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1511", "_Disp_Start_Dat" : "1509", "_Disp_End_Date" : "1511", "Disp_Title" : "Christ before Annas, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "Christ before Annas, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12.7 cm x 9.8 cm (5 in. x 3 7/8 in.)", "Disp_Height" : "12.7 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.833.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.833.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.833.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.833.TIF", "IsPrimary" : "1", "_SurrogateID" : "5657", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2041", "Disp_Access_No" : "2002.2803", "_AccNumSort1" : "", "Disp_Create_DT" : "1509-1511", "_Disp_Start_Dat" : "1509", "_Disp_End_Date" : "1511", "Disp_Title" : "Christ Before Annas, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "Christ Before Annas, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12.7 cm x 9.8 cm (5 in. x 3 7/8 in.)", "Disp_Height" : "12.7 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2803.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2803.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2803.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2803.TIF", "IsPrimary" : "1", "_SurrogateID" : "5654", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2245, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2245", "Disp_Access_No" : "2002.2103", "_AccNumSort1" : "", "Disp_Create_DT" : "1565", "_Disp_Start_Dat" : "1565", "_Disp_End_Date" : "1565", "Disp_Title" : "The Descent from the Cross, after Rogier van der Weyden", "Alt_Title" : "", "Obj_Title" : "The Descent from the Cross, after Rogier van der Weyden", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "32.1 cm x 41.1 cm (12 5/8 in. x 16 3/16 in.)", "Disp_Height" : "32.1 cm", "Disp_Width" : "41.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Around 1435 Rogier van der Weyden painted a triptych for the Archer’s Guild at Louvain. By 1549 the central panel, depicting the Descent from the Cross, had been acquired by Mary of Hungary, who later gave it to her nephew Philip II of Spain. Today in the Prado, Madrid, the picture is one of the masterpieces of early Netherlandish art. In 1565, undoubtedly due to recent interest in the painting, the Antwerp publisher and impresario Hieronymus Cock had Cornelis Cort engrave the composition. The resulting print was unusual for Cort, who was primarily concerned with Italianate and then Italian subjects. More important, it was the first explicit reproduction of a fifteenth-century Netherlandish painting. The print is extremely rare, however, this being one of only two impressions in the United States. The most innovative and influential engraver of the third quarter of the century, Cort reconciled the earlier emphasis on design and ideal appearance with more varied description and closer approximation of pictorial effects. Formed and first active in Cock’s workshop, he went to Italy in 1565. Becoming Titian’s preferred interpreter, he developed an unprecedentedly rich and differentiated system of engraving. Point of departure for Hendrick Goltzius in the Netherlands and Agostino Carracci in Italy, this system would help determine the development of the technique. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2103.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2103.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2103.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2103.tif", "IsPrimary" : "1", "_SurrogateID" : "1902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2373, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2373", "Disp_Access_No" : "1980.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1596", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1596", "Disp_Title" : "Pietà", "Alt_Title" : "", "Obj_Title" : "Pietà", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "20.73 cm x 14.6 cm (8 3/16 in. x 5 3/4 in.)", "Disp_Height" : "20.73 cm", "Disp_Width" : "14.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The pietà was a common theme in religious art during the 1500s. In this print, the Virgin is praying while she weeps. The cross upon which Christ was crucified stands in the background as a reminder of the sacrifice that Christ made for mankind and that the Virgin made by giving up her son.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.56.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.56.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.56.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.56.tif", "IsPrimary" : "1", "_SurrogateID" : "7196", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2432, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2432", "Disp_Access_No" : "1998.393", "_AccNumSort1" : "", "Disp_Create_DT" : "1611", "_Disp_Start_Dat" : "1611", "_Disp_End_Date" : "1611", "Disp_Title" : "La Ste. Vierge et St. Jean au pied de la croix [The Holy Virgin and St. John at the Foot of the Cross], from Les Tableaux de Rome [The Paintings of Rome]", "Alt_Title" : "", "Obj_Title" : "La Ste. Vierge et St. Jean au pied de la croix [The Holy Virgin and St. John at the Foot of the Cross], from Les Tableaux de Rome [The Paintings of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "11.6 cm x 8.8 cm (4 9/16 in. x 3 7/16 in.)", "Disp_Height" : "11.6 cm", "Disp_Width" : "8.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.393.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.393.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.393.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.393.tif", "IsPrimary" : "1", "_SurrogateID" : "6043", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2581, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2581", "Disp_Access_No" : "1997.314", "_AccNumSort1" : "", "Disp_Create_DT" : "1631", "_Disp_Start_Dat" : "1631", "_Disp_End_Date" : "1631", "Disp_Title" : "Christ on the Cross, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Christ on the Cross, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Paulus Pontius", "Sort_Artist" : "Pontius, Paulus", "Disp_Dimen" : "62 cm x 41.9 cm (24 7/16 in. x 16 1/2 in.)", "Disp_Height" : "62 cm", "Disp_Width" : "41.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.314.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.314.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.314.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.314.tif", "IsPrimary" : "1", "_SurrogateID" : "5952", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2605, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2605", "Disp_Access_No" : "2002.2581", "_AccNumSort1" : "", "Disp_Create_DT" : "1631", "_Disp_Start_Dat" : "1631", "_Disp_End_Date" : "1631", "Disp_Title" : "Christ on the Cross Between the Two Thieves (Le Coup de Lance), after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Christ on the Cross Between the Two Thieves (Le Coup de Lance), after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Boetius Adams Bolswert", "Sort_Artist" : "Bolswert, Boetius Adams", "Disp_Dimen" : "58.8 cm x 42.8 cm (23 1/8 in. x 16 7/8 in.)", "Disp_Height" : "58.8 cm", "Disp_Width" : "42.