{ "objects" : [ { "embark_ID" : 828, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/828", "Disp_Access_No" : "1994.137.2/30", "_AccNumSort1" : "", "Disp_Create_DT" : "1988", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1988", "Disp_Title" : "Angel con wiphala, from I Portfolio de arte boliviano", "Alt_Title" : "", "Obj_Title" : "Angel con wiphala, from I Portfolio de arte boliviano", "Series_Title" : "", "Disp_Maker_1" : "Carmen Baptista", "Sort_Artist" : "Baptista, Carmen", "Disp_Dimen" : "56 cm x 86 cm (22 1/16 in. x 33 7/8 in.)", "Disp_Height" : "56 cm", "Disp_Width" : "86 cm", "Dimen_Extent" : "Sheet", "Medium" : "Nine-color screenprint", "Support" : "", "Disp_Medium" : "Nine-color screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1994", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Bolivian", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.137.2-30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.137.2-30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.137.2-30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.137.2-30.tif", "IsPrimary" : "1", "_SurrogateID" : "8727", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2057", "Disp_Access_No" : "1995.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1518", "_Disp_Start_Dat" : "1518", "_Disp_End_Date" : "1518", "Disp_Title" : "The Virgin and Child Surrounded by Angels", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child Surrounded by Angels", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30 cm x 21.2 cm (11 13/16 in. x 8 3/8 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The artist’s choice of an imperial theme and emphasis on ornamental forms seems to betray the influence of time spent as a court artist between 1513 and 1519 to the Holy Roman Emperor, Maximillian I. The arrangement of figures has been conceived as an elegant surface pattern, rather than a three-dimensional space. The surrounding angels, from the top corners to the ground, curve like a drapery pulled back to reveal the regal Madonna. As in Dürer’s earlier woodcuts, the individual lines tend to gravitate toward the surface as they come to life with calligraphic beauty. The range of tones, however, has been restricted, tending toward a uniform gray. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.10.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.10.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.10.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1995.10.TIF", "IsPrimary" : "1", "_SurrogateID" : "5652", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2258", "Disp_Access_No" : "2002.2089", "_AccNumSort1" : "", "Disp_Create_DT" : "1581", "_Disp_Start_Dat" : "1581", "_Disp_End_Date" : "1581", "Disp_Title" : "The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro ", "Alt_Title" : "", "Obj_Title" : "The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro ", "Series_Title" : "", "Disp_Maker_1" : "Egidius Horbeck", "Sort_Artist" : "Horbeck, Egidius", "Disp_Dimen" : "11.63 cm x 44.13 cm (4 9/16 in. x 17 3/8 in.)", "Disp_Height" : "11.63 cm", "Disp_Width" : "44.13 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The scene of the Annunciation is at the center of the print, which demonstrates the centrality of the scene to the Christian faithful. 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The print conveys the moment when the Old Law (Judaism) gave way to the New Law (Christianity) and allowed for the sins of Adam and Eve to be forgiven.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2089.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2089.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2089.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2089.tif", "IsPrimary" : "1", "_SurrogateID" : "9035", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2273, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2273", "Disp_Access_No" : "2002.1749", "_AccNumSort1" : "", "Disp_Create_DT" : "1579", "_Disp_Start_Dat" : "1579", "_Disp_End_Date" : "1579", "Disp_Title" : "God the Father Supported by Angels, from the Adoration of the Magi, after Baldassare Peruzzi", "Alt_Title" : "", "Obj_Title" : "God the Father Supported by Angels, from the Adoration of the Magi, after Baldassare Peruzzi", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "32.6 cm x 56.6 cm (12 13/16 in. x 22 5/16 in.)", "Disp_Height" : "32.6 cm", "Disp_Width" : "56.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving made of 7 sheets", "Support" : "", "Disp_Medium" : "Engraving made of 7 sheets", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1749.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1749.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1749.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1749.tif", "IsPrimary" : "1", "_SurrogateID" : "9346", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2289, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2289", "Disp_Access_No" : "2002.1700", "_AccNumSort1" : "", "Disp_Create_DT" : "1582", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1582", "Disp_Title" : "Pietà with an Angel, after Paolo Veronese", "Alt_Title" : "", "Obj_Title" : "Pietà with an Angel, after Paolo Veronese", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "39.9 cm x 28.6 cm (15 11/16 in. x 11 1/4 in.)", "Disp_Height" : "39.9 cm", "Disp_Width" : "28.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "During the 1580s both Agostino and Annibale Carracci traveled regularly to Venice. As part of their reckoning with of the school’s painting, Agostino engraved numerous works after Veronese and Tintoretto––no less advanced or significant than Cort’s works after Titian a generation earlier. This engraving, of a painting extant in the Hermitage, is one of six after Veronese that he created in the same year.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1700.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1700.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1700.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1700.tif", "IsPrimary" : "1", "_SurrogateID" : "4995", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2324", "Disp_Access_No" : "1988.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1588", "_Disp_Start_Dat" : "1588", "_Disp_End_Date" : "1588", "Disp_Title" : "The Virgin Appearing to St. Jerome, after Jacopo Tintoretto", "Alt_Title" : "", "Obj_Title" : "The Virgin Appearing to St. Jerome, after Jacopo Tintoretto", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "41.9 cm x 29.8 cm (16 1/2 in. x 11 3/4 in.)", "Disp_Height" : "41.9 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "With efforts like this Saint Jerome, its encyclopedia of mark and intensity of pictorial effect––consider its contrasts and seeming color––Agostino consolidated his place as the leading engraver in Italy. 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Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.61.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.61.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.61.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.61.tif", "IsPrimary" : "1", "_SurrogateID" : "6561", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2339, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2339", "Disp_Access_No" : "2000.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1590", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Jerome Hearing the Trumpet of the Last Judgment", "Alt_Title" : "", "Obj_Title" : "Saint Jerome Hearing the Trumpet of the Last Judgment", "Series_Title" : "", "Disp_Maker_1" : "Antonio Tempesta", "Sort_Artist" : "Tempesta, Antonio", "Disp_Dimen" : "48.5 cm x 37.8 cm (19 1/8 in. x 14 7/8 in.)", "Disp_Height" : "48.5 cm", "Disp_Width" : "37.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.843.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.843.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.843.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.843.tif", "IsPrimary" : "1", "_SurrogateID" : "6799", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10954, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10954", "Disp_Access_No" : "P1963.4.152/178", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1730-before 1740", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1740", "Disp_Title" : "Lot and His 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(12 5/16 in. x 9 5/16 in.)", "Disp_Height" : "31.2 cm", "Disp_Width" : "23.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1349.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1349.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1349.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1349.tif", "IsPrimary" : "1", "_SurrogateID" : "4949", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12849, "URL" : 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engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1786.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1786.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1786.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1786.tif", "IsPrimary" : "1", "_SurrogateID" : "4672", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13381", "Disp_Access_No" : "2002.2179", "_AccNumSort1" : "", "Disp_Create_DT" : "1594", "_Disp_Start_Dat" : "1594", "_Disp_End_Date" : "1594", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "47.9 cm x 35.6 cm (18 7/8 in. x 14 in.)", "Disp_Height" : "47.9 cm", "Disp_Width" : "35.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2179.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2179.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2179.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2179.tif", "IsPrimary" : "1", "_SurrogateID" : "7273", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13383, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13383", "Disp_Access_No" : "2002.2181", "_AccNumSort1" : "", "Disp_Create_DT" : "1594", "_Disp_Start_Dat" : "1594", "_Disp_End_Date" : "1594", "Disp_Title" : "The Annunciation, from Meisterstiche", "Alt_Title" : "", "Obj_Title" : "The Annunciation, from Meisterstiche", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "48 cm x 35 cm (18 7/8 in. x 13 3/4 in.)", "Disp_Height" : "48 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2181.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2181.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2181.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2181.tif", "IsPrimary" : "1", "_SurrogateID" : "7275", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13656, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13656", "Disp_Access_No" : "2002.2569", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Christ on the Mount of Olives, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Christ on the Mount of Olives, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Pieter de Bailliu, the elder", "Sort_Artist" : "Bailliu, the elder, Pieter de", "Disp_Dimen" : "32.4 cm x 27.1 cm (12 3/4 in. x 10 11/16 in.)", "Disp_Height" : "32.4 cm", "Disp_Width" : "27.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2569.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2569.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2569.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2569.tif", "IsPrimary" : "1", "_SurrogateID" : "5929", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13668, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13668", "Disp_Access_No" : "2002.2585", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1707-1709", "_Disp_Start_Dat" : "1707", "_Disp_End_Date" : "1709", "Disp_Title" : "Henri IV délibère sur son future marriage (Henry IV Discusses His Future Marriage), plate 7 of Recueil de la galerie du Luxembourg (The Collection of Gallery of Luxembourg), after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Henri IV délibère sur son future marriage (Henry IV Discusses His Future Marriage), plate 7 of Recueil de la galerie du Luxembourg (The Collection of Gallery of Luxembourg), after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Jean Audran", "Sort_Artist" : "Audran, Jean", "Disp_Dimen" : "50.6 cm x 34.5 cm (19 15/16 in. x 13 9/16 in.)", "Disp_Height" : "50.6 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This is one print from a series of 24 engravings after the designs of the Nattier brothers. The engravings are after a series of paintings by Rubens from 1622-1623 commissioned by Maria de'Medici, depicting allegorical scenes representing different episodes from her life. The paintings originally hung in a gallery in the Palais du Luxembourg and are now in the Musée du Louvre in Paris. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2585.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2585.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2585.