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Corcoran, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Czech", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.84.1-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.84.1-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.84.1-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.84.1-4.tif", "IsPrimary" : "1", "_SurrogateID" : "4761", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1391, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1391", "Disp_Access_No" : "G1943.1.21", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1935", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1940", "Disp_Title" : "At Night", "Alt_Title" : "", "Obj_Title" : "At Night", "Series_Title" : "", "Disp_Maker_1" : "Theodore C. 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Huntington Museum Fund, 1988", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.98.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.98.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.98.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.98.tif", "IsPrimary" : "1", "_SurrogateID" : "4780", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1408, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1408", "Disp_Access_No" : "1992.264", "_AccNumSort1" : "", "Disp_Create_DT" : "1822", "_Disp_Start_Dat" : "1822", "_Disp_End_Date" : "1822", "Disp_Title" : "Le Maréchal français [French Marshal]", "Alt_Title" : "", "Obj_Title" : "Le Maréchal français [French Marshal]", "Series_Title" : "", "Disp_Maker_1" : "Jean-Louis-Andre-Théodore Géricault and Léon Cogniet", "Sort_Artist" : "Géricault and Léon Cogniet, Jean-Louis-Andre-Théodore", "Disp_Dimen" : "41.9 cm x 55.2 cm (16 1/2 in. x 21 3/4 in.)", "Disp_Height" : "41.9 cm", "Disp_Width" : "55.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of JoAnne and George Christian, 1992", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.264.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.264.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.264.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.264.tif", "IsPrimary" : "1", "_SurrogateID" : "7821", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1409, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1409", "Disp_Access_No" : "1995.100", "_AccNumSort1" : "", "Disp_Create_DT" : "1822", "_Disp_Start_Dat" : "1822", "_Disp_End_Date" : "1822", "Disp_Title" : "Garçon donnant l'avoine à un cheval dételé [Boy Giving Oats to an Unharnassed Horse], from Etudes de cheveaux [Studies of Horses]", "Alt_Title" : "", "Obj_Title" : "Garçon donnant l'avoine à un cheval dételé [Boy Giving Oats to an Unharnassed Horse], from Etudes de cheveaux [Studies of Horses]", "Series_Title" : "", "Disp_Maker_1" : "Jean-Louis-Andre-Théodore Géricualt and Joseph Volmar", "Sort_Artist" : "Géricualt and Joseph Volmar, Jean-Louis-Andre-Théodore", "Disp_Dimen" : "57.8 cm x 42.3 cm (22 3/4 in. x 16 5/8 in.)", "Disp_Height" : "57.8 cm", "Disp_Width" : "42.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph on chine collé", "Support" : "", "Disp_Medium" : "Lithograph on chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.100.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.100.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.100.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.100.tif", "IsPrimary" : "1", "_SurrogateID" : "7834", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1411, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1411", "Disp_Access_No" : "1995.37", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1820", "_Disp_Start_Dat" : "1815", "_Disp_End_Date" : "1825", "Disp_Title" : "Lara blessé [Laura Wounded]", "Alt_Title" : "", "Obj_Title" : "Lara blessé [Laura Wounded]", "Series_Title" : "", "Disp_Maker_1" : "Jean-Louis-André-Théodore Géricault", "Sort_Artist" : "Géricault, Jean-Louis-André-Théodore", "Disp_Dimen" : "24.8 cm x 33.2 cm (9 3/4 in. x 13 1/16 in.)", "Disp_Height" : "24.8 cm", "Disp_Width" : "33.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.37.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.37.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.37.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.37.tif", "IsPrimary" : "1", "_SurrogateID" : "7822", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1412, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1412", "Disp_Access_No" : "1982.704", "_AccNumSort1" : "", "Disp_Create_DT" : "1824", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1824", "Disp_Title" : "Eglise de St. Gervais et St. Protais à Gisors, from Voyages pittoresques et romantiques dans l'ancienne France: La Normandie, vol. II, plate 203", "Alt_Title" : "", "Obj_Title" : "Eglise de St. Gervais et St. Protais à Gisors, from Voyages pittoresques et romantiques dans l'ancienne France: La Normandie, vol. II, plate 203", "Series_Title" : "", "Disp_Maker_1" : "Richard Parkes Bonington", "Sort_Artist" : "Bonington, Richard Parkes", "Disp_Dimen" : "23 cm x 28.2 cm (9 1/16 in. x 11 1/8 in.)", "Disp_Height" : "23 cm", "Disp_Width" : "28.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1415, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1415", "Disp_Access_No" : "1986.43.9/9", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Toledo/Guchachi", "Alt_Title" : "", "Obj_Title" : "Toledo/Guchachi", "Series_Title" : "", "Disp_Maker_1" : "Francisco Toledo", "Sort_Artist" : "Toledo, Francisco", "Disp_Dimen" : "38 cm x 28.5 cm (14 15/16 in. x 11 1/4 in.)", "Disp_Height" : "38 cm", "Disp_Width" : "28.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Bfk Rives paper bound with iguana leather", "Support" : "", "Disp_Medium" : "Bfk Rives paper bound with iguana leather", "Info_Page_Comm" : "Toledo’s work disrupts the boundaries erected by traditional art discourses that distinguish between “high” and “low” art and separate traditional artistic expression from the contemporary. He fuses pre-Columbian symbolism with allusions to works by modern artists like Paul Klee and Rufino Tamayo and modern writers such as Franz Kafka, creating fabulous universes where human and animal worlds merge. In the works in the Toledo/Guchachi series, Toledo drew upon the Zapotec myth of the guchachi (iguana) and illustrated it with vividly graphic devourings, copulations, and metamorphoses of human, bestial, and animal characters. These depictions disturb the natural world order narrated in the legend in order to visually reshape it into a sensual, even violent, universe in which animal and human live in symbiosis.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Eleanor Freed, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "book", "Creation_Place2" : "Mexican", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.43.9-9_back.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.43.9-9_back.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.43.9-9_back.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.43.9-9_back.tif", "IsPrimary" : "0", "_SurrogateID" : "3418", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.43.9-9_front.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.43.9-9_front.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.43.9-9_front.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.43.9-9_front.tif", "IsPrimary" : "1", "_SurrogateID" : "6185", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1420, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1420", "Disp_Access_No" : "1980.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "Bull Head III, from Bull Head Series", "Alt_Title" : "", "Obj_Title" : "Bull Head III, from Bull Head Series", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "63.5 cm x 83.8 cm (25 in. x 33 in.)", "Disp_Height" : "63.5 cm", "Disp_Width" : "83.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Three-color lithograph with screenprint and linecut", "Support" : "", "Disp_Medium" : "Three-color lithograph with screenprint and linecut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Charles and Dorothy Clark, 1980", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.19.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.19.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.19.