{ "objects" : [ { "embark_ID" : 2846, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2846", "Disp_Access_No" : "P1961.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "Flight into Egypt: Crossing a Brook", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt: Crossing a Brook", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "9.8 cm x 14.4 cm (3 7/8 in. x 5 11/16 in.)", "Disp_Height" : "9.8 cm", "Disp_Width" : "14.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.18.tif", "IsPrimary" : "1", "_SurrogateID" : "3799", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3340, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3340", "Disp_Access_No" : "1991.84", "_AccNumSort1" : "", "Disp_Create_DT" : "1739", "_Disp_Start_Dat" : "1739", "_Disp_End_Date" : "1739", "Disp_Title" : "Holy Family and Four Saints, after Paolo Veronese", "Alt_Title" : "", "Obj_Title" : "Holy Family and Four Saints, after Paolo Veronese", "Series_Title" : "", "Disp_Maker_1" : "John Baptist Jackson", "Sort_Artist" : "Jackson, John Baptist", "Disp_Dimen" : "55.8 cm x 34.6 cm (21 15/16 in. x 13 5/8 in.)", "Disp_Height" : "55.8 cm", "Disp_Width" : "34.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chiaroscuro woodcut from four blocks printed in yellow,lt gray,brown and dk gray", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from four blocks printed in yellow,lt gray,brown and dk gray", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.84.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.84.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.84.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.84.tif", "IsPrimary" : "1", "_SurrogateID" : "6563", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3524, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3524", "Disp_Access_No" : "1992.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1765", "_Disp_Start_Dat" : "1765", "_Disp_End_Date" : "1765", "Disp_Title" : "The Adoration of the Magi, after Giovanni Benedetto Castiglione", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi, after Giovanni Benedetto Castiglione", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "38.8 cm x 53 cm (15 1/4 in. x 20 7/8 in.)", "Disp_Height" : "38.8 cm", "Disp_Width" : "53 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with abrasive scumbling monotype-printed in sanguine", "Support" : "", "Disp_Medium" : "Etching with abrasive scumbling monotype-printed in sanguine", "Info_Page_Comm" : "This print is an especially elaborate reproduction of both the composition and technique of a drawing by Castiglione at Windsor Castle.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1992", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.3.tif", "IsPrimary" : "1", "_SurrogateID" : "4784", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3525, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3525", "Disp_Access_No" : "1992.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1765", "_Disp_Start_Dat" : "1765", "_Disp_End_Date" : "1765", "Disp_Title" : "The Adoration of the Magi, after Giovanni Benedetto Castiglione", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi, after Giovanni Benedetto Castiglione", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "32 cm x 29.8 cm (12 5/8 in. x 11 3/4 in.)", "Disp_Height" : "32 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Plate", "Medium" : "Etching in red ink with abrasive scumbling", "Support" : "", "Disp_Medium" : "Etching in red ink with abrasive scumbling", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1992", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.4.tif", "IsPrimary" : "1", "_SurrogateID" : "4785", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8183, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8183", "Disp_Access_No" : "2002.221", "_AccNumSort1" : "", "Disp_Create_DT" : "1587-1590", "_Disp_Start_Dat" : "1587", "_Disp_End_Date" : "1590", "Disp_Title" : "Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Camillo Procaccini", "Sort_Artist" : "Procaccini, Camillo", "Disp_Dimen" : "22 cm x 26.9 cm (8 11/16 in. x 10 9/16 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "26.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print represents the Holy Family on their journey into Egypt. Resting only long enough for Mary to nurse her child, Joseph waits nearby. He communicates with the viewer, directing the viewer’s gaze toward the Virgin nurturing Christ. Her tender gestures remind the viewer of her maternal qualities; she is thus the mother of all humanity", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.221.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.221.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.221.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.221.tif", "IsPrimary" : "1", "_SurrogateID" : "1915", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11035", "Disp_Access_No" : "1989.143", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "Adoration of the Magi, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "Adoration of the Magi, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.7 cm x 21.6 cm (11 11/16 in. x 8 1/2 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Raimondi attempted to capture the subtleties of Dürer’s woodcut style by using the more precise medium of engraving. In contrast to Dürer’s variegated tones and animated, angular lines, Raimondi’s burin strokes produce uniform parallel strokes, creating a homogeneous grey tone that contrasts sharply with the areas left white. The copy also loses most of the specificity of detail and texture found in Dürer’s original. Note, for example, Riamondi’s mechanical rendering of the hole in the wall just above the Virgin’s head. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.143.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.143.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.143.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.143.tif", "IsPrimary" : "1", "_SurrogateID" : "6003", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11038, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11038", "Disp_Access_No" : "1989.146", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Flight into Egypt, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Flight into Egypt, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.6 cm x 21.7 cm (11 5/8 in. x 8 9/16 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "According to the sixteenth-century biographer Giorgio Vasari, Raimondi’s copies were so successful that they were sold as authentic Dürers. Vasari relates that Dürer became so enraged that he traveled Venice to make an appeal to the city council. The ruling, however, stated that Raimondi could continue to publish his copies provided that he remove Dürer’s monogram. Although Vasari’s account is probably heavily embellished, Dürer was in fact an early pioneer for the notion of intellectual property, and similar legal contests between Dürer and his copyists are documented in other cities. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.146.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.146.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.146.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.146.tif", "IsPrimary" : "1", "_SurrogateID" : "5947", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11094, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11094", "Disp_Access_No" : "1997.94", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1547", "_Disp_Start_Dat" : "1542", "_Disp_End_Date" : "1552", "Disp_Title" : "The Holy Family with Saints, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Saints, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Léon Davent", "Sort_Artist" : "Davent, Léon", "Disp_Dimen" : "23.9 cm x 18.3 cm (9 7/16 in. x 7 3/16 in.)", "Disp_Height" : "23.9 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.94.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.94.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.94.