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2585.tif", "IsPrimary" : "1", "_SurrogateID" : "5942", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14595, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14595", "Disp_Access_No" : "1991.101", "_AccNumSort1" : "", "Disp_Create_DT" : "1410s", "_Disp_Start_Dat" : "1410", "_Disp_End_Date" : "1410", "Disp_Title" : "Madonna and Child with Angels", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Angels", "Series_Title" : "", "Disp_Maker_1" : "Giovanni dal Ponte", "Sort_Artist" : "Giovanni dal Ponte", "Disp_Dimen" : "89.2 cm x 61.6 cm (35 1/8 in. x 24 1/4 in.)", "Disp_Height" : "89.2 cm", "Disp_Width" : "61.6 cm", "Dimen_Extent" : "panel", "Medium" : "Tempera and tooled gold leaf", "Support" : "wood panel", "Disp_Medium" : "Tempera and tooled gold leaf on wood panel", "Info_Page_Comm" : "The devout Catholics for whom this painting was intended would have recognized this presentation of Mary as the Queen of Heaven. She wears an elaborate crown, in addition to the disc-like halo, and hovering angels honor Mary and the baby Jesus by holding an ornate cloth behind them. Jesus looks out at the viewer and raises his right hand in a gesture of blessing. In his left hand, he holds a finch, a foreshadowing of the Crucifixion that refers to a legend that this bird removed a thorn from Jesus’s crown and was marked by a drop of blood. Based on the scale and the subject matter, it is likely that this was the central panel in an altarpiece. The unworked upper corners and sides indicate that at some point in its history an elaborate gilded frame was removed, so that the fragment preserving the central figures could be sold as a satisfying whole. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of Jack G. Taylor, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.101-frame-2017.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.101-frame-2017.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.101-frame-2017.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.101-frame-2017.tif", "IsPrimary" : "1", "_SurrogateID" : "14668", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14852, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14852", "Disp_Access_No" : "1985.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1740s", "_Disp_Start_Dat" : "1740", "_Disp_End_Date" : "1740", "Disp_Title" : "The Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "63.5 cm x 76.2 cm (25 in. x 30 in.)", "Disp_Height" : "63.5 cm", "Disp_Width" : "76.2 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Frost Brothers Benefit and Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Not in play Could be next to Anton Kern because it uses the same pigments and color values; in great condition (FC:jb 4/6/15) Ranking changed, in play (FC: jp 7/3/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.18.tif", "IsPrimary" : "1", "_SurrogateID" : "1319", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14901, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14901", "Disp_Access_No" : "1984.53", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1583", "_Disp_Start_Dat" : "1578", "_Disp_End_Date" : "1588", "Disp_Title" : "Saint Catherine", "Alt_Title" : "", "Obj_Title" : "Saint Catherine", "Series_Title" : "", "Disp_Maker_1" : "Bartholomaeus Spranger", "Sort_Artist" : "Spranger, Bartholomaeus", "Disp_Dimen" : "37.2 cm x 30.5 cm (14 5/8 in. x 12 in.)", "Disp_Height" : "37.2 cm", "Disp_Width" : "30.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Beautiful, pious, and able to wear the “crown of martyrdom,” the Saints Catherine, Margaret, and Ursula are prime subjects for devotional painting. According to "The Golden Legend," a popular medieval text on the lives of the saints, Catherine converted multitudes using her great wisdom and erudition. She holds the sword used for her own beheading in one hand and a book in the other. She also stands over a Roman emperor who attempted to kill her on a spiked wheel. Likewise, Margaret stands triumphant over her enemy, a demon dragon, whom she defeated by making the sign of the cross. (This action takes material form as the wooden cross in her left hand.) Ursula is shown, not with her enemy, but with a crowd of fellow martyrs, whom she led during persecution. From the complex folds of the saints’ drapery to a delicate rendering of jewelry, flower petals, and even toes, Bartholomaeus Spranger’s interest in detail connects the artist to his Netherlandish roots and a Northern Renaissance style of painting. But it also draws the viewer into a closer study of the saints. For instance, notice the prominent pearl on Margaret’s forehead attached to strands of smaller pearls in her hair. According to the "Legend," the saint’s name corresponds with the Latin word for a pearl, margarita, a “precious gem [that shines] white, small, and endowed with virtue.” In like manner, says the "Legend," “Saint Margaret was shining white by her virginity, small by her humility, and endowed with the power to work miracles.” For viewers familiar with her story, a study of the painting’s details could lead to a meditation on the saint’s character.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1984", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Flemish", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "14903", "Rel_Obj_Title" : "Saint Margaret" },{ "Rel_Obj_ID" : "14902", "Rel_Obj_Title" : "Saint Ursula" } ], "Curator" : "Ranking is provisional (FC:jb 4/2/15) All of the Sprangers could potentially be in a smaller space with other Dutch and Flemish works (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.53.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.53.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.53.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.53.tif", "IsPrimary" : "1", "_SurrogateID" : "1298", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14902, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14902", "Disp_Access_No" : "1984.52", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1583", "_Disp_Start_Dat" : "1578", "_Disp_End_Date" : "1588", "Disp_Title" : "Saint Ursula", "Alt_Title" : "", "Obj_Title" : "Saint Ursula", "Series_Title" : "", "Disp_Maker_1" : "Bartholomaeus Spranger", "Sort_Artist" : "Spranger, Bartholomaeus", "Disp_Dimen" : "37.2 cm x 30.5 cm (14 5/8 in. x 12 in.)", "Disp_Height" : "37.2 cm", "Disp_Width" : "30.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Beautiful, pious, and able to wear the “crown of martyrdom,” the Saints Catherine, Margaret, and Ursula are prime subjects for devotional painting. According to "The Golden Legend," a popular medieval text on the lives of the saints, Catherine converted multitudes using her great wisdom and erudition. She holds the sword used for her own beheading in one hand and a book in the other. She also stands over a Roman emperor who attempted to kill her on a spiked wheel. Likewise, Margaret stands triumphant over her enemy, a demon dragon, whom she defeated by making the sign of the cross. (This action takes material form as the wooden cross in her left hand.) Ursula is shown, not with her enemy, but with a crowd of fellow martyrs, whom she led during persecution. From the complex folds of the saints’ drapery to a delicate rendering of jewelry, flower petals, and even toes, Bartholomaeus Spranger’s interest in detail connects the artist to his Netherlandish roots and a Northern Renaissance style of painting. But it also draws the viewer into a closer study of the saints. 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"Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.977.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.977.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.977.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.977.tif", "IsPrimary" : "1", "_SurrogateID" : "2898", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16002, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16002", "Disp_Access_No" : "2017.1105", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family with a Saint", "Alt_Title" : "", "Obj_Title" : "The Holy Family with a Saint", "Series_Title" : "", "Disp_Maker_1" : "Marchetti Marco", "Sort_Artist" : "Marco, Marchetti", "Disp_Dimen" : "20.32 cm x 20 cm (8 in. x 7 7/8 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1105.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1105.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1105.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1105.tif", "IsPrimary" : "1", "_SurrogateID" : "5828", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16003, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16003", "Disp_Access_No" : "2017.1437", "_AccNumSort1" : "", "Disp_Create_DT" : "1779", "_Disp_Start_Dat" : "1779", "_Disp_End_Date" : "1779", "Disp_Title" : "Design for the Upper Section of an Altar with Three Angels", "Alt_Title" : "", "Obj_Title" : "Design for the Upper Section of an Altar with Three Angels", "Series_Title" : "", "Disp_Maker_1" : "Johann Georg Wagner", "Sort_Artist" : "Wagner, Johann Georg", "Disp_Dimen" : "20.32 cm x 29.85 cm (8 in. x 11 3/4 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "29.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink with watercolor over traces of black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and black ink with watercolor over traces of black chalk on cream antique laid paper", "Info_Page_Comm" : "This lovely study combines the evanescence of the late Baroque in the figures of the angels with an insistent architecture that is already Neoclassical. The attribution is based upon the signature and date at the bottom left, which are elaborated in a full, contemporary inscription on the verso. The artist is evidently not to be confused with a short-lived landscape painter and etcher of the same name (1744-1767) who worked at Meissen. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1437.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1437.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1437.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1437.tif", "IsPrimary" : "1", "_SurrogateID" : "3345", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16010, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16010", "Disp_Access_No" : "2017.1100", "_AccNumSort1" : "", "Disp_Create_DT" : "circa late 1650s-early 1660s", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1660", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Michel Dorigny", "Sort_Artist" : "Dorigny, Michel", "Disp_Dimen" : "20.6 cm x 18 cm (8 1/8 in. x 7 1/16 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, squared in black chalk on cream paper, laid down ", "Support" : "", "Disp_Medium" : "Pen and brown ink, squared in black chalk on cream paper, laid down ", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1100.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1100.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1100.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1100.tif", "IsPrimary" : "1", "_SurrogateID" : "4270", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16018", "Disp_Access_No" : "2017.1273", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Creation of Eve", "Alt_Title" : "", "Obj_Title" : "The Creation of Eve", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Negretti, called Palma Giovane", "Sort_Artist" : "Palma Giovane, Jacopo Negretti, called", "Disp_Dimen" : "17.9 cm x 21.5 cm (7 1/16 in. x 8 7/16 in.)", "Disp_Height" : "17.9 cm", "Disp_Width" : "21.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink with brush and gray wash and white heightening over black chalk on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and black ink with brush and gray wash and white heightening over black chalk on beige antique laid paper, laid down", "Info_Page_Comm" : "Palma Giovane’s style embodies late Mannerism in Venice. Countless, his paintings carry on Tintoretto’s difficult synthesis of painterly values and complex design with an automatic ease, reemergent naturalism, and self-conscious reference to earlier 16th-century examples, Titian in particular. Ceaseless as both pre-paratory activity and exercise, his draftsmanship is similarly predicated upon lin-ear procedure and rhythmic organization, but ultimately unconcerned with structure and instead dedicated to momentary optical properties. Inspired by a lost scene in Tintoretto’s celebrated History of Adam and Eve for the Scuola della Trinità, rendered in Palma’s most frequent technique, and especially vibrant despite a conspicuous loss, this is an excellent example.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1273.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1273.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1273.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1273.tif", "IsPrimary" : "1", "_SurrogateID" : "5705", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16026, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16026", "Disp_Access_No" : "2017.874", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Venetian", "Sort_Artist" : "Anonymous, Venetian", "Disp_Dimen" : "22.23 cm x 15.88 cm (8 3/4 in. x 6 1/4 in.)", "Disp_Height" : "22.23 cm", "Disp_Width" : "15.88 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on panel, convex", "Support" : "", "Disp_Medium" : "Oil on panel, convex", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. 2 but potentially 2+ with conservation. Hang higher up (FC:jb 4/27/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.874.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.874.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.874.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.874.TIF", "IsPrimary" : "1", "_SurrogateID" : "10544", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16065", "Disp_Access_No" : "2017.1193", "_AccNumSort1" : "", "Disp_Create_DT" : "1773", "_Disp_Start_Dat" : "1773", "_Disp_End_Date" : "1773", "Disp_Title" : "The Baptism of Christ (recto and verso)", "Alt_Title" : "", "Obj_Title" : "The Baptism of Christ (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Martin Johann Schmidt, called Kremser-Schmidt", "Sort_Artist" : "Kremser-Schmidt, Martin Johann Schmidt, called", "Disp_Dimen" : "24.1 cm x 12.6 cm (9 1/2 in. x 4 15/16 in.)", "Disp_Height" : "24.1 cm", "Disp_Width" : "12.