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.19.tif", "IsPrimary" : "1", "_SurrogateID" : "6186", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1433, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1433", "Disp_Access_No" : "1981.53.13/15", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "Obay Sch: 1849-1878 (Hip-pa-pa-time-ous) Two of the Creatures - One from Boston", "Alt_Title" : "", "Obj_Title" : "Obay Sch: 1849-1878 (Hip-pa-pa-time-ous) Two of the Creatures - One from Boston", "Series_Title" : "", "Disp_Maker_1" : "Bob Thomas", "Sort_Artist" : "Thomas, Bob", "Disp_Dimen" : "56 cm x 38 cm (22 1/16 in. x 14 15/16 in.)", "Disp_Height" : "56 cm", "Disp_Width" : "38 cm", "Dimen_Extent" : "Sheet", "Medium" : "Offset lithograph", "Support" : "", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Atlanta School of Art, 1972", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1434, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1434", "Disp_Access_No" : "1981.53.14/15", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "Rain Bird, from Atlanta School of Art Faculty Suite", "Alt_Title" : "", "Obj_Title" : "Rain Bird, from Atlanta School of Art Faculty Suite", "Series_Title" : "", "Disp_Maker_1" : "Norman Wagner", "Sort_Artist" : "Wagner, Norman", "Disp_Dimen" : "56 cm x 38 cm (22 1/16 in. x 14 15/16 in.)", "Disp_Height" : "56 cm", "Disp_Width" : "38 cm", "Dimen_Extent" : "Sheet", "Medium" : "Offset lithograph", "Support" : "", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Atlanta School of Art, 1972", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; 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Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.1.184.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.1.184.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.1.184.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.1.184.TIF", "IsPrimary" : "1", "_SurrogateID" : "9380", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1729, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1729", "Disp_Access_No" : "1982.1072.5/10", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "Untitled (couple with dogs), from 10 grabados en madera", "Alt_Title" : "", "Obj_Title" : "Untitled (couple with dogs), from 10 grabados en madera", "Series_Title" : "", "Disp_Maker_1" : "Isidoro Ocampo", "Sort_Artist" : "Ocampo, Isidoro", "Disp_Dimen" : "11.3 cm x 17 cm (4 7/16 in. x 6 11/16 in.)", "Disp_Height" : "11.3 cm", "Disp_Width" : "17 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1072.5-10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1072.5-10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1072.5-10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1072.5-10.tif", "IsPrimary" : "1", "_SurrogateID" : "9788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1731, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1731", "Disp_Access_No" : "1982.1072.8/10", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "Untitled (sleeping man with dog), from 10 grabados en madera", "Alt_Title" : "", "Obj_Title" : "Untitled (sleeping man with dog), from 10 grabados en madera", "Series_Title" : "", "Disp_Maker_1" : "Isidoro Ocampo", "Sort_Artist" : "Ocampo, Isidoro", "Disp_Dimen" : "11.3 cm x 17.4 cm (4 7/16 in. x 6 7/8 in.)", "Disp_Height" : "11.3 cm", "Disp_Width" : "17.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1737, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1737", "Disp_Access_No" : "1982.720", "_AccNumSort1" : "", "Disp_Create_DT" : "1824", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1824", "Disp_Title" : "A Cossack Horse, from Fourteen Celebrated Horses", "Alt_Title" : "", "Obj_Title" : "A Cossack Horse, from Fourteen Celebrated Horses", "Series_Title" : "", "Disp_Maker_1" : "James Ward", "Sort_Artist" : "Ward, James", "Disp_Dimen" : "47.6 cm x 60.4 cm (18 3/4 in. x 23 3/4 in.)", "Disp_Height" : "47.6 cm", "Disp_Width" : "60.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph on chine collé", "Support" : "", "Disp_Medium" : "Lithograph on chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1764, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1764", "Disp_Access_No" : "1982.295", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1872", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1877", "Disp_Title" : "A quelle sauce...?, from Fantaisies satiriques", "Alt_Title" : "Satirical Fantasies: What to Make of It?", "Obj_Title" : "A quelle sauce...?, from Fantaisies satiriques", "Series_Title" : "", "Disp_Maker_1" : "A. Belloguet", "Sort_Artist" : "Belloguet, A.", "Disp_Dimen" : "33.2 cm x 27 cm (13 1/16 in. x 10 5/8 in.)", "Disp_Height" : "33.2 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen lithograph", "Support" : "", "Disp_Medium" : "Pen lithograph", "Info_Page_Comm" : "Adolphe Thiers, the new president of the French Republic, is shown taking snuff, trodding on the old Empire, and wearing the Phrygian cap, a familiar revolutionary symbol. However, beneath his costume can be seen an aristocratic ponytail and knee breeches, which indicate his secret sympathies for the ancien régime. On the right is a candle labled as the "Republic" being snuffed out by "reaction," and on the rear wall looms the shadow of the Gallic cock. The accompanying quatrain suggests that Thiers should take advice from the September rays (a reference to Septemer 1870, the date of Napoléon III's defeat and abdication), cast off his cotton cap (or let fall his disguise), and "say to Bertrand: I'm not Raton," Bertrand and Raton were familiar characters from a La Fontaine fable who represent the clever associate and accomplice, Bertrand, and the dupe or fall man, Raton. The cartoon is therefore advising Thiers to quit playing games and refuse to be duped. The event that probably triggered this cartoon was the so-called "bonnets à poil" affair of June 20, 1872, in which nine royalist members of the legislature tried to solicit Thiers' support. Thiers, who remained a conservative Republican, refused this collaboration, but was forced out of the presidency in May 1873.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1977", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.295.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.295.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.295.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.295.tif", "IsPrimary" : "1", "_SurrogateID" : "4441", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1770, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1770", "Disp_Access_No" : "1988.103", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Crows in a Melon Patch", "Alt_Title" : "", "Obj_Title" : "Crows in a Melon Patch", "Series_Title" : "", "Disp_Maker_1" : "Otis Dozier", "Sort_Artist" : "Dozier, Otis", "Disp_Dimen" : "53.2 cm x 72.4 cm (20 15/16 in. x 28 1/2 in.)", "Disp_Height" : "53.2 cm", "Disp_Width" : "72.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Six-color lithograph", "Support" : "", "Disp_Medium" : "Six-color lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1771, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1771", "Disp_Access_No" : "P1962.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1815-1816 (p. 1905)", "_Disp_Start_Dat" : "1815", "_Disp_End_Date" : "1816", "Disp_Title" : "Modo con que los antiguos españoles cazaban los toros á caballo en el campo [The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country], plate 1 from La Tauromaquia", "Alt_Title" : "", "Obj_Title" : "Modo con que los antiguos españoles cazaban los toros á caballo en el campo [The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country], plate 1 from La Tauromaquia", "Series_Title" : "", "Disp_Maker_1" : "Francisco de Goya y Lucientes", "Sort_Artist" : "Goya y Lucientes, Francisco de", "Disp_Dimen" : "25.7 cm x 35.85 cm (10 1/8 in. x 14 1/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "35.