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.94.tif", "IsPrimary" : "1", "_SurrogateID" : "4791", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11120, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11120", "Disp_Access_No" : "1982.710", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1587", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1592", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Bartholomaeus Spranger", "Sort_Artist" : "Spranger, Bartholomaeus", "Disp_Dimen" : "26.3 cm x 20 cm (10 3/8 in. x 7 7/8 in.)", "Disp_Height" : "26.3 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, with brown and gray washes, white and sanguine gouaches, on c", "Support" : "", "Disp_Medium" : "Pen and brown ink, with brown and gray washes, white and sanguine gouaches, on cream laid paper indented for transfer, laid down", "Info_Page_Comm" : "Trained in Antwerp, inspired by Italian Mannerism, Bartholomaeus Spranger cultivated a brilliantly artificial and highly subjective style. In long service to Rudolf II, he gave shape to the emperor’s erudite taste and more than any other artist defined the School of Prague’s extravagant style. By the late 1580s Hendrick Goltzius was celebrated as the greatest engraver of his time. He developed a commanding burin stroke, a strict organization of mark, and an unprecedented ability to convey pictorial properties. In reasserting the intellectual dimension of engraving, Goltzius’s style was itself one of the major developments of late Mannerism. One of the last of Spranger and Goltzius’s seven collaborations, this engraving is relatively simple in iconography and obviously Parmigianinesque in vocabulary. Identical in size, its contours indented from transferring the design, the drawing is the very sheet from which the plate was prepared. This superb impression of the print matches the rarified beauty of its prototype. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "2326", "Rel_Obj_Title" : "The Holy Family, after Bartholomaeus Spranger" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.710.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.710.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.710.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.710.tif", "IsPrimary" : "1", "_SurrogateID" : "3183", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11156, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11156", "Disp_Access_No" : "2002.222", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1610-1615", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1615", "Disp_Title" : "Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Guido Reni", "Sort_Artist" : "Reni, Guido", "Disp_Dimen" : "22.8 cm x 14.7 cm (9 in. x 5 13/16 in.)", "Disp_Height" : "22.8 cm", "Disp_Width" : "14.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.222.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.222.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.222.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.222.tif", "IsPrimary" : "1", "_SurrogateID" : "1920", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11320, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11320", "Disp_Access_No" : "1999.77", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1770's", "_Disp_Start_Dat" : "1765", "_Disp_End_Date" : "1775", "Disp_Title" : "The Holy Family, after Ubaldo Gandolfi", "Alt_Title" : "", "Obj_Title" : "The Holy Family, after Ubaldo Gandolfi", "Series_Title" : "", "Disp_Maker_1" : "Gaetano Zaoli", "Sort_Artist" : "Zaoli, Gaetano", "Disp_Dimen" : "22.2 cm x 14.8 cm (8 3/4 in. x 5 13/16 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "14.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Susan Thomas, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Printed recto and verso ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.77.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.77.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.77.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.77.tif", "IsPrimary" : "1", "_SurrogateID" : "5975", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12015", "Disp_Access_No" : "2002.207", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Francesco Grimaldi", "Sort_Artist" : "Grimaldi, Giovanni Francesco", "Disp_Dimen" : "32.3 cm x 23 cm (12 11/16 in. x 9 1/16 in.)", "Disp_Height" : "32.3 cm", "Disp_Width" : "23 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.207.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.207.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.207.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.207.tif", "IsPrimary" : "1", "_SurrogateID" : "1895", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12037, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12037", "Disp_Access_No" : "2002.237", "_AccNumSort1" : "", "Disp_Create_DT" : "1655-1665", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1665", "Disp_Title" : "Holy Family with Saint Elizabeth and Saint John, after Giovanni Andrea Sirani", "Alt_Title" : "", "Obj_Title" : "Holy Family with Saint Elizabeth and Saint John, after Giovanni Andrea Sirani", "Series_Title" : "", "Disp_Maker_1" : "Elisabetta Sirani", "Sort_Artist" : "Sirani, Elisabetta", "Disp_Dimen" : "26.5 cm x 22 cm (10 7/16 in. x 8 11/16 in.)", "Disp_Height" : "26.5 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This Holy Family, based upon a painting by the artist's father, is her most striking etching. Not only are its incidents unusual –– the Madonna in profile, Elizabeth winding swaddling cloth, Joseph hacking a plank –– but the angularity and interlocking of the composition are pronounced, as if the products of such activities. The vertical striation of polishing scratches, prominent in this very early impression, both mitigates any severity and, like a wood grain, suggests another reflexive component", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.237.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.237.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.237.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.237.tif", "IsPrimary" : "1", "_SurrogateID" : "1934", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12095, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12095", "Disp_Access_No" : "2002.326", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "La Sainte Famille sur l'arche [Holy Family Upon an Arch]", "Alt_Title" : "", "Obj_Title" : "La Sainte Famille sur l'arche [Holy Family Upon an Arch]", "Series_Title" : "", "Disp_Maker_1" : "Sébastien Bourdon", "Sort_Artist" : "Bourdon, Sébastien", "Disp_Dimen" : "18.9 cm x 27.6 cm (7 7/16 in. x 10 7/8 in.)", "Disp_Height" : "18.9 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.326.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.326.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.326.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.326.tif", "IsPrimary" : "1", "_SurrogateID" : "2043", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12397, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12397", "Disp_Access_No" : "2002.695", "_AccNumSort1" : "", "Disp_Create_DT" : "1735", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1735", "Disp_Title" : "Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Charles-Joseph Natoire", "Sort_Artist" : "Natoire, Charles-Joseph", "Disp_Dimen" : "16.6 cm x 12.1 cm (6 9/16 in. x 4 3/4 in.)", "Disp_Height" : "16.6 cm", "Disp_Width" : "12.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 12674, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12674", "Disp_Access_No" : "2002.1114", "_AccNumSort1" : "", "Disp_Create_DT" : "1630", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1630", "Disp_Title" : "Adoration of the Magi, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Adoration of the Magi, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Willem Panneels", "Sort_Artist" : "Panneels, Willem", "Disp_Dimen" : "21 cm x 16 cm (8 1/4 in. x 6 5/16 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "16 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print is after a painting created by Rubens in 1626-1627 in the Musée du Louvre, Paris. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1114.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1114.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1114.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1114.tif", "IsPrimary" : "1", "_SurrogateID" : "5925", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12860, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12860", "Disp_Access_No" : "2002.1369", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1648", "_Disp_Start_Dat" : "1643", "_Disp_End_Date" : "1653", "Disp_Title" : "Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "16.5 cm x 20.8 cm (6 1/2 in. x 8 3/16 in.)", "Disp_Height" : "16.5 cm", "Disp_Width" : "20.