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto and verso: Pen and brown ink with brush and brown and gray washes over tra", "Support" : "", "Disp_Medium" : "Recto and verso: Pen and brown ink with brush and brown and gray washes over tra", "Info_Page_Comm" : "Kremser-Schmidt was an important painter principally of religious subjects in lower Austria. His style depends upon the Venetians of the early eighteenth century, particularly Sebastiano Ricci and Gaspare Diziani. In 1773 he was commissioned an altarpiece of The Baptism of Christ for the popular pilgrimage church at Sonntagberg. One of the most capable and prolific etchers in Central Europe, he created an etching of the composition before the altarpiece was even completed. This print may have been part of an effort to raise funds for the project. It was with this extraordinarily fresh, double-sided sheet that Kremser-Schmidt prepared the etching. He began by copying his painting on the recto (reproduced, left), then traced this drawing on the verso, and finally transferred this second, reversed version to the copper plate. This process facilitated any correction of the work on the plate and restored the eventual print to the proper orientation of the painting. Most striking, despite its technical role and necessarily restrained handling, the drawing possesses wonderfully varied color, sparkling light, and sheer vibrancy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "16759", "Rel_Obj_Title" : "The Baptism of Christ" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1193.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1193.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1193.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1193.tif", "IsPrimary" : "1", "_SurrogateID" : "3332", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16070, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16070", "Disp_Access_No" : "2017.1130", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Two Angels", "Alt_Title" : "", "Obj_Title" : "Two Angels", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Galeotti", "Sort_Artist" : "Galeotti, Sebastiano", "Disp_Dimen" : "24.13 cm x 40.64 cm (9 1/2 in. x 16 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "40.64 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash, on brown paper", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash, on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1130.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1130.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1130.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1130.tif", "IsPrimary" : "1", "_SurrogateID" : "5884", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16078, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16078", "Disp_Access_No" : "2017.1398", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "God the Father and Angels", "Alt_Title" : "", "Obj_Title" : "God the Father and Angels", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Domenico Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Domenico", "Disp_Dimen" : "24.7 cm x 16.5 cm (9 3/4 in. x 6 1/2 in.)", "Disp_Height" : "24.7 cm", "Disp_Width" : "16.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1398.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1398.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1398.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1398.tif", "IsPrimary" : "1", "_SurrogateID" : "5838", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16079", "Disp_Access_No" : "2017.1392", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1732", "_Disp_Start_Dat" : "1727", "_Disp_End_Date" : "1737", "Disp_Title" : "Hagar and Ishmael", "Alt_Title" : "Study for ‘Hagar and Ishmael’", "Obj_Title" : "Hagar and Ishmael", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Battista", "Disp_Dimen" : "25.1 cm x 20 cm (9 7/8 in. x 7 7/8 in.)", "Disp_Height" : "25.1 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk on cream antique laid paper", "Info_Page_Comm" : "Capturing the first creative idea seemingly with the speed of thought itself, this is an early study for the composition of the Hagar and Ishmael in the Scuola di San Rocco, Venice, an especially beautiful painting of Tiepolo’s early maturity. Hagar, Abraham’s second wife, and their son, Ishmael, were forced into the wilderness by the jealousy of the first wife, Sarah. Ishmael was about to expire when an angel appeared, directed Hagar to a spring, and foretold the nation to come from both Isaac and Ishmael’s sons. The drawing renders Hagar in profile, first on the left, then on the right, as in the painting. Ishmael lies at the base of the composition, but reversed from his eventual direction. Above, the angel gestures, only from a more frontal posture and more emphatically than in the painting. Very few such studies by Tiepolo, so quick, unselfconscious, and essential, have been identified.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1392.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1392.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1392.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1392.tif", "IsPrimary" : "1", "_SurrogateID" : "6454", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16094, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16094", "Disp_Access_No" : "2017.1148", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1558", "_Disp_Start_Dat" : "1553", "_Disp_End_Date" : "1563", "Disp_Title" : "Allegory of Birth, after Giulio Romano", "Alt_Title" : "", "Obj_Title" : "Allegory of Birth, after Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giorgio Ghisi", "Sort_Artist" : "Ghisi, Attributed to Giorgio", "Disp_Dimen" : "26.3 cm x 41.4 cm (10 3/8 in. x 16 5/16 in.)", "Disp_Height" : "26.3 cm", "Disp_Width" : "41.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening (partly oxidiz", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening (partially oxidized) on beige paper", "Info_Page_Comm" : "This composition corresponds in every major element and most details to an engraving by Giorgio Ghisi. The drawing’s highly finished technique, similar size, and of course reversal of direction indicate that even though its design lacks the usual signs of being transferred to a copper plate, it was the immediate model for the print. The ultimate source of the composition is a fresco of around 1531 in the Loggia of the Grotto in the Palazzo del Te, Giulio Romano’s principal project for Federigo Gonzaga at Mantua. Part of an allegorical life cycle, the subject involves a mother expiring after childbirth, a personification consigning the newborn to winged genii, a crouching woman lighting a new torch from an old, and Aurora bringing a new day with her chariot. The drawing’s elaboration of the fresco shows considerable inventiveness, the technique is generally that of other models for engraving by Raphael and his followers, and the handling is quite accomplished, particularly in the heightened modeling of the figures and the loose description of the background in wash. The likelihood, however, is that this is not a drawing by Romano, rather by an artist trained in his circle or conceivably Ghisi himself.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "2181", "Rel_Obj_Title" : "Allegory of Birth, after Giulio Romano" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/518.1999.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/518.1999.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/518.1999.tif", "IIIF_URL": "http://iiif.gallerysystems.com/518.1999.tif", "IsPrimary" : "1", "_SurrogateID" : "4867", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16096, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16096", "Disp_Access_No" : "2017.894", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1577", "_Disp_Start_Dat" : "1572", "_Disp_End_Date" : "1582", "Disp_Title" : "Sacrifice of Isaac", "Alt_Title" : "", "Obj_Title" : "Sacrifice of Isaac", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Bassano (Jacopo da Ponte)", "Sort_Artist" : "Bassano (Jacopo da Ponte), Jacopo", "Disp_Dimen" : "26.2 cm x 33.6 cm (10 5/16 in. x 13 1/4 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "33.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "On the grassy knoll of a mountain, Abraham prepares to carry out a divine order to sacrifice his son, Isaac, who kneels with his hands bound behind his back. Suddenly, an angel appears to stay Abraham’s knife-wielding hand, saying that God is satisfied by the proof of Abraham’s fear and reverence. Jacopo Bassano’s mastery of dynamic contours appears in the lively, varied lines of Abraham’s outstretched arm and the clouds and dark mountains echoing it. His expressive brushstrokes and his playful use of perspective, animated by the figures’ diverse postures, also demonstrate his confidence as a painter. This work is probably a copy of a background scene from Bassano’s popular series depicting the four seasons. To meet popular demand, the artist and his workshop created numerous versions of the series. In fact, previous scholarship suggested that this might be a fragment from a lost painting in the series. Close examination of the painting disproved this theory, however; the painting’s edges are mostly untouched and not cut from a larger canvas.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.894.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.894.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.894.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.894.tif", "IsPrimary" : "1", "_SurrogateID" : "2744", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16108, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16108", "Disp_Access_No" : "2017.1143", "_AccNumSort1" : "", "Disp_Create_DT" : "1680s", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1680", "Disp_Title" : "The Dream of Joseph", "Alt_Title" : "", "Obj_Title" : "The Dream of Joseph", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Gaulli (Baciccio)", "Sort_Artist" : "Gaulli (Baciccio), Giovanni Battista", "Disp_Dimen" : "27.2 cm x 30.3 cm (10 11/16 in. x 11 15/16 in.)", "Disp_Height" : "27.2 cm", "Disp_Width" : "30.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heightening on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heightening on cream antique laid paper, laid down", "Info_Page_Comm" : "Baciccio’s incomparably fluid and brilliantly colored style represented the principle alternative to the academic manner that dominated late century Roman painting. His monumental frescoes, famously that of the vault of the Church of the Gesù, mark the emergence of an important strain of late Baroque decoration. Contemporary with those frescoes, as well as the Collection’s painting of Rinaldo and Armida, this drawing conveys the essence of Baciccio’s style in its dramatic space, rhythmic animation. and lavish technique.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1143.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1143.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1143.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1143.tif", "IsPrimary" : "1", "_SurrogateID" : "5208", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16114, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16114", "Disp_Access_No" : "2017.1095", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Personifications of Venice and the Arts", "Alt_Title" : "", "Obj_Title" : "Personifications of Venice and the Arts", "Series_Title" : "", "Disp_Maker_1" : "Gaspare Diziani", "Sort_Artist" : "Diziani, Gaspare", "Disp_Dimen" : "27.31 cm x 33.02 cm (10 3/4 in. x 13 in.)", "Disp_Height" : "27.31 cm", "Disp_Width" : "33.02 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and gray wash, gray wash", "Support" : "", "Disp_Medium" : "Pen and gray wash, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1095.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1095.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1095.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1095.tif", "IsPrimary" : "1", "_SurrogateID" : "5775", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16124, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16124", "Disp_Access_No" : "2017.845", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "27.94 cm x 24.45 cm (11 in. x 9 5/8 in.)", "Disp_Height" : "27.94 cm", "Disp_Width" : "24.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brown wash heightened with white over black chalk on blue-grey paper", "Support" : "", "Disp_Medium" : "Brown wash heightened with white over black chalk on blue-grey paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.845.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.845.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.845.