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"Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1421.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1421.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1421.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1421.tif", "IsPrimary" : "1", "_SurrogateID" : "5711", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15952, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15952", "Disp_Access_No" : "2017.1012", "_AccNumSort1" : "", "Disp_Create_DT" : "1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "The Madonna and Child with Saint John and Another Saint", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child with Saint John and Another Saint", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "17.78 cm x 13.97 cm (7 in. x 5 1/2 in.)", "Disp_Height" : "17.78 cm", "Disp_Width" : "13.97 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "Castello was trained by one of Luca Cambiaso's few competitors, Andrea Semino, but then influenced by Cambiaso during the first part of his career. The spare description and sweeping strokes identify this as an early drawing. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1012.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1012.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1012.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1012.tif", "IsPrimary" : "1", "_SurrogateID" : "5827", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15966, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15966", "Disp_Access_No" : "2017.904", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "An Assumption", "Alt_Title" : "", "Obj_Title" : "An Assumption", "Series_Title" : "", "Disp_Maker_1" : "Circle of Antonio Bellucci", "Sort_Artist" : "Bellucci, Circle of Antonio", "Disp_Dimen" : "19.05 cm x 27.31 cm (7 1/2 in. x 10 3/4 in.)", "Disp_Height" : "19.05 cm", "Disp_Width" : "27.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.904.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.904.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.904.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.904.tif", "IsPrimary" : "1", "_SurrogateID" : "5734", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15979", "Disp_Access_No" : "2017.1132", "_AccNumSort1" : "", "Disp_Create_DT" : "Circa 1790", "_Disp_Start_Dat" : "1785", "_Disp_End_Date" : "1795", "Disp_Title" : "Personification of Astrology", "Alt_Title" : "", "Obj_Title" : "Personification of Astrology", "Series_Title" : "", "Disp_Maker_1" : "Gaetano Gandolfi", "Sort_Artist" : "Gandolfi, Gaetano", "Disp_Dimen" : "19.7 cm x 15.6 cm (7 3/4 in. x 6 1/8 in.)", "Disp_Height" : "19.7 cm", "Disp_Width" : "15.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with bursh and brown wash and watercolor over traces of graphite on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with bursh and brown wash and watercolor over traces of graphite on cream antique laid paper, laid down", "Info_Page_Comm" : "In both their painting and prodigious graphic activity, the Gandolfi were the last significant masters of the Bolognese academic tradition. Gaetano was the central figure, outstanding in any conventional sense but also responsive to contemporary Venetian art and self-consciously flexible in style according to the work’s context and stage of development. As part of an elaborate preparatory process or as extravagant autonomous works, his drawings are characterized by ample volume and rich tonality, but also great movement from a calligraphic line descended from Guercino and a mobile light appropriated from the Tiepolo. Appealingly finished and signed, this drawing was created for presentation, no doubt to one of Gaetano’s many enthusiastic patrons. Reinterpreted with even greater delicacy and an ornamental surround in another drawing (Metropolitan Museum) by his son, Mauro, this same motif would become part part of the decoration of a carriage. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1132.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1132.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1132.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1132.tif", "IsPrimary" : "1", "_SurrogateID" : "5784", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15980, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15980", "Disp_Access_No" : "2017.911", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Section of a Cupola with Putti holding Festoons", "Alt_Title" : "", "Obj_Title" : "A Section of a Cupola with Putti holding Festoons", "Series_Title" : "", "Disp_Maker_1" : "Circle of Gian Lorenzo Bernini", "Sort_Artist" : "Bernini, Circle of Gian Lorenzo", "Disp_Dimen" : "19.69 cm x 27.31 cm (7 3/4 in. x 10 3/4 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "27.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash, the reverse with an elevation", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash, the reverse with an elevation", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.911.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.911.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.911.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.911.tif", "IsPrimary" : "1", "_SurrogateID" : "5829", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15986, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15986", "Disp_Access_No" : "2017.1198", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Three Putti", "Alt_Title" : "", "Obj_Title" : "Three Putti", "Series_Title" : "", "Disp_Maker_1" : "Copy after Gerard de Lairesse (?)", "Sort_Artist" : "Lairesse (?), Copy after Gerard de", "Disp_Dimen" : "19.69 cm x 30.48 cm (7 3/4 in. x 12 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "30.48 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk, brown ink framing lines", "Support" : "", "Disp_Medium" : "Red chalk, brown ink framing lines", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1198.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1198.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1198.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1198.tif", "IsPrimary" : "1", "_SurrogateID" : "5670", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16010, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16010", "Disp_Access_No" : "2017.1100", "_AccNumSort1" : "", "Disp_Create_DT" : "circa late 1650s-early 1660s", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1660", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Michel Dorigny", "Sort_Artist" : "Dorigny, Michel", "Disp_Dimen" : "20.6 cm x 18 cm (8 1/8 in. x 7 1/16 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, squared in black chalk on cream paper, laid down ", "Support" : "", "Disp_Medium" : "Pen and brown ink, squared in black chalk on cream paper, laid down ", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1100.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1100.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1100.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1100.tif", "IsPrimary" : "1", "_SurrogateID" : "4270", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16028, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16028", "Disp_Access_No" : "2017.1347", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Juno Appearing to a Huntsman", "Alt_Title" : "", "Obj_Title" : "Juno Appearing to a Huntsman", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Francesco Romanelli", "Sort_Artist" : "Romanelli, Attributed to Giovanni Francesco", "Disp_Dimen" : "22.23 cm x 40.01 cm (8 3/4 in. x 15 3/4 in.)", "Disp_Height" : "22.23 cm", "Disp_Width" : "40.01 cm", "Dimen_Extent" : "Sheet", "Medium" : "Grey wash heightened with white over black chalk on buff paper", "Support" : "", "Disp_Medium" : "Grey wash heightened with white over black chalk on buff paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1347.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1347.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1347.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1347.tif", "IsPrimary" : "1", "_SurrogateID" : "5870", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16044, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16044", "Disp_Access_No" : "2017.1408", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Agnes Holding a Lamb with a Putto (recto and verso)", "Alt_Title" : "", "Obj_Title" : "Saint Agnes Holding a Lamb with a Putto (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Ignaz Unterberger", "Sort_Artist" : "Unterberger, Ignaz", "Disp_Dimen" : "22.86 cm x 34.29 cm (9 in. x 13 1/2 in.)", "Disp_Height" : "22.86 cm", "Disp_Width" : "34.29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and red chalk (recto), and black chalk (verso)", "Support" : "", "Disp_Medium" : "Black and red chalk (recto), and black chalk (verso)", "Info_Page_Comm" : "The two sides of this sheet, a second drawingin the Blanton's collection, and two more drawings in the Albertina, Vienna, are all slightly varying studies for the same composition. While no corresponding project has been identified, this meticulous graphic process is characteristic of the artist. Moreover, the very sweet types and gentle tenor of the subject recall that during a long period in Rome (1770-76), Unterberger specialized in copying Old Masters and in imitating Correggio with particular success. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1408.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1408.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1408.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1408.tif", "IsPrimary" : "1", "_SurrogateID" : "7787", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16061", "Disp_Access_No" : "2017.888", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1704", "_Disp_Start_Dat" : "1699", "_Disp_End_Date" : "1709", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "24 cm x 30.7 cm (9 7/16 in. x 12 1/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening over traces of black chalk on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening over traces of black chalk on beige antique laid paper, laid down", "Info_Page_Comm" : "Balestra was formed in the academic Baroque tradition of Carlo Maratta, but infused this drier, more formulaic style with the richer color, mobile light, and fluid handling of his own native Venetian tradition. In its sound organization but loose elaboration, this drawing suggests his synthesis. In subject, the central motif, and the artist’s development, it is closely related to a painting executed in 1704 for the church of San Zaccaria, Venice. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.888.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.888.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.888.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.888.tif", "IsPrimary" : "1", "_SurrogateID" : "5729", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16063, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16063", "Disp_Access_No" : "2017.1250", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1730s", "_Disp_Start_Dat" : "1725", "_Disp_End_Date" : "1735", "Disp_Title" : "Neptune and Amphitrite", "Alt_Title" : "", "Obj_Title" : "Neptune and Amphitrite", "Series_Title" : "", "Disp_Maker_1" : "Charles-Joseph Natoire", "Sort_Artist" : "Natoire, Charles-Joseph", "Disp_Dimen" : "23.9 cm x 37 cm (9 7/16 in. x 14 9/16 in.)", "Disp_Height" : "23.9 cm", "Disp_Width" : "37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brush and brown wash and white heightening on blue paper", "Support" : "", "Disp_Medium" : "Black chalk with brush and brown wash and white heightening on blue laid paper", "Info_Page_Comm" : "Like Boucher a pupil of François Lemoyne, and later a friendly rival, Natoire developed only modestly beyond his master’s style, inflecting it toward the Italians of the High Baroque, Pietro da Cortona in particular, and evolving a handsome decorative manner. This is one of two highly finished and signed drawings by Natoire in the Collection, both drawn at the beginning of his Roman period and intended for presentation. Despite some oxidation of its heightening, the drawing is extraordinarily well preserved.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1250.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1250.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1250.