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1369.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1369.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1369.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1369.tif", "IsPrimary" : "1", "_SurrogateID" : "7296", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13115, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13115", "Disp_Access_No" : "2002.1744", "_AccNumSort1" : "", "Disp_Create_DT" : "1578", "_Disp_Start_Dat" : "1578", "_Disp_End_Date" : "1578", "Disp_Title" : "The Rest on the Flight to Egypt, after Giulio Campi", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight to Egypt, after Giulio Campi", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "46.6 cm x 31.9 cm (18 3/8 in. x 12 9/16 in.)", "Disp_Height" : "46.6 cm", "Disp_Width" : "31.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1744.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1744.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1744.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1744.tif", "IsPrimary" : "1", "_SurrogateID" : "7780", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13260, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13260", "Disp_Access_No" : "2002.2016", "_AccNumSort1" : "", "Disp_Create_DT" : "1593", "_Disp_Start_Dat" : "1593", "_Disp_End_Date" : "1593", "Disp_Title" : "Rest on the Flight, after Gerrit Pieterz ", "Alt_Title" : "", "Obj_Title" : "Rest on the Flight, after Gerrit Pieterz ", "Series_Title" : "", "Disp_Maker_1" : "Jan Muller", "Sort_Artist" : "Muller, Jan", "Disp_Dimen" : "40.8 cm x 28 cm (16 1/16 in. x 11 in.)", "Disp_Height" : "40.8 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2016.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2016.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2016.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2016.tif", "IsPrimary" : "1", "_SurrogateID" : "9034", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13382, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13382", "Disp_Access_No" : "2002.2180", "_AccNumSort1" : "", "Disp_Create_DT" : "1593", "_Disp_Start_Dat" : "1593", "_Disp_End_Date" : "1593", "Disp_Title" : "The Holy Family with the Young Saint John the Baptist, from Meisterstiche", "Alt_Title" : "", "Obj_Title" : "The Holy Family with the Young Saint John the Baptist, from Meisterstiche", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "48 cm x 36 cm (18 7/8 in. x 14 3/16 in.)", "Disp_Height" : "48 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Known for his swelling burin lines and naturalistic subjects, Goltzius portrays the Holy Family in an intimate domestic setting. Mary, Joseph, Christ, and Saint John sit together outside a small house. In the window of the house, a cat reaches out to capture a bird with its paws. The humble scene does not depict the Virgin as a heavenly queen but rather as a mother with her child. This connects the holy figures to the viewer’s everyday experiences and so humanizes the religious subject. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2180.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2180.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2180.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2180.tif", "IsPrimary" : "1", "_SurrogateID" : "7274", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14468, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14468", "Disp_Access_No" : "1991.279", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Wings of Flight", "Alt_Title" : "", "Obj_Title" : "Wings of Flight", "Series_Title" : "", "Disp_Maker_1" : "Fred Nagler", "Sort_Artist" : "Nagler, Fred", "Disp_Dimen" : "109 cm x 153.2 cm (42 15/16 in. x 60 5/16 in.)", "Disp_Height" : "109 cm", "Disp_Width" : "153.2 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.279.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.279.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.279.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.279.tif", "IsPrimary" : "1", "_SurrogateID" : "6373", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.279.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.279.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.279.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.279.mp3", "IsPrimary" : "0", "_SurrogateID" : "8541", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 16727, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16727", "Disp_Access_No" : "2002.2920", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1589", "_Disp_Start_Dat" : "1584", "_Disp_End_Date" : "1594", "Disp_Title" : "The Holy Family with Saint John", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Saint John", "Series_Title" : "", "Disp_Maker_1" : "After Hendrick Goltzius", "Sort_Artist" : "Goltzius, After Hendrick", "Disp_Dimen" : "28.5 cm x 19.5 cm (11 1/4 in. x 7 11/16 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "19.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2920.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2920.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2920.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2920.tif", "IsPrimary" : "1", "_SurrogateID" : "7241", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15892, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15892", "Disp_Access_No" : "2017.1331", "_AccNumSort1" : "", "Disp_Create_DT" : "1508-09", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Raffaello Sanzio, called Raphael", "Sort_Artist" : "Raphael, Raffaello Sanzio, called", "Disp_Dimen" : "11.7 cm x 10.2 cm (4 5/8 in. x 4 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with graphite (later addition) on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with graphite (later addition) on cream antique laid paper", "Info_Page_Comm" : "First attributed to Raphael by Konrad Oberhuber, this is a characteristic and fine drawing of the artist’s early maturity. The subject is one explored with repertory insistence in a famous series of paintings and a parallel series of very swift, occasionally preliminary studies in pen-and-ink during his Florentine and early Ro-man periods. Perfectly consistent with this virtual research and the development of High Renaissance style are the solid spatial construction and powerful centripetal movement of this composition. And absolutely cognate with the other pen studies are the large gestures about the perimeter of the motif, changes in the position of the Child’s arm and Joseph’s head, and shorthand notations for the extremities, the Virgin’s profile, and the Child’s features. The only defects are the trimming of the sheet to a round-headed format, an obtrusive collector’s mark, and the modern scribble in graphite at the Virgin’s shoulder. In conception and handling, this is a drawing of the highest intelligence, confidence, and spontaneity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1331.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1331.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1331.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1331.tif", "IsPrimary" : "1", "_SurrogateID" : "5327", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15925, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15925", "Disp_Access_No" : "2017.1116", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Domenico Fiasella", "Sort_Artist" : "Fiasella, Domenico", "Disp_Dimen" : "16 cm x 20.8 cm (6 5/16 in. x 8 3/16 in.)", "Disp_Height" : "16 cm", "Disp_Width" : "20.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and dark brown ink on cream antique laid paper laid down on blue green-prepared antique laid paper", "Support" : "", "Disp_Medium" : "Pen and dark brown ink on cream antique laid paper laid down on blue green-prepared antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1116.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1116.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1116.