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is after a painting that Rubens created for the Franciscan Church in Antwerp. It is now in the Koninklijk Museum voor Schone Kunsten, Antwerp.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2581.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2581.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2581.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2581.tif", "IsPrimary" : "1", "_SurrogateID" : "5957", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2607, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2607", "Disp_Access_No" : "1993.4.2/16", "_AccNumSort1" : "", "Disp_Create_DT" : "1632", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1632", "Disp_Title" : "Frontispiece to Les Petits Apôtres [The Little Apostles]", "Alt_Title" : "", "Obj_Title" : "Frontispiece to Les Petits Apôtres [The Little Apostles]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "7.2 cm x 4.5 cm (2 13/16 in. x 1 3/4 in.)", "Disp_Height" : "7.2 cm", "Disp_Width" : "4.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1993", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.4.2-16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.4.2-16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.4.2-16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.4.2-16.tif", "IsPrimary" : "1", "_SurrogateID" : "7466", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2853, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2853", "Disp_Access_No" : "1998.72", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "Descent from the Cross by Torchlight", "Alt_Title" : "", "Obj_Title" : "Descent from the Cross by Torchlight", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "20.7 cm x 16.3 cm (8 1/8 in. x 6 7/16 in.)", "Disp_Height" : "20.7 cm", "Disp_Width" : "16.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint on heavy Japanese paper", "Support" : "", "Disp_Medium" : "Etching and drypoint on heavy Japanese paper", "Info_Page_Comm" : "Iconographically unprecedented, this print combines a traditional Deposition with the Lamentation as it prefigures the Entombment. Unparalleled in its evocation of the tragedy of these events, it eliminates any rhetoric, indeed suppresses any obvious reactions and even obscures the ostensible focus, Christ's slack body. Instead, an original and universally affecting mood is set by the overwhelming shadow, the glow of a single torch, and the tenderness of a humble cast. The print is one of Rembrandt's greatest achievements as a printmaker. This impression is printed on the warm toned and absorbent Japanese paper that the artist favored for the first pulls of his late prints. It is exceptionally rich with ink from both the fugitive work in drypoint and the film of ink left across most of the plate by a deliberately incomplete wiping. This impression is also in extraordinary condition, with no disturbance of the surface or scuffing in the shadows. With a second, later 17th-century printing on standard antique laid paper (acquired in 1961), it also forms the most telling comparison of impressions in the entire collection. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase in honor of Jonathan Bober's tenth anniversary as Curator of Prints and Drawings through the generosity of David Armstrong, Carolyn Bullard, Dr. and Mrs. Paul Burns, George and Jo Anne Christian, Marian Davis, Susan Garwood, M.K. Hage, Jr., Helen Lea, John A. Robertson, Helmut and Petra Rumbler, Susan Thomas, Elgin W. Ware, Jr., Gerturde Weber, Stephen and Julia Wilkinson, Dave and Reba Williams, an anonymous donor, and members of the Print Study Group1998*", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.72.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.72.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.72.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.72.tif", "IsPrimary" : "1", "_SurrogateID" : "1695", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3477, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3477", "Disp_Access_No" : "2002.612", "_AccNumSort1" : "", "Disp_Create_DT" : "1764", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1764", "Disp_Title" : "The Disciples at the Tomb, after Tintoretto ", "Alt_Title" : "", "Obj_Title" : "The Disciples at the Tomb, after Tintoretto ", "Series_Title" : "", "Disp_Maker_1" : "Jean-Honoré Fragonard", "Sort_Artist" : "Fragonard, Jean-Honoré", "Disp_Dimen" : "17 cm x 12.9 cm (6 11/16 in. x 5 1/16 in.)", "Disp_Height" : "17 cm", "Disp_Width" : "12.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.612.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.612.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.612.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.612.tif", "IsPrimary" : "1", "_SurrogateID" : "8375", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8269, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8269", "Disp_Access_No" : "2002.512", "_AccNumSort1" : "", "Disp_Create_DT" : "1618-1624", "_Disp_Start_Dat" : "1618", "_Disp_End_Date" : "1624", "Disp_Title" : "Le Couronnement d’épines [The Crowning with Thorns], from La Grande Passion [The Large Passion]", "Alt_Title" : "", "Obj_Title" : "Le Couronnement d’épines [The Crowning with Thorns], from La Grande Passion [The Large Passion]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "9.6 cm x 20.9 cm (3 3/4 in. x 8 1/4 in.)", "Disp_Height" : "9.6 cm", "Disp_Width" : "20.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.512.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.512.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.512.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.512.tif", "IsPrimary" : "1", "_SurrogateID" : "6061", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10922", "Disp_Access_No" : "1990.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1540s", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantonio Raimondi, after Raphael", "Alt_Title" : "", "Obj_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantonio Raimondi, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "48.2 cm x 34 cm (19 in. x 13 3/8 in.)", "Disp_Height" : "48.2 cm", "Disp_Width" : "34 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.190.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.190.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.190.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.190.tif", "IsPrimary" : "1", "_SurrogateID" : "5290", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10969, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10969", "Disp_Access_No" : "P1963.4.168/178", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1730-before 1740", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1740", "Disp_Title" : "Dead Christ Supported by Virgin and an Angel, after Paolo Veronese, plate 168 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Dra", "Alt_Title" : "", "Obj_Title" : "Dead Christ Supported by Virgin and an Angel, after Paolo Veronese, plate 168 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Gaspard Duchange", "Sort_Artist" : "Duchange, Gaspard", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.168-178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1963.4.168-178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1963.4.168-178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1963.4.168-178.tif", "IsPrimary" : "1", "_SurrogateID" : "6588", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11001", "Disp_Access_No" : "1996.171", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1485", "_Disp_Start_Dat" : "1475", "_Disp_End_Date" : "1484", "Disp_Title" : "Christ on the Cross between the Virgin and Saint John (Canon Crucifixion)", "Alt_Title" : "", "Obj_Title" : "Christ on the Cross between the Virgin and Saint John (Canon Crucifixion)", "Series_Title" : "", "Disp_Maker_1" : "Anonymous German (Bamberg and Regensburg)", "Sort_Artist" : "Anonymous German (Bamberg and Regensburg)", "Disp_Dimen" : "37.2 cm x 23.4 cm (14 5/8 in. x 9 3/16 in.)", "Disp_Height" : "37.2 cm", "Disp_Width" : "23.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut with hand coloring, gilding, and silvering on vellum", "Support" : "", "Disp_Medium" : "Woodcut with hand coloring, gilding, and silvering on vellum", "Info_Page_Comm" : "This, the central image of the Christian faith, commonly appeared before the Canon of the Mass in medieval manuscript missals, the books containing all that is said or sung at mass during the entire year. As these were replaced by printed volumes in the second half of the fifteenth century, the Kanonbild, or Canon Crucifixion, was translated into woodcut, printed separately, then pasted into the volumes or sold as an independent devotional image. This particular version appears in missals published by Johann Sensenschmidt with various partners in Bamberg and Regensburg between 1485 and 1492. The museum’s impression was printed on vellum, colored by hand, and gilded and silvered in the halos in order to imitate the appearance of a manuscript leaf. There are three other such deluxe impressions in the United States. Deeply conservative in function and materials, they are excellent examples of the relationship between the manuscript tradition and early prints, especially in northern Europe. At the same time, amid the explosion of book illustration in the late fifteenth century, Kanonbilder were much larger in size, more articulate in cutting, and more expressive—note the body of Christ—than the typical product of the day. Within a decade, Albrecht Dürer would introduce virtuoso artistic woodcuts. The Kanonbilder point in their direction and help explain their origin.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation and the Archer M. Huntington Museum Fund, by exchange, 1996", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.171.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.171.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.171.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.171.tif", "IsPrimary" : "1", "_SurrogateID" : "2934", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11021, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11021", "Disp_Access_No" : "P1961.7", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1498", "_Disp_Start_Dat" : "1493", "_Disp_End_Date" : "1503", "Disp_Title" : "The Presentation of Christ, from The Great Passion", "Alt_Title" : "Ecce Homo", "Obj_Title" : "The Presentation of Christ, from The Great Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39.35 cm x 28.6 cm (15 1/2 in. x 11 1/4 in.)", "Disp_Height" : "39.35 cm", "Disp_Width" : "28.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.7.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.7.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.7.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.7.TIF", "IsPrimary" : "1", "_SurrogateID" : "5662", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11088, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11088", "Disp_Access_No" : "1990.13", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543-circa 1547", "_Disp_Start_Dat" : "1543", "_Disp_End_Date" : "1547", "Disp_Title" : "Entombment of Christ", "Alt_Title" : "", "Obj_Title" : "Entombment of Christ", "Series_Title" : "", "Disp_Maker_1" : "Circle of Jean Mignon", "Sort_Artist" : "Mignon, Circle of Jean", "Disp_Dimen" : "32.6 cm x 28.7 cm (12 13/16 in. x 11 5/16 in.)", "Disp_Height" : "32.6 cm", "Disp_Width" : "28.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. Marian B. Davis, 1990", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.13.tif", "IsPrimary" : "1", "_SurrogateID" : "7003", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11137, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11137", "Disp_Access_No" : "1988.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1600s", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1600", "Disp_Title" : "Deposition of Christ with the Three Maries", "Alt_Title" : "", "Obj_Title" : "Deposition of Christ with the Three Maries", "Series_Title" : "", "Disp_Maker_1" : "Alessandro Maganza", "Sort_Artist" : "Maganza, Alessandro", "Disp_Dimen" : "23.3 cm (9 3/16 in.)", "Disp_Height" : "", "Disp_Width" : "23.3 cm", "Dimen_Extent" : "", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "Alessandro Maganza was the first and most accomplished of a family of artists that dominated late sixteenth- and early seventeenth-century Vicenza. Their paintings generally offer a prosaic interpretation of Tintoretto’s dynamic design, dazzling illumination and broad execution. More distinctive and convincing, their drawings give an angular path a sharper edge to Veronese’s pen work. Recalling both Tintoretto and Veronese’s treatments of the Deposition, this sheet is a fine example.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.13.tif", "IsPrimary" : "1", "_SurrogateID" : "6309", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11174, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11174", "Disp_Access_No" : "2002.1127", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630-1631", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1631", "Disp_Title" : "The Mocking of Christ (Le Christ au roseau)", "Alt_Title" : "", "Obj_Title" : "The Mocking of Christ (Le Christ au roseau)", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "25.7 cm x 21.2 cm (10 1/8 in. x 8 3/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching (and engraving by Lucas Vorsterman)", "Support" : "", "Disp_Medium" : "Etching (and engraving by Lucas Vorsterman)", "Info_Page_Comm" : "Aside from the Iconography, a celebrated collection of portraits of fellow artists, Van Dyck created only three etchings. The Mocking of Christ, an interpretation of his own painting of 1627, is by far the most pictorial and dramatic. It began as an energetic but lightly bitten sketch in the manner of Italian etching. Vosterman, a regular interpreter of Rubens, then re-worked the plate with burin to develop its seeming color, brilliant illumination, and intense feeling. In this fusion of traditions, it is a signal example of early Baroque style.