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, burnished aquatint and drypoint", "Support" : "", "Disp_Medium" : "Etching, burnished aquatint and drypoint", "Info_Page_Comm" : "In 1816, Goya announced the publication of “thirty-three prints that represent different maneuvers and positions in the art of contesting with bulls.” La Tauromaquia––The Bullfight––presents some of the great figures and moments of Spain’s national pastime. Goya’s choice of subject was guided by the poet Don Nicoás Fernandez de Moratín’s brief history of bullfighting, published in Madrid in 1777, and by a manual attributed to the most famous matador of the time, Pepe Illo, published in Cádiz in 1796. While the intention and the imagery of the series are the most conventional of Goya’s print series, the Tauromaquia nevertheless involves a radical and fairly subversive critique. In these works Goya celebrates the power and nobility of the bull rather than the people portrayed, anticipating the sensibility of French Romantics like Géricault and Delacroix. Similarly, the amorphous space and flat patterning of his compositions are personal and unexpected, predicting elements in the style of critical early modernists, notably Manet. Faithful to the poet Moratin’s history of bulls and bullfighting in Spain, the first plates of the Tauromaquia illustrate the origins of the sport. Here, men on horseback and on foot bring down a wild bull.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1962", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1962.9.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1962.9.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1962.9.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1962.9.tif", "IsPrimary" : "1", "_SurrogateID" : "4920", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1772, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1772", "Disp_Access_No" : "P1962.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1815-1816 (p. 1905)", "_Disp_Start_Dat" : "1815", "_Disp_End_Date" : "1816", "Disp_Title" : "Pepe Illo haciendo el recorte al toro [Pepe Illo making the pass of the 'recorte'], plate 29 from La Tauromaquia", "Alt_Title" : "", "Obj_Title" : "Pepe Illo haciendo el recorte al toro [Pepe Illo making the pass of the 'recorte'], plate 29 from La Tauromaquia", "Series_Title" : "", "Disp_Maker_1" : "Francisco de Goya y Lucientes", "Sort_Artist" : "Goya y Lucientes, Francisco de", "Disp_Dimen" : "25.1 cm x 35.85 cm (9 7/8 in. x 14 1/8 in.)", "Disp_Height" : "25.1 cm", "Disp_Width" : "35.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, burnished aquatint, drypoint and burin", "Support" : "", "Disp_Medium" : "Etching, burnished aquatint, drypoint and burin", "Info_Page_Comm" : "In 1816, Goya announced the publication of “thirty-three prints that represent different maneuvers and positions in the art of contesting with bulls.” La Tauromaquia––The Bullfight––presents some of the great figures and moments of Spain’s national pastime. 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His manual recounts this scene, in which he guides the bull into a characteristic “curtsy,” and responds with a bow of respect. 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It is now in the Koninklijk Museum voor Schone Kunsten, Antwerp.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2581.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2581.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2581.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2581.tif", "IsPrimary" : "1", "_SurrogateID" : "5957", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2627, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2627", "Disp_Access_No" : "1997.405", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "Venus and Adonis, after Simon Vouet", "Alt_Title" : "", "Obj_Title" : "Venus and Adonis, after Simon Vouet", "Series_Title" : "", "Disp_Maker_1" : "Copy after Michel Dorigny", "Sort_Artist" : "Dorigny, Copy after Michel", "Disp_Dimen" : "18 cm x 22.3 cm (7 1/16 in. x 8 3/4 in.)", "Disp_Height" : "18 cm", "Disp_Width" : "22.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.405.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.405.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.405.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.405.tif", "IsPrimary" : "1", "_SurrogateID" : "9692", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2628, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2628", "Disp_Access_No" : "1999.78", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "The Holy Family with a Bird", "Alt_Title" : "", "Obj_Title" : "The Holy Family with a Bird", "Series_Title" : "", "Disp_Maker_1" : "Simon Vouet", "Sort_Artist" : "Vouet, Simon", "Disp_Dimen" : "20.2 cm x 21.4 cm (7 15/16 in. x 8 7/16 in.)", "Disp_Height" : "20.2 cm", "Disp_Width" : "21.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Vouet created only one print himself, this small plate, which is notable for its delightful invention and elegant drawing, if also some minor technical problems. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Susan Thomas, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2652, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2652", "Disp_Access_No" : "G1970.8.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1634", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1634", "Disp_Title" : "L'Enlèvement d'Europe [The Rape of Europa]", "Alt_Title" : "", "Obj_Title" : "L'Enlèvement d'Europe [The Rape of Europa]", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "21.5 cm x 27.1 cm (8 7/16 in. x 10 11/16 in.)", "Disp_Height" : "21.5 cm", "Disp_Width" : "27.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching ", "Support" : "", "Disp_Medium" : "Etching ", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1970", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1970.8.47.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1970.8.47.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1970.8.47.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1970.8.47.tif", "IsPrimary" : "1", "_SurrogateID" : "4658", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2655, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2655", "Disp_Access_No" : "2000.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1634", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1634", "Disp_Title" : "Le Passage du gué [The Ford]", "Alt_Title" : "", "Obj_Title" : "Le Passage du gué [The Ford]", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "10.7 cm x 17 cm (4 3/16 in. x 6 11/16 in.)", "Disp_Height" : "10.7 cm", "Disp_Width" : "17 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.1.tif", "IsPrimary" : "1", "_SurrogateID" : "4631", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2669, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2669", "Disp_Access_No" : "2002.461", "_AccNumSort1" : "", "Disp_Create_DT" : "1635", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1635", "Disp_Title" : "L’Entrée a Jérusalem [The Entry into Jerusalem], from Le Nouveau Testament [The New Testament]", "Alt_Title" : "", "Obj_Title" : "L’Entrée a Jérusalem [The Entry into Jerusalem], from Le Nouveau Testament [The New Testament]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "7 cm x 8.9 cm (2 3/4 in. x 3 1/2 in.)", "Disp_Height" : "7 cm", "Disp_Width" : "8.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.461.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.461.tif", "PreviewPath" : 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"Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.463.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.463.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.463.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.463.tif", "IsPrimary" : "1", "_SurrogateID" : "6160", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2688, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2688", "Disp_Access_No" : "1997.185", "_AccNumSort1" : "", "Disp_Create_DT" : "1638", "_Disp_Start_Dat" : "1638", "_Disp_End_Date" : "1638", "Disp_Title" : "Venus and Adonis, after Simon Vouet", "Alt_Title" : "", "Obj_Title" : "Venus and Adonis, after Simon Vouet", "Series_Title" : "", "Disp_Maker_1" : "Michel Dorigny", "Sort_Artist" : "Dorigny, Michel", "Disp_Dimen" : "15.8 cm x 20.9 cm (6 1/4 in. x 8 1/4 in.)", "Disp_Height" : "15.8 cm", "Disp_Width" : "20.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.185.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.185.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.185.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.185.tif", "IsPrimary" : "1", "_SurrogateID" : "9691", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2724, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2724", "Disp_Access_No" : "2000.