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1250.tif", "IsPrimary" : "1", "_SurrogateID" : "2630", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16066, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16066", "Disp_Access_No" : "2017.873", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rape of Proserpina", "Alt_Title" : "", "Obj_Title" : "The Rape of Proserpina", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Roman", "Sort_Artist" : "Anonymous, Roman", "Disp_Dimen" : "24.13 cm x 39.37 cm (9 1/2 in. x 15 1/2 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "39.37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk, red chalk framing lines", "Support" : "", "Disp_Medium" : "Red chalk, red chalk framing lines", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.873.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.873.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.873.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.873.tif", "IsPrimary" : "1", "_SurrogateID" : "5871", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16068, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16068", "Disp_Access_No" : "2017.948", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Cupid Riding a Lion", "Alt_Title" : "", "Obj_Title" : "Cupid Riding a Lion", "Series_Title" : "", "Disp_Maker_1" : "Circle of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Circle of Luca", "Disp_Dimen" : "24.13 cm x 22.86 cm (9 1/2 in. x 9 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "This drawing is literal in description and coarse in handling.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.948.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.948.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.948.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.948.tif", "IsPrimary" : "1", "_SurrogateID" : "2906", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16081, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16081", "Disp_Access_No" : "2017.1364", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Venus and Cupid with River Gods", "Alt_Title" : "", "Obj_Title" : "Venus and Cupid with River Gods", "Series_Title" : "", "Disp_Maker_1" : "School of Fontainebleau", "Sort_Artist" : "School of Fontainebleau", "Disp_Dimen" : "25.4 cm x 39.37 cm (10 in. x 15 1/2 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "39.37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash, heightened with white on brown laid paper, laid down", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash, heightened with white on brown laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1364.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1364.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1364.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1364.tif", "IsPrimary" : "1", "_SurrogateID" : "4291", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16088, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16088", "Disp_Access_No" : "2017.1153", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1682-85", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Studies for the Glorification of the Medici Dynasty", "Alt_Title" : "Apotheosis of Flora", "Obj_Title" : "Studies for the Glorification of the Medici Dynasty", "Series_Title" : "", "Disp_Maker_1" : "Luca Giordano", "Sort_Artist" : "Giordano, Luca", "Disp_Dimen" : "25.72 cm x 38.1 cm (10 1/8 in. x 15 in.)", "Disp_Height" : "25.72 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with pen and brown ink and brush and brown wash on blue paper", "Support" : "", "Disp_Medium" : "Black chalk with pen and brown ink and brush and brown wash on blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1153.tif", "IsPrimary" : "1", "_SurrogateID" : "4844", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16095, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16095", "Disp_Access_No" : "2017.1316", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1690-1694", "_Disp_Start_Dat" : "1690", "_Disp_End_Date" : "1694", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "26.2 cm x 38.7 cm (10 5/16 in. x 15 1/4 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "38.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown ink with brown and gray washes and white heightening (partly oxidized) over black chalk on gray-green antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush and brown ink with brown and gray washes and white heightening (partly oxidized) over black chalk on gray-green antique laid paper, laid down", "Info_Page_Comm" : "This drawing represents a culmination of numerous currents in Genoese draftsmanship. Of extremely high finish and inherent attractiveness, it is manifestly an autonomous work in the tradition that began with Luca Cambiaso. In its painterly conception and handling, such a drawing descends more specifically from Giovanni Benedetto Castiglione’s exploration of the boundary between the media. Formally, the composition is an especially fine example of the translation of the habits of monumental decoration—broad distribution of motif, balanced structure of values, steady pulse of rhythm—into the intimate scale and materials of drawing. Although this is one of the best-known Genoese drawings in the Suida-Manning Collection, its attribution has alternated. Most often, because of its repertory relationship to works by Domenico Piola and no doubt its sheer quality, it has been assigned to the elder Piola. The more agitated surface of draperies, the more eccentric drawing in profiles, and the sharper modulation of tone reflect the formative influence of Gregorio de Ferrari. That these tendencies have been disciplined according to academic principle reflects the younger Piola’s long study with Carlo Maratta in Rome and then his collaboration with various sculptors. Purely Genoese, entirely within the seicento, the style of Domenico is different in both appearance and essence. The Blanton contains over 30 works of art by several members of the prolific studio known as Casa Piola. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1316.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1316.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1316.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1316.tif", "IsPrimary" : "1", "_SurrogateID" : "3334", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16104, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16104", "Disp_Access_No" : "2017.1131", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Neptune and Amphitrite (?)", "Alt_Title" : "", "Obj_Title" : "Neptune and Amphitrite (?)", "Series_Title" : "", "Disp_Maker_1" : "Circle of Gaetano Gandolfi", "Sort_Artist" : "Gandolfi, Circle of Gaetano", "Disp_Dimen" : "26.67 cm x 35.56 cm (10 1/2 in. x 14 in.)", "Disp_Height" : "26.67 cm", "Disp_Width" : "35.56 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1131.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1131.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1131.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1131.tif", "IsPrimary" : "1", "_SurrogateID" : "5783", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16106, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16106", "Disp_Access_No" : "2017.1230", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Construction of a Church", "Alt_Title" : "", "Obj_Title" : "The Construction of a Church", "Series_Title" : "", "Disp_Maker_1" : "Paolo de Matteis", "Sort_Artist" : "Matteis, Paolo de", "Disp_Dimen" : "26.67 cm x 42.55 cm (10 1/2 in. x 16 3/4 in.)", "Disp_Height" : "26.67 cm", "Disp_Width" : "42.55 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk; red chalk studies on the verso.", "Support" : "", "Disp_Medium" : "Red chalk; red chalk studies on the verso.", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1230.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1230.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1230.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1230.tif", "IsPrimary" : "1", "_SurrogateID" : "5861", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16124, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16124", "Disp_Access_No" : "2017.845", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "27.94 cm x 24.45 cm (11 in. x 9 5/8 in.)", "Disp_Height" : "27.94 cm", "Disp_Width" : "24.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brown wash heightened with white over black chalk on blue-grey paper", "Support" : "", "Disp_Medium" : "Brown wash heightened with white over black chalk on blue-grey paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.845.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.845.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.845.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.845.tif", "IsPrimary" : "1", "_SurrogateID" : "5733", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16129, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16129", "Disp_Access_No" : "2017.1104", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Personification of Religion with a Putto Flanking the Arms of a Cardinal", "Alt_Title" : "", "Obj_Title" : "Personification of Religion with a Putto Flanking the Arms of a Cardinal", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Jacopo Chimenti, called Empoli", "Sort_Artist" : "Empoli, Attributed to Jacopo Chimenti, called", "Disp_Dimen" : "27.94 cm x 17.78 cm (11 in. x 7 in.)", "Disp_Height" : "27.94 cm", "Disp_Width" : "17.78 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1104.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1104.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1104.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1104.tif", "IsPrimary" : "1", "_SurrogateID" : "4203", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16132", "Disp_Access_No" : "2017.1232", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "The Education of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Education of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Franz Anton Maulbertsch", "Sort_Artist" : "Maulbertsch, Franz Anton", "Disp_Dimen" : "28 cm x 17 cm (11 in. x 6 11/16 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "17 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and gray wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and gray wash over black chalk", "Info_Page_Comm" : "This is a compositional study for an altarpiece in the church of Saint Nicholas, now the cathedral, in Böhmisch Budweis, Germany. The altarpiece, executed in 1770-71, differs considerably in the secondary figures and detail. While the drawing retains the amplitude and the luminosity that are characteristic of Maulbertsch’s mature activity, the calmer order of the composition and the relatively simplified poses of the figures suggest an incipient classicism. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1232.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1232.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1232.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1232.tif", "IsPrimary" : "1", "_SurrogateID" : "5671", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16150", "Disp_Access_No" : "2017.1265", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Dominic Distributing Rosaries", "Alt_Title" : "", "Obj_Title" : "Saint Dominic Distributing Rosaries", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "29 cm x 20.3 cm (11 7/16 in. x 8 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique la", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Info_Page_Comm" : "This is a fine study of Paggi’s maturity, quite automatic but less extravagant in line, with more carefully applied and gradated washes, relative to the style of Cambiaso. Although no corresponding painting has been identified, the auto-graph inscription describes the drawing as preparatory for “an altarpiece in [the patron’s] chapel in Randazzo, Sicily.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1265.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1265.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1265.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1265.tif", "IsPrimary" : "1", "_SurrogateID" : "5701", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16174, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16174", "Disp_Access_No" : "2017.1414", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1690s", "_Disp_Start_Dat" : "1685", "_Disp_End_Date" : "1695", "Disp_Title" : "Mercury with Nymphs and Satyrs", "Alt_Title" : "", "Obj_Title" : "Mercury with Nymphs and Satyrs", "Series_Title" : "", "Disp_Maker_1" : "François Verdier", "Sort_Artist" : "Verdier, François", "Disp_Dimen" : "30.48 cm x 40.96 cm (12 in. x 16 1/8 in.)", "Disp_Height" : "30.48 cm", "Disp_Width" : "40.96 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalk on laid paper, three sheets joined and mounted on laid paper with thin blue border added", "Support" : "", "Disp_Medium" : "Black and white chalk on laid paper, three sheets joined and mounted on laid paper with thin blue border added", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1414.