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1127.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1127.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1127.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1127.tif", "IsPrimary" : "1", "_SurrogateID" : "1759", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11811", "Disp_Access_No" : "1997.135", "_AccNumSort1" : "", "Disp_Create_DT" : "late 18 century", "_Disp_Start_Dat" : "1767", "_Disp_End_Date" : "1799", "Disp_Title" : "Nôtre Dame des Sept Douleurs [The Virgin of Sorrows]", "Alt_Title" : "", "Obj_Title" : "Nôtre Dame des Sept Douleurs [The Virgin of Sorrows]", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Guillaume Allabre", "Sort_Artist" : "Allabre, Attributed to Guillaume", "Disp_Dimen" : "50.3 cm x 40.8 cm (19 13/16 in. x 16 1/16 in.)", "Disp_Height" : "50.3 cm", "Disp_Width" : "40.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut with hand-coloring", "Support" : "", "Disp_Medium" : "Woodcut with hand-coloring", "Info_Page_Comm" : "The oldest and most enduring kind of printmaking was associated with pilgrimage sites and offered visitors inexpensive devotional images as souvenirs. Distinctive to Chartres, one of the major destinations in France, in the late 18th century was a school of woodcut that combined the simple design and bold cutting of popular prints with the large scale and elaborate flourish of loftier genres. In this combination, and the generation of new aesthetic meaning out of formal and sociological transgression, these prints also prefigure an important pursuit of the Romantics and the later avant garde. They are, however, very rare and largely unrecognized. This is an especially fine and well preserved example. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.135.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.135.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.135.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.135.tif", "IsPrimary" : "1", "_SurrogateID" : "4788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11818, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11818", "Disp_Access_No" : "1994.67", "_AccNumSort1" : "", "Disp_Create_DT" : "mid 1500s", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1500", "Disp_Title" : "The Three Marys Lamenting the Dead Christ, after Marcantonio Raimondi, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Three Marys Lamenting the Dead Christ, after Marcantonio Raimondi, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Copy after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Copy after Marcantonio", "Disp_Dimen" : "22 cm x 16.9 cm (8 11/16 in. x 6 5/8 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "16.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober in memory of M. Roy Fisher, 1994", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.67.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.67.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.67.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.67.tif", "IsPrimary" : "1", "_SurrogateID" : "6018", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11903, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11903", "Disp_Access_No" : "2002.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantoino Raimondi, after Raphael", "Alt_Title" : "", "Obj_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantoino Raimondi, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "33 cm x 24.3 cm (13 in. x 9 9/16 in.)", "Disp_Height" : "33 cm", "Disp_Width" : "24.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.74.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.74.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.74.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.74.tif", "IsPrimary" : "1", "_SurrogateID" : "5321", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11952, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11952", "Disp_Access_No" : "2002.130", "_AccNumSort1" : "", "Disp_Create_DT" : "1582", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1582", "Disp_Title" : "The Crucifixion, after Paolo Veronese", "Alt_Title" : "", "Obj_Title" : "The Crucifixion, after Paolo Veronese", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "30.5 cm x 22 cm (12 in. x 8 11/16 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.130.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.130.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.130.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.130.tif", "IsPrimary" : "1", "_SurrogateID" : "6564", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11971, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11971", "Disp_Access_No" : "2002.155", "_AccNumSort1" : "", "Disp_Create_DT" : "1606", "_Disp_Start_Dat" : "1606", "_Disp_End_Date" : "1606", "Disp_Title" : "Christ Crowned with Thorns", "Alt_Title" : "", "Obj_Title" : "Christ Crowned with Thorns", "Series_Title" : "", "Disp_Maker_1" : "Annibale Carracci", "Sort_Artist" : "Carracci, Annibale", "Disp_Dimen" : "18.3 cm x 13.5 cm (7 3/16 in. x 5 5/16 in.)", "Disp_Height" : "18.3 cm", "Disp_Width" : "13.5 cm", "Dimen_Extent" : "image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This etching epitomizes Carracci’s late style. Its simplified forms and rather gloomy expressive tenor approach the concentration of Caravaggio’s religious works and owe some to his influence. But they also conform to the spirit of the Counter-Reformation and specifically an edict issued by Clement’s vicar, Cardinal Girolamo Rusticucci, in 1593. That edict stipulated that religious works should involve legible compositions, conform to orthodoxy, and avoid lascivious imagery. 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"_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540", "_Disp_Start_Dat" : "1535", "_Disp_End_Date" : "1545", "Disp_Title" : "Crucifixion for Vittoria Colonna, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Crucifixion for Vittoria Colonna, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "29 cm x 18 cm (11 7/16 in. x 7 1/16 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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"Disp_Create_DT" : "1615", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1615", "Disp_Title" : "The Lamentation", "Alt_Title" : "", "Obj_Title" : "The Lamentation", "Series_Title" : "", "Disp_Maker_1" : "Orazio Borgianni", "Sort_Artist" : "Borgianni, Orazio", "Disp_Dimen" : "23.6 cm x 22.2 cm (9 5/16 in. x 8 3/4 in.)", "Disp_Height" : "23.6 cm", "Disp_Width" : "22.