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1643", "_Disp_Start_Dat" : "1643", "_Disp_End_Date" : "1643", "Disp_Title" : "Christ in Emmaus, after Pieter Claesz Soutman, after Peter Paul Rubens ", "Alt_Title" : "", "Obj_Title" : "Christ in Emmaus, after Pieter Claesz Soutman, after Peter Paul Rubens ", "Series_Title" : "", "Disp_Maker_1" : "Pieter Van Sompel", "Sort_Artist" : "Van Sompel, Pieter", "Disp_Dimen" : "38 cm x 34.5 cm (14 15/16 in. x 13 9/16 in.)", "Disp_Height" : "38 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This print is after an unknown painting by Rubens and a drawing in the Musée du Louvre, Paris.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Suzan and Julius Glickman, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.11.tif", "IsPrimary" : "1", "_SurrogateID" : "5953", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2726, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2726", "Disp_Access_No" : "2002.2446", "_AccNumSort1" : "", "Disp_Create_DT" : "1643", "_Disp_Start_Dat" : "1643", "_Disp_End_Date" : "1643", "Disp_Title" : "The Cabriolet", "Alt_Title" : "", "Obj_Title" : "The Cabriolet", "Series_Title" : "", "Disp_Maker_1" : "Gerrit Claesz Bleker", "Sort_Artist" : "Bleker, Gerrit Claesz", "Disp_Dimen" : "19.7 cm x 29.5 cm (7 3/4 in. x 11 5/8 in.)", "Disp_Height" : "19.7 cm", "Disp_Width" : "29.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Cabriolet is especially engaging as a measured, dignified presentation of a humble means of transportation and of peasants in proud relation to their terrains. The print is also an early example of figures and animals in particular –– both the horse and the cattle in the background –– given prominence over the forms and personality of the landscape. Perhaps inspired by Bleker, Paul Potter would specialize in etchings that focused on such stolid creatures, establishing a genre of Dutch and later European printmaking", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2446.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2446.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2446.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2446.tif", "IsPrimary" : "1", "_SurrogateID" : "1945", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2732, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2732", "Disp_Access_No" : "2002.2480", "_AccNumSort1" : "", "Disp_Create_DT" : "1644", "_Disp_Start_Dat" : "1644", "_Disp_End_Date" : "1644", "Disp_Title" : "The Shepherd", "Alt_Title" : "", "Obj_Title" : "The Shepherd", "Series_Title" : "", "Disp_Maker_1" : "Paulus Potter", "Sort_Artist" : "Potter, Paulus", "Disp_Dimen" : "17.9 cm x 26.8 cm (7 1/16 in. x 10 9/16 in.)", "Disp_Height" : "17.9 cm", "Disp_Width" : "26.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Etchings of animals were an important genre in 17th-century Holland. At their best, they convey an assurance of place and a tenderness of interaction that transcend the genre, illuminate Dutch character, and move the patient observer. By any standard, Potter’s etchings are exceptionally dignified and forthright. However prominent and appealing, the genre has attracted little subsequent interest. Steinberg delighted in it, acquiring this first state of Potter’s earliest print and the stunning impression of Van der Meer’s rare Sheep, above, among scores of examples.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2480.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2480.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2480.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2480.tif", "IsPrimary" : "1", "_SurrogateID" : "1951", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2743, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2743", "Disp_Access_No" : "2002.981", "_AccNumSort1" : "", "Disp_Create_DT" : "1646", "_Disp_Start_Dat" : "1646", "_Disp_End_Date" : "1646", "Disp_Title" : "Visus [Sight], from the Five Senses", "Alt_Title" : "", "Obj_Title" : "Visus, from the Five Senses", "Series_Title" : "", "Disp_Maker_1" : "Franz Cleyn", "Sort_Artist" : "Cleyn, Franz", "Disp_Dimen" : "16.6 cm x 24.6 cm (6 9/16 in. x 9 11/16 in.)", "Disp_Height" : "16.6 cm", "Disp_Width" : "24.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.981.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.981.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.981.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.981.TIF", "IsPrimary" : "1", "_SurrogateID" : "5612", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2762, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2762", "Disp_Access_No" : "1981.93", "_AccNumSort1" : "", "Disp_Create_DT" : "1649", "_Disp_Start_Dat" : "1649", "_Disp_End_Date" : "1649", "Disp_Title" : "Frontispiece, from Les Oeuvres de Scarron", "Alt_Title" : "", "Obj_Title" : "Frontispiece, from Les Oeuvres de Scarron", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "20.8 cm x 15.6 cm (8 3/16 in. x 6 1/8 in.)", "Disp_Height" : "20.8 cm", "Disp_Width" : "15.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The early realistic novelist and burlesque playwright Paul Scarron (1610-1660) was apparently well known also for his physical deformities. 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chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.155.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.155.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.155.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.155.tif", "IsPrimary" : "1", "_SurrogateID" : "5459", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3840, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3840", "Disp_Access_No" : "1997.156", "_AccNumSort1" : "", "Disp_Create_DT" : "1826", "_Disp_Start_Dat" : "1826", "_Disp_End_Date" : "1826", "Disp_Title" : "Le Silence favorable", "Alt_Title" : "", "Obj_Title" : "Le Silence favorable", "Series_Title" : "", "Disp_Maker_1" : "Richard Parkes Bonington", "Sort_Artist" : "Bonington, Richard Parkes", "Disp_Dimen" : "36 cm x 26.4 cm (14 3/16 in. x 10 3/8 in.)", "Disp_Height" : "36 cm", "Disp_Width" : "26.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph on chine collé", "Support" : "", "Disp_Medium" : "Lithograph on chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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engraving", "Support" : "", "Disp_Medium" : "Copper engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3851, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3851", "Disp_Access_No" : "1999.85", "_AccNumSort1" : "", "Disp_Create_DT" : "1828", "_Disp_Start_Dat" : "1828", "_Disp_End_Date" : "1828", "Disp_Title" : "Cheval sauvage terrassé par un tigre [Wild Horse Felled by a Tiger]", "Alt_Title" : "", "Obj_Title" : "Cheval sauvage terrassé par un tigre [Wild Horse Felled by a Tiger]", "Series_Title" : "", "Disp_Maker_1" : "Eugène Delacroix", "Sort_Artist" : "Delacroix, Eugène", "Disp_Dimen" : "23 cm x 28.3 cm (9 1/16 in. x 11 1/8 in.)", "Disp_Height" : "23 cm", "Disp_Width" : "28.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph on chine collé", "Support" : "", "Disp_Medium" : "Lithograph on chine collé", "Info_Page_Comm" : "Eugène Delacroix’s Wild Horse Felled by a Tiger is the quintessential Romantic print. This lithograph conveys a violence so raw and instinctive as to be repulsive. Wild animals in combat were a favorite theme of Romantic artists, who sought to venture well beyond the realm of reason and exercise emotions that could tap into the innermost reaches of the human soul, achieving a state of transcendence. One of the qualities of lithography that appealed to the French Romantics was its ability to communicate both the artist’s unique vision and the dramatic movement within the composition. Here Delacroix barely sketched in the setting, using bold strokes to suggest a harsh, rocky environment, and instead focused our attention on the action in the center, a swirling mass of horseflesh writhing in the throes of death. This is one of only seven known impressions of the first state of the print. Generally strong, the museum’s holdings of early French lithography include five other prints by Delacroix, 23 by Théodore Géricault, 13 by the brothers Vernet, ten by Louis-Léopold Boilly, and 41 by Achille Devéria. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.85.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.85.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.85.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.85.tif", "IsPrimary" : "1", "_SurrogateID" : "1722", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3868, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3868", "Disp_Access_No" : "1989.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1833", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1833", "Disp_Title" : "Moses and the Burning Bush", "Alt_Title" : "", "Obj_Title" : "Moses and the Burning Bush", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "29.6 cm x 43.7 cm (11 5/8 in. x 17 3/16 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "43.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint with etching", "Support" : "", "Disp_Medium" : "Mezzotint with etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3959", "Disp_Access_No" : "2002.1294", "_AccNumSort1" : "", "Disp_Create_DT" : "1850", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1850", "Disp_Title" : "Christmas, or Folding the Last Sheep", "Alt_Title" : "", "Obj_Title" : "Christmas, or Folding the Last Sheep", "Series_Title" : "", "Disp_Maker_1" : "Samuel Palmer", "Sort_Artist" : "Palmer, Samuel", "Disp_Dimen" : "36.6 cm x 27.8 cm (14 7/16 in. x 10 15/16 in.)", "Disp_Height" : "36.6 cm", "Disp_Width" : "27.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Wood engraving", "Support" : "", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1294.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1294.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1294.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1294.tif", "IsPrimary" : "1", "_SurrogateID" : "5465", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3964, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3964", "Disp_Access_No" : "2002.1535", "_AccNumSort1" : "", "Disp_Create_DT" : "1851", "_Disp_Start_Dat" : "1851", "_Disp_End_Date" : "1851", "Disp_Title" : "Les Vaches au marais", "Alt_Title" : "", "Obj_Title" : "Les Vaches au marais", "Series_Title" : "", "Disp_Maker_1" : "Charles-François Daubigny", "Sort_Artist" : "Daubigny, Charles-François", "Disp_Dimen" : "31.5 cm x 44.8 cm (12 3/8 in. x 17 5/8 in.)", "Disp_Height" : "31.5 cm", "Disp_Width" : "44.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3977, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3977", "Disp_Access_No" : "1995.130", "_AccNumSort1" : "", "Disp_Create_DT" : "1854", "_Disp_Start_Dat" : "1854", "_Disp_End_Date" : "1854", "Disp_Title" : "Margot la critique", "Alt_Title" : "", "Obj_Title" : "Margot la critique", "Series_Title" : "", "Disp_Maker_1" : "Félix Bracquemond", "Sort_Artist" : "Bracquemond, Félix", "Disp_Dimen" : "30.5 cm x 23.2 cm (12 in. x 9 1/8 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Bracquemond was a prolific printmaker, producing over 900 plates and actively promoting the medium of etching. Best known for his representation of birds, Bracquemond here uses similar imagery to allegorize the tension that frequently arose between critics and artists. The crow or magpie, with its loud squawking and not altogether lovely features, is equated with the critic, whom he portrays as jealous and empty in his verses: Nothing is as beautiful as ugliness, you scum, look at me; To admire me in silence is the supreme law. . . . Glory then to Margot, the ardent chatterbox! There she is now after so much noise, Thinking that under her law everything bends down below, There she is, eye fixed on the heavens And amongst the splendors of the sparkling world, Envious, she awaits for herself A ray that will not come. The print was exhibited at the World’s Fair of 1855 in Paris and published in the journal L’Artiste in 1858.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.130.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.130.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.130.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.130.tif", "IsPrimary" : "1", "_SurrogateID" : "5494", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4015, "URL" : 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Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.11.tif", "IsPrimary" : "1", "_SurrogateID" : "5458", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4219, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4219", "Disp_Access_No" : "1995.150", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "Saint George and the Dragon, after Raphael", "Alt_Title" : "", "Obj_Title" : "Saint George and the Dragon, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Claude-Ferdinand Gaillard", "Sort_Artist" : "Gaillard, Claude-Ferdinand", "Disp_Dimen" : "57.4 cm x 43.6 cm (22 5/8 in. x 17 3/16 in.)", "Disp_Height" : "57.4 cm", "Disp_Width" : "43.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving on chine collé", "Support" : "", "Disp_Medium" : "Engraving on chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.150.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.150.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.150.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.150.tif", "IsPrimary" : "1", "_SurrogateID" : "3876", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4220, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4220", "Disp_Access_No" : "1995.151", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "Saint George and the Dragon, after Raphael", "Alt_Title" : "", "Obj_Title" : "Saint George and the Dragon, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Claude-Ferdinand Gaillard", "Sort_Artist" : "Gaillard, Claude-Ferdinand", "Disp_Dimen" : "57.3 cm x 43.1 cm (22 9/16 in. x 16 15/16 in.)", "Disp_Height" : "57.3 cm", "Disp_Width" : "43.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving on chine collé", "Support" : "", "Disp_Medium" : "Engraving on chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.151.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.151.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.151.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.151.tif", "IsPrimary" : "1", "_SurrogateID" : "3877", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4254, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4254", "Disp_Access_No" : "2002.1579", "_AccNumSort1" : "", "Disp_Create_DT" : "1889", "_Disp_Start_Dat" : "1889", "_Disp_End_Date" : "1889", "Disp_Title" : "Pastorales Martiniques [Pastoral in Martinique]", "Alt_Title" : "", "Obj_Title" : "Pastorales Martiniques [Pastoral in Martinique]", "Series_Title" : "", "Disp_Maker_1" : "Paul Gauguin", "Sort_Artist" : "Gauguin, Paul", "Disp_Dimen" : "32.2 cm x 47.8 cm (12 11/16 in. x 18 13/16 in.)", "Disp_Height" : "32.2 cm", "Disp_Width" : "47.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Zincograph", "Support" : "", "Disp_Medium" : "Zincograph", "Info_Page_Comm" : "Paul Gauguin based this 1889 print on drawings he made during his 1887 visit to Martinique, but it reflects Gauguin’s “Synthetist” stylistic breakthrough in the intervening year. In "The Vision after the Sermon: Jacob Wrestling with the Angel" (1888), Gauguin deploys distortions of color, scale, and form—along with flattened space and thick outlines informed by Japanese printmaking—to represent a religious vision shared by a group of Breton peasants. "Pastoral in Martinique" also presents simplified, clearly delineated forms, with tonal variety created by the graininess of the zinc plate, patterning, and different washes. Gauguin and other modern artists drew on idealized notions of “primitive” cultures as artistic stimuli and alternatives to a corrupt, materialistic Western culture. The supposed purity of these people and art forms was, however, a projection based on ignorance or misunderstanding of other cultures and their art works’ original contexts, grounded in a colonialist viewpoint.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1579.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1579.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1579.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1579.tif", "IsPrimary" : "1", "_SurrogateID" : "1805", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4263", "Disp_Access_No" : "1997.