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1414.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1414.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1414.tif", "IsPrimary" : "1", "_SurrogateID" : "4281", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16182, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16182", "Disp_Access_No" : "2017.1312", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Assumption of the Magdalen", "Alt_Title" : "", "Obj_Title" : "Assumption of the Magdalen", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "32.2 cm x 43.9 cm (12 11/16 in. x 17 5/16 in.)", "Disp_Height" : "32.2 cm", "Disp_Width" : "43.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Black chalk on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1312.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1312.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1312.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1312.tif", "IsPrimary" : "1", "_SurrogateID" : "5891", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16185, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16185", "Disp_Access_No" : "2017.886", "_AccNumSort1" : "", "Disp_Create_DT" : "1620s", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "The Madonna and Child in Glory", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child in Glory", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Badaracco", "Sort_Artist" : "Badaracco, Giuseppe", "Disp_Dimen" : "31.75 cm x 36.83 cm (12 1/2 in. x 14 1/2 in.)", "Disp_Height" : "31.75 cm", "Disp_Width" : "36.83 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.886.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.886.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.886.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.886.tif", "IsPrimary" : "1", "_SurrogateID" : "5878", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16189, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16189", "Disp_Access_No" : "2017.1127", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1729", "_Disp_Start_Dat" : "1724", "_Disp_End_Date" : "1734", "Disp_Title" : "A Sibyl", "Alt_Title" : "Saint Martha", "Obj_Title" : "A Sibyl", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Galeotti", "Sort_Artist" : "Galeotti, Sebastiano", "Disp_Dimen" : "32.1 cm x 24.5 cm (12 5/8 in. x 9 5/8 in.)", "Disp_Height" : "32.1 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink with brush and dark and light gray washes on gray-green antique laid paper", "Support" : "", "Disp_Medium" : "Pen and black ink with brush and dark and light gray washes on gray-green antique laid paper", "Info_Page_Comm" : "Trained in Florence and Bologna, Galeotti was a late, exuberant decorator in the High Baroque tradition of Pietro da Cortona. In Genoa, his style represented a more analytical and structured alternative to the indigenous styles of Piola, de Ferrari, and their followers. His first project in the city was the decoration of the nave vault and cupola in Santa Maria Maddalena with scenes from the life of the eponymous saint. This drawing is a preparatory study for the Saint Martha, a sister of the Magdalene, which occupies the cupola’s southwest pendentive. Characteristic of Galeotti’s drawings are its amplitude, exaggerated foreshortening, faceted surface, and layered technique. The Collection includes three other drawings of the same technique, comprising an important nucleus of the artist’s graphic work. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1127.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1127.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1127.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1127.tif", "IsPrimary" : "0", "_SurrogateID" : "2610", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16193, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16193", "Disp_Access_No" : "2017.1118", "_AccNumSort1" : "", "Disp_Create_DT" : "1740s", "_Disp_Start_Dat" : "1740", "_Disp_End_Date" : "1740", "Disp_Title" : "Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "32.3 cm x 20.3 cm (12 11/16 in. x 8 in.)", "Disp_Height" : "32.3 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation issues: needs to be cleaned (FC:jb 4/14/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1118.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1118.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1118.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1118.tif", "IsPrimary" : "1", "_SurrogateID" : "5990", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16197, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16197", "Disp_Access_No" : "2017.1097", "_AccNumSort1" : "", "Disp_Create_DT" : "1707-1715", "_Disp_Start_Dat" : "1707", "_Disp_End_Date" : "1715", "Disp_Title" : "Studies of a Putto and a Nude", "Alt_Title" : "", "Obj_Title" : "Studies of a Putto and a Nude", "Series_Title" : "", "Disp_Maker_1" : "Carlo Donelli (Vimercati)", "Sort_Artist" : "Donelli (Vimercati), Carlo", "Disp_Dimen" : "33.02 cm x 22.86 cm (13 in. x 9 in.)", "Disp_Height" : "33.02 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red and white chalks on brown paper", "Support" : "", "Disp_Medium" : "Red and white chalks on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1097.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1097.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1097.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1097.tif", "IsPrimary" : "1", "_SurrogateID" : "4739", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16210, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16210", "Disp_Access_No" : "2017.1283", "_AccNumSort1" : "", "Disp_Create_DT" : "1717", "_Disp_Start_Dat" : "1717", "_Disp_End_Date" : "1717", "Disp_Title" : "Justice Fulminating the Vices", "Alt_Title" : "", "Obj_Title" : "Justice Fulminating the Vices", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Antonio Pellegrini", "Sort_Artist" : "Pellegrini, Giovanni Antonio", "Disp_Dimen" : "34.6 cm x 32.3 cm (13 5/8 in. x 12 11/16 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "32.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Giovanni Antonio Pellegrini represents eighteenth-century Venetian painting at its most exuberant. He was first trained in Milan with the idiosyncratic Paolo Pagani, but his style depends more on the sensuous and decorative aspects of Sebastiano Ricci. Pellegrini’s drawing is broad and soft, his palette warm and pastel, and his paint handling dense and fluid. Defying gravity, bordering on the caricatural, this painterly virtuosity was a tremendous success across Europe, with the artist called to execute significant fresco cycles and numerous canvases in England, France, and Germany. During a year-long sojourn in Antwerp, Pellegrini carried out three major decorative projects. This painting is an unpublished oil sketch for one of these, a much-admired canvas for the ceiling of the Salle du Petit Collège in the city’s town hall. Appropriate to that setting, it represents the figures of Justice and Prudence crushing two male figures identifiable as Avarice and Deceit. Phosphorescent in color, practically sculpted in paint, this sketch dramatizes the material properties for which Pellegrini was so highly regarded. These properties are conspicuous in the wake of a recent cleaning and relining of the canvas. The Suida-Manning Collection includes two other paintings by Pellegrini: a comparably rich, half-length figure of Bellona from around 1713–1714, and a more summary Venus and Cupid, which may have come from a decorative ensemble. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Frame takes away from object Impressive brushwork Strong contrast between light and dark (FC:jb 4/6/15) Possible medallion hang with two Pellegrinis in middle, with this lower (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1283.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1283.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1283.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1283.tif", "IsPrimary" : "1", "_SurrogateID" : "2634", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16211", "Disp_Access_No" : "2017.954", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Triumph of Amphitrite", "Alt_Title" : "", "Obj_Title" : "The Triumph of Amphitrite", "Series_Title" : "", "Disp_Maker_1" : "Copy after Luca Cambiaso", "Sort_Artist" : "Cambiaso, Copy after Luca", "Disp_Dimen" : "34.61 cm x 25.08 cm (13 5/8 in. x 9 7/8 in.)", "Disp_Height" : "34.61 cm", "Disp_Width" : "25.08 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.954.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.954.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.954.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.954.tif", "IsPrimary" : "1", "_SurrogateID" : "2897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16224, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16224", "Disp_Access_No" : "2017.1149", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Barbara Interceding with the Madonna and Child", "Alt_Title" : "", "Obj_Title" : "Saint Barbara Interceding with the Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Circle of Corrado Giaquinto", "Sort_Artist" : "Giaquinto, Circle of Corrado", "Disp_Dimen" : "35.88 cm x 25.08 cm (14 1/8 in. x 9 7/8 in.)", "Disp_Height" : "35.88 cm", "Disp_Width" : "25.08 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash, heightened with white, on gray paper", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash, heightened with white, on gray paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1149.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1149.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1149.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1149.tif", "IsPrimary" : "1", "_SurrogateID" : "5901", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16228, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16228", "Disp_Access_No" : "2017.1439", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1780s-1790s", "_Disp_Start_Dat" : "1780", "_Disp_End_Date" : "1790", "Disp_Title" : "Madonna and Child in Glory above a City", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory above a City", "Series_Title" : "", "Disp_Maker_1" : "Rafael Ximeno y Planes", "Sort_Artist" : "Ximeno y Planes, Rafael", "Disp_Dimen" : "14.31 cm x 8.31 cm (5 5/8 in. x 3 1/4 in.)", "Disp_Height" : "14.31 cm", "Disp_Width" : "8.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1439.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1439.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1439.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1439.tif", "IsPrimary" : "1", "_SurrogateID" : "5881", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16230, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16230", "Disp_Access_No" : "2017.990", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "San Benedetto in Glory", "Alt_Title" : "Assumption of a Bishop Saint ", "Obj_Title" : "San Benedetto in Glory", "Series_Title" : "", "Disp_Maker_1" : "Francesco Campora", "Sort_Artist" : "Campora, Francesco", "Disp_Dimen" : "36.9 cm x 27.7 cm (14 1/2 in. x 10 7/8 in.)", "Disp_Height" : "36.9 cm", "Disp_Width" : "27.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: Pen and brown ink over black chalk on cream antique laid paper; Verso: A Sketch of a Cornice in Profile, in black chalk", "Support" : "", "Disp_Medium" : "Recto: Pen and brown ink over black chalk on cream antique laid paper; Verso: A Sketch of a Cornice in Profile, in black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.990.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.990.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.990.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.990.tif", "IsPrimary" : "1", "_SurrogateID" : "5879", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16237, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16237", "Disp_Access_No" : "2017.939", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Madonna and Child in Glory with Four Female Saints Interceding and Five Male Saints Below", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory with Four Female Saints Interceding and Five Male Saints Below ", "Series_Title" : "", "Disp_Maker_1" : "Felice Brusasorci", "Sort_Artist" : "Brusasorci, Felice", "Disp_Dimen" : "37.5 cm x 18 cm (14 3/4 in. x 7 1/16 in.)", "Disp_Height" : "37.5 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening", "Info_Page_Comm" : "Brusasorci was the most progressive painter in late-century Verona. His style compounds the lustrous bulk that the school had long drawn from Giulio Romano, the linear sophistication that he gathered from training with Vasari in Florence, and contemporary Venetian elements, especially from Veronese. An advanced study for an altarpiece, this drawing shares basic subject, two-tiered division, and overcast light, as well as physiognomic types, with a series of paintings for some of the major churches of Verona.