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.845.tif", "IsPrimary" : "1", "_SurrogateID" : "5733", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16131, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16131", "Disp_Access_No" : "2017.941", "_AccNumSort1" : "", "Disp_Create_DT" : "1781", "_Disp_Start_Dat" : "1781", "_Disp_End_Date" : "1781", "Disp_Title" : "Appearance of Saint Peter to Saints Lucy and Agatha", "Alt_Title" : "Study for the ‘Appearance of Saint Peter to Saints Lucy and Agatha’", "Obj_Title" : "Study for the ‘Appearance of Saint Peter to Saints Lucy and Agatha’", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Cades", "Sort_Artist" : "Cades, Giuseppe", "Disp_Dimen" : "28.1 cm x 15.08 cm (11 1/16 in. x 5 15/16 in.)", "Disp_Height" : "28.1 cm", "Disp_Width" : "15.08 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down on faded blue antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down on faded blue antique laid paper", "Info_Page_Comm" : "Individualistic, largely self-taught, and indifferent to the prevailing currents, Cades was the most original painter in late 18th-century Rome. His works are characterized by an evocation of much earlier painting, from the Florentine Mannerists to the Carracci, an uninhibited inventiveness, and a visionary streak that runs toward Fussli and his circle. Brilliant and equally self-styled as a draftsman, Cades was known for a “dangerous” ability to imitate masters of the past. The authorship of this drawing is unmistakable in its exalted references to Veronese, generalized shapes, and Neoclassical typologies. Newly recognized are its novel subject and destination as a major altarpiece for the Duomo at Ascoli Piceno, now in the Pinacoteca Civica. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.941.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.941.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.941.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.941.tif", "IsPrimary" : "1", "_SurrogateID" : "5215", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16132", "Disp_Access_No" : "2017.1232", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "The Education of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Education of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Franz Anton Maulbertsch", "Sort_Artist" : "Maulbertsch, Franz Anton", "Disp_Dimen" : "28 cm x 17 cm (11 in. x 6 11/16 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "17 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and gray wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and gray wash over black chalk", "Info_Page_Comm" : "This is a compositional study for an altarpiece in the church of Saint Nicholas, now the cathedral, in Böhmisch Budweis, Germany. The altarpiece, executed in 1770-71, differs considerably in the secondary figures and detail. While the drawing retains the amplitude and the luminosity that are characteristic of Maulbertsch’s mature activity, the calmer order of the composition and the relatively simplified poses of the figures suggest an incipient classicism. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1232.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1232.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1232.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1232.tif", "IsPrimary" : "1", "_SurrogateID" : "5671", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16148", "Disp_Access_No" : "2017.1311", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Abraham and the Angels", "Alt_Title" : "", "Obj_Title" : "Abraham and the Angels", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "28.89 cm x 20.64 cm (11 3/8 in. x 8 1/8 in.)", "Disp_Height" : "28.89 cm", "Disp_Width" : "20.64 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1311.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1311.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1311.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1311.tif", "IsPrimary" : "1", "_SurrogateID" : "5764", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16150", "Disp_Access_No" : "2017.1265", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Dominic Distributing Rosaries", "Alt_Title" : "", "Obj_Title" : "Saint Dominic Distributing Rosaries", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "29 cm x 20.3 cm (11 7/16 in. x 8 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique la", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Info_Page_Comm" : "This is a fine study of Paggi’s maturity, quite automatic but less extravagant in line, with more carefully applied and gradated washes, relative to the style of Cambiaso. Although no corresponding painting has been identified, the auto-graph inscription describes the drawing as preparatory for “an altarpiece in [the patron’s] chapel in Randazzo, Sicily.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1265.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1265.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1265.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1265.tif", "IsPrimary" : "1", "_SurrogateID" : "5701", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16179, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16179", "Disp_Access_No" : "2017.1168", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1616-1617", "_Disp_Start_Dat" : "1616", "_Disp_End_Date" : "1617", "Disp_Title" : "Landscape with Tobias and the Angel", "Alt_Title" : "", "Obj_Title" : "Landscape with Tobias and the Angel", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "31 cm x 40.5 cm (12 3/16 in. x 15 15/16 in.)", "Disp_Height" : "31 cm", "Disp_Width" : "40.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "Archangel Raphael points to a great fish located at the painting’s bottom edge and instructs a surprised, bathing Tobias to seize it. Tobias, the son of the title character in the Book of Tobit, would later use the fish’s entrails to cure the blindness of his father and to dispel a demon tormenting his future wife, Sara. Guercino was a leading painter in the Bolognese school of the seventeenth century. He was known for his ability to communicate emotion through human gesture and expression. His talent for depicting contrasts in light also appears in the painting’s dark landscape lit by a setting sun, which echoes Tobias’ story of faith and revelation. This rare work is likely Guercino’s only landscape painting on copper to incorporate a religious narrative. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1168.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1168.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1168.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1168.tif", "IsPrimary" : "1", "_SurrogateID" : "2618", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16181, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16181", "Disp_Access_No" : "2017.1446", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Angel Appearing to Hagar and Ishmael", "Alt_Title" : "", "Obj_Title" : "The Angel Appearing to Hagar and Ishmael", "Series_Title" : "", "Disp_Maker_1" : "School of Francesco Zuccarelli", "Sort_Artist" : "Zuccarelli, School of Francesco", "Disp_Dimen" : "31.5 cm x 41.4 cm (12 3/8 in. x 16 5/16 in.)", "Disp_Height" : "31.5 cm", "Disp_Width" : "41.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1446.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1446.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1446.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1446.TIF", "IsPrimary" : "1", "_SurrogateID" : "10683", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16182, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16182", "Disp_Access_No" : "2017.1312", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Assumption of the Magdalen", "Alt_Title" : "", "Obj_Title" : "Assumption of the Magdalen", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "32.2 cm x 43.9 cm (12 11/16 in. x 17 5/16 in.)", "Disp_Height" : "32.2 cm", "Disp_Width" : "43.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Black chalk on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1312.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1312.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1312.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1312.tif", "IsPrimary" : "1", "_SurrogateID" : "5891", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16186, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16186", "Disp_Access_No" : "2017.996", "_AccNumSort1" : "", "Disp_Create_DT" : "1540s", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "Holy Family with the Young Saint John the Baptist and an Angel", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist and an Angel", "Series_Title" : "", "Disp_Maker_1" : "Girolamo da Carpi", "Sort_Artist" : "Carpi, Girolamo da", "Disp_Dimen" : "30.99 cm x 43.18 cm (12 3/16 in. x 17 in.)", "Disp_Height" : "30.99 cm", "Disp_Width" : "43.18 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This panel is characteristic of the late development of this artist and of Ferrarese painting toward mid-century. While active in Bologna in the 1520s, Girolamo had proved one of the first and most successful artists in the region to assimilate currents of the most advanced Central Italian style, particularly from Giulio Romano after his relocation in nearby Mantua. Back in his native Ferrara over the following two decades, the power and distinctiveness of Girolamo’s first manner were overtaken by a more precious and formulaic elegance. In typical, small-scale religious works like the present one, there are still the figure types and iridescent passages recalling Romano’s influence, but the description is less coordinated, the color more local, and the execution more cautious. This same development, from progressive experiment toward conservative production, can also be observed in the later work of the city’s other principal painters, Garofalo and the Dossi brothers.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Could potentially be used in a double hang (FC:jb 4/2/15) Rating provisional (JP 4/16/15) Ranking adjusted, in play (FC: jp 7/3/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.996.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.996.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.996.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.996.tif", "IsPrimary" : "1", "_SurrogateID" : "2583", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16196, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16196", "Disp_Access_No" : "2017.1026", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Angel Appearing to Hagar", "Alt_Title" : "Hagar and the Angel", "Obj_Title" : "The Angel Appearing to Hagar", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "32.9 cm x 24.7 cm (12 15/16 in. x 9 3/4 in.)", "Disp_Height" : "32.9 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and colored oil paint on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush and colored oil paint on beige antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1026.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1026.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1026.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1026.tif", "IsPrimary" : "1", "_SurrogateID" : "2731", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16199, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16199", "Disp_Access_No" : "2017.991", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family with Adoring Angels", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Adoring Angels", "Series_Title" : "", "Disp_Maker_1" : "Simone Cantarini", "Sort_Artist" : "Cantarini, Simone", "Disp_Dimen" : "33 cm x 43.2 cm (13 in. x 17 in.)", "Disp_Height" : "33 cm", "Disp_Width" : "43.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas, oval, unframed", "Support" : "", "Disp_Medium" : "Oil on canvas, oval, unframed", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.991.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.991.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.991.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.991.tif", "IsPrimary" : "1", "_SurrogateID" : "5989", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16208, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16208", "Disp_Access_No" : "2017.1121", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "34.29 cm x 24.45 cm (13 1/2 in. x 9 5/8 in.)", "Disp_Height" : "34.29 cm", "Disp_Width" : "24.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1121.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1121.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1121.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1121.tif", "IsPrimary" : "1", "_SurrogateID" : "5780", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16230, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16230", "Disp_Access_No" : "2017.990", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "San Benedetto in Glory", "Alt_Title" : "Assumption of a Bishop Saint ", "Obj_Title" : "San Benedetto in Glory", "Series_Title" : "", "Disp_Maker_1" : "Francesco Campora", "Sort_Artist" : "Campora, Francesco", "Disp_Dimen" : "36.9 cm x 27.7 cm (14 1/2 in. x 10 7/8 in.)", "Disp_Height" : "36.9 cm", "Disp_Width" : "27.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: Pen and brown ink over black chalk on cream antique laid paper; Verso: A Sketch of a Cornice in Profile, in black chalk", "Support" : "", "Disp_Medium" : "Recto: Pen and brown ink over black chalk on cream antique laid paper; Verso: A Sketch of a Cornice in Profile, in black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.990.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.990.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.990.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.990.tif", "IsPrimary" : "1", "_SurrogateID" : "5879", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16233, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16233", "Disp_Access_No" : "2017.1129", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Education of the Virgin with two Saints", "Alt_Title" : "", "Obj_Title" : "The Education of the Virgin with two Saints", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Galeotti", "Sort_Artist" : "Galeotti, Sebastiano", "Disp_Dimen" : "36.83 cm x 24.45 cm (14 1/2 in. x 9 5/8 in.)", "Disp_Height" : "36.83 cm", "Disp_Width" : "24.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash, shaped as an altarpiece", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash, shaped as an altarpiece", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1129.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1129.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1129.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1129.tif", "IsPrimary" : "1", "_SurrogateID" : "5781", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16240, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16240", "Disp_Access_No" : "2017.935", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Liberation of Saint Peter", "Alt_Title" : "", "Obj_Title" : "The Liberation of Saint Peter", "Series_Title" : "", "Disp_Maker_1" : "Leonhard Bramer", "Sort_Artist" : "Bramer, Leonhard", "Disp_Dimen" : "38.1 cm x 24.77 cm (15 in. x 9 3/4 in.)", "Disp_Height" : "38.1 cm", "Disp_Width" : "24.77 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, gray wash, heightened with white, on brown paper", "Support" : "", "Disp_Medium" : "Black chalk, gray wash, heightened with white, on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.935.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.935.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.935.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.935.tif", "IsPrimary" : "1", "_SurrogateID" : "5857", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16257, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16257", "Disp_Access_No" : "2017.1126", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1608-1613", "_Disp_Start_Dat" : "1608", "_Disp_End_Date" : "1613", "Disp_Title" : "Martyrdom of Saint Cecilia", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Cecilia", "Series_Title" : "", "Disp_Maker_1" : "Guy François", "Sort_Artist" : "François, Guy", "Disp_Dimen" : "126.4 cm x 97.2 cm (49 3/4 in. x 38 1/4 in.)", "Disp_Height" : "126.4 cm", "Disp_Width" : "97.2 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This picture is an early and almost programmatic response to Caravaggio’s lessons. It has long been attributed to Carlo Saraceni, a Venetian painter active in Rome, one of the earliest to espouse the new naturalistic language. It is better seen as a capital work of François, who was also in Rome from 1608 until 1613, then the very first to bring Caravaggism to France. Although extremely similar and usually confused with Saraceni’s, the works of the Frenchman can be distinguished by their slightly more regular shapes and exact contours, which result in compositions of more pronounced pattern than atmospheric space. Precisely this difference is clear in comparing the present composition with a nearly identical version by Saraceni that was recently identified and acquired by Los Angeles. The identity of these pictures also answers any question about the fact and intimate nature of the two painters’ collaboration.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Among FC''s top twenty. Copy. (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1126.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1126.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1126.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1126.tif", "IsPrimary" : "1", "_SurrogateID" : "2650", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16262, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16262", "Disp_Access_No" : "2017.1431", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1600", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "The Nativity", "Alt_Title" : "", "Obj_Title" : "The Nativity", "Series_Title" : "", "Disp_Maker_1" : "Maarten de Vos", "Sort_Artist" : "Vos, Maarten de", "Disp_Dimen" : "39.4 cm x 31.7 cm (15 1/2 in. x 12 1/2 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "31.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black...", "Info_Page_Comm" : "Vos was the leading history painter in Antwerp in the late 16th century. In his work the increasingly dry conventions of the school’s Mannerist painters were transformed by the dynamic compositions and saturated color that he had gathered from his early training in Italy, and especially from the Venetians. With their clear narration and incipient naturalism, his altarpieces dominated artistic production for the Counter-Reformation in the South Netherlands. This draw-ing is closely related to a late altarpiece in Antwerp’s Koninklijk Museum, although its variations in the background, cautious finish, and monogram suggest less a preparatory study than a model for an alternative project or possibly an engraving.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1431.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1431.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1431.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1431.tif", "IsPrimary" : "1", "_SurrogateID" : "5846", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16265, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16265", "Disp_Access_No" : "2017.1255", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1624-30", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Presentation in the Temple", "Alt_Title" : "", "Obj_Title" : "Presentation in the Temple", "Series_Title" : "", "Disp_Maker_1" : "Pietro Novelli, called Monrealese", "Sort_Artist" : "Novelli, called Monrealese, Pietro", "Disp_Dimen" : "39.6 cm x 28 cm (15 9/16 in. x 11 in.)", "Disp_Height" : "39.6 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Info_Page_Comm" : "Once believed an early and rare pen study by Bernardo Strozzi, this drawing has since been recognized as the work of Monrealese, the most distinguished native artist in early 17th-century Sicily. Characteristic of his few drawings are the compression of space into curvilinear pattern, dissolve of form into shimmering atmosphere, and the constant embroidery of contour. The shapes of the principal figures and the variegation of light across them assume the example of Van Dyck, whose Madonna of the Rosary arrived in Palermo in 1624, while there is no hint of the greater naturalism that would follow trips to Naples and Rome in 1630-33. The iconography too must be correctly identified: always thought curi-ous and described generically as a Vision of the Trinity, it in fact a strict rendering of the Presentation (Luke 2:25) -- the Child standing upon the altar, the priest Simeon (not Joseph) inspired by the Holy Spirit to recognize His divinity -- but according to the archaic Byzantine conventions that still swayed the Sicilian imagination. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1255.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1255.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1255.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1255.tif", "IsPrimary" : "1", "_SurrogateID" : "4881", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16267, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16267", "Disp_Access_No" : "2017.1359", "_AccNumSort1" : "", "Disp_Create_DT" : "1766", "_Disp_Start_Dat" : "1766", "_Disp_End_Date" : "1766", "Disp_Title" : "The Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Caspar Franz Sambach", "Sort_Artist" : "Sambach, Caspar Franz", "Disp_Dimen" : "39.6 cm x 22.5 cm (15 9/16 in. x 8 7/8 in.)", "Disp_Height" : "39.6 cm", "Disp_Width" : "22.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink with brush and gray wash on cream paper", "Support" : "", "Disp_Medium" : "Pen and black ink with brush and gray wash on cream antique laid paper", "Info_Page_Comm" : "Pupil of Troger and later director of the Vienna academy, Sambach worked throughout Austria, Hungary and Moravia. In 1757 he received payment for an altarpiece of the Assumption of the Virgin for the Church of the Virgin in Buda, Hungary. Given its fully developed composition and careful finish, this drawing may have been a model submitted to a patron or, considering its autograph date, a record for the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1359.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1359.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1359.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1359.tif", "IsPrimary" : "1", "_SurrogateID" : "5853", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16271, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16271", "Disp_Access_No" : "2017.1076", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1700s", "_Disp_Start_Dat" : "1695", "_Disp_End_Date" : "1705", "Disp_Title" : "Flying Angel", "Alt_Title" : "", "Obj_Title" : "Flying Angel", "Series_Title" : "", "Disp_Maker_1" : "Gregorio De Ferrari", "Sort_Artist" : "De Ferrari, Gregorio", "Disp_Dimen" : "40.1 cm x 30.6 cm (15 13/16 in. x 12 1/16 in.)", "Disp_Height" : "40.1 cm", "Disp_Width" : "30.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, squared twice in black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, squared twice in black chalk", "Info_Page_Comm" : "The counterpart to Piola’s predictable elegance in late-century Genoa, Gregorio offered a practically expressionistic interpretation of the same basic language. Descended from the lyrical, subjectively inclined Genoese of mid-century, and deeply informed by the study of Correggio, Gregorio’s compositions twist in ceaseless gyres, his figures distend and deform in ecstatic response, and his color goes iridescent before dissolving into a white light. This is an excellent example of his draftsmanship and style in general. The figure has been connected with several paintings of the early 1690s, but the sheet’s more controlled contours, short hatching, and broad wash are typical of his later drawings, and the most similar figure appears reversed in an altarpiece of the early 1700s, the Vision of Saint Isidore Agricola in the church of San Bernardo at Moltedo.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1076.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1076.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1076.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1076.tif", "IsPrimary" : "1", "_SurrogateID" : "5214", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16289, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16289", "Disp_Access_No" : "2017.843", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Madonna and Child Surrounded by the Trinity and Angels", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child Surrounded by the Trinity and Angels", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "42.55 cm x 30.48 cm (16 3/4 in. x 12 in.)", "Disp_Height" : "42.55 cm", "Disp_Width" : "30.48 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Austrian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "In bad condition (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.843.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.843.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.843.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.843.TIF", "IsPrimary" : "1", "_SurrogateID" : "10536", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16296, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16296", "Disp_Access_No" : "2017.1083", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1738", "_Disp_Start_Dat" : "1733", "_Disp_End_Date" : "1743", "Disp_Title" : "Dancing Angel with Cymbals", "Alt_Title" : "", "Obj_Title" : "Dancing Angel with Cymbals", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo De Ferrari", "Sort_Artist" : "De Ferrari, Lorenzo", "Disp_Dimen" : "43 cm x 29.4 cm (16 15/16 in. x 11 9/16 in.)", "Disp_Height" : "43 cm", "Disp_Width" : "29.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalks on gray-green antique laid paper, squared in black chalk.", "Support" : "", "Disp_Medium" : "Black and white chalks on gray-green antique laid paper, squared in black chalk.", "Info_Page_Comm" : "This is one of several extant preparatory studies for the angels that decorate the cupola of the Chapel of Saint Stanislao, one of the four secondary domes in Genoa’s principal Jesuit church, Sant’Ambrogio. By this late stage of Lorenzo’s development, in his paintings and drawings, the reference to the earliest exponents of classical Baroque style, and to Domenichino in particular, is explicit. Undiminished in his instinct and competence as a decorator in the tradition of his city and family, Lorenzo at this stage also bears relation to French academic painting and portends the rise of Neoclassicism", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1083.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1083.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1083.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1083.tif", "IsPrimary" : "1", "_SurrogateID" : "5882", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16303, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16303", "Disp_Access_No" : "2017.1315", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Liberation of Saint Peter (recto and verso)", "Alt_Title" : "", "Obj_Title" : "The Liberation of Saint Peter (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "43.18 cm x 30.48 cm (17 in. x 12 in.)", "Disp_Height" : "43.18 cm", "Disp_Width" : "30.48 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1315.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1315.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1315.