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1116.tif", "IsPrimary" : "1", "_SurrogateID" : "5761", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15931, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15931", "Disp_Access_No" : "2017.1298", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1740s-1750s", "_Disp_Start_Dat" : "1740", "_Disp_End_Date" : "1750", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste-Marie Pierre", "Sort_Artist" : "Pierre, Jean-Baptiste-Marie", "Disp_Dimen" : "16.1 cm x 21.6 cm (6 5/16 in. x 8 1/2 in.)", "Disp_Height" : "16.1 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink and gray wash on paper, laid down", "Support" : "", "Disp_Medium" : "Pen and black ink and gray wash on paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1298.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1298.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1298.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1298.tif", "IsPrimary" : "1", "_SurrogateID" : "4279", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15949, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15949", "Disp_Access_No" : "2017.844", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "17.78 cm x 23.5 cm (7 in. x 9 1/4 in.)", "Disp_Height" : "17.78 cm", "Disp_Width" : "23.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and black ink, gray wash, lightly squared in black chalk", "Support" : "", "Disp_Medium" : "Black chalk, pen and black ink, gray wash, lightly squared in black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.844.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.844.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.844.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.844.tif", "IsPrimary" : "1", "_SurrogateID" : "5668", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16002, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16002", "Disp_Access_No" : "2017.1105", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family with a Saint", "Alt_Title" : "", "Obj_Title" : "The Holy Family with a Saint", "Series_Title" : "", "Disp_Maker_1" : "Marchetti Marco", "Sort_Artist" : "Marco, Marchetti", "Disp_Dimen" : "20.32 cm x 20 cm (8 in. x 7 7/8 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1105.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1105.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1105.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1105.tif", "IsPrimary" : "1", "_SurrogateID" : "5828", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16035", "Disp_Access_No" : "2017.947", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1582-1600", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1600", "Disp_Title" : "The Holy Family with Saint Anne by a Fireplace", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Saint Anne by a Fireplace", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Orazio Cambiaso", "Sort_Artist" : "Cambiaso, Attributed to Orazio", "Disp_Dimen" : "22.6 cm x 29.8 cm (8 7/8 in. x 11 3/4 in.)", "Disp_Height" : "22.6 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This is an apocryphal scene from the infancy of Christ. Such charming, anecdotal variations were inspired by the popularity of Netherlandish genre paintings and conditioned by the Counter- Reformation’s imperative that religious imagery engage the viewer. In his late devotional paintings, Luca Cambiaso often used nocturnal settings to increase the sense of intimacy and mystery, and his late drawings include many versions of this subject. The combination of these elements in the present painting has led some to attribute the work to Cambiaso himself. Yet, the uncertain relation between the figures and the heavy touch indicate that it is instead the work of a close follower, possibly his son, Orazio", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.947.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.947.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.947.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.947.tif", "IsPrimary" : "1", "_SurrogateID" : "5988", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16061", "Disp_Access_No" : "2017.888", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1704", "_Disp_Start_Dat" : "1699", "_Disp_End_Date" : "1709", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "24 cm x 30.7 cm (9 7/16 in. x 12 1/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening over traces of black chalk on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening over traces of black chalk on beige antique laid paper, laid down", "Info_Page_Comm" : "Balestra was formed in the academic Baroque tradition of Carlo Maratta, but infused this drier, more formulaic style with the richer color, mobile light, and fluid handling of his own native Venetian tradition. In its sound organization but loose elaboration, this drawing suggests his synthesis. In subject, the central motif, and the artist’s development, it is closely related to a painting executed in 1704 for the church of San Zaccaria, Venice. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.888.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.888.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.888.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.888.tif", "IsPrimary" : "1", "_SurrogateID" : "5729", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16087, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16087", "Disp_Access_No" : "2017.916", "_AccNumSort1" : "", "Disp_Create_DT" : "mid-1650s", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Bartolomeo Biscaino", "Sort_Artist" : "Biscaino, Bartolomeo", "Disp_Dimen" : "25.5 cm x 18.3 cm (10 1/16 in. x 7 3/16 in.)", "Disp_Height" : "25.5 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown wash over red chalk with touches of black chalk and gray wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Brush and brown wash over red chalk with touches of black chalk and gray wash on cream antique laid paper", "Info_Page_Comm" : "Biscaino’s style was determined by the more stylized and lyrical painters in Genoa, Valerio Castello in particular, then further shaped by Castiglione. Drawings and etchings represent most of his brief activity. Their forms tend to be elastic in structure, iridescent in surface, and delicate in touch. This late drawing, explicit in its dependence upon Parmigianino’s types and Castiglione’s innovative techniques, is unusually bold. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.916.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.916.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.916.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.916.tif", "IsPrimary" : "0", "_SurrogateID" : "5213", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16095, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16095", "Disp_Access_No" : "2017.1316", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1690-1694", "_Disp_Start_Dat" : "1690", "_Disp_End_Date" : "1694", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "26.2 cm x 38.7 cm (10 5/16 in. x 15 1/4 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "38.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown ink with brown and gray washes and white heightening (partly oxidized) over black chalk on gray-green antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush and brown ink with brown and gray washes and white heightening (partly oxidized) over black chalk on gray-green antique laid paper, laid down", "Info_Page_Comm" : "This drawing represents a culmination of numerous currents in Genoese draftsmanship. Of extremely high finish and inherent attractiveness, it is manifestly an autonomous work in the tradition that began with Luca Cambiaso. In its painterly conception and handling, such a drawing descends more specifically from Giovanni Benedetto Castiglione’s exploration of the boundary between the media. Formally, the composition is an especially fine example of the translation of the habits of monumental decoration—broad distribution of motif, balanced structure of values, steady pulse of rhythm—into the intimate scale and materials of drawing. Although this is one of the best-known Genoese drawings in the Suida-Manning Collection, its attribution has alternated. Most often, because of its repertory relationship to works by Domenico Piola and no doubt its sheer quality, it has been assigned to the elder Piola. The more agitated surface of draperies, the more eccentric drawing in profiles, and the sharper modulation of tone reflect the formative influence of Gregorio de Ferrari. That these tendencies have been disciplined according to academic principle reflects the younger Piola’s long study with Carlo Maratta in Rome and then his collaboration with various sculptors. Purely Genoese, entirely within the seicento, the style of Domenico is different in both appearance and essence. The Blanton contains over 30 works of art by several members of the prolific studio known as Casa Piola. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1316.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1316.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1316.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1316.tif", "IsPrimary" : "1", "_SurrogateID" : "3334", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16124, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16124", "Disp_Access_No" : "2017.845", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "27.94 cm x 24.45 cm (11 in. x 9 5/8 in.)", "Disp_Height" : "27.94 cm", "Disp_Width" : "24.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brown wash heightened with white over black chalk on blue-grey paper", "Support" : "", "Disp_Medium" : "Brown wash heightened with white over black chalk on blue-grey paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.845.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.845.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.845.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.845.tif", "IsPrimary" : "1", "_SurrogateID" : "5733", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16143, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16143", "Disp_Access_No" : "2017.1241", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1630s", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1630", "Disp_Title" : "Holy Family in the Carpenter's Shop", "Alt_Title" : "", "Obj_Title" : "Holy Family in the Carpenter's Shop", "Series_Title" : "", "Disp_Maker_1" : "Antonio Mondino", "Sort_Artist" : "Mondino, Antonio", "Disp_Dimen" : "31.6 cm x 22.23 cm (12 7/16 in. x 8 3/4 in.)", "Disp_Height" : "31.6 cm", "Disp_Width" : "22.23 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conservation, condition issues: needs cleaning. 2+ if cleaned. On copper, could go in display case. Research needed. (FC:jb 4/15/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1241.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1241.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1241.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1241.tif", "IsPrimary" : "1", "_SurrogateID" : "2751", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16152, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16152", "Disp_Access_No" : "2017.1120", "_AccNumSort1" : "", "Disp_Create_DT" : "1740s", "_Disp_Start_Dat" : "1740", "_Disp_End_Date" : "1740", "Disp_Title" : "Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "29.3 cm x 21.6 cm (11 9/16 in. x 8 1/2 in.)", "Disp_Height" : "29.3 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and iron gall ink on cream antique laid paper", "Info_Page_Comm" : "Fontebasso was, with Gaspare Diziani, the most interesting of the secondary masters in 18th-century Venice. His style was based upon Sebastiano Ricci’s extroverted color and drama, but simplified in design, infused with a more textured realism gathered from early experiences in Rome and Bologna, and touched by the lighter palette of Tiepolo. Monumental in construction yet charming and vibrant, with its trademark hatching recalling Fontebasso’s significant activity as an etcher, this is one of his finest drawings. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1120.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1120.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1120.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1120.tif", "IsPrimary" : "1", "_SurrogateID" : "5212", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16177, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16177", "Disp_Access_No" : "2017.1263", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Holy Family with the Young Saint John the Baptist in a Landscape", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist in a Landscape", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "31 cm x 21.6 cm (12 3/16 in. x 8 1/2 in.)", "Disp_Height" : "31 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on beige paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on beige paper, laid down", "Info_Page_Comm" : "During the 1560s, in religious works of more contemplative subject and gentler mood, Cambiaso often adopted a mode of more conventional description and inherent beauty. This drawing, muted in contrast, lyrical in stroke, and appeal-ing in sentiment, is a fine example of this mode.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1263.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1263.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1263.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1263.tif", "IsPrimary" : "1", "_SurrogateID" : "2871", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16186, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16186", "Disp_Access_No" : "2017.996", "_AccNumSort1" : "", "Disp_Create_DT" : "1540s", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "Holy Family with the Young Saint John the Baptist and an Angel", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist and an Angel", "Series_Title" : "", "Disp_Maker_1" : "Girolamo da Carpi", "Sort_Artist" : "Carpi, Girolamo da", "Disp_Dimen" : "30.99 cm x 43.18 cm (12 3/16 in. x 17 in.)", "Disp_Height" : "30.99 cm", "Disp_Width" : "43.18 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This panel is characteristic of the late development of this artist and of Ferrarese painting toward mid-century. While active in Bologna in the 1520s, Girolamo had proved one of the first and most successful artists in the region to assimilate currents of the most advanced Central Italian style, particularly from Giulio Romano after his relocation in nearby Mantua. Back in his native Ferrara over the following two decades, the power and distinctiveness of Girolamo’s first manner were overtaken by a more precious and formulaic elegance. In typical, small-scale religious works like the present one, there are still the figure types and iridescent passages recalling Romano’s influence, but the description is less coordinated, the color more local, and the execution more cautious. This same development, from progressive experiment toward conservative production, can also be observed in the later work of the city’s other principal painters, Garofalo and the Dossi brothers.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Could potentially be used in a double hang (FC:jb 4/2/15) Rating provisional (JP 4/16/15) Ranking adjusted, in play (FC: jp 7/3/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.996.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.996.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.996.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.996.tif", "IsPrimary" : "1", "_SurrogateID" : "2583", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16190, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16190", "Disp_Access_No" : "2017.933", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Sébastien Bourdon", "Sort_Artist" : "Bourdon, Sébastien", "Disp_Dimen" : "32.3 cm x 38.6 cm (12 11/16 in. x 15 3/16 in.)", "Disp_Height" : "32.3 cm", "Disp_Width" : "38.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.933.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.933.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.933.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.933.TIF", "IsPrimary" : "1", "_SurrogateID" : "9314", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16191, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16191", "Disp_Access_No" : "2017.931", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Return from Egypt", "Alt_Title" : "", "Obj_Title" : "The Return from Egypt", "Series_Title" : "", "Disp_Maker_1" : "Copy after Sébastien Bourdon", "Sort_Artist" : "Bourdon, Copy after Sébastien", "Disp_Dimen" : "32.5 cm x 38.8 cm (12 13/16 in. x 15 1/4 in.)", "Disp_Height" : "32.5 cm", "Disp_Width" : "38.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.931.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.931.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.931.