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.939.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.939.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.939.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.939.tif", "IsPrimary" : "1", "_SurrogateID" : "5858", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16239, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16239", "Disp_Access_No" : "2017.1141", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1680-1685", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1685", "Disp_Title" : "Rinaldo and Armida", "Alt_Title" : "", "Obj_Title" : "Rinaldo and Armida", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Gaulli (Baciccio)", "Sort_Artist" : "Gaulli (Baciccio), Giovanni Battista", "Disp_Dimen" : "38.1 cm x 48.26 cm (15 in. x 19 in.)", "Disp_Height" : "38.1 cm", "Disp_Width" : "48.26 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In a passage from Tarquato Tasso’s late 16th-century epic poem Gerusalemme liberata [Jerusalem Freed], the sorceress Armida puts the Christian hero Rinaldo to sleep in order to kill him, instead falls in love and instructs her nymphs to carry him to her palace. Reflecting the triumph of beauty and romantic love over rational resolve, the passage was a frequent subject of Baroque painting. Here it receives appropriately lyrical and enthralling expression. The style is that of Baciccio’s maturity, with its foreshortenings more pronounced, its rhythms more insistent, its palette even more coordinated than in the adjacent Study for ‘Justice, Peace, and Truth’. Although the scale and the approximate handling indicate that this painting was a preparatory sketch, and the literary subject corresponds to others fully developed by Baciccio, the composition is not known in any other version.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1141.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1141.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1141.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1141.tif", "IsPrimary" : "1", "_SurrogateID" : "2738", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16247, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16247", "Disp_Access_No" : "2017.1429", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bacchus and the Muses", "Alt_Title" : "", "Obj_Title" : "Bacchus and the Muses", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Maarten de Vos", "Sort_Artist" : "Vos, Attributed to Maarten de", "Disp_Dimen" : "38.42 cm x 29.85 cm (15 1/8 in. x 11 3/4 in.)", "Disp_Height" : "38.42 cm", "Disp_Width" : "29.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1429.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1429.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1429.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1429.tif", "IsPrimary" : "1", "_SurrogateID" : "5845", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16252, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16252", "Disp_Access_No" : "2017.1031", "_AccNumSort1" : "", "Disp_Create_DT" : "1657", "_Disp_Start_Dat" : "1657", "_Disp_End_Date" : "1657", "Disp_Title" : "Madonna and Child in Glory with Saints Bartholomew and Anthony Abbot", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory with Saints Bartholomew and Anthony Abbot", "Series_Title" : "", "Disp_Maker_1" : "Giacomo Cavedone", "Sort_Artist" : "Cavedone, Giacomo", "Disp_Dimen" : "39.2 cm x 26.2 cm (15 7/16 in. x 10 5/16 in.)", "Disp_Height" : "39.2 cm", "Disp_Width" : "26.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white oil pigment on brown prepa", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white oil pigment on brown prepa", "Info_Page_Comm" : "This oil sketch has been newly recognized as a study for the altarpiece of 1657 at Bondanello di Castelmaggiore (Bologna), itself first published in 1990. Trained by Lodovico Carracci and then drawn toward Venetian art, Cavedone was a leading painter in Bologna through the 1620s. Following personal misfortunes that began with the plague of 1630, his work slowed and, tradition has it, the interest of his work declined precipitously. The Bondanello altarpiece and now this drawing reveal a style by then out of fashion but all the more admirable in its vigor and dignity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Preparatory study for the figure at the lower right of the fresco of the Purification, over the entrance door in the church of San Luca, Genoa (Jonathan Bober, 6/22/04). ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1031.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1031.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1031.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1031.tif", "IsPrimary" : "1", "_SurrogateID" : "5210", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16262, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16262", "Disp_Access_No" : "2017.1431", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1600", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "The Nativity", "Alt_Title" : "", "Obj_Title" : "The Nativity", "Series_Title" : "", "Disp_Maker_1" : "Maarten de Vos", "Sort_Artist" : "Vos, Maarten de", "Disp_Dimen" : "39.4 cm x 31.7 cm (15 1/2 in. x 12 1/2 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "31.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black...", "Info_Page_Comm" : "Vos was the leading history painter in Antwerp in the late 16th century. In his work the increasingly dry conventions of the school’s Mannerist painters were transformed by the dynamic compositions and saturated color that he had gathered from his early training in Italy, and especially from the Venetians. With their clear narration and incipient naturalism, his altarpieces dominated artistic production for the Counter-Reformation in the South Netherlands. This draw-ing is closely related to a late altarpiece in Antwerp’s Koninklijk Museum, although its variations in the background, cautious finish, and monogram suggest less a preparatory study than a model for an alternative project or possibly an engraving.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1431.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1431.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1431.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1431.tif", "IsPrimary" : "1", "_SurrogateID" : "5846", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16265, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16265", "Disp_Access_No" : "2017.1255", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1624-30", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Presentation in the Temple", "Alt_Title" : "", "Obj_Title" : "Presentation in the Temple", "Series_Title" : "", "Disp_Maker_1" : "Pietro Novelli, called Monrealese", "Sort_Artist" : "Novelli, called Monrealese, Pietro", "Disp_Dimen" : "39.6 cm x 28 cm (15 9/16 in. x 11 in.)", "Disp_Height" : "39.6 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Info_Page_Comm" : "Once believed an early and rare pen study by Bernardo Strozzi, this drawing has since been recognized as the work of Monrealese, the most distinguished native artist in early 17th-century Sicily. Characteristic of his few drawings are the compression of space into curvilinear pattern, dissolve of form into shimmering atmosphere, and the constant embroidery of contour. The shapes of the principal figures and the variegation of light across them assume the example of Van Dyck, whose Madonna of the Rosary arrived in Palermo in 1624, while there is no hint of the greater naturalism that would follow trips to Naples and Rome in 1630-33. The iconography too must be correctly identified: always thought curi-ous and described generically as a Vision of the Trinity, it in fact a strict rendering of the Presentation (Luke 2:25) -- the Child standing upon the altar, the priest Simeon (not Joseph) inspired by the Holy Spirit to recognize His divinity -- but according to the archaic Byzantine conventions that still swayed the Sicilian imagination. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1255.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1255.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1255.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1255.tif", "IsPrimary" : "1", "_SurrogateID" : "4881", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16267, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16267", "Disp_Access_No" : "2017.1359", "_AccNumSort1" : "", "Disp_Create_DT" : "1766", "_Disp_Start_Dat" : "1766", "_Disp_End_Date" : "1766", "Disp_Title" : "The Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Caspar Franz Sambach", "Sort_Artist" : "Sambach, Caspar Franz", "Disp_Dimen" : "39.6 cm x 22.5 cm (15 9/16 in. x 8 7/8 in.)", "Disp_Height" : "39.6 cm", "Disp_Width" : "22.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink with brush and gray wash on cream paper", "Support" : "", "Disp_Medium" : "Pen and black ink with brush and gray wash on cream antique laid paper", "Info_Page_Comm" : "Pupil of Troger and later director of the Vienna academy, Sambach worked throughout Austria, Hungary and Moravia. In 1757 he received payment for an altarpiece of the Assumption of the Virgin for the Church of the Virgin in Buda, Hungary. Given its fully developed composition and careful finish, this drawing may have been a model submitted to a patron or, considering its autograph date, a record for the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1359.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1359.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1359.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1359.tif", "IsPrimary" : "1", "_SurrogateID" : "5853", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16278, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16278", "Disp_Access_No" : "2017.1451", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1760s", "_Disp_Start_Dat" : "1755", "_Disp_End_Date" : "1765", "Disp_Title" : "Apollo, Mercury, and the Arts", "Alt_Title" : "", "Obj_Title" : "Apollo, Mercury, and the Arts", "Series_Title" : "", "Disp_Maker_1" : "Francesco Zugno", "Sort_Artist" : "Zugno, Francesco", "Disp_Dimen" : "41.2 cm x 28.8 cm (16 1/4 in. x 11 5/16 in.)", "Disp_Height" : "41.2 cm", "Disp_Width" : "28.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique...", "Info_Page_Comm" : "A follower and frequent collaborator of Giovanni Battista Tiepolo, Zugno was active across the Veneto in a style distinguished from that of his mentor by slacker design, a sweet palette, and a precious touch. Also responsive to pro-gressive French painting, this style can be seen in the Collection’s Young Noble Couple Playing Cards. From its subject, format, and foreshortening, it is clear that this drawing prepared the design of a ceiling decoration. The attenuated rhythms of the composition, the rounding contours of its figures, their scalloped modeling, and the generally refined handling are at once gentle deductions from Tiepolo’s pen-and-wash manner of the 1740s and precise equivalents of Zugno’s own habits in painting. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1451.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1451.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1451.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1451.tif", "IsPrimary" : "1", "_SurrogateID" : "5907", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16282, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16282", "Disp_Access_No" : "2017.1085", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Michael", "Alt_Title" : "", "Obj_Title" : "Saint Michael", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo De Ferrari", "Sort_Artist" : "De Ferrari, Lorenzo", "Disp_Dimen" : "41.28 cm x 27.31 cm (16 1/4 in. x 10 3/4 in.)", "Disp_Height" : "41.28 cm", "Disp_Width" : "27.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and gray ink", "Support" : "", "Disp_Medium" : "Black chalk, pen and gray ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1085.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1085.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1085.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1085.tif", "IsPrimary" : "1", "_SurrogateID" : "5893", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16294, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16294", "Disp_Access_No" : "2017.1211", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Jacopo Ligozzi", "Sort_Artist" : "Ligozzi, Attributed to Jacopo", "Disp_Dimen" : "42.55 cm x 29.85 cm (16 3/4 in. x 11 3/4 in.)", "Disp_Height" : "42.55 cm", "Disp_Width" : "29.