cm", "Disp_Width" : "17.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.176.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.176.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.176.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.176.tif", "IsPrimary" : "1", "_SurrogateID" : "5560", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18606, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18606", "Disp_Access_No" : "2006.187", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1641", "_Disp_Start_Dat" : "1636", "_Disp_End_Date" : "1646", "Disp_Title" : "The Baggage Train, from Varii capricci militari [Various military caprices]", "Alt_Title" : "", "Obj_Title" : "The Baggage Train, from Varii capricci militari [Various military caprices]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "8.6 cm x 13.9 cm (3 3/8 in. x 5 1/2 in.)", "Disp_Height" : "8.6 cm", "Disp_Width" : "13.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.187.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.187.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.187.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.187.tif", "IsPrimary" : "1", "_SurrogateID" : "7687", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19573, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19573", "Disp_Access_No" : "2010.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1791", "_Disp_Start_Dat" : "1791", "_Disp_End_Date" : "1791", "Disp_Title" : "The Rights of Man; - or - Tommy Paine, the little American Taylor, taking the measure of the crown, for a new pair of Revolution-breeches", "Alt_Title" : "", "Obj_Title" : "The Rights of Man; - or - Tommy Paine, the little American Taylor, taking the measure of the crown, for a new pair of Revolution-breeches", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "43.6 cm x 29.1 cm (17 3/16 in. x 11 7/16 in.)", "Disp_Height" : "43.6 cm", "Disp_Width" : "29.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "The Rights of Man, a pamphlet written by English-American Thomas Paine, criticizes European monarchies and social institutions and argues that people have a right to a revolt if their basic needs are not met under the current government. Ironically, he urged the revolutionaries to spare the life of Louis XVI and exile him to the newly formed United States, where the French king was admired and recognized for his support of the American Revolution. In the print, Paine says that the crown is too large for a tailor to measure. Gillray pokes fun at Paine’s blue-collar origins and reveals that he does not have the kind of upbringing to understand the importance of a constitutional monarchy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.73.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.73.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.73.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.73.tif", "IsPrimary" : "1", "_SurrogateID" : "7899", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19317, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19317", "Disp_Access_No" : "2009.6", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1591", "_Disp_Start_Dat" : "1586", "_Disp_End_Date" : "1596", "Disp_Title" : "Hyacum, et Lues Venerea [The Discovery of Guaiacum as a Cure for Syphillis], plate 6 from Nova Repertum [New Inventions of Modern Times], after Jan van der Straet, called Stradanus", "Alt_Title" : "", "Obj_Title" : "Hyacum, et Lues Venerea [The Discovery of Guaiacum as a Cure for Syphillis], plate 6 from Nova Repertum [New Inventions of Modern Times], after Jan van der Straet, called Stradanus", "Series_Title" : "", "Disp_Maker_1" : "Theodor Galle", "Sort_Artist" : "Galle, Theodor", "Disp_Dimen" : "20.3 cm x 27.6 cm (8 in. x 10 7/8 in.)", "Disp_Height" : "20.3 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Antwerp became the center of European print production in the late sixteenth century. Its enterprising publishers coordinated vast projects illustrating an encyclopedic range of subjects. Organized by the Galle family and designed by a Flemish artist living in Florence, Nova Repertum depicted the supposed origins of important modern inventions. This scene of the preparation and ministering of a cure for syphilis is a striking inclusion and a famous image in the history of the disease.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. 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Following the subversive artistic practices of artists such as Cindy Sherman, she inserts herself into art history, playing dual roles as both the creator and the object of representation. Nicola costurera [Nicola Seamstress] is a reference to Primeros pasos [First Steps] (1937), a painting by Antonio Berni, one of Argentina’s most popular and prolific artists whose career spanned sixty years and incorporated aspects of Surrealism, social realism, and Pop art in order to address class issues. In this photograph Constantino situates herself as the protagonist of the tableau, appropriating the compositional balance and posture of the seamstress depicted by Berni and dramatizing the scene through the use of theatrical lighting. 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