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.931.TIF", "IsPrimary" : "1", "_SurrogateID" : "9315", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16199, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16199", "Disp_Access_No" : "2017.991", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family with Adoring Angels", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Adoring Angels", "Series_Title" : "", "Disp_Maker_1" : "Simone Cantarini", "Sort_Artist" : "Cantarini, Simone", "Disp_Dimen" : "33 cm x 43.2 cm (13 in. x 17 in.)", "Disp_Height" : "33 cm", "Disp_Width" : "43.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas, oval, unframed", "Support" : "", "Disp_Medium" : "Oil on canvas, oval, unframed", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.991.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.991.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.991.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.991.tif", "IsPrimary" : "1", "_SurrogateID" : "5989", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16206, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16206", "Disp_Access_No" : "2017.984", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1563-64", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "34.29 cm x 24.13 cm (13 1/2 in. x 9 1/2 in.)", "Disp_Height" : "34.29 cm", "Disp_Width" : "24.13 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over red chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink over red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.984.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.984.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.984.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.984.tif", "IsPrimary" : "1", "_SurrogateID" : "2879", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16212, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16212", "Disp_Access_No" : "2017.971", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1563-64", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "34.7 cm x 23.9 cm (13 11/16 in. x 9 7/16 in.)", "Disp_Height" : "34.7 cm", "Disp_Width" : "23.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "The certainty and velocity of the strokes in this drawing indicate Cambiaso's own hand. The Virgin's drapery, however, is renderedd as a busy surface with little volume, and the hatching in the background fills the area without suggesting depth. The drawing is probably a replica of another. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.971.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.971.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.971.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.971.tif", "IsPrimary" : "1", "_SurrogateID" : "2886", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16227, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16227", "Disp_Access_No" : "2017.1111", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Circle of Ciro Ferri", "Sort_Artist" : "Ferri, Circle of Ciro", "Disp_Dimen" : "36.2 cm x 24.77 cm (14 1/4 in. x 9 3/4 in.)", "Disp_Height" : "36.2 cm", "Disp_Width" : "24.77 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash, on brown paper", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash, on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1111.tif", "IsPrimary" : "1", "_SurrogateID" : "5863", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16260, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16260", "Disp_Access_No" : "2017.1404", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Antonio Travi", "Sort_Artist" : "Travi, Antonio", "Disp_Dimen" : "39.37 cm x 49.53 cm (15 1/2 in. x 19 1/2 in.)", "Disp_Height" : "39.37 cm", "Disp_Width" : "49.53 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "In terrible condition (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1404.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1404.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1404.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1404.tif", "IsPrimary" : "1", "_SurrogateID" : "2664", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16262, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16262", "Disp_Access_No" : "2017.1431", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1600", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "The Nativity", "Alt_Title" : "", "Obj_Title" : "The Nativity", "Series_Title" : "", "Disp_Maker_1" : "Maarten de Vos", "Sort_Artist" : "Vos, Maarten de", "Disp_Dimen" : "39.4 cm x 31.7 cm (15 1/2 in. x 12 1/2 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "31.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black...", "Info_Page_Comm" : "Vos was the leading history painter in Antwerp in the late 16th century. In his work the increasingly dry conventions of the school’s Mannerist painters were transformed by the dynamic compositions and saturated color that he had gathered from his early training in Italy, and especially from the Venetians. With their clear narration and incipient naturalism, his altarpieces dominated artistic production for the Counter-Reformation in the South Netherlands. This draw-ing is closely related to a late altarpiece in Antwerp’s Koninklijk Museum, although its variations in the background, cautious finish, and monogram suggest less a preparatory study than a model for an alternative project or possibly an engraving.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1431.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1431.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1431.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1431.tif", "IsPrimary" : "1", "_SurrogateID" : "5846", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16294, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16294", "Disp_Access_No" : "2017.1211", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Jacopo Ligozzi", "Sort_Artist" : "Ligozzi, Attributed to Jacopo", "Disp_Dimen" : "42.55 cm x 29.85 cm (16 3/4 in. x 11 3/4 in.)", "Disp_Height" : "42.55 cm", "Disp_Width" : "29.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, heightened with white", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, heightened with white", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1211.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1211.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1211.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1211.tif", "IsPrimary" : "1", "_SurrogateID" : "5850", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16314, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16314", "Disp_Access_No" : "2017.1342", "_AccNumSort1" : "", "Disp_Create_DT" : "1720s", "_Disp_Start_Dat" : "1720", "_Disp_End_Date" : "1720", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Ricci", "Sort_Artist" : "Ricci, Sebastiano", "Disp_Dimen" : "46.3 cm x 34 cm (18 1/4 in. x 13 3/8 in.)", "Disp_Height" : "46.3 cm", "Disp_Width" : "34 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "These rather monumental figures, the daylight palette, and the happy temper are all characteristic of Sebastiano Ricci’s mature style. To judge from its small size and brusque handling, this was a preparatory study for a larger work. Ricci almost invariably prepared such studies, and often more than one, for his major projects. While this project has not been identified, the lozenge shape and surrounding blank areas of canvas —both original—suggest that the final work would have been inserted in a wall and probably surrounded by stucco work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Not in play Condition issues, doesn''t have right frame and craquelure is very apparent (FC:jb 4/6/15) Ranking adjusted from B/B- to B (FC:jp 7/10/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1342.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1342.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1342.