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, heightened with white", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, heightened with white", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1211.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1211.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1211.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1211.tif", "IsPrimary" : "1", "_SurrogateID" : "5850", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16304, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16304", "Disp_Access_No" : "2017.1318", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Martyrdom of Saint Bartholomew", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Bartholomew", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Pittoni", "Sort_Artist" : "Pittoni, Giovanni Battista", "Disp_Dimen" : "43.18 cm x 26.67 cm (17 in. x 10 1/2 in.)", "Disp_Height" : "43.18 cm", "Disp_Width" : "26.67 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1318.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1318.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1318.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1318.tif", "IsPrimary" : "1", "_SurrogateID" : "5991", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16316, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16316", "Disp_Access_No" : "2017.901", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1680", "_Disp_Start_Dat" : "1675", "_Disp_End_Date" : "1685", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Beinaschi", "Sort_Artist" : "Beinaschi, Giovanni Battista", "Disp_Dimen" : "46.6 cm x 35.6 cm (18 3/8 in. x 14 in.)", "Disp_Height" : "46.6 cm", "Disp_Width" : "35.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conservation, condition issues: needs to be cleaned 2+ if cleaned. (FC:jb 4/14/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.901.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.901.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.901.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.901.tif", "IsPrimary" : "1", "_SurrogateID" : "3430", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16328, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16328", "Disp_Access_No" : "2017.1087", "_AccNumSort1" : "", "Disp_Create_DT" : "1690s", "_Disp_Start_Dat" : "1690", "_Disp_End_Date" : "1690", "Disp_Title" : "Triumph of Hercules", "Alt_Title" : "Hercules Crowned by Victory ", "Obj_Title" : "Triumph of Hercules", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo De Ferrari", "Sort_Artist" : "De Ferrari, Lorenzo", "Disp_Dimen" : "48.2 cm x 36.3 cm (19 in. x 14 5/16 in.)", "Disp_Height" : "48.2 cm", "Disp_Width" : "36.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash with white heightening over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash with white heightening over black chalk on cream antique laid paper", "Info_Page_Comm" : "Son and pupil of Gregorio de Ferrari, Lorenzo carried on his father’s extravagant decorative manner while imposing a more conventional, academic order first gathered from the Bolognese active in Genoa, then reinforced by the classical Baroque tradition he experienced on a trip to Rome. This grand study for an illusionistic ceiling fresco epitomizes this style at an early stage, with its composition dependent upon one realized by Gregorio for the Palazzo Balbi-Senarega in the mid 1680s, but its construction more regular, forms more conventional, and handling more restrained. Despite its scale and elaborateness, the drawing is not connected with any known work by Lorenzo.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1087.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1087.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1087.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1087.tif", "IsPrimary" : "1", "_SurrogateID" : "2678", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16337, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16337", "Disp_Access_No" : "2017.1150", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1750-52", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Madonna and Child with Dominican Saints", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Dominican Saints", "Series_Title" : "", "Disp_Maker_1" : "Follower of Corrado Giaquinto", "Sort_Artist" : "Giaquinto, Follower of Corrado", "Disp_Dimen" : "49.53 cm x 38.1 cm (19 1/2 in. x 15 in.)", "Disp_Height" : "49.53 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Looks like 20th C. copy (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1150.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1150.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1150.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1150.tif", "IsPrimary" : "1", "_SurrogateID" : "2745", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16338, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16338", "Disp_Access_No" : "2017.1154", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1693-94", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Presentation in the Temple", "Alt_Title" : "", "Obj_Title" : "Presentation in the Temple", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Giordano", "Sort_Artist" : "Giordano, Workshop of Luca", "Disp_Dimen" : "99 cm x 74.9 cm (39 in. x 29 1/2 in.)", "Disp_Height" : "99 cm", "Disp_Width" : "74.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1154.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1154.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1154.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1154.tif", "IsPrimary" : "1", "_SurrogateID" : "4847", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16352, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16352", "Disp_Access_No" : "2017.1409", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1730s", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1730", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Domenico Antonio Vaccaro", "Sort_Artist" : "Vaccaro, Domenico Antonio", "Disp_Dimen" : "52.1 cm x 41.5 cm (20 1/2 in. x 16 5/16 in.)", "Disp_Height" : "52.1 cm", "Disp_Width" : "41.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The current date of the painting (after circa 1720) is credited to Nicola Spinosa, director of the Museo Nazionale di Capodimonte in Naples, through correspondence with Jonathan Bober 2 April 2009. Should be in play at the lower level. Falling out of its frame, not a good fit. Conservation issues, condition issues: needs to be cleaned, especially the putti and cloud (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1409.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1409.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1409.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1409.tif", "IsPrimary" : "1", "_SurrogateID" : "2665", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16354, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16354", "Disp_Access_No" : "2017.1192", "_AccNumSort1" : "", "Disp_Create_DT" : "1773", "_Disp_Start_Dat" : "1773", "_Disp_End_Date" : "1773", "Disp_Title" : "The Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Martin Johann Schmidt, called Kremser-Schmidt", "Sort_Artist" : "Kremser-Schmidt, Martin Johann Schmidt, called", "Disp_Dimen" : "52.3 cm x 31.8 cm (20 9/16 in. x 12 1/2 in.)", "Disp_Height" : "52.3 cm", "Disp_Width" : "31.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This is an oil sketch for a major commission, the high altarpiece in the Mehlkerhof Chapel in Vienna", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "German", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Could be a sketch for an altarpiece in Vienna. Could go in a Northern gallery (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1192.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1192.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1192.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1192.tif", "IsPrimary" : "1", "_SurrogateID" : "2747", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16363, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16363", "Disp_Access_No" : "2017.1321", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "The Immaculate Conception", "Alt_Title" : "", "Obj_Title" : "The Immaculate Conception", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco Polazzo", "Sort_Artist" : "Polazzo, Attributed to Francesco", "Disp_Dimen" : "56.52 cm x 34.29 cm (22 1/4 in. x 13 1/2 in.)", "Disp_Height" : "56.52 cm", "Disp_Width" : "34.29 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation issues: needs cleaning. 2+ when cleaned (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1321.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1321.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1321.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1321.tif", "IsPrimary" : "1", "_SurrogateID" : "10570", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16370, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16370", "Disp_Access_No" : "2017.1205", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1671", "_Disp_Start_Dat" : "1666", "_Disp_End_Date" : "1676", "Disp_Title" : "Venus and Adonis", "Alt_Title" : "Cupid Shooting Arrows at Lovers; Diana and Actaeon?", "Obj_Title" : "Venus and Adonis", "Series_Title" : "", "Disp_Maker_1" : "Filippo Lauri", "Sort_Artist" : "Lauri, Filippo", "Disp_Dimen" : "59 cm x 71.2 cm (23 1/4 in. x 28 1/16 in.)", "Disp_Height" : "59 cm", "Disp_Width" : "71.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ovid’s "Metamorphoses" tells the tragic love story of Venus and Adonis. The goddess was so enamored of the handsome hunter that she even dressed herself like a huntress and wandered in the woods with him. But their love affair came to an abrupt end, when a boar killed Adonis. He had disregarded Venus’ warning about ferocious animals. Mourning her lover’s death, the goddess turned his blood into the anemone flower. Filippo Lauri enhances the drama of the moment when Venus falls in love with Adonis. Cupid’s arrow inflames her with passion for Adonis, who is lying under a myrtle tree. (The tree evokes his birth from the myrtle into which his mother Myrrha transformed.) His spear and hunting dogs prefigure the confrontation with the boar, and his reclining pose foreshadows his death. In the background is the swan-drawn chariot that Venus would drive to rush back to the dying youth. By combining these visual clues from different parts of the narrative, the artist reminds the viewer of the entire story.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with Lauri''s Mercury Transforming... (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1205.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1205.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1205.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1205.tif", "IsPrimary" : "1", "_SurrogateID" : "2749", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16371, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16371", "Disp_Access_No" : "2017.1041", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Presentation of the Virgin", "Alt_Title" : "", "Obj_Title" : "Presentation of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Chapron", "Sort_Artist" : "Chapron, Nicolas", "Disp_Dimen" : "59.9 cm x 38.1 cm (23 9/16 in. x 15 in.)", "Disp_Height" : "59.9 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs major conservation. Could be 2+ with conservation. (FC:jb 4/24/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1041.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1041.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1041.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1041.tif", "IsPrimary" : "1", "_SurrogateID" : "4504", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16385, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16385", "Disp_Access_No" : "2017.1073", "_AccNumSort1" : "", "Disp_Create_DT" : "1700s", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1700", "Disp_Title" : "Saint Michael with Other Saints", "Alt_Title" : "", "Obj_Title" : "Saint Michael with Other Saints", "Series_Title" : "", "Disp_Maker_1" : "Andrea D'Aste", "Sort_Artist" : "D'Aste, Andrea", "Disp_Dimen" : "63.4 cm x 49.6 cm (24 15/16 in. x 19 1/2 in.)", "Disp_Height" : "63.4 cm", "Disp_Width" : "49.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1073.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1073.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1073.