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1315.tif", "IsPrimary" : "1", "_SurrogateID" : "5890", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16316, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16316", "Disp_Access_No" : "2017.901", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1680", "_Disp_Start_Dat" : "1675", "_Disp_End_Date" : "1685", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Beinaschi", "Sort_Artist" : "Beinaschi, Giovanni Battista", "Disp_Dimen" : "46.6 cm x 35.6 cm (18 3/8 in. x 14 in.)", "Disp_Height" : "46.6 cm", "Disp_Width" : "35.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conservation, condition issues: needs to be cleaned 2+ if cleaned. (FC:jb 4/14/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.901.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.901.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.901.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.901.tif", "IsPrimary" : "1", "_SurrogateID" : "3430", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16324", "Disp_Access_No" : "2017.838", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "The Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "47.5 cm x 40.2 cm (18 11/16 in. x 15 13/16 in.)", "Disp_Height" : "47.5 cm", "Disp_Width" : "40.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Spanish", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation. Needs work. 2 for condition, 2+ composition. Would be nice in oil sketch room. Also requires more research. (FC:jb 4/24/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.838.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.838.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.838.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.838.TIF", "IsPrimary" : "1", "_SurrogateID" : "10638", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16329, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16329", "Disp_Access_No" : "2017.1058", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Prophet Habakkuk Bringing Food to Daniel in the Lion’s Den", "Alt_Title" : "", "Obj_Title" : "The Prophet Habakkuk Bringing Food to Daniel in the Lion’s Den", "Series_Title" : "", "Disp_Maker_1" : "Circle of Giuseppe Maria Crespi", "Sort_Artist" : "Crespi, Circle of Giuseppe Maria", "Disp_Dimen" : "48.26 cm x 33.02 cm (19 in. x 13 in.)", "Disp_Height" : "48.26 cm", "Disp_Width" : "33.02 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs cleaning. Pair with 195.1999 potentially, need to see them together. (FC:jb 5/23/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1058.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1058.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1058.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1058.tif", "IsPrimary" : "1", "_SurrogateID" : "6986", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16338, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16338", "Disp_Access_No" : "2017.1154", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1693-94", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Presentation in the Temple", "Alt_Title" : "", "Obj_Title" : "Presentation in the Temple", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Giordano", "Sort_Artist" : "Giordano, Workshop of Luca", "Disp_Dimen" : "99 cm x 74.9 cm (39 in. x 29 1/2 in.)", "Disp_Height" : "99 cm", "Disp_Width" : "74.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1154.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1154.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1154.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1154.tif", "IsPrimary" : "1", "_SurrogateID" : "4847", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16349, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16349", "Disp_Access_No" : "2017.811", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "An Allegory of the Arts", "Alt_Title" : "", "Obj_Title" : "An Allegory of the Arts", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "51.44 cm x 39.37 cm (20 1/4 in. x 15 1/2 in.)", "Disp_Height" : "51.44 cm", "Disp_Width" : "39.37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk", "Support" : "", "Disp_Medium" : "Red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.811.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.811.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.811.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.811.tif", "IsPrimary" : "1", "_SurrogateID" : "3728", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16352, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16352", "Disp_Access_No" : "2017.1409", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1730s", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1730", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Domenico Antonio Vaccaro", "Sort_Artist" : "Vaccaro, Domenico Antonio", "Disp_Dimen" : "52.1 cm x 41.5 cm (20 1/2 in. x 16 5/16 in.)", "Disp_Height" : "52.1 cm", "Disp_Width" : "41.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The current date of the painting (after circa 1720) is credited to Nicola Spinosa, director of the Museo Nazionale di Capodimonte in Naples, through correspondence with Jonathan Bober 2 April 2009. Should be in play at the lower level. Falling out of its frame, not a good fit. Conservation issues, condition issues: needs to be cleaned, especially the putti and cloud (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1409.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1409.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1409.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1409.tif", "IsPrimary" : "1", "_SurrogateID" : "2665", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16363, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16363", "Disp_Access_No" : "2017.1321", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "The Immaculate Conception", "Alt_Title" : "", "Obj_Title" : "The Immaculate Conception", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco Polazzo", "Sort_Artist" : "Polazzo, Attributed to Francesco", "Disp_Dimen" : "56.52 cm x 34.29 cm (22 1/4 in. x 13 1/2 in.)", "Disp_Height" : "56.52 cm", "Disp_Width" : "34.29 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation issues: needs cleaning. 2+ when cleaned (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1321.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1321.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1321.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1321.tif", "IsPrimary" : "1", "_SurrogateID" : "10570", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16364, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16364", "Disp_Access_No" : "2017.976", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1562", "_Disp_Start_Dat" : "1557", "_Disp_End_Date" : "1567", "Disp_Title" : "The Martyrdom of Saint Sebastian", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Sebastian", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "56.9 cm x 41.8 cm (22 3/8 in. x 16 7/16 in.)", "Disp_Height" : "56.9 cm", "Disp_Width" : "41.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "Luca Cambiaso is the first great master of sixteenth-century Genoa and the virtual founder of its distinctive school of painting. The Martyrdom of Saint Sebastian is a masterpiece of Cambiaso’s early maturity. His forms, although still in the style of Michelangelo, have been disciplined, smoothed into more regular shapes, and given more elegant proportion than in his earlier work. Around this time he began to employ lines whose varied weight, length, and velocity allowed more elliptic description and flexible structure. This drawing also demonstrates a new level of spatial mastery. While the archers define a horizontal concavity, the saint and angels create a vertical convexity. These intersecting curves involve the entire composition in an energizing tension and virtuoso resolution. Finally, the drawing conveys a consonantly refined and lyrical expression of the saint’s pathos, conspicuous in his face yet woven through the fabric of the entire work. The Martyrdom of Saint Sebastian is no less sophisticated in function. Cambiaso’s earlier drawings still pertain to the graphic system of the early sixteenth century. This later example, rendered at high speed, emulates the summary notation of an advanced compositional study within that system. However, it was not preparatory, but conceived and executed as an autonomous work of art, as confirmed by its remarkable size. Such drawings enjoyed a tremendous success with the ambitious patrons of the artist’s paintings. The resulting production established the very idea of an independent market for drawings in which graphic character and individual personality are the commodities. The Blanton’s seven paintings and over a dozen autograph drawings by Cambiaso represent the most significant holdings of his work outside Genoa. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.976.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.976.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.976.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.976.tif", "IsPrimary" : "1", "_SurrogateID" : "2577", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16371, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16371", "Disp_Access_No" : "2017.1041", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Presentation of the Virgin", "Alt_Title" : "", "Obj_Title" : "Presentation of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Chapron", "Sort_Artist" : "Chapron, Nicolas", "Disp_Dimen" : "59.9 cm x 38.1 cm (23 9/16 in. x 15 in.)", "Disp_Height" : "59.9 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs major conservation. Could be 2+ with conservation. (FC:jb 4/24/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1041.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1041.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1041.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1041.tif", "IsPrimary" : "1", "_SurrogateID" : "4504", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16399, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16399", "Disp_Access_No" : "2017.903", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1750", "_Disp_Start_Dat" : "1745", "_Disp_End_Date" : "1755", "Disp_Title" : "A Miracle of Saint Dominic", "Alt_Title" : "", "Obj_Title" : "A Miracle of Saint Dominic", "Series_Title" : "", "Disp_Maker_1" : "Biagio Bellotti", "Sort_Artist" : "Bellotti, Biagio", "Disp_Dimen" : "71.7 cm x 43.8 cm (28 1/4 in. x 17 1/4 in.)", "Disp_Height" : "71.7 cm", "Disp_Width" : "43.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Not in play Poor handling of composition (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.903.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.903.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.903.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.903.tif", "IsPrimary" : "1", "_SurrogateID" : "2626", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16401, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16401", "Disp_Access_No" : "2017.1452", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Martyrdom of Saint George", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint George", "Series_Title" : "", "Disp_Maker_1" : "Francesco Zugno", "Sort_Artist" : "Zugno, Francesco", "Disp_Dimen" : "71.76 cm x 38.74 cm (28 1/4 in. x 15 1/4 in.)", "Disp_Height" : "71.76 cm", "Disp_Width" : "38.74 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Cannot make out what is happening at top left, appears very sketchy. Needs conservation (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1452.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1452.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1452.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1452.tif", "IsPrimary" : "1", "_SurrogateID" : "5993", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16434, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16434", "Disp_Access_No" : "2017.1036", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1541", "_Disp_Start_Dat" : "1536", "_Disp_End_Date" : "1546", "Disp_Title" : "The Coronation of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Coronation of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista della Cerva", "Sort_Artist" : "Cerva, Giovanni Battista della", "Disp_Dimen" : "87 cm x 71.5 cm (34 1/4 in. x 28 1/8 in.)", "Disp_Height" : "87 cm", "Disp_Width" : "71.5 cm", "Dimen_Extent" : "panel", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Jesus crowns her mother Mary as God the Father gazes down from above and the Holy Spirit descends in the form of a dove. Playful cherubim in the wreath of cloud add to the jubilant mood. This theme represents the final episode in the life of Mary, when, according to the tradition of the Catholic Church, she was brought to heaven after death and crowned as Queen of Heaven. In order to set the scene for the celestial event, Giovanni Battista della Cerva creates an abstract space relying on colors associated with heaven (blue) and eternity (gold). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Lost in corner, needs more of a relationship with objects around it (FC:jb 4/2/15) Ranking adjusted (FC:jp 5/26/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1036.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1036.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1036.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1036.tif", "IsPrimary" : "1", "_SurrogateID" : "2740", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16438, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16438", "Disp_Access_No" : "2017.919", "_AccNumSort1" : "", "Disp_Create_DT" : "1620s", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Danaë", "Alt_Title" : "", "Obj_Title" : "Danaë", "Series_Title" : "", "Disp_Maker_1" : "Jacques Blanchard", "Sort_Artist" : "Blanchard, Jacques", "Disp_Dimen" : "93.4 cm x 128.4 cm (36 3/4 in. x 50 9/16 in.)", "Disp_Height" : "93.4 cm", "Disp_Width" : "128.