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1770.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1770.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1770.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1770.tif", "IsPrimary" : "1", "_SurrogateID" : "7037", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13162", "Disp_Access_No" : "2002.1842", "_AccNumSort1" : "", "Disp_Create_DT" : "1530-1540", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1540", "Disp_Title" : "Pietà, after Luca Penni", "Alt_Title" : "", "Obj_Title" : "Pietà, after Luca Penni", "Series_Title" : "", "Disp_Maker_1" : "Jean Mignon", "Sort_Artist" : "Mignon, Jean", "Disp_Dimen" : "23.1 cm x 20.4 cm (9 1/8 in. x 8 1/16 in.)", "Disp_Height" : "23.1 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1842.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1842.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1842.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1842.tif", "IsPrimary" : "1", "_SurrogateID" : "7040", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14653, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14653", "Disp_Access_No" : "1987.31", "_AccNumSort1" : "", "Disp_Create_DT" : "n.d.", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Ex-Voto", "Alt_Title" : "", "Obj_Title" : "Ex-Voto", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "35.1 cm x 25.5 cm (13 13/16 in. x 10 1/16 in.)", "Disp_Height" : "35.1 cm", "Disp_Width" : "25.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil?", "Support" : "tin", "Disp_Medium" : "Oil? on tin", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Mexican", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.31.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.31.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.31.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1987.31.TIF", "IsPrimary" : "1", "_SurrogateID" : "10122", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15894", "Disp_Access_No" : "2017.1349", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Christ at the Tomb with two Angels", "Alt_Title" : "", "Obj_Title" : "Christ at the Tomb with two Angels", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Girolamo Romanino", "Sort_Artist" : "Romanino, Attributed to Girolamo", "Disp_Dimen" : "12.07 cm x 9.21 cm (4 3/4 in. x 3 5/8 in.)", "Disp_Height" : "12.07 cm", "Disp_Width" : "9.21 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1349.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1349.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1349.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1349.tif", "IsPrimary" : "1", "_SurrogateID" : "5714", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15912, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15912", "Disp_Access_No" : "2017.1350", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Putti Bearing the Cross", "Alt_Title" : "", "Obj_Title" : "Putti Bearing the Cross", "Series_Title" : "", "Disp_Maker_1" : "Circle of Giulio Romano", "Sort_Artist" : "Romano, Circle of Giulio", "Disp_Dimen" : "14.92 cm x 33.02 cm (5 7/8 in. x 13 in.)", "Disp_Height" : "14.92 cm", "Disp_Width" : "33.02 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink. Indented for transfer. The verso rubbed with black chalk.", "Support" : "", "Disp_Medium" : "Pen and brown ink. Indented for transfer. The verso rubbed with black chalk.", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1350.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1350.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1350.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1350.tif", "IsPrimary" : "1", "_SurrogateID" : "5713", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15954, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15954", "Disp_Access_No" : "2017.1247", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Christ Crowned with Thorns", "Alt_Title" : "", "Obj_Title" : "Christ with the Crown of Thorns", "Series_Title" : "", "Disp_Maker_1" : "Francesco de Mura", "Sort_Artist" : "Mura, Francesco de", "Disp_Dimen" : "17.78 cm x 15.24 cm (7 in. x 6 in.)", "Disp_Height" : "17.78 cm", "Disp_Width" : "15.24 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "On copper, could go in display case. (Case of great coppers in collection?) Condition issues, conservation: needs cleaning. 2+ if cleaned. (FC:jb 4/15/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1247.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1247.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1247.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1247.tif", "IsPrimary" : "1", "_SurrogateID" : "4842", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15989, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15989", "Disp_Access_No" : "2017.1358", "_AccNumSort1" : "", "Disp_Create_DT" : "1595-1605", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "Studies of the Arrest of Christ", "Alt_Title" : "", "Obj_Title" : "Studies of the Arrest of Christ", "Series_Title" : "", "Disp_Maker_1" : "Ventura Salimbeni", "Sort_Artist" : "Salimbeni, Ventura", "Disp_Dimen" : "19.9 cm x 27.4 cm (7 13/16 in. x 10 13/16 in.)", "Disp_Height" : "19.9 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brown pen and ink and traces of white chalk", "Support" : "", "Disp_Medium" : "Black chalk with brown pen and ink and traces of white chalk", "Info_Page_Comm" : "Salimbeni’s later drawing, Studies for the Arrest of Christ, is a conflagration of violence, set in motion by Judas’ kiss. The strokes of the chalk are light and rapid, giving the figures an attenuated elegance and the action a visceral energy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1358.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1358.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1358.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1358.tif", "IsPrimary" : "1", "_SurrogateID" : "5718", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16039", "Disp_Access_No" : "2017.1267", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Deposition", "Alt_Title" : "", "Obj_Title" : "The Deposition", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "22.54 cm x 17.78 cm (8 7/8 in. x 7 in.)", "Disp_Height" : "22.54 cm", "Disp_Width" : "17.78 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1267.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1267.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1267.