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "Serpent-Auréole [Serpent-Halo]", "Alt_Title" : "", "Obj_Title" : "Serpent-Auréole [Serpent-Halo]", "Series_Title" : "", "Disp_Maker_1" : "Odilon Redon", "Sort_Artist" : "Redon, Odilon", "Disp_Dimen" : "52.8 cm x 49.8 cm (20 13/16 in. x 19 5/8 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "49.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph and transfer lithograph on chine appliqué", "Support" : "", "Disp_Medium" : "Lithograph and transfer lithograph on chine appliqué", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase from the Severin Wunderman Collection Fund, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.32.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.32.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.32.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.32.tif", "IsPrimary" : "1", "_SurrogateID" : "4248", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4273, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4273", "Disp_Access_No" : "G1972.8.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1891", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1891", "Disp_Title" : "Breaking Camp", "Alt_Title" : "", "Obj_Title" : "Breaking Camp", "Series_Title" : "", "Disp_Maker_1" : "Henry F. Farny", "Sort_Artist" : "Farny, Henry F.", "Disp_Dimen" : "24 cm x 42.5 cm (9 7/16 in. x 16 3/4 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "42.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Gouache and watercolor, enhanced with gum arabic glaze on wove paper", "Support" : "", "Disp_Medium" : "Gouache and watercolor, enhanced with gum arabic glaze on wove paper", "Info_Page_Comm" : "Breaking Camp is one of fourteen works in the Blanton Museum’s C. R. Smith Collection by Henry Farny, a master of European-style realism who earned international recognition for his extensive body of work portraying American Indians. Whereas his contemporaries Frederic Remington and Charles Russell specialized in depicting the lives of cowboys in robust paintings and bronze sculptures, Farny made exquisitely detailed, relatively small-scale paintings on paper that describe Indian life in somewhat idealized terms. Using quick-drying paints, he captured subtle details of a lifestyle he considered rich in simplicity, nobility, and romance. The American market responded eagerly, and he sold many works: his gracefully balanced compositions and harmonious portrayals of native events affirmed the public’s wishful belief that native life remained unblemished by the intrusions of white culture. Breaking Camp presents a typical scene of Indian life, one portrayed repeatedly by Farny over the years; this handsome version, evoking a change of season, is one of his earliest. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1970", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1972.8.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1972.8.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1972.8.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1972.8.8.tif", "IsPrimary" : "1", "_SurrogateID" : "2433", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1972.8.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1972.8.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1972.8.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1972.8.8.tif", "IsPrimary" : "0", "_SurrogateID" : "2722", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4282, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4282", "Disp_Access_No" : "1995.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1893", "_Disp_Start_Dat" : "1893", "_Disp_End_Date" : "1893", "Disp_Title" : "Vive le Tsar!", "Alt_Title" : "", "Obj_Title" : "Vive le Tsar!", "Series_Title" : "", "Disp_Maker_1" : "Félix Bracquemond", "Sort_Artist" : "Bracquemond, Félix", "Disp_Dimen" : "39.6 cm x 26.6 cm (15 9/16 in. x 10 1/2 in.)", "Disp_Height" : "39.6 cm", "Disp_Width" : "26.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "In this late etching, Bracquemond, who excelled at original images of birds, commemorated the visit of Tsar Alexander III to Paris with whom the government of France had recently concluded a treaty.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.54.tif", "IsPrimary" : "1", "_SurrogateID" : "4444", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4294, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4294", "Disp_Access_No" : "1982.644", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "Revanche [Revenge], for L'Estampe originale", "Alt_Title" : "[Revenge]", "Obj_Title" : "Revanche [Revenge], for L'Estampe originale", "Series_Title" : "", "Disp_Maker_1" : "Adolphe-Léon Willette", "Sort_Artist" : "Willette, Adolphe-Léon", "Disp_Dimen" : "60 cm x 43 cm (23 5/8 in. x 16 15/16 in.)", "Disp_Height" : "60 cm", "Disp_Width" : "43 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1977", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4310, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4310", "Disp_Access_No" : "G1972.8.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "Council of the Chiefs", "Alt_Title" : "", "Obj_Title" : "Council of the Chiefs", "Series_Title" : "", "Disp_Maker_1" : "Henry F. 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Huntington Museum Fund, 1975", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Colombian", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1975.12.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1975.12.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1975.12.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1975.12.1.tif", "IsPrimary" : "1", "_SurrogateID" : "7158", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7380, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7380", "Disp_Access_No" : "P1975.12.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "El caballo mecánico [The Mechanical Horse]", "Alt_Title" : "The Mechanical Horse", "Obj_Title" : "El caballo mecánico [The Mechanical Horse]", "Series_Title" : "", "Disp_Maker_1" : "Augusto Rendón", "Sort_Artist" : "Rendón, Augusto", "Disp_Dimen" : "35 cm x 50 cm (13 3/4 in. x 19 11/16 in.)", "Disp_Height" : "35 cm", "Disp_Width" : "50 cm", "Dimen_Extent" : "Sheet", "Medium" : "Ink on paper", "Support" : "", "Disp_Medium" : "Ink on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1975", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Colombian", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1975.12.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1975.12.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1975.12.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1975.12.4.tif", "IsPrimary" : "1", "_SurrogateID" : "3014", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7397, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7397", "Disp_Access_No" : "1982.1268", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Será tiempo? [Will There Be Time?]", "Alt_Title" : "Will There Be Time?", "Obj_Title" : "Será tiempo? [Will There Be Time?]", "Series_Title" : "", "Disp_Maker_1" : "Amado Maurilio Peña, Jr.", "Sort_Artist" : "Peña, Jr., Amado Maurilio", "Disp_Dimen" : "39.4 cm x 24 cm (15 1/2 in. x 9 7/16 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "24 cm", "Dimen_Extent" : "Sight", "Medium" : "Color screenprint", "Support" : "", "Disp_Medium" : "Color screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the artist, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 7401, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7401", "Disp_Access_No" : "P1974.4.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "La vaca de mil cubetas [The Cow of a Thousand Pails]", "Alt_Title" : "The Cow of a Thousand Pails", "Obj_Title" : "La vaca de mil cubetas [The Cow of a Thousand Pails]", "Series_Title" : "", "Disp_Maker_1" : "Francisco Toledo", "Sort_Artist" : "Toledo, Francisco", "Disp_Dimen" : "55.9 cm x 75.25 cm (22 in. x 29 5/8 in.)", "Disp_Height" : "55.9 cm", "Disp_Width" : "75.25 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1974", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1974.4.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1974.4.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1974.4.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1974.4.3.tif", "IsPrimary" : "1", "_SurrogateID" : "7139", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7408, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7408", "Disp_Access_No" : "1982.666", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Fogos de infancia [Fires of Infancy]", "Alt_Title" : "Fires of Infancy", "Obj_Title" : "Fogos de infancia [Fires of Infancy]", "Series_Title" : "", "Disp_Maker_1" : "Gloria de Almeida", "Sort_Artist" : "Almeida, Gloria de", "Disp_Dimen" : "50 cm x 70 cm (19 11/16 in. x 27 9/16 in.)", "Disp_Height" : "50 cm", "Disp_Width" : "70 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Undetermined source", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Brazilian", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 7409, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7409", "Disp_Access_No" : "1988.87", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Crowned Crane, from Twelve Birds", 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Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish (?)", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8229, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8229", "Disp_Access_No" : "G1964.1.18", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Claudius, plate 5 from Roman Emperors on Horseback, after Jan van der Straet, called Stradanus", "Alt_Title" : "", "Obj_Title" : "Claudius, plate 5 from Roman Emperors on Horseback, after Jan van der Straet, called Stradanus", "Series_Title" : "", "Disp_Maker_1" : "Copy after Adriaen Collaert", "Sort_Artist" : "Collaert, Copy after Adriaen", "Disp_Dimen" : "38.4 cm x 26.05 cm (15 1/8 in. x 10 1/4 in.)", "Disp_Height" : "38.4 cm", "Disp_Width" : "26.05 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. 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Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish (?)", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8231, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8231", "Disp_Access_No" : "G1964.1.20", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Galba, plate 7 from Roman Emperors on Horseback, after Jan van der Straet, called Stradanus", "Alt_Title" : "", "Obj_Title" : "Galba, plate 7 from Roman Emperors on Horseback, after Jan van der Straet, called Stradanus", "Series_Title" : "", "Disp_Maker_1" : "Copy after Adriaen Collaert", "Sort_Artist" : "Collaert, Copy after Adriaen", "Disp_Dimen" : "38.4 cm x 25.7 cm (15 1/8 in. x 10 1/8 in.)", "Disp_Height" : "38.4 cm", "Disp_Width" : "25.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish (?)", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8232, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8232", "Disp_Access_No" : "G1964.1.21", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Vitellius, plate 9 from Roman Emperors on Horseback, after Jan van der Straet, called Stradanus", "Alt_Title" : "", "Obj_Title" : "Vitellius, plate 9 from Roman Emperors on Horseback, after Jan van der Straet, called Stradanus", "Series_Title" : "", "Disp_Maker_1" : "Copy after Adriaen Collaert", "Sort_Artist" : "Collaert, Copy after Adriaen", "Disp_Dimen" : "38.4 cm x 26.2 cm (15 1/8 in. x 10 5/16 in.)", "Disp_Height" : "38.4 cm", "Disp_Width" : "26.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish (?)", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8233, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8233", "Disp_Access_No" : "G1964.1.22", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Vespasianus, plate 10 from Roman Emperors on Horseback, after Jan van der Straet, called Stradanus", "Alt_Title" : "", "Obj_Title" : "Vespasianus, plate 10 from Roman Emperors on Horseback, after Jan van der Straet, called Stradanus", "Series_Title" : "", "Disp_Maker_1" : "Copy after Adriaen Collaert", "Sort_Artist" : "Collaert, Copy after Adriaen", "Disp_Dimen" : "38.4 cm x 25.9 cm (15 1/8 in. x 10 3/16 in.)", "Disp_Height" : "38.4 cm", "Disp_Width" : "25.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish (?)", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8234, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8234", "Disp_Access_No" : "G1964.1.23", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Titus, plate 11 from Roman Emperors on Horseback, after Jan van der Straet, called Stradanus", "Alt_Title" : "", "Obj_Title" : "Titus, plate 11 from Roman Emperors on Horseback, after Jan van der Straet, called Stradanus", "Series_Title" : "", "Disp_Maker_1" : "Copy after Adriaen Collaert", "Sort_Artist" : "Collaert, Copy after Adriaen", "Disp_Dimen" : "38.5 cm x 26 cm (15 3/16 in. x 10 1/4 in.)", "Disp_Height" : "38.5 cm", "Disp_Width" : "26 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish (?)", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8235, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8235", "Disp_Access_No" : "G1964.1.24", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Domitianus, plate 12 from Roman Emperors on Horseback, after Jan van der Straet, called Stradanus", "Alt_Title" : "", "Obj_Title" : "Domitianus, plate 12 from Roman Emperors on Horseback, after Jan van der Straet, called Stradanus", "Series_Title" : "", "Disp_Maker_1" : "Copy after Adriaen Collaert", "Sort_Artist" : "Collaert, Copy after Adriaen", "Disp_Dimen" : "33.55 cm x 25.7 cm (13 3/16 in. x 10 1/8 in.)", "Disp_Height" : "33.55 cm", "Disp_Width" : "25.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish (?)", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8257, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8257", "Disp_Access_No" : "1980.55", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1624", "_Disp_Start_Dat" : "1619", "_Disp_End_Date" : "1629", "Disp_Title" : "Landscape with a Lighthouse", "Alt_Title" : "", "Obj_Title" : "Landscape with a Lighthouse", "Series_Title" : "", "Disp_Maker_1" : "Esaias van de Velde", "Sort_Artist" : "Velde, Esaias van de", "Disp_Dimen" : "12.5 cm x 16.8 cm (4 15/16 in. x 6 5/8 in.)", "Disp_Height" : "12.5 cm", "Disp_Width" : "16.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk and brown wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Black chalk and brown wash on cream antique laid paper", "Info_Page_Comm" : "Esaias van de Velde is the father of Dutch landscape painting. Cultivating an explicitly realistic representation of nature, he established the early conventions and set the stylistic direction in Holland. This new vision was based upon a rejection of both the imaginary subjects preferred by the late Mannerists and their extreme stylization even when treating less fantastic views or motifs. Van de Velde essayed familiar reality in a deliberately simplified and unpretentious fashion. Characteristic, this drawing is one of about a dozen that survive from a dismembered sketchbook. The Mannerists’ layered and interpenetrated composition has yielded to a single diagonal that leads steadily across the dunes like a path. Their complex color scheme has been replaced by a uniform tonality that evokes natural light and palpable atmosphere. Moreover, van de Velde’s reality was not just familiar to the eye but specifically Dutch. Especially telling in this drawing, the low horizon, landmarks like the old lighthouse, and figures like the successful fishermen imply the sea comfortably nearby. Such drawings are among the first works to express the great pride of place in the recently independent Holland. In common with the work of Jan van Goyen and Pieter Molijn, this conception and these formal terms inaugurated the school’s most original and influential tradition.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.55.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.55.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.55.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.55.tif", "IsPrimary" : "1", "_SurrogateID" : "1187", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8272, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8272", "Disp_Access_No" : "1998.383", "_AccNumSort1" : "", "Disp_Create_DT" : "1619-1620", "_Disp_Start_Dat" : "1619", "_Disp_End_Date" : "1620", "Disp_Title" : "Les Troupes en marche [The Troops on the March], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Alt_Title" : "", "Obj_Title" : "Les Troupes en marche [The Troops on the March], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "20.1 cm x 29.9 cm (7 15/16 in. x 11 3/4 in.)", "Disp_Height" : "20.1 cm", "Disp_Width" : "29.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.383.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.383.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.383.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.383.tif", "IsPrimary" : "1", "_SurrogateID" : "4156", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8273, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8273", "Disp_Access_No" : "1998.384", "_AccNumSort1" : "", "Disp_Create_DT" : "1619-1620", "_Disp_Start_Dat" : "1619", "_Disp_End_Date" : "1620", "Disp_Title" : "L’Enrolement des troupes [The Enlistment of the Troops], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Alt_Title" : "", "Obj_Title" : "L’Enrolement des troupes [The Enlistment of the Troops], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "20.4 cm x 30 cm (8 1/16 in. x 11 13/16 in.)", "Disp_Height" : "20.4 cm", "Disp_Width" : "30 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.384.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.384.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.384.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.384.tif", "IsPrimary" : "1", "_SurrogateID" : "4157", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8274", "Disp_Access_No" : "1998.385", "_AccNumSort1" : "", "Disp_Create_DT" : "1619-1620", "_Disp_Start_Dat" : "1619", "_Disp_End_Date" : "1620", "Disp_Title" : "Défaite de le cavaleries turque [The Defeat of the Turkish Cavalry], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Alt_Title" : "", "Obj_Title" : "Défaite de le cavaleries turque [The Defeat of the Turkish Cavalry], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "19.4 cm x 29.7 cm (7 5/8 in. x 11 11/16 in.)", "Disp_Height" : "19.4 cm", "Disp_Width" : "29.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.385.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.385.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.385.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.385.tif", "IsPrimary" : "1", "_SurrogateID" : "4158", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8294, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8294", "Disp_Access_No" : "1990.156", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1640", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1640", "Disp_Title" : "The Annunciation, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "The Annunciation, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Schelte Bolswert", "Sort_Artist" : "Bolswert, Schelte", "Disp_Dimen" : "45.6 cm x 33.9 cm (17 15/16 in. x 13 3/8 in.)", "Disp_Height" : "45.6 cm", "Disp_Width" : "33.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is after Ruben's painting in the Kunsthistorische Museum in Vienna.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.156.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.156.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.156.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.156.tif", "IsPrimary" : "1", "_SurrogateID" : "5949", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8296, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8296", "Disp_Access_No" : "2001.24", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1620", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1625", "Disp_Title" : "Two Peasant Women with Farm Animals", "Alt_Title" : "", "Obj_Title" : "Two Peasant Women with Farm Animals", "Series_Title" : "", "Disp_Maker_1" : "Jan Roos, called Giovanni Rosa", "Sort_Artist" : "Roos, called Giovanni Rosa, Jan", "Disp_Dimen" : "21 cm x 29.8 cm (8 1/4 in. x 11 3/4 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk", "Support" : "", "Disp_Medium" : "Red chalk ", "Info_Page_Comm" : "Animal subjects of Flemish character were an important genre of 17th-century Genoese painting, and a specialty of the school’s greatest artist, Giovanni Benedetto Castiglione. The Museum possesses a fine painting of the kind by his son and follower, as well as nine drawings and some three dozen etchings by Giovanni Benedetto himself. Training in Antwerp, then active in Rome, Roos settled in Genoa in 1616. A great success, his work helped established the genre of animal painting and inspired Castiglione’s specific approach, weaving familiar, domesticated animals into a procession across the foreground of a deep landscape. Only recently identified, Roos’s drawings are striking in their complex atmosphere and broad touch. They evidently also influenced the formation of Castiglione’s draftsmanship. They are, however, quite rare: there is only one other in an American public collection, and the Suida-Manning Collection had none. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2001", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.24.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.24.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.24.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.24.tif", "IsPrimary" : "1", "_SurrogateID" : "4097", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8324", "Disp_Access_No" : "2001.26", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "La Chasse aux canards [The Duck Hunt], from Suite de quatre pièces non chiffrées, after Jacques Fouquières", "Alt_Title" : "", "Obj_Title" : "La Chasse aux canards [The Duck Hunt], from Suite de quatre pièces non chiffrées, after Jacques Fouquières", "Series_Title" : "", "Disp_Maker_1" : "Jean Morin", "Sort_Artist" : "Morin, Jean", "Disp_Dimen" : "25.3 cm x 34.9 cm (9 15/16 in. x 13 3/4 in.)", "Disp_Height" : "25.3 cm", "Disp_Width" : "34.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2001", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.26.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.26.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.26.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2001.26.TIF", "IsPrimary" : "1", "_SurrogateID" : "9925", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8360, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8360", "Disp_Access_No" : "1999.132", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Herd Crossing the Brook", "Alt_Title" : "", "Obj_Title" : "The Herd Crossing the Brook", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Pietersz Berchem", "Sort_Artist" : "Berchem, Nicolas Pietersz", "Disp_Dimen" : "26.7 cm x 20.9 cm (10 1/2 in. x 8 1/4 in.)", "Disp_Height" : "26.7 cm", "Disp_Width" : "20.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8386, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8386", "Disp_Access_No" : "1999.131", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Cow Pissing ", "Alt_Title" : "", "Obj_Title" : "The Cow Pissing ", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Pietersz Berchem", "Sort_Artist" : "Berchem, Nicolas Pietersz", "Disp_Dimen" : "17.6 cm x 25.5 cm (6 15/16 in. x 10 1/16 in.)", "Disp_Height" : "17.6 cm", "Disp_Width" : "25.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8387", "Disp_Access_No" : "1983.53", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with Houses Along a Canal", "Alt_Title" : "", "Obj_Title" : "Landscape with Houses Along a Canal", "Series_Title" : "", "Disp_Maker_1" : "Johannes Ruischer", "Sort_Artist" : "Ruischer, Johannes", "Disp_Dimen" : "11.8 cm x 21 cm (4 5/8 in. x 8 1/4 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "21 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Charles and Dorothy Clark, 1983", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8388", "Disp_Access_No" : "1995.98", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Venus and 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"Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2498_Crop.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2498_Crop.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2498_Crop.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2498_Crop.tif", "IsPrimary" : "1", "_SurrogateID" : "18425", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2498_Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2498_Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2498_Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2498_Sheet.tif", "IsPrimary" : 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