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1073.tif", "IsPrimary" : "1", "_SurrogateID" : "4839", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16390, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16390", "Disp_Access_No" : "2017.1201", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1632-1634", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1634", "Disp_Title" : "Sleeping Venus with Two Putti in a Landscape", "Alt_Title" : "", "Obj_Title" : "Sleeping Venus with Two Putti in a Landscape", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Lanfranco", "Sort_Artist" : "Lanfranco, Giovanni", "Disp_Dimen" : "66.68 cm x 100.33 cm (26 1/4 in. x 39 1/2 in.)", "Disp_Height" : "66.68 cm", "Disp_Width" : "100.33 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1201.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1201.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1201.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1201.tif", "IsPrimary" : "1", "_SurrogateID" : "2623", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16400, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16400", "Disp_Access_No" : "2017.1305", "_AccNumSort1" : "", "Disp_Create_DT" : "1680s", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1680", "Disp_Title" : "An Allegory with Figures in a Garden Setting", "Alt_Title" : "", "Obj_Title" : "An Allegory with Figures in a Garden Setting", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "71.76 cm x 93.98 cm (28 1/4 in. x 37 in.)", "Disp_Height" : "71.76 cm", "Disp_Width" : "93.98 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Piola was, with his pupil Gregorio De Ferrari, the leading painter in Genoa during the second half of the seventeenth century. With the catalyst of Pietro da Cortona’s High Baroque cycles, in a manner so fluent as to seem automatic, Piola managed to generalize the lessons of Rubens and Van Dyck’s dynamic naturalism and translate them into the grand scale decoration of the native Genoese tradition. Few palaces in Genoa and scarcely a church in Liguria lack a work with the undulating rhythms, variegated modelling, and softly modulated light that are his trademarks. Piola’s works may not be the most resolute in structure or deep in characterization, but they convey a ease, even a joy, that are estimable and historically significant. Here, a beautiful young woman is interrupted by an aged, winged male who holds an hourglass and scythe in one hand and presents a flower with the other. The subject is related in basic elements and composition to a common Baroque allegory, Time revealing Truth. In fact, the explicit vanity of plaiting hair, the implicit one of a mirror, the futile gesture of the little boy, and the flower shift the meaning to the short duration, the precariousness, of physical beauty. In its suave rhythms and decorative amplitude, the painting exemplifies Piola’s mature style. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Medallion, possibly with other garden pictures (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1305.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1305.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1305.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1305.tif", "IsPrimary" : "1", "_SurrogateID" : "2638", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16401, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16401", "Disp_Access_No" : "2017.1452", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Martyrdom of Saint George", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint George", "Series_Title" : "", "Disp_Maker_1" : "Francesco Zugno", "Sort_Artist" : "Zugno, Francesco", "Disp_Dimen" : "71.76 cm x 38.74 cm (28 1/4 in. x 15 1/4 in.)", "Disp_Height" : "71.76 cm", "Disp_Width" : "38.74 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Cannot make out what is happening at top left, appears very sketchy. Needs conservation (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1452.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1452.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1452.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1452.tif", "IsPrimary" : "1", "_SurrogateID" : "5993", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16407, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16407", "Disp_Access_No" : "2017.1068", "_AccNumSort1" : "", "Disp_Create_DT" : "1710s", "_Disp_Start_Dat" : "1710", "_Disp_End_Date" : "1710", "Disp_Title" : "The Education of Achilles ", "Alt_Title" : "", "Obj_Title" : "The Education of Achilles", "Series_Title" : "", "Disp_Maker_1" : "Donato Creti", "Sort_Artist" : "Creti, Donato", "Disp_Dimen" : "72.5 cm x 59.8 cm (28 9/16 in. x 23 9/16 in.)", "Disp_Height" : "72.5 cm", "Disp_Width" : "59.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Chiron, a mythological being that is half-human, half-horse, or a centaur, taught the art of medicine, hunting, and music to the young Achilles, who would later become the greatest Greek warrior of the Trojan War. In this painting, they are practicing bow hunting. Chiron’s strict but loving mentoring served as a model for tutoring noblemen in ancient Rome and became a popular subject representing humanist education during the fifteenth through the eighteenth centuries in Europe. Active in Bologna, Donato Creti specialized in paintings of classical and mythological themes that feature idealized figures. This particular work is one of several Creti depicted of the education of Achilles. The most famous is still in Bologna: it is set within a more expansive landscape and depicts a lion as their prey.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Would pair well with Lauri and Mulier (FC:jb 4/2/15) Condition issues (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1068.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1068.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1068.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1068.tif", "IsPrimary" : "1", "_SurrogateID" : "2598", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16434, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16434", "Disp_Access_No" : "2017.1036", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1541", "_Disp_Start_Dat" : "1536", "_Disp_End_Date" : "1546", "Disp_Title" : "The Coronation of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Coronation of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista della Cerva", "Sort_Artist" : "Cerva, Giovanni Battista della", "Disp_Dimen" : "87 cm x 71.5 cm (34 1/4 in. x 28 1/8 in.)", "Disp_Height" : "87 cm", "Disp_Width" : "71.5 cm", "Dimen_Extent" : "panel", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Jesus crowns her mother Mary as God the Father gazes down from above and the Holy Spirit descends in the form of a dove. Playful cherubim in the wreath of cloud add to the jubilant mood. This theme represents the final episode in the life of Mary, when, according to the tradition of the Catholic Church, she was brought to heaven after death and crowned as Queen of Heaven. In order to set the scene for the celestial event, Giovanni Battista della Cerva creates an abstract space relying on colors associated with heaven (blue) and eternity (gold). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Lost in corner, needs more of a relationship with objects around it (FC:jb 4/2/15) Ranking adjusted (FC:jp 5/26/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1036.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1036.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1036.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1036.tif", "IsPrimary" : "1", "_SurrogateID" : "2740", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16438, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16438", "Disp_Access_No" : "2017.919", "_AccNumSort1" : "", "Disp_Create_DT" : "1620s", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Danaë", "Alt_Title" : "", "Obj_Title" : "Danaë", "Series_Title" : "", "Disp_Maker_1" : "Jacques Blanchard", "Sort_Artist" : "Blanchard, Jacques", "Disp_Dimen" : "93.4 cm x 128.4 cm (36 3/4 in. x 50 9/16 in.)", "Disp_Height" : "93.4 cm", "Disp_Width" : "128.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation. Candidate for medallion hang. Louis Waldman: better than other Blanchard. (FC:jb 4/23/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.919.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.919.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.919.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.919.tif", "IsPrimary" : "1", "_SurrogateID" : "2669", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.919-pre.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.919-pre.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.919-pre.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.919-pre.tif", "IsPrimary" : "0", "_SurrogateID" : "10339", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16450, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16450", "Disp_Access_No" : "2017.1417", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s (?)", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Three Cherubim", "Alt_Title" : "", "Obj_Title" : "Three Cherubim", "Series_Title" : "", "Disp_Maker_1" : "Paolo Veronese", "Sort_Artist" : "Veronese, Paolo", "Disp_Dimen" : "105.41 cm x 81.92 cm (41 1/2 in. x 32 1/4 in.)", "Disp_Height" : "105.41 cm", "Disp_Width" : "81.92 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting is a fragment from a much larger composition. Cherubim along with seraphim form the highest order of angels in the Christian celestial hierarchy. In Byzantine and medieval art they were represented as heads surrounded by six wings. Varied and humanized in the Renaissance, they evolved into the sweet-faced, two-winged creatures seen here, and further into the baby angels, or putti, that populate many paintings. Veronese used groups of cherubim, first in the background of the upper reaches of altarpieces, then more prominently at the boundary between heavenly and earthly zones in various religious works. The group just above Saint Michael in the Petrobelli Altarpiece is typical. Judging by the size of these heads, the heavy weave of canvas, and the broad handling of paint, this fragment must come from a comparably large work, probably an altarpiece. While the type and function of these cherubim are evident, their realization is problematic. The arrangement of the three heads seems awkward, with their foreshortening uncoordinated and the upper two badly crowded. The individual heads lack volume, tending to flatten into simple shapes with no connection to their wings. Even allowing for condition––moderate abrasion and scattered paint losses throughout––the brushwork seems coarse, the accents in heavy pigment––the curls of the cherub on the right––superficial, and the surface inert. The habits are those of Veronese, but the hand shows little understanding of structure or sensitivity. Whatever the source of this fragment, an assistant was responsible for its execution. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "Three Cherubim", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition, conservation issues: needs to be cleaned. Whites are yellow. 2+ with cleaning. Could go in medallion hang. (FC:jb 4/14/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1417.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1417.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1417.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1417.tif", "IsPrimary" : "1", "_SurrogateID" : "2762", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16452, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16452", "Disp_Access_No" : "2017.890", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1703-1704", "_Disp_Start_Dat" : "1703", "_Disp_End_Date" : "1704", "Disp_Title" : "Madonna and Child with Saint Anne Appearing to Pope Paul V", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saint Anne Appearing to Pope Paul V", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "109.22 cm x 102.24 cm (43 in. x 40 1/4 in.)", "Disp_Height" : "109.22 cm", "Disp_Width" : "102.24 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting is a capital example of Balestra’s style in its first moments of full synthesis. The diagonal armature and regular construction of its compositions are clichés of late-century Roman altarpieces, and passages like the figure of Pope Paul are so controlled that they suggest an actually Roman hand. But the complication of certain tones and the personality of other passages, like the figure of Saint Zeno, betray Venetian authorship. Featuring Zeno, the patron saint of Verona, and Paul V, the early 17th-century pope who asserted eccelesiastical authority against a defiant Venice, this picture along with its pair was surely conceived as a pendant for an orthodox setting, perhaps a cleric’s private residence, in Balestra’s native city.