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1267.tif", "IsPrimary" : "1", "_SurrogateID" : "5700", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16076", "Disp_Access_No" : "2017.1274", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1525-1527", "_Disp_Start_Dat" : "1525", "_Disp_End_Date" : "1527", "Disp_Title" : "The Entombment of Christ", "Alt_Title" : "", "Obj_Title" : "The Entombment of Christ", "Series_Title" : "", "Disp_Maker_1" : "Parmigianino (Francesco Mazzola)", "Sort_Artist" : "Parmigianino (Francesco Mazzola)", "Disp_Dimen" : "24.4 cm x 18.8 cm (9 5/8 in. x 7 3/8 in.)", "Disp_Height" : "24.4 cm", "Disp_Width" : "18.8 cm", "Dimen_Extent" : "panel", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Parmigianino was the most elegant and refined of all sixteenth-century Italian artists. Provincial but inspired by his visionary compatriot Correggio, he tended from the outset toward eccentric form and idiosyncratic expression. Affected by Raphael during a sojourn in Rome, his style became more self-conscious and rigorous. Increasingly abstracted and impossibly beautiful, Parmigianino’s late works determined the course of Mannerism and remained the measure of high artifice through the eighteenth century. His etchings were the first to essay the technique’s conceptual relation with drawing and potential for original expression. This small panel is the most important surviving link between Parmigianino’s painting and printmaking. It was once regarded as a copy after his most developed and famous etching. The two compositions, however, differ in numerous details, and the elaboration of the panel departs from a loose underdrawing in dark pigment—indicative of an evolving rather than a derivative conception. The quality of the painting is confirmed by the soundness of its figures, the modulation of light, and the incisiveness of touch. Still close to Raphael’s designs, the painting was probably executed in Rome. Later, in Bologna, it would have served as the model for the etching. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "11065", "Rel_Obj_Title" : "The Entombment of Christ" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1274.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1274.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1274.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1274.tif", "IsPrimary" : "1", "_SurrogateID" : "3360", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16133, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16133", "Disp_Access_No" : "2017.1365", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1600", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "The Crucifixion", "Alt_Title" : "", "Obj_Title" : "The Crucifixion", "Series_Title" : "", "Disp_Maker_1" : "Christoph Schwarz", "Sort_Artist" : "Schwarz, Christoph", "Disp_Dimen" : "28.1 cm x 42.3 cm (11 1/16 in. x 16 5/8 in.)", "Disp_Height" : "28.1 cm", "Disp_Width" : "42.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash with white heigtening on cream paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash with white heigtening on cream paper", "Info_Page_Comm" : "Von Aachen, a leading late Mannerist in the North, was formed principally in Italy during a long sojourn, then active throughout South Germany before settling at the court of Rudolf II in Prague. His mature style is nearly of the sophistica-tion of his Rudolfine colleague, Bartholomaeus Spranger, but tending toward less precious affect and more impetuous handling. This grand study is typical in its sweeping rhythms, stylized attitudes, and morphology. However, relative to other such drawings by von Aachen, the application of wash, the fine hatching, and in general the touch seem too deliberated and may indicate the work of a close follower.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1365.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1365.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1365.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1365.tif", "IsPrimary" : "1", "_SurrogateID" : "5854", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16145, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16145", "Disp_Access_No" : "2017.960", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "Christ Nailed to the Cross", "Alt_Title" : "", "Obj_Title" : "Christ Nailed to the Cross", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "21 cm x 29.6 cm (8 1/4 in. x 11 5/8 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "29.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash on antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash on antique laid paper", "Info_Page_Comm" : "This comes from a series of variations of the theme. They derive solely from the artist's imagination, not established iconography. From as far back as the Sibyls, Cambiaso has taken certain themes as an opportunity to express his virtuosity. At this last stage, with the cubic module reasserted and any material appeal suppressed, the virtuosity turned to invention alone, like a Jesuit's meditations on the life of Christ. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.960.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.960.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.960.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.960.tif", "IsPrimary" : "1", "_SurrogateID" : "2891", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16165", "Disp_Access_No" : "2017.975", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Entombment", "Alt_Title" : "", "Obj_Title" : "The Entombment", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "29.7 cm x 21.2 cm (11 11/16 in. x 8 3/8 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk, on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk, on cream antique laid paper, laid down", "Info_Page_Comm" : "Relatively conventional in composition, calm in its articulation, and legible in narration, this drawing parallels the development of Cambiaso’s religious paintings after around 1570 in the tempering of virtuosity toward an accommodation of Counter-Reformation expectations. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.975.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.975.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.975.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.975.tif", "IsPrimary" : "1", "_SurrogateID" : "2880", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16248, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16248", "Disp_Access_No" : "2017.1195", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1680", "_Disp_Start_Dat" : "1675", "_Disp_End_Date" : "1685", "Disp_Title" : "The Elevation of the Cross", "Alt_Title" : "", "Obj_Title" : "The Elevation of the Cross", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Raymond Lafage", "Sort_Artist" : "Lafage, Attributed to Raymond", "Disp_Dimen" : "38.74 cm x 27.31 cm (15 1/4 in. x 10 3/4 in.)", "Disp_Height" : "38.74 cm", "Disp_Width" : "27.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink on laid paper mounted to another sheet", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink on laid paper mounted to another sheet", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1195.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1195.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1195.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1195.tif", "IsPrimary" : "1", "_SurrogateID" : "4276", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16307, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16307", "Disp_Access_No" : "2017.914", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "Christ on the Road to Calvary", "Alt_Title" : "", "Obj_Title" : "Christ on the Road to Calvary", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Ambrogio Bevilacqua", "Sort_Artist" : "Bevilacqua, Attributed to Giovanni Ambrogio", "Disp_Dimen" : "44.5 cm x 21.6 cm (17 1/2 in. x 8 1/2 in.)", "Disp_Height" : "44.5 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Tempera on wood panel", "Support" : "", "Disp_Medium" : "Tempera on wood panel", "Info_Page_Comm" : "If not a significant agent in the development of Milanese painting, Bevilacqua does epitomize the complicated situation of that school at the close of the 15th century. On the one hand, through appropriations from more innovative compatriots like Foppa and Bergognone, his style reflects a wide range of progressive elements, from the leading painter in North Italy, Mantegna, to early Netherlandish painting. On the other, these appropriations are subsumed by the school’s traditional concerns with rich decoration and material splendor, and there is no sign of the influence of long-time resident Leonardo da Vinci. Praised by the early chroniclers of Milanese painting, Bevilacqua was nearly forgotten until his rediscovery as a coherent personality in recent decades. This panel confirms a painter of conservative cast but narrative gift and considerable refinement. The only example of his work in this country, it must have been served as part of a portable altarpiece for private devotion. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Needs more prominence (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.914.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.914.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.914.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.914.tif", "IsPrimary" : "1", "_SurrogateID" : "6462", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16397, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16397", "Disp_Access_No" : "2017.1341", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1694-1697", "_Disp_Start_Dat" : "1694", "_Disp_End_Date" : "1697", "Disp_Title" : "The Entombment of Christ", "Alt_Title" : "", "Obj_Title" : "The Entombment of Christ", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Ricci", "Sort_Artist" : "Ricci, Sebastiano", "Disp_Dimen" : "71.12 cm x 39.37 cm (28 in. x 15 1/2 in.)", "Disp_Height" : "71.12 cm", "Disp_Width" : "39.37 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting had long been attributed to the extravagant Genoese painter Alessandro Magnasco, whose Mythological Scene with Ruins is also in the Blanton's collections. Conservation treatment in 2005 revealed drawing that is firmer, light that is sharper, and a palette that is more varied than in Magnasco’s works. Between 1694 and 1697 Sebastiano Ricci was engaged in major projects in and around Milan. His influence upon Magnasco, long active inthe Lombard capital, is evident in many works and well known. This painting, on the other hand, represents the reciprocal but less recognized response of Ricci to the highly eccentric and deforming style of the Genoese master.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Very dark, difficult to read. Medallion hang possibility. (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1341.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1341.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1341.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1341.tif", "IsPrimary" : "1", "_SurrogateID" : "8861", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16464, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16464", "Disp_Access_No" : "2017.1059", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1623", "_Disp_Start_Dat" : "1618", "_Disp_End_Date" : "1628", "Disp_Title" : "Ecce Homo", "Alt_Title" : "", "Obj_Title" : "Ecce Homo", "Series_Title" : "", "Disp_Maker_1" : "Daniele Crespi", "Sort_Artist" : "Crespi, Daniele", "Disp_Dimen" : "127 cm x 97.8 cm (50 in. x 38 1/2 in.)", "Disp_Height" : "127 cm", "Disp_Width" : "97.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Had Crespi enjoyed a longer career, and were his works not largely confined to Lombardy, he would be widely known as a master of the first order. He was without doubt the finest painter of the second generation of Baroque painting in Milan. In his paintings the willful deformation and neurotic intensity of the first generation are subjected to a more disciplined design and a more rhetorical expression, which he gathered from contemporary Florentine painters as well as from the emerging school of Bologna. The resulting style is highly original in its staging, admirable in its action, and convincing in its feeling. This picture demonstrates Crespi’s rapid development toward a style of absolute coherence and exceptional theatricality. The composition is related to Caravaggio’s painting of the same subject, and the dramatic chiaroscuro generally reflects Crespi’s intensifying naturalism. The design, with bold rhythms and strong drawing, is conditioned by Florentine interpretations of early Baroque style. And both the palette and striking differentiation of paint handling—compare the rendering of Christ’s tremulous flesh with that of Pilate’s splendid sleeve—are freshly informed by Rubens’s example. But by now these elements have been thoroughly synthesized and reconciled with a persistently Milanese subjectivity. This, Crespi’s mature style, is at once rich in narration, declamatory in form, and charged in expression. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1059.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1059.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1059.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1059.tif", "IsPrimary" : "1", "_SurrogateID" : "2739", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16496, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16496", "Disp_Access_No" : "2017.812", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "An Allegory of the Deposition", "Alt_Title" : "", "Obj_Title" : "An Allegory of the Deposition", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "22.54 cm x 22.54 cm (8 7/8 in. x 8 7/8 in.)", "Disp_Height" : "22.54 cm", "Disp_Width" : "22.54 cm", "Dimen_Extent" : "Sheet", "Medium" : "Gray and brown wash", "Support" : "", "Disp_Medium" : "Gray and brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.812.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.812.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.812.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.812.tif", "IsPrimary" : "1", "_SurrogateID" : "3337", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19447, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19447", "Disp_Access_No" : "2009.43", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1579", "_Disp_Start_Dat" : "1574", "_Disp_End_Date" : "1584", "Disp_Title" : "Calvary", "Alt_Title" : "", "Obj_Title" : "Calvary", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Fontana", "Sort_Artist" : "Fontana, Giovanni Battista", "Disp_Dimen" : "31.4 cm x 20.2 cm (12 3/8 in. x 7 15/16 in.)", "Disp_Height" : "31.4 cm", "Disp_Width" : "20.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Of the etchings of the school of Verona, Fontana’s are the most controlled in articulation, dense in description and suited to complex narrative. His subjects often correlate with the reasserted dogma and intensified devotion in the wake of the Council of Trent. Although signed on the face of the stone in the foreground, this print was only recently identified as his work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2009", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.43.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.43.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.43.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.43.tif", "IsPrimary" : "1", "_SurrogateID" : "7019", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17664, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17664", "Disp_Access_No" : "2005.157", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "La Passion", "Alt_Title" : "", "Obj_Title" : "La Passion", "Series_Title" : "", "Disp_Maker_1" : "Emile Bernard", "Sort_Artist" : "Bernard, Emile", "Disp_Dimen" : "43.3 cm x 50.1 cm (17 1/16 in. x 19 3/4 in.)", "Disp_Height" : "43.3 cm", "Disp_Width" : "50.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen lithograph with hand coloring", "Support" : "", "Disp_Medium" : "Pen lithograph with hand coloring", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.157.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.157.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.157.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.157.tif", "IsPrimary" : "1", "_SurrogateID" : "4240", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17665, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17665", "Disp_Access_No" : "2005.158", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "La Passion", "Alt_Title" : "", "Obj_Title" : "La Passion", "Series_Title" : "", "Disp_Maker_1" : "Emile Bernard", "Sort_Artist" : "Bernard, Emile", "Disp_Dimen" : "43.4 cm x 55 cm (17 1/16 in. x 21 5/8 in.)", "Disp_Height" : "43.4 cm", "Disp_Width" : "55 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen lithograph with hand coloring", "Support" : "", "Disp_Medium" : "Pen lithograph with hand coloring", "Info_Page_Comm" : "While some artists and intellectuals rejected organized religion in general, and Catholicism in particular, others looked to the early Church as a period of genuine spirituality. Bernard was one of these neo-Catholics and his print returns to the linear, flat, static, iconic style characteristic of medieval art and evokes the tradition of hand-colored woodcut prints made for popular devotion in the fifteenth century. The artist attempts to recapture the innocence of an earlier time in the deliberately crude depiction of the Crucifixion.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.158.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.158.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.158.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.158.tif", "IsPrimary" : "1", "_SurrogateID" : "4241", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19506, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19506", "Disp_Access_No" : "2010.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1852", "_Disp_Start_Dat" : "1852", "_Disp_End_Date" : "1852", "Disp_Title" : "Title Page for Imitation de Jesus-Christ", "Alt_Title" : "", "Obj_Title" : "Title Page for Imitation de Jesus-Christ", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "19.8 cm x 14.2 cm (7 13/16 in. x 5 9/16 in.)", "Disp_Height" : "19.8 cm", "Disp_Width" : "14.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Chromolithograph", "Support" : "", "Disp_Medium" : "Chromolithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.13.tif", "IsPrimary" : "1", "_SurrogateID" : "8812", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19200, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19200", "Disp_Access_No" : "2008.126", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1771", "_Disp_Start_Dat" : "1761", "_Disp_End_Date" : "1770", "Disp_Title" : "The Entombment, after Jacopo Tintoretto", "Alt_Title" : "", "Obj_Title" : "The Entombment, after Jacopo Tintoretto", "Series_Title" : "", "Disp_Maker_1" : "Andrea Scacciati II", "Sort_Artist" : "Scacciati II, Andrea", "Disp_Dimen" : "44 cm x 31.6 cm (17 5/16 in. x 12 7/16 in.)", "Disp_Height" : "44 cm", "Disp_Width" : "31.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with burnished aquatint and roulette, printed in green", "Support" : "", "Disp_Medium" : "Etching with burnished aquatint and roulette, printed in green", "Info_Page_Comm" : "This plate reproduces the lower part of an altarpiece, now in the National Gallery of Scotland, that Tintoretto created for the church of San Francesco della Vigna in Venice. It comes from a collection of etchings after important sixteenth-century Venetian paintings. Apart from this series, Scacciati’s activity is poorly documented and little known. Nonetheless, his use of aquatint is remarkable for the very early date—the technique had been invented in France just a few years earlier—and for the fluency with which it is employed to suggest painterly effects.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Faith and Dewayne Perry, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.126.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.126.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.126.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.126.tif", "IsPrimary" : "1", "_SurrogateID" : "5353", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19528, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19528", "Disp_Access_No" : "2010.35", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Entombment, after Guido Reni, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Entombment, after Guido Reni, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "28.8 cm x 20.8 cm (11 5/16 in. x 8 3/16 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "20.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. 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