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1342.tif", "IsPrimary" : "1", "_SurrogateID" : "3433", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16321, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16321", "Disp_Access_No" : "2017.1046", "_AccNumSort1" : "", "Disp_Create_DT" : "1607", "_Disp_Start_Dat" : "1607", "_Disp_End_Date" : "1607", "Disp_Title" : "Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Cigoli (Ludovico Cardi)", "Sort_Artist" : "Cigoli (Ludovico Cardi)", "Disp_Dimen" : "47.1 cm x 36 cm (18 9/16 in. x 14 3/16 in.)", "Disp_Height" : "47.1 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and blue and brown washes with touches of white heightening over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and blue and brown washes with touches of white heightening over black chalk on cream antique laid paper", "Info_Page_Comm" : "Cigoli was the most progressive of a group of Florentine artists who rejected the cool formula of Mannerism in favor of greater naturalism, dynamism and expressive immediacy. Active in Rome after 1604, he participated in several of the most important commissions of the period. This drawing was an advanced preparatory study for a painting commissioned by Margaret of Austria in 1607. An incessant and resourceful draftsman, Cigoli offered two possible placements for the figure of Saint Joseph amid swirling pen work and deft accents in blue wash. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1046.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1046.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1046.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1046.tif", "IsPrimary" : "1", "_SurrogateID" : "4202", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16393", "Disp_Access_No" : "2017.1304", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650-1655", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1655", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "69.7 cm x 90.7 cm (27 7/16 in. x 35 11/16 in.)", "Disp_Height" : "69.7 cm", "Disp_Width" : "90.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Piola was, with his pupil Gregorio de’ Ferrari, the leading painter in Genoa during the second half of the 17th century. With the catalyst of Pietro da Cortona’s High Baroque cycles, in a manner so fluent as to seem automatic, Piola generalized the lessons of Rubens and Van Dyck’s dynamic naturalism and translated them into the grand scale decoration of the native Genoese tradition. Few palaces in Genoa and scarcely a church in Liguria lack a work with the undulating rhythms, variegated modelling, and softly modulated light that are his trademarks. Piola’s works may not be sound in structure or deep in characterization, but they do convey a ease, even a joy, that are estimable and historically relevant. Although reduced to a small, horizontal format, this picture depends strictly on Giovanni Benedetto Castiglione’s great altarpiece of 1645 for San Luca in Genoa. The setting with a broken column symbolic of the Synagogue, the delightful incorporation of the bacchanalian shepherd and still-life motifs, and the fluid rhythm leading toward the radiant Child are virtual quotations. Soprani, the 17th-century biographer of the Genoese painters, writes that the young Piola was so taken with Castiglione that he learned to imitate his style. One of these imitations, “a very beautiful small panel of the Nativity,” was so successful that even experts equivocated about its authorship. Except for the material of its support, Soprani could have been referring to the present picture. Principally it is the slacker drawing, difficulty with space, as in the interval between the boys and the Virgin, and impatient execution in the background that identify it as a very early work by Piola. The picture is a landmark of the artist’s development and of Genoese painting on the threshold of its greatest achievments. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1304.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1304.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1304.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1304.tif", "IsPrimary" : "1", "_SurrogateID" : "2637", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16395, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16395", "Disp_Access_No" : "2017.1220", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1740-45", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Holy Family with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Domenico Maggiotto", "Sort_Artist" : "Maggiotto, Domenico", "Disp_Dimen" : "71.12 cm x 92.08 cm (28 in. x 36 1/4 in.)", "Disp_Height" : "71.12 cm", "Disp_Width" : "92.08 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas", "Support" : "", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up. Possible medallion hang. Conservation, condition issues: Have conservator look at? (FC:jb 4/23/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1220.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1220.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1220.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1220.tif", "IsPrimary" : "1", "_SurrogateID" : "3424", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16406, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16406", "Disp_Access_No" : "2017.1177", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1680-1685", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1685", "Disp_Title" : "Holy Family with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Bartolomeo Guidobono", "Sort_Artist" : "Guidobono, Bartolomeo", "Disp_Dimen" : "72.3 cm x 58.2 cm (28 7/16 in. x 22 15/16 in.)", "Disp_Height" : "72.3 cm", "Disp_Width" : "58.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Lovely in description, sweet in disposition, and careful in craft, Bartolomeo Guidobono’s work is a distinctive variation upon the grand manner of late seventeenth-century Genoese painting. His style arose from his first training and lifelong collaboration in the family business of fine porcelain painting. Its larger context is the Genoese taste for Netherlandish painting that goes back to the fifteenth century. After a series of trips to Emilia, Guidobono shifted this already delicate style toward the soft contour, luminous color, and gentleness of Correggio. Later he would reconcile it with the large rhythms and efficient manufacture of Domenico Piola. This "Holy Family" is a beautiful compendium of Guidobono’s early style. Its matrix is surely Genoese, with the figural group suggested by Piola and the pure hues reminiscent of Baciccio. Instead, the grain of light, amplitude of the figures, and tenderness reveal the recent debt to Correggio. Most impressive, however, are the refined drawing and meticulous finish, practically those of a miniature painting. In few other works of Guidobono is the craft more sustained or the reflection of his first activity more apparent. This unorthodox petite manière also anticipates the prettiness of the Rococo and the developing relation of the Genoese school to the French. In fact, the painting was at one time attributed to the eighteenth-century French painter Jean-Baptiste Le Prince.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1177.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1177.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1177.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1177.tif", "IsPrimary" : "1", "_SurrogateID" : "2620", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16412, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16412", "Disp_Access_No" : "2017.1326", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1653", "_Disp_Start_Dat" : "1648", "_Disp_End_Date" : "1658", "Disp_Title" : "Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Mattia Preti", "Sort_Artist" : "Preti, Mattia", "Disp_Dimen" : "74.3 cm x 63.5 cm (29 1/4 in. x 25 in.)", "Disp_Height" : "74.3 cm", "Disp_Width" : "63.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "With a close-up view of the three figures against an austere background, the painting focuses on the intimate moment shared by Mary, Joseph, and the infant Jesus. Light comes from the top left, illuminating Mary’s graceful young face and elegant hands. At the same time it accentuates the weathered and wrinkled features of Joseph. This contrast between the two figures reflects the tradition that emphasizes Mary’s virginity by stressing Joseph’s advanced age and improbability of fathering a child. The foreshortening of Jesus’ body and the cropping of the Mary and Joseph figures imply the extension of the pictorial space beyond the canvas, which has the effect of including the viewer in the scene as a participant. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1326.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1326.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1326.