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation issues: needs to be cleaned. Pair with 25.1999. Medallion hang or on either side of a door. (FC:jb 4/14/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.890.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.890.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.890.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.890.tif", "IsPrimary" : "1", "_SurrogateID" : "2604", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16453, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16453", "Disp_Access_No" : "2017.891", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1703-1704", "_Disp_Start_Dat" : "1703", "_Disp_End_Date" : "1704", "Disp_Title" : "Saint Zeno Healing a Possessed Woman", "Alt_Title" : "", "Obj_Title" : "Saint Zeno Healing a Possessed Woman", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "109.22 cm x 102.24 cm (43 in. x 40 1/4 in.)", "Disp_Height" : "109.22 cm", "Disp_Width" : "102.24 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting is a capital example of Balestra’s style in its first moments of full synthesis. The diagonal armature and regular construction of its compositions are clichés of late-century Roman altarpieces, and passages like the figure of Pope Paul are so controlled that they suggest an actually Roman hand. But the complication of certain tones and the personality of other passages, like the figure of Saint Zeno, betray Venetian authorship. Featuring Zeno, the patron saint of Verona, and Paul V, the early 17th-century pope who asserted eccelesiastical authority against a defiant Venice, this picture along with its pair was surely conceived as a pendant for an orthodox setting, perhaps a cleric’s private residence, in Balestra’s native city.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation issues: needs to be cleaned. Pair with 24.1999. Medallion hang or on either side of a door (FC:jb 4/14/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.891.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.891.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.891.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.891.tif", "IsPrimary" : "1", "_SurrogateID" : "2606", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16462, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16462", "Disp_Access_No" : "2017.1339", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1712-1716", "_Disp_Start_Dat" : "1712", "_Disp_End_Date" : "1716", "Disp_Title" : "Flora", "Alt_Title" : "", "Obj_Title" : "Flora", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Ricci", "Sort_Artist" : "Ricci, Sebastiano", "Disp_Dimen" : "125.3 cm x 153.7 cm (49 5/16 in. x 60 1/2 in.)", "Disp_Height" : "125.3 cm", "Disp_Width" : "153.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Flora was the goddess of flowers who had previously been a nymph by the name of Chloris, known for her sensuous beauty. Ovid’s "Fasti" (8 CE) describes how she was seduced by Zephyrus, the Greek god of the west wind and harbinger of spring, and became his wife. This work captures the moment just before their encounter. Unnoticed by Flora, Zephyrus approaches her from behind, pointing at his future wife and cautioning silence to another putto. At the right, an urn spills over with flowers that celebrate their namesake, Flora. The pose of the goddess makes reference to that of the Crouching Venus, a Hellenistic sculpture type that was repeated in ancient Roman statuary and in Renaissance prints. In addition to the classical theme and composition, Sebastiano Ricci makes full use of the rich colors and free brushwork typical of Venetian painting to render the lush beauty of blossoms and youthful figures. Ricci likely painted this work for a private patron when he was active in London and Paris.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, with support from The Cain Foundation in memory of Effie Marie Cain, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Saved by incredible floral display and size Size and flowers charming; subject matter problematic (particularly the flowers, see Douglas''s research) Condition issues because you can see the ghost of the figure, muddy cloud at top, possibly cut at the top If we do a medallion hang in corner gallery, visitor should see this from much higher up, consider as the centerpiece of medallion (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1339.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1339.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1339.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1339.tif", "IsPrimary" : "1", "_SurrogateID" : "2645", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16465, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16465", "Disp_Access_No" : "2017.1384", "_AccNumSort1" : "", "Disp_Create_DT" : "1630s", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1630", "Disp_Title" : "The Assumption of Mary Magdalene", "Alt_Title" : "", "Obj_Title" : "The Assumption of Mary Magdalene", "Series_Title" : "", "Disp_Maker_1" : "Riccardo Taurini", "Sort_Artist" : "Taurini, Riccardo", "Disp_Dimen" : "127.7 cm x 105.3 cm (50 1/4 in. x 41 7/16 in.)", "Disp_Height" : "127.7 cm", "Disp_Width" : "105.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "According to "The Golden Legend," Mary Magdalene spent her last thirty years as a hermit in a cave in Sainte-Baume, a mountain ridge in southern France. Seven times a day angels carried her aloft to heaven, where she glimpsed her coming reward. The representation of this ecstatic scene emerged during the Counter-Reformation and became common in Baroque art as a way to encourage the veneration of saints in the Catholic Church. The pronounced foreshortening of the saint’s left foot and the angel figures indicates the painting was originally placed high above the viewer’s eye level, probably over an altar.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up (FC:jb 4/2/15) Condition / conservation issues (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1384.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1384.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1384.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1384.tif", "IsPrimary" : "1", "_SurrogateID" : "2735", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16467, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16467", "Disp_Access_No" : "2017.1434", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1626", "_Disp_Start_Dat" : "1621", "_Disp_End_Date" : "1631", "Disp_Title" : "Saint Cecilia", "Alt_Title" : "", "Obj_Title" : "Saint Cecilia", "Series_Title" : "", "Disp_Maker_1" : "Simon Vouet", "Sort_Artist" : "Vouet, Simon", "Disp_Dimen" : "134.1 cm x 98.2 cm (52 13/16 in. x 38 11/16 in.)", "Disp_Height" : "134.1 cm", "Disp_Width" : "98.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Cecilia, the patron saint of music and musicians, sits in front of a small organ. Clothed in a lush silk dress and a brocaded mantle, she gracefully turns to the two cherubs that appear to her. Soft golden light bathes the figure and the background, infusing the scene with heavenly atmosphere. Cecilia was a Christian martyr who lived in third-century Rome. She took a vow of virginity, and on her wedding night, she converted her groom Valerian, who in turn guided his brother Tiburtius to the Christian faith. Their beliefs were soon discovered by the authorities, which led to their martyrdom. Cecilia has been represented with a musical instrument since the fourteenth century, although her connection to music is tenuous at best. According to "The Golden Legend," the saint heard celestial music when she was praying to God to preserve her virginity. She sang, “Let my heart and my body be undefiled, O Lord, that I may not be confounded.” Depictions of female saints in rapture were popular in Rome in the 1620s. It is possible that Simon Vouet used his wife, the painter Virginia da Vezzo, as the model for the saint figure. They married in Rome in 1626, just before they left for France to serve King Louis XIII.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1434.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1434.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1434.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1434.tif", "IsPrimary" : "1", "_SurrogateID" : "2672", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16472, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16472", "Disp_Access_No" : "2017.1071", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Aurora", "Alt_Title" : "", "Obj_Title" : "Aurora", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Battista Crosato", "Sort_Artist" : "Crosato, Attributed to Giovanni Battista", "Disp_Dimen" : "27.1 cm x 36.4 cm (10 11/16 in. x 14 5/16 in.)", "Disp_Height" : "27.1 cm", "Disp_Width" : "36.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Not good enough to be in Venetian group (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1071.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1071.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1071.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1071.tif", "IsPrimary" : "1", "_SurrogateID" : "2599", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16483, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16483", "Disp_Access_No" : "2017.1374", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1700", "_Disp_Start_Dat" : "1695", "_Disp_End_Date" : "1705", "Disp_Title" : "Tending the Wound of Geoffrey of Boullion", "Alt_Title" : "", "Obj_Title" : "Tending the Wound of Geoffrey of Boullion", "Series_Title" : "", "Disp_Maker_1" : "Francesco Solimena", "Sort_Artist" : "Solimena, Francesco", "Disp_Dimen" : "44.5 cm x 55 cm (17 1/2 in. x 21 5/8 in.)", "Disp_Height" : "44.5 cm", "Disp_Width" : "55 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conservation issues, condition issues: needs to be cleaned (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1374.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1374.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1374.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1374.tif", "IsPrimary" : "1", "_SurrogateID" : "2760", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16497, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16497", "Disp_Access_No" : "2017.965", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1568", "_Disp_Start_Dat" : "1563", "_Disp_End_Date" : "1573", "Disp_Title" : "God the Father and Putti", "Alt_Title" : "", "Obj_Title" : "God the Father and Putti", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "23.1 cm x 33.8 cm (9 1/8 in. x 13 5/16 in.)", "Disp_Height" : "23.1 cm", "Disp_Width" : "33.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on cream paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on cream paper, laid down", "Info_Page_Comm" : "Related motifs of God-the-Father amidst putti appear in the upper reaches of several altarpieces executed during the 1560s. The indication of the line of a po-lygonal cornice, however, indicates that this drawing was an early idea for architectural decoration, probably the vault fresco in the Zoagli Chapel in the church of Santissima Annunziata di Portoria. Possibly early Paggi (Jonathan Bober 5/13/11)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.965.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.965.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.965.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.965.tif", "IsPrimary" : "1", "_SurrogateID" : "2872", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16501, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16501", "Disp_Access_No" : "2017.1079", "_AccNumSort1" : "", "Disp_Create_DT" : "1700s", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1700", "Disp_Title" : "Martyrdom of Saint Stephen", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Stephen ", "Series_Title" : "", "Disp_Maker_1" : "Gregorio De Ferrari", "Sort_Artist" : "De Ferrari, Gregorio", "Disp_Dimen" : "40.2 cm x 26 cm (15 13/16 in. x 10 1/4 in.)", "Disp_Height" : "40.2 cm", "Disp_Width" : "26 cm", "Dimen_Extent" : "", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk and graphite on cream anitque laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk and graphite on cream anitque laid paper, laid down", "Info_Page_Comm" : "Descended from the lyrical, subjectively inclined Genoese of mid-century, and deeply informed by the study of Correggio, Gregorio’s compositions twist in ceaseless gyres, his figures deform in ecstatic response, and his color goes iridescent before dissolving into a white light. This drawing represents a step in the preparation of the composition and then the architectural setting of an altarpiece. While neither this work nor its commission has been identified, its importance can be gathered from the care of this study, and its possibly French destination from the crest of the Rochelle family at the top of a second study. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1079.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1079.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1079.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1079.tif", "IsPrimary" : "1", "_SurrogateID" : "5862", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16525, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16525", "Disp_Access_No" : "2017.1346", "_AccNumSort1" : "", "Disp_Create_DT" : "1689-1706", "_Disp_Start_Dat" : "1689", "_Disp_End_Date" : "1706", "Disp_Title" : "Education of the Virgin", "Alt_Title" : "", "Obj_Title" : "Education of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Luisa Roldán", "Sort_Artist" : "Roldán, Luisa", "Disp_Dimen" : "43 x 45 x 36 cm (16 15/16 x 17 11/16 x 14 3/16 in.)", "Disp_Height" : "43 cm", "Disp_Width" : "45 cm", "Dimen_Extent" : "", "Medium" : "Polychrome terracotta", "Support" : "", "Disp_Medium" : "Polychrome terracotta", "Info_Page_Comm" : "The earliest documented female sculptor in Spain, Luisa Roldán (1652-1706) created sculptures for the king and queen among many other important Spanish patrons. In The Education of the Virgin, she captured a tender, everyday moment between the young Virgin Mary (future mother of Jesus Christ) and her parents, saints Anne and Joachim. Standing at Anne’s feet, Mary peers over her mother’s lap as they practice reading a religious text together. Joachim leans on the arm of Anne’s chair, observing and encouraging the lesson. By including both Mary’s mother and father in the miniature figural group, Roldán emphasized the important role that parents play in the spiritual and moral education their children. Although The Education of the Virgin serves as an earthly reminder that our parents are our first teachers, the many angels who wait on Mary and her family also confirm the religious significance of the subject and the exceptionality of the Virgin Mary within the Catholic tradition. In fact, painted on the cushion of the chair behind Anne’s back is an image of Anne and Joachim’s embrace at the Golden Gate, a moment that, according to non-Biblical Christian religious texts such as Jacopo da Voragine’s Golden Legend, occurred after the angel Gabriel announced to Joachim that Anne, his elderly wife, had immaculately conceived a child. Mary’s miraculous conception was an important Catholic theological point because, her soul having not been conceived through sexual intercourse, she was born without original sin (the innate tendency of all human beings to disobey God) and was therefore able to bear Christ, the Christian incarnation of God on earth. Roldán also referenced Mary’s birth at the bottom right corner of the sculpture, where a small, chubby angel presents a roll of fabric for swaddling Mary as a newborn, a birthing cushion for her mother Anne’s use during labor, and a woven basket filled with cloth that served as Mary’s bassinette--indeed, these elements also foreshadow Mary’s future role as mother of Christ. In this way, Roldán refers to three phases from the life of the young Virgin at once: her Immaculate conception, her angelically attended birth, and her upbringing by two devout people. The sculpture thus not only imagines a tender scene between parents and daughter but also affirms Mary’s extraordinary position within the Catholic tradition and her worthiness to become the mother of God. In the 1600s, this kind of small, painted terracotta (baked clay) sculpture would have been used in private devotion, usually placed on a table inside of the home, reminding its viewers both of the importance of obedience to one’s elders and to God as well as the need for parents to provide religious and moral education to their children, including girls. This is especially interesting given that, at this time, women were becoming increasingly literate and exercising greater (although still extremely limited) cultural and political authority than they had in earlier periods of Spain’s history. Also significant is that, until the modern era, women were not allowed access to professional artistic training and the few women who became artists almost always learned their craft from their fathers. The Education of the Virgin, which is an image of instruction between parent and child, may thus have had personal significance for Roldán, who was taught how to sculpt by her father, Pedro (1624-1699), an artist from Seville. Due to the fragile nature of terracotta, few of Roldán’s sculptures survive today. The Blanton’s example was conserved in 2019, which revealed that the top of each woman’s head has a small hole where a medal crown would have been inserted. Additionally, at Joachim’s feet are the four paws of a now-lost cat, which may have been competing with the book on Anne’s lap for Mary’s attention. Furthermore, Roldán may have roughened the patch of clay at the center-front of the composition to attach a small dog, which is included in a similar sculpture of the same subject that is now in a private collection in Spain. Even without these elements, Roldán’s Education of the Virgin is an important example of her late work, of which only about twenty examples still exist in the world. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "JhP to do more research. 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"Disp_Access_No" : "2003.78", "_AccNumSort1" : "", "Disp_Create_DT" : "1634-1638", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1638", "Disp_Title" : "Diana and Minerva Fleeing the Approach of Bacchus", "Alt_Title" : "", "Obj_Title" : "Diana and Minerva Fleeing the Approach of Bacchus", "Series_Title" : "", "Disp_Maker_1" : "Pierre Brebiette", "Sort_Artist" : "Brebiette, Pierre", "Disp_Dimen" : "33.5 cm x 41 cm (13 3/16 in. x 16 1/8 in.)", "Disp_Height" : "33.5 cm", "Disp_Width" : "41 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with roulette and burin", "Support" : "", "Disp_Medium" : "Etching with roulette and burin", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.78.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.78.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.78.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2003.78.TIF", "IsPrimary" : "1", "_SurrogateID" : "9779", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17302, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17302", "Disp_Access_No" : "2002.2939", "_AccNumSort1" : "", "Disp_Create_DT" : "1981", "_Disp_Start_Dat" : "1981", "_Disp_End_Date" : "1981", "Disp_Title" : "The Looking Glass", "Alt_Title" : "", "Obj_Title" : "The Looking Glass", "Series_Title" : "", "Disp_Maker_1" : "Juan Downey", "Sort_Artist" : "Downey, Juan", "Disp_Dimen" : "28.8 cm x 37.4 cm (11 5/16 in. x 14 3/4 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Solarized photo color etching", "Support" : "", "Disp_Medium" : "Solarized photo color etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Chilean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2939.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2939.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2939.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2939.tif", "IsPrimary" : "1", "_SurrogateID" : "6925", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17833, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17833", "Disp_Access_No" : "2017.906", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Birth of Venus", "Alt_Title" : "", "Obj_Title" : "Birth of Venus", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giulio Benso", "Sort_Artist" : "Benso, Attributed to Giulio", "Disp_Dimen" : "51.5 cm x 40 cm (20 1/4 in. x 15 3/4 in.)", "Disp_Height" : "51.5 cm", "Disp_Width" : "40 cm", "Dimen_Extent" : "", "Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Info_Page_Comm" : "This work is inspired by Cambiaso's large, autonomous drawings of the early 1560s. The hand is more controlled and refined than is typical for Benso. Distinctive are the loose brushstrokes in the reflections. It and several other drawings of identical characteristics have recently been attributed to one Bartolomeo Gagliardo, about whom little is known. Given the egregious quality of these drawings and their proximity to the virtuoso Benso, a cautious attribution to him remains preferable. 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Blanton Curatorial Endowment Fund, 2009", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.48.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.48.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.48.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.48.tif", "IsPrimary" : "1", "_SurrogateID" : "6507", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18511, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18511", "Disp_Access_No" : "2006.128.1/11", "_AccNumSort1" : "", "Disp_Create_DT" : "1635", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1635", "Disp_Title" : "Frontispiece to Jacques Callot, Le Nouveau Testament [The New Testament]", "Alt_Title" : "", "Obj_Title" : "Frontispiece to Jacques Callot, Le Nouveau Testament [The New Testament]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "7.7 cm x 10.2 cm (3 1/16 in. x 4 in.)", "Disp_Height" : "7.7 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Stored with Jacques Callot near Lieure 1419", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Art Acquisition Endowment Fund, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.128.1-11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.128.1-11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.128.1-11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.128.1-11.tif", "IsPrimary" : "1", "_SurrogateID" : "6167", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18583, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18583", "Disp_Access_No" : "2006.164", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Monument to Jacques Callot", "Alt_Title" : "", "Obj_Title" : "Monument to Jacques Callot", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "25.7 cm x 17.1 cm (10 1/8 in. x 6 3/4 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "17.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.164.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.164.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.164.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.164.tif", "IsPrimary" : "1", "_SurrogateID" : "9209", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19578, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19578", "Disp_Access_No" : "2010.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1780", "_Disp_Start_Dat" : "1780", "_Disp_End_Date" : "1780", "Disp_Title" : "Rubens and Family, after Jacob Jordaens", "Alt_Title" : "", "Obj_Title" : "Rubens and Family, after Jacob Jordaens", "Series_Title" : "", "Disp_Maker_1" : "James Watson", "Sort_Artist" : "Watson, James", "Disp_Dimen" : "63.4 cm x 47.8 cm (24 15/16 in. x 18 13/16 in.)", "Disp_Height" : "63.4 cm", "Disp_Width" : "47.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "In 1779 the famous collection of Old Masters formed by the great English statesman Robert Walpole was sold by his descendents to Catherine the Great of Russia. To record what was regarded as a departing national treasure, the publisher John Boydell commissioned a series of mezzotints after the collection’s most important paintings. Named for Walpole’s residence, the Houghton Gallery was one of the major print projects in late eighteenth century Britain. Noted for its subject and geniality, Jordaens’s painting remains in the Hermitage, St. Petersburg.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence Lawver, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.79.tif", "IsPrimary" : "1", "_SurrogateID" : "7259", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19280, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19280", "Disp_Access_No" : "2008.133", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1515", "_Disp_Start_Dat" : "1510", "_Disp_End_Date" : "1520", "Disp_Title" : "Poetry, after Raphael", "Alt_Title" : "", "Obj_Title" : "Poetry, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "17.7 cm x 14.6 cm (6 15/16 in. x 5 3/4 in.)", "Disp_Height" : "17.7 cm", "Disp_Width" : "14.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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