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation. Candidate for medallion hang. Louis Waldman: better than other Blanchard. (FC:jb 4/23/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.919.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.919.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.919.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.919.tif", "IsPrimary" : "1", "_SurrogateID" : "2669", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.919-pre.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.919-pre.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.919-pre.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.919-pre.tif", "IsPrimary" : "0", "_SurrogateID" : "10339", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16447, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16447", "Disp_Access_No" : "2017.1327", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1657-1659", "_Disp_Start_Dat" : "1657", "_Disp_End_Date" : "1659", "Disp_Title" : "The Martyrdom of Saint Catherine of Alexandria", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Catherine of Alexandria", "Series_Title" : "", "Disp_Maker_1" : "Mattia Preti", "Sort_Artist" : "Preti, Mattia", "Disp_Dimen" : "100.5 cm x 75 cm (39 9/16 in. x 29 1/2 in.)", "Disp_Height" : "100.5 cm", "Disp_Width" : "75 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting represents the moment just before Saint Catherine’s beheading. After the spiked wheels broke into pieces and failed to kill her, the executioner’s sword swings to end her life. As she looks up and prays, an angel descends to crown her with laurel and to give her the palm of martyrdom. The angle of foreshortening suggests that the image was to be viewed from below. This work served as an oil sketch for a painting of the same subject in the ceiling of the church of San Pietro a Maiella in Naples. Between mid-1657 and early 1659 Mattia Preti executed a series of five paintings that represent scenes from the life of Saint Catherine and another five from the life of Saint Peter Celestine, to whom the church is dedicated. For the final version in Naples, the artist departed from the composition in the Blanton’s painting: figures are added on the left, right, and bottom center, and the architectural background is minimized. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up but only raised about a foot, if too high we could lose details; should be raised with caution (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1327.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1327.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1327.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1327.tif", "IsPrimary" : "1", "_SurrogateID" : "2642", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16449, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16449", "Disp_Access_No" : "2017.1419", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1585", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1590", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Paolo Veronese", "Sort_Artist" : "Veronese, Workshop of Paolo", "Disp_Dimen" : "104.5 cm x 82.9 cm (41 1/8 in. x 32 5/8 in.)", "Disp_Height" : "104.5 cm", "Disp_Width" : "82.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Of the great Venetian painters of the sixteenth century, Paolo Veronese was the most systematic and subtle in exploring the action, formal implications, and even expressive meanings of light upon color. Early in his development, the forms had been quite arbitrary and the result stylish but implausible. Steadily, his design was regularized according to classical models, his palette reached an unprecedented optical range, and his light became naturalistically descriptive. A small altarpiece probably for private devotion, this picture sets the Virgin and the archangel Gabriel in a handsome loggia, like that of an actual villa by Palladio, with whom the artist often collaborated. It is one of numerous late versions of the subject, with no sign of the workshop participation that had become frequent by then. The highlights have lost little of their energy, coursing across the surfaces and infusing the work with a metaphoric vitality. The figures, however, have been simplified in shape, their cadence slowed and their gesture subdued. And the palette is relatively restricted and uniform in value. In such paintings, the heroic splendor of the artist’s mature style yields to something less calculated and more reflective. The Suida-Manning Collection includes two other paintings from the same period, each a fragment from a larger composition. The composition depends upon a painting by Tintoretto. Infrared examination by Stephen Gritt (Feb. 2010) revealed no variation between underdrawing and execution. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1419.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1419.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1419.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1419.tif", "IsPrimary" : "1", "_SurrogateID" : "2668", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16452, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16452", "Disp_Access_No" : "2017.890", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1703-1704", "_Disp_Start_Dat" : "1703", "_Disp_End_Date" : "1704", "Disp_Title" : "Madonna and Child with Saint Anne Appearing to Pope Paul V", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saint Anne Appearing to Pope Paul V", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "109.22 cm x 102.24 cm (43 in. x 40 1/4 in.)", "Disp_Height" : "109.22 cm", "Disp_Width" : "102.24 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting is a capital example of Balestra’s style in its first moments of full synthesis. The diagonal armature and regular construction of its compositions are clichés of late-century Roman altarpieces, and passages like the figure of Pope Paul are so controlled that they suggest an actually Roman hand. But the complication of certain tones and the personality of other passages, like the figure of Saint Zeno, betray Venetian authorship. Featuring Zeno, the patron saint of Verona, and Paul V, the early 17th-century pope who asserted eccelesiastical authority against a defiant Venice, this picture along with its pair was surely conceived as a pendant for an orthodox setting, perhaps a cleric’s private residence, in Balestra’s native city.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation issues: needs to be cleaned. Pair with 25.1999. Medallion hang or on either side of a door. (FC:jb 4/14/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.890.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.890.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.890.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.890.tif", "IsPrimary" : "1", "_SurrogateID" : "2604", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16453, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16453", "Disp_Access_No" : "2017.891", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1703-1704", "_Disp_Start_Dat" : "1703", "_Disp_End_Date" : "1704", "Disp_Title" : "Saint Zeno Healing a Possessed Woman", "Alt_Title" : "", "Obj_Title" : "Saint Zeno Healing a Possessed Woman", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "109.22 cm x 102.24 cm (43 in. x 40 1/4 in.)", "Disp_Height" : "109.22 cm", "Disp_Width" : "102.24 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting is a capital example of Balestra’s style in its first moments of full synthesis. The diagonal armature and regular construction of its compositions are clichés of late-century Roman altarpieces, and passages like the figure of Pope Paul are so controlled that they suggest an actually Roman hand. But the complication of certain tones and the personality of other passages, like the figure of Saint Zeno, betray Venetian authorship. Featuring Zeno, the patron saint of Verona, and Paul V, the early 17th-century pope who asserted eccelesiastical authority against a defiant Venice, this picture along with its pair was surely conceived as a pendant for an orthodox setting, perhaps a cleric’s private residence, in Balestra’s native city.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation issues: needs to be cleaned. Pair with 24.1999. Medallion hang or on either side of a door (FC:jb 4/14/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.891.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.891.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.891.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.891.tif", "IsPrimary" : "1", "_SurrogateID" : "2606", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16465, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16465", "Disp_Access_No" : "2017.1384", "_AccNumSort1" : "", "Disp_Create_DT" : "1630s", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1630", "Disp_Title" : "The Assumption of Mary Magdalene", "Alt_Title" : "", "Obj_Title" : "The Assumption of Mary Magdalene", "Series_Title" : "", "Disp_Maker_1" : "Riccardo Taurini", "Sort_Artist" : "Taurini, Riccardo", "Disp_Dimen" : "127.7 cm x 105.3 cm (50 1/4 in. x 41 7/16 in.)", "Disp_Height" : "127.7 cm", "Disp_Width" : "105.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "According to "The Golden Legend," Mary Magdalene spent her last thirty years as a hermit in a cave in Sainte-Baume, a mountain ridge in southern France. Seven times a day angels carried her aloft to heaven, where she glimpsed her coming reward. The representation of this ecstatic scene emerged during the Counter-Reformation and became common in Baroque art as a way to encourage the veneration of saints in the Catholic Church. The pronounced foreshortening of the saint’s left foot and the angel figures indicates the painting was originally placed high above the viewer’s eye level, probably over an altar.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up (FC:jb 4/2/15) Condition / conservation issues (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1384.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1384.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1384.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1384.tif", "IsPrimary" : "1", "_SurrogateID" : "2735", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16467, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16467", "Disp_Access_No" : "2017.1434", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1626", "_Disp_Start_Dat" : "1621", "_Disp_End_Date" : "1631", "Disp_Title" : "Saint Cecilia", "Alt_Title" : "", "Obj_Title" : "Saint Cecilia", "Series_Title" : "", "Disp_Maker_1" : "Simon Vouet", "Sort_Artist" : "Vouet, Simon", "Disp_Dimen" : "134.1 cm x 98.2 cm (52 13/16 in. x 38 11/16 in.)", "Disp_Height" : "134.1 cm", "Disp_Width" : "98.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Cecilia, the patron saint of music and musicians, sits in front of a small organ. Clothed in a lush silk dress and a brocaded mantle, she gracefully turns to the two cherubs that appear to her. Soft golden light bathes the figure and the background, infusing the scene with heavenly atmosphere. Cecilia was a Christian martyr who lived in third-century Rome. She took a vow of virginity, and on her wedding night, she converted her groom Valerian, who in turn guided his brother Tiburtius to the Christian faith. Their beliefs were soon discovered by the authorities, which led to their martyrdom. Cecilia has been represented with a musical instrument since the fourteenth century, although her connection to music is tenuous at best. According to "The Golden Legend," the saint heard celestial music when she was praying to God to preserve her virginity. She sang, “Let my heart and my body be undefiled, O Lord, that I may not be confounded.” Depictions of female saints in rapture were popular in Rome in the 1620s. It is possible that Simon Vouet used his wife, the painter Virginia da Vezzo, as the model for the saint figure. They married in Rome in 1626, just before they left for France to serve King Louis XIII.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1434.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1434.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1434.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1434.tif", "IsPrimary" : "1", "_SurrogateID" : "2672", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16468, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16468", "Disp_Access_No" : "2017.1015", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1648-1649", "_Disp_Start_Dat" : "1648", "_Disp_End_Date" : "1649", "Disp_Title" : "The Angelic Consolation of Saint Francis", "Alt_Title" : "", "Obj_Title" : "The Angelic Consolation of Saint Francis", "Series_Title" : "", "Disp_Maker_1" : "Valerio Castello", "Sort_Artist" : "Castello, Valerio", "Disp_Dimen" : "136 cm x 101.3 cm (53 9/16 in. x 39 7/8 in.)", "Disp_Height" : "136 cm", "Disp_Width" : "101.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1015.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1015.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1015.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1015.tif", "IsPrimary" : "1", "_SurrogateID" : "2730", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16469, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16469", "Disp_Access_No" : "2017.967", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Madonna and Child with Saint Catherine and an Angel", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saint Catherine and an Angel", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "140.9 cm x 102.6 cm (55 1/2 in. x 40 3/8 in.)", "Disp_Height" : "140.9 cm", "Disp_Width" : "102.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Concluding just years before the execution of this painting, the Council of Trent proposed the systematic reform of the Catholic Church, largely in response to the Protestant Reformation. The Council and its subsequent interpreters insisted that religious painting should be scripturally accurate, clearly legible, and stirring of devout feeling in the viewer. After a long collaboration with the brilliant architect Bergamasco and an increasing manufacture during the 1560s, Luca Cambiaso had already developed a more calculated, spare, and efficacious style. For the later religious works, consonant with, if not explicitly serving, the new ideals, he perfected a mode that is diagrammatic in subject and radically pared of obvious material appeal. To relieve the abstractness, to cue a sentimental response, and certainly also to satisfy his own instincts as a painter, Cambiaso equipped this mode with passages of stunning natural observation and tender human interaction. The most original and striking of these paintings are the nocturnes, concentrated in the early 1570s. This picture is the grandest of three examples in the Suida-Manning Collection. While the general conception and function of these nocturnes point toward Cambiaso’s last activity, as official painter to the Spanish king Philip II at the monastery of the Escorial, their coherent light and authentic feeling anticipate the tenebrism of the early Baroque, from Caravaggio to Georges de La Tour and Gerrit van Honthorst.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Wonderful, lovely, should be upstairs (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.967.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.967.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.967.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.967.tif", "IsPrimary" : "1", "_SurrogateID" : "2581", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16485, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16485", "Disp_Access_No" : "2017.1237", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1657", "_Disp_Start_Dat" : "1652", "_Disp_End_Date" : "1662", "Disp_Title" : "Hagar and Ishmael in the Wilderness", "Alt_Title" : "", "Obj_Title" : "Hagar and Ishmael in the Wilderness", "Series_Title" : "", "Disp_Maker_1" : "Pier Francesco Mola", "Sort_Artist" : "Mola, Pier Francesco", "Disp_Dimen" : "44 cm x 54.3 cm (17 5/16 in. x 21 3/8 in.)", "Disp_Height" : "44 cm", "Disp_Width" : "54.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking adjusted from B to B/B+ (FC:jp 7/10/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1237.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1237.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1237.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1237.tif", "IsPrimary" : "1", "_SurrogateID" : "2628", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16486, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16486", "Disp_Access_No" : "2017.1240", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Luca Mombello", "Sort_Artist" : "Mombello, Attributed to Luca", "Disp_Dimen" : "44.4 cm x 36.8 cm (17 1/2 in. x 14 1/2 in.)", "Disp_Height" : "44.4 cm", "Disp_Width" : "36.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas, unframed", "Support" : "", "Disp_Medium" : "Oil on canvas, unframed", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1240.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1240.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1240.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1240.TIF", "IsPrimary" : "1", "_SurrogateID" : "10673", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16497, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16497", "Disp_Access_No" : "2017.965", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1568", "_Disp_Start_Dat" : "1563", "_Disp_End_Date" : "1573", "Disp_Title" : "God the Father and Putti", "Alt_Title" : "", "Obj_Title" : "God the Father and Putti", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "23.1 cm x 33.8 cm (9 1/8 in. x 13 5/16 in.)", "Disp_Height" : "23.1 cm", "Disp_Width" : "33.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on cream paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on cream paper, laid down", "Info_Page_Comm" : "Related motifs of God-the-Father amidst putti appear in the upper reaches of several altarpieces executed during the 1560s. The indication of the line of a po-lygonal cornice, however, indicates that this drawing was an early idea for architectural decoration, probably the vault fresco in the Zoagli Chapel in the church of Santissima Annunziata di Portoria. Possibly early Paggi (Jonathan Bober 5/13/11)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.965.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.965.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.965.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.965.tif", "IsPrimary" : "1", "_SurrogateID" : "2872", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16525, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16525", "Disp_Access_No" : "2017.1346", "_AccNumSort1" : "", "Disp_Create_DT" : "1689-1706", "_Disp_Start_Dat" : "1689", "_Disp_End_Date" : "1706", "Disp_Title" : "Education of the Virgin", "Alt_Title" : "", "Obj_Title" : "Education of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Luisa Roldán", "Sort_Artist" : "Roldán, Luisa", "Disp_Dimen" : "43 x 45 x 36 cm (16 15/16 x 17 11/16 x 14 3/16 in.)", "Disp_Height" : "43 cm", "Disp_Width" : "45 cm", "Dimen_Extent" : "", "Medium" : "Polychrome terracotta", "Support" : "", "Disp_Medium" : "Polychrome terracotta", "Info_Page_Comm" : "The earliest documented female sculptor in Spain, Luisa Roldán (1652-1706) created sculptures for the king and queen among many other important Spanish patrons. In The Education of the Virgin, she captured a tender, everyday moment between the young Virgin Mary (future mother of Jesus Christ) and her parents, saints Anne and Joachim. Standing at Anne’s feet, Mary peers over her mother’s lap as they practice reading a religious text together. Joachim leans on the arm of Anne’s chair, observing and encouraging the lesson. By including both Mary’s mother and father in the miniature figural group, Roldán emphasized the important role that parents play in the spiritual and moral education their children. Although The Education of the Virgin serves as an earthly reminder that our parents are our first teachers, the many angels who wait on Mary and her family also confirm the religious significance of the subject and the exceptionality of the Virgin Mary within the Catholic tradition. In fact, painted on the cushion of the chair behind Anne’s back is an image of Anne and Joachim’s embrace at the Golden Gate, a moment that, according to non-Biblical Christian religious texts such as Jacopo da Voragine’s Golden Legend, occurred after the angel Gabriel announced to Joachim that Anne, his elderly wife, had immaculately conceived a child. Mary’s miraculous conception was an important Catholic theological point because, her soul having not been conceived through sexual intercourse, she was born without original sin (the innate tendency of all human beings to disobey God) and was therefore able to bear Christ, the Christian incarnation of God on earth. Roldán also referenced Mary’s birth at the bottom right corner of the sculpture, where a small, chubby angel presents a roll of fabric for swaddling Mary as a newborn, a birthing cushion for her mother Anne’s use during labor, and a woven basket filled with cloth that served as Mary’s bassinette--indeed, these elements also foreshadow Mary’s future role as mother of Christ. In this way, Roldán refers to three phases from the life of the young Virgin at once: her Immaculate conception, her angelically attended birth, and her upbringing by two devout people. The sculpture thus not only imagines a tender scene between parents and daughter but also affirms Mary’s extraordinary position within the Catholic tradition and her worthiness to become the mother of God. In the 1600s, this kind of small, painted terracotta (baked clay) sculpture would have been used in private devotion, usually placed on a table inside of the home, reminding its viewers both of the importance of obedience to one’s elders and to God as well as the need for parents to provide religious and moral education to their children, including girls. This is especially interesting given that, at this time, women were becoming increasingly literate and exercising greater (although still extremely limited) cultural and political authority than they had in earlier periods of Spain’s history. Also significant is that, until the modern era, women were not allowed access to professional artistic training and the few women who became artists almost always learned their craft from their fathers. The Education of the Virgin, which is an image of instruction between parent and child, may thus have had personal significance for Roldán, who was taught how to sculpt by her father, Pedro (1624-1699), an artist from Seville. Due to the fragile nature of terracotta, few of Roldán’s sculptures survive today. The Blanton’s example was conserved in 2019, which revealed that the top of each woman’s head has a small hole where a medal crown would have been inserted. Additionally, at Joachim’s feet are the four paws of a now-lost cat, which may have been competing with the book on Anne’s lap for Mary’s attention. Furthermore, Roldán may have roughened the patch of clay at the center-front of the composition to attach a small dog, which is included in a similar sculpture of the same subject that is now in a private collection in Spain. Even without these elements, Roldán’s Education of the Virgin is an important example of her late work, of which only about twenty examples still exist in the world. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "JhP to do more research. 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"Disp_Dimen" : "41.1 cm x 54.6 cm (16 3/16 in. x 21 1/2 in.)", "Disp_Height" : "41.1 cm", "Disp_Width" : "54.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Stipple engraving", "Support" : "", "Disp_Medium" : "Stipple engraving", "Info_Page_Comm" : "One function of the French Royal Academy of Painting and Sculpture was to broadcast a positive image of the monarchy throughout the kingdom. After the overthrow of the king during the French Revolution (1789-1791), the Academy was reformed; its new function was to glorify the Republican government that took the monarchy’s place. Prud’hon came of age during this revolutionary period and contributed to Napoleon Bonaparte’s rise from general to emperor by mythologizing his victories and celebrating his leadership in paintings and in designs for widely distributed reproductive prints. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.28.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.28.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.28.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.28.tif", "IsPrimary" : "1", "_SurrogateID" : "3982", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17117, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17117", "Disp_Access_No" : "2002.2934", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Last Judgment, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Last Judgment, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Anonymous (English 19th century)", "Sort_Artist" : "Anonymous (English 19th century)", "Disp_Dimen" : "28.3 cm x 21.7 cm (11 1/8 in. x 8 9/16 in.)", "Disp_Height" : "28.3 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Wood engraving", "Support" : "", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2934.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2934.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2934.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2934.tif", "IsPrimary" : "1", "_SurrogateID" : "4960", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17388", "Disp_Access_No" : "2005.36", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1534", "_Disp_Start_Dat" : "1529", "_Disp_End_Date" : "1539", "Disp_Title" : "Adoration of the Shepherds, after Raphael or Giulio Romano", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds, after Raphael or Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "Follower of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Follower of Marcantonio", "Disp_Dimen" : "28.8 cm x 20.4 cm (11 5/16 in. x 8 1/16 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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"20747", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23339, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23339", "Disp_Access_No" : "2017.417", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Sometimes...", "Alt_Title" : "", "Obj_Title" : "Sometimes...", "Series_Title" : "", "Disp_Maker_1" : "Dolores Guerrero-Cruz", "Sort_Artist" : "Guerrero-Cruz, Dolores", "Disp_Dimen" : "71.5 x 51 cm (28 1/8 x 20 1/16 in.)", "Disp_Height" : "71.5 cm", "Disp_Width" : "51 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", 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