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1326.tif", "IsPrimary" : "1", "_SurrogateID" : "2643", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16437, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16437", "Disp_Access_No" : "2017.966", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Holy Family with Saint Anne", "Alt_Title" : "", "Obj_Title" : "Holy Family with Saint Anne", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "92.8 cm x 73.2 cm (36 9/16 in. x 28 13/16 in.)", "Disp_Height" : "92.8 cm", "Disp_Width" : "73.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Concluding just years before the execution of this painting, the Council of Trent had proposed systematic reform of the Catholic Church and responses to the Reformation. Its provisions for religious art included decrees that the subjects of paintings be easily intelligible and that there be no distraction from overly characterized or intrinsically appealing style, rather that devout feelings be stirred in the viewer. At a far frontier of Mannerism, pushing the research of ideal form beyond conventional pictorial standards, Cambiaso was already inclined toward the kind of "styleless style" implied by the Council’s imperatives. In his mature religious works, he perfected a mode that is diagrammatic in subject and practically shorn of material appeal, but equipped with unprecedentedly naturalistic incidents, specifically the action of light, that relieve the abstractness and cue a sentimental response. This painting is an important early example of this religious mode, ideal in essence, while predicting features of the early Baroque, and anticipating features of Caravaggio and Georges de La Tour.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.966.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.966.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.966.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.966.tif", "IsPrimary" : "1", "_SurrogateID" : "2579", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16493, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16493", "Disp_Access_No" : "2017.1157", "_AccNumSort1" : "", "Disp_Create_DT" : "late 16th century", "_Disp_Start_Dat" : "1567", "_Disp_End_Date" : "1599", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Circle of Hendrick Goltzius", "Sort_Artist" : "Goltzius, Circle of Hendrick", "Disp_Dimen" : "19.4 cm x 17.6 cm (7 5/8 in. x 6 15/16 in.)", "Disp_Height" : "19.4 cm", "Disp_Width" : "17.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Dutch", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1157.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1157.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1157.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1157.TIF", "IsPrimary" : "1", "_SurrogateID" : "9819", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1157-detail.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1157-detail.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1157-detail.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1157-detail.TIF", "IsPrimary" : "0", "_SurrogateID" : "9821", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1157-detail2.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1157-detail2.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1157-detail2.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1157-detail2.TIF", "IsPrimary" : "0", "_SurrogateID" : "9823", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19282, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19282", "Disp_Access_No" : "2008.135", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Castello, called il Genovese", "Sort_Artist" : "Castello, called il Genovese, Giovanni Battista", "Disp_Dimen" : "24 cm x 18 cm (9 7/16 in. x 7 1/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "sheet", "Medium" : "Gouache heightened with gold on vellum", "Support" : "", "Disp_Medium" : "Gouache heightened with gold on vellum", "Info_Page_Comm" : "Castello was the last master of miniature painting in Italy. His specialty was the translation of famous works by other artists. Here the composition depends upon Dürer’s woodcut of the scene in his Life of the Virgin. With their meticulous attention to craft and their restrained style, such miniatures were very popular as luxurious objects of private devotion. Despite the limited scope of his art, Castello was the most successful artist in Genoa during the 1590s.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.135.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.135.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.135.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2008.135.TIF", "IsPrimary" : "1", "_SurrogateID" : "4927", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21393", "Disp_Access_No" : "2016.185", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "El regreso de Egipto", "Alt_Title" : "", "Obj_Title" : "El regreso de Egipto", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "30 x 24 cm (11 5/8 x 9 7/16 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "24 cm", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Phelps de Cisneros in honor of Tomás Orinoco Griffin Cisneros, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 21416, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21416", "Disp_Access_No" : "2016.218", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Natividad", "Alt_Title" : "", "Obj_Title" : "Natividad", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "55 x 48 cm (21 5/8 x 18 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "48 cm", "Dimen_Extent" : "", "Medium" : "Polychromed and gilded wood", "Support" : "", "Disp_Medium" : "Polychromed and gilded wood", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Phelps de Cisneros in honor of Marsland and Richard Moncrief, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 21418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21418", "Disp_Access_No" : "2016.200", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "El regreso de Egipto", "Alt_Title" : "", "Obj_Title" : "El regreso de Egipto", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "34 x 29 x 2 cm (13 1/4 x 11 1/4 x 7/8 in.)", "Disp_Height" : "34 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "", "Medium" : "Oil and tempera", "Support" : "wood panel", "Disp_Medium" : "Oil and tempera on wood panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Phelps de Cisneros, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 23446, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23446", "Disp_Access_No" : "2017.527", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Mother of Sorrow", "Alt_Title" : "", "Obj_Title" : "Mother of Sorrow", "Series_Title" : "", "Disp_Maker_1" : "Ada Pullini Brown", "Sort_Artist" : "Pullini Brown, Ada", "Disp_Dimen" : "73.7 x 106.6 cm (29 x 41 15/16 in.)", "Disp_Height" : "73.7 cm", "Disp_Width" : "106.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 23475, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23475", "Disp_Access_No" : "2017.546", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "The Virgin of the Lake", "Alt_Title" : "", "Obj_Title" : "The Virgin of the Lake", "Series_Title" : "", "Disp_Maker_1" : "Alejandro Romero", "Sort_Artist" : "Romero, Alejandro", "Disp_Dimen" : "103.8 x 73.7 cm (40 7/8 x 29 in.)", "Disp_Height" : "103.8 cm", "Disp_Width" : "73.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "A complex religious figure, "la Virgen" is a traditional female role model that embodies both purity and motherhood. She is simultaneously revered and reimagined by artists to fit contemporary notions of gender. In Alejandro Romero’s "Virgin of the Lake", the crowned Virgin stands under a four-post canopied altar used in religious processions. She is surrounded by the Chicago landscape, and a river and freeway intersect at her center. Mesoamerican iconography and Catholic religious figures are visible across her skirt. Romero takes a distinctive approach to the subject, incorporating elements of his hometown, such as the Langham building to the Virgin’s right and the monumental Pablo Picasso sculpture, Chicago, that she holds in her right hand.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.546-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.546-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.546-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.546-Sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "19171", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }