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Tonkin, 1966", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American (?)", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.46.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.46.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.46.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.46.TIF", "IsPrimary" : "1", "_SurrogateID" : "9734", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8190, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8190", "Disp_Access_No" : "1989.171", "_AccNumSort1" : "", "Disp_Create_DT" : "1578", "_Disp_Start_Dat" : "1578", "_Disp_End_Date" : "1578", "Disp_Title" : "Bear Hunt with Nets, from Hunts and Animal Scenes, after Jan van der Straet, called Stradanus", "Alt_Title" : "", "Obj_Title" : "Bear Hunt with Nets, from Hunts and Animal Scenes, after Jan van der Straet, called Stradanus", "Series_Title" : "", "Disp_Maker_1" : "Philip Galle", "Sort_Artist" : "Galle, Philip", "Disp_Dimen" : "26 cm x 34.3 cm (10 1/4 in. x 13 1/2 in.)", "Disp_Height" : "26 cm", "Disp_Width" : "34.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.171.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.171.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.171.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1989.171.TIF", "IsPrimary" : "1", "_SurrogateID" : "9917", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8273, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8273", "Disp_Access_No" : "1998.384", "_AccNumSort1" : "", "Disp_Create_DT" : "1619-1620", "_Disp_Start_Dat" : "1619", "_Disp_End_Date" : "1620", "Disp_Title" : "L’Enrolement des troupes [The Enlistment of the Troops], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Alt_Title" : "", "Obj_Title" : "L’Enrolement des troupes [The Enlistment of the Troops], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "20.4 cm x 30 cm (8 1/16 in. x 11 13/16 in.)", "Disp_Height" : "20.4 cm", "Disp_Width" : "30 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.384.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.384.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.384.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.384.tif", "IsPrimary" : "1", "_SurrogateID" : "4157", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8296, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8296", "Disp_Access_No" : "2001.24", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1620", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1625", "Disp_Title" : "Two Peasant Women with Farm Animals", "Alt_Title" : "", "Obj_Title" : "Two Peasant Women with Farm Animals", "Series_Title" : "", "Disp_Maker_1" : "Jan Roos, called Giovanni Rosa", "Sort_Artist" : "Roos, called Giovanni Rosa, Jan", "Disp_Dimen" : "21 cm x 29.8 cm (8 1/4 in. x 11 3/4 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk", "Support" : "", "Disp_Medium" : "Red chalk ", "Info_Page_Comm" : "Animal subjects of Flemish character were an important genre of 17th-century Genoese painting, and a specialty of the school’s greatest artist, Giovanni Benedetto Castiglione. 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Huntington Museum Fund, 2001", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.24.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.24.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.24.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.24.tif", "IsPrimary" : "1", "_SurrogateID" : "4097", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8324", "Disp_Access_No" : "2001.26", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "La Chasse aux canards [The Duck Hunt], from Suite de quatre pièces non chiffrées, after Jacques Fouquières", "Alt_Title" : "", "Obj_Title" : "La Chasse aux canards [The Duck Hunt], from Suite de quatre pièces non chiffrées, after Jacques Fouquières", "Series_Title" : "", "Disp_Maker_1" : "Jean Morin", "Sort_Artist" : "Morin, Jean", "Disp_Dimen" : "25.3 cm x 34.9 cm (9 15/16 in. x 13 3/4 in.)", "Disp_Height" : "25.3 cm", "Disp_Width" : "34.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2001", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.26.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.26.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.26.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2001.26.TIF", "IsPrimary" : "1", "_SurrogateID" : "9925", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8360, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8360", "Disp_Access_No" : "1999.132", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Herd Crossing the Brook", "Alt_Title" : "", "Obj_Title" : "The Herd Crossing the Brook", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Pietersz Berchem", "Sort_Artist" : "Berchem, Nicolas Pietersz", "Disp_Dimen" : "26.7 cm x 20.9 cm (10 1/2 in. x 8 1/4 in.)", "Disp_Height" : "26.7 cm", "Disp_Width" : "20.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8388", "Disp_Access_No" : "1995.98", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Venus and Adonis", "Alt_Title" : "", "Obj_Title" : "Venus and Adonis", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Diamantini", "Sort_Artist" : "Diamantini, Giuseppe", "Disp_Dimen" : "22 cm x 15.8 cm (8 11/16 in. x 6 1/4 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "15.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.98.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.98.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.98.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.98.tif", "IsPrimary" : "1", "_SurrogateID" : "9690", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8608, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8608", "Disp_Access_No" : "2001.76.5/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1763-1764", "_Disp_Start_Dat" : "1763", "_Disp_End_Date" : "1764", "Disp_Title" : "Reclining Shepherd with a Satchel, Plate 5, from The Twelve Etchings Dedicated to Lord Exeter", "Alt_Title" : "", "Obj_Title" : "Reclining Shepherd with a Satchel, Plate 5, from The Twelve Etchings Dedicated to Lord Exeter", "Series_Title" : "", "Disp_Maker_1" : "Francesco Londonio", "Sort_Artist" : "Londonio, Francesco", "Disp_Dimen" : "32.5 cm x 48.4 cm (12 13/16 in. x 19 1/16 in.)", "Disp_Height" : "32.5 cm", "Disp_Width" : "48.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Christie's Australia, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.76.5-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.76.5-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.76.5-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.76.5-12.tif", "IsPrimary" : "1", "_SurrogateID" : "4577", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8755, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8755", "Disp_Access_No" : "1982.626", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled (boy with dogs and dead game)", "Alt_Title" : "", "Obj_Title" : "Untitled (boy with dogs and dead game)", "Series_Title" : "", "Disp_Maker_1" : "John Frederick Tayler", "Sort_Artist" : "Tayler, John Frederick", "Disp_Dimen" : "12.5 cm x 15.6 cm (4 15/16 in. x 6 1/8 in.)", "Disp_Height" : "12.5 cm", "Disp_Width" : "15.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and chine collé", "Support" : "", "Disp_Medium" : "Etching and chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1978", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.626.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.626.tif", "PreviewPath" : 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7/8 in. x 8 9/16 in.)", "Disp_Height" : "14.9 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. 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Smith, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.82.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.82.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.82.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.82.tif", "IsPrimary" : "1", "_SurrogateID" : "1331", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14960", "Disp_Access_No" : "1983.123", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "The Whittler", "Alt_Title" : "", "Obj_Title" : "The Whittler", "Series_Title" : "", "Disp_Maker_1" : "David Bates", "Sort_Artist" : "Bates, David", "Disp_Dimen" : "245.1 cm x 199.4 cm (96 1/2 in. x 78 1/2 in.)", "Disp_Height" : "245.1 cm", "Disp_Width" : "199.4 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1983", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1983.123.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1983.123.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1983.123.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1983.123.tif", "IsPrimary" : "1", "_SurrogateID" : "1271", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15910, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15910", "Disp_Access_No" : "2017.1430", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Two Lovers in an Arbor", "Alt_Title" : "", "Obj_Title" : "Two Lovers in an Arbor", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Maarten de Vos", "Sort_Artist" : "Vos, Attributed to Maarten de", "Disp_Dimen" : "14.61 cm x 12.7 cm (5 3/4 in. x 5 in.)", "Disp_Height" : "14.61 cm", "Disp_Width" : "12.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1430.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1430.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1430.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1430.tif", "IsPrimary" : "1", "_SurrogateID" : "5665", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15932, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15932", "Disp_Access_No" : "2017.1368", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1607", "_Disp_Start_Dat" : "1602", "_Disp_End_Date" : "1612", "Disp_Title" : "Studies of a Greyhound", "Alt_Title" : "Study of Two Greyhounds", "Obj_Title" : "Studies of a Greyhound", "Series_Title" : "", "Disp_Maker_1" : "Sinibaldo Scorza", "Sort_Artist" : "Scorza, Sinibaldo", "Disp_Dimen" : "16.7 cm x 23.9 cm (6 9/16 in. x 9 7/16 in.)", "Disp_Height" : "16.7 cm", "Disp_Width" : "23.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black and brown inks on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and black and brown inks on cream antique laid paper", "Info_Page_Comm" : "Trained with Paggi, Scorza became the leading painter in early century Genoa of subjects dedicated to animals or including them in narrative contexts. His numerous drawings of animals seem to have been rendered in series, comprising a repertory of motifs for inclusion in various paintings. Especially appealing, this study reveals the acuteness of his observation, sensitivity in his placement of motifs on the sheet, and delicacy of touch. The Collection includes another very fine study of a family of goats, and a major painting of mythological pretext, Orpheus Charming the Beasts.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1368.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1368.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1368.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1368.tif", "IsPrimary" : "1", "_SurrogateID" : "5768", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15988, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15988", "Disp_Access_No" : "2017.1449", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "St. Roch with Two Dogs Treading on Serpents, between Pillars, a Town Beyond", "Alt_Title" : "", "Obj_Title" : "St. Roch with Two Dogs Treading on Serpents, between Pillars, a Town Beyond", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "19.69 cm x 22.86 cm (7 3/4 in. x 9 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash and graphite", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash and graphite", "Info_Page_Comm" : "Zuccaro’s effortlessness as a draftsman, but also graphic formulae, is exemplified by this study, presumably for part of a church decoration. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1449.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1449.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1449.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1449.tif", "IsPrimary" : "1", "_SurrogateID" : "5715", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16000, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16000", "Disp_Access_No" : "2017.810", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Tavern Scene with Dogs in Human Guises", "Alt_Title" : "", "Obj_Title" : "A Tavern Scene with Dogs in Human Guises", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "20.32 cm x 32.39 cm (8 in. x 12 3/4 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "32.39 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and grey ink over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and grey ink over traces of black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.810.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.810.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.810.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.810.tif", "IsPrimary" : "1", "_SurrogateID" : "3300", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16023, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16023", "Disp_Access_No" : "2017.892", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Finding of Moses", "Alt_Title" : "", "Obj_Title" : "The Finding of Moses", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "21.6 cm x 29.9 cm (8 1/2 in. x 11 3/4 in.)", "Disp_Height" : "21.6 cm", "Disp_Width" : "29.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "pen and brown ink, wash, white gouache, and black and white chalk on beige paper", "Support" : "", "Disp_Medium" : "pen and brown ink, wash, white gouache, and black and white chalk on beige paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.892.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.892.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.892.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.892.tif", "IsPrimary" : "1", "_SurrogateID" : "6452", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16025, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16025", "Disp_Access_No" : "2017.1438", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1778-79", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Portraits of the Donors of the Monastery of Zábrdovice", "Alt_Title" : "", "Obj_Title" : "Portraits of the Donors of the Monastery of Zábrdovice", "Series_Title" : "", "Disp_Maker_1" : "Joseph Johann Winterhalter", "Sort_Artist" : "Winterhalter, Joseph Johann", "Disp_Dimen" : "22.2 cm x 35.2 cm (8 3/4 in. x 13 7/8 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "35.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Info_Page_Comm" : "Winterhalter was active in south Moravia, a frequent collaborator of Maulbertsch, and one of the last major figures in the Central European tradition of grand decoration. This is a preparatory study for an illusionistic fresco of the founders of the Premonstratensian Monastery at Zabrdovice (Czech Republic). His only signed and dated drawing, it reveals Winterhalter’s debt to Maulbertsch in the broad description, mobile light and iridescent color. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1438.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1438.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1438.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1438.tif", "IsPrimary" : "1", "_SurrogateID" : "2673", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16048", "Disp_Access_No" : "2017.1245", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Return of Moses", "Alt_Title" : "", "Obj_Title" : "The Return of Moses", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco de Mura", "Sort_Artist" : "Mura, Attributed to Francesco de", "Disp_Dimen" : "23.18 cm x 44.45 cm (9 1/8 in. x 17 1/2 in.)", "Disp_Height" : "23.18 cm", "Disp_Width" : "44.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, gray wash", "Support" : "", "Disp_Medium" : "Black chalk, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1245.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1245.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1245.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1245.tif", "IsPrimary" : "1", "_SurrogateID" : "5880", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16061", "Disp_Access_No" : "2017.888", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1704", "_Disp_Start_Dat" : "1699", "_Disp_End_Date" : "1709", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "24 cm x 30.7 cm (9 7/16 in. x 12 1/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening over traces of black chalk on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening over traces of black chalk on beige antique laid paper, laid down", "Info_Page_Comm" : "Balestra was formed in the academic Baroque tradition of Carlo Maratta, but infused this drier, more formulaic style with the richer color, mobile light, and fluid handling of his own native Venetian tradition. In its sound organization but loose elaboration, this drawing suggests his synthesis. In subject, the central motif, and the artist’s development, it is closely related to a painting executed in 1704 for the church of San Zaccaria, Venice. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.888.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.888.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.888.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.888.tif", "IsPrimary" : "1", "_SurrogateID" : "5729", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16082", "Disp_Access_No" : "2017.940", "_AccNumSort1" : "", "Disp_Create_DT" : "1490s", "_Disp_Start_Dat" : "1490", "_Disp_End_Date" : "1490", "Disp_Title" : "Supper at Bethany", "Alt_Title" : "", "Obj_Title" : "Supper at Bethany", "Series_Title" : "", "Disp_Maker_1" : "Bernardino Butinone", "Sort_Artist" : "Butinone, Bernardino", "Disp_Dimen" : "25.4 cm x 20.5 cm (10 in. x 8 1/16 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "20.5 cm", "Dimen_Extent" : "panel", "Medium" : "Tempera", "Support" : "wood panel", "Disp_Medium" : "Tempera on wood panel", "Info_Page_Comm" : "Coming to the town of Bethany, Jesus and his disciples were invited to a supper in the house of Lazarus. When they sat down at the table, Mary Magdalene, sister of Lazarus, anointed Jesus' feet with costly perfume and wiped it with her hair. Considered to be a prefiguration of Jesus' death and burial, this story was one of the popular subjects in Christian art. The Blanton's painting belongs to a series of fifteen panels that illustrate important moments from the life of Jesus. As a whole, they would have formed a part of a large altarpiece and functioned as the Bible for those who could not read. In order to enhance the illusion of space, Bernardino Butinone constructs the scene using linear perspective that was developed earlier in the century. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Ranking adjusted (FC:jp 5/26/15) Ranking adjusted from B to B+ (FC:jp 7/10/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.940.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.940.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.940.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.940.tif", "IsPrimary" : "1", "_SurrogateID" : "2764", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16090, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16090", "Disp_Access_No" : "2017.1308", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Group of Figures in Contemporary Dress", "Alt_Title" : "", "Obj_Title" : "Group of Figures in Contemporary Dress", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "25.7 cm x 42.3 cm (10 1/8 in. x 16 5/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "42.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1308.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1308.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1308.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1308.tif", "IsPrimary" : "1", "_SurrogateID" : "5887", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16119, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16119", "Disp_Access_No" : "2017.1281", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with a Bridge and Hunters", "Alt_Title" : "", "Obj_Title" : "Landscape with a Bridge and Hunters", "Series_Title" : "", "Disp_Maker_1" : "Pierre-Antoine Patel", "Sort_Artist" : "Patel, Pierre-Antoine", "Disp_Dimen" : "27.62 cm x 48.26 cm (10 7/8 in. x 19 in.)", "Disp_Height" : "27.62 cm", "Disp_Width" : "48.26 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1281.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1281.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1281.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1281.tif", "IsPrimary" : "1", "_SurrogateID" : "8865", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16128, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16128", "Disp_Access_No" : "2017.1016", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Pastoral Scene (recto); The Conversion of Saint Paul (verso)", "Alt_Title" : "", "Obj_Title" : "A Pastoral Scene (recto); The Conversion of Saint Paul (verso)", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco Castiglione", "Sort_Artist" : "Castiglione, Attributed to Francesco", "Disp_Dimen" : "40 cm x 28.3 cm (15 3/4 in. x 11 1/8 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "28.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, heightened with white, on blue paper", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, heightened with white, on blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1016.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1016.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1016.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1016.tif", "IsPrimary" : "1", "_SurrogateID" : "2611", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1016-verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1016-verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1016-verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1016-verso.tif", "IsPrimary" : "0", "_SurrogateID" : "6679", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16176, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16176", "Disp_Access_No" : "2017.1423", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1675-1699", "_Disp_Start_Dat" : "1675", "_Disp_End_Date" : "1699", "Disp_Title" : "A Pawnbroker’s Shop", "Alt_Title" : "", "Obj_Title" : "A Pawnbroker’s Shop", "Series_Title" : "", "Disp_Maker_1" : "Circle of Claude Vignon", "Sort_Artist" : "Vignon, Circle of Claude", "Disp_Dimen" : "30.8 cm x 42.55 cm (12 1/8 in. x 16 3/4 in.)", "Disp_Height" : "30.8 cm", "Disp_Width" : "42.55 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalk on buff laid paper", "Support" : "", "Disp_Medium" : "Black and white chalk on buff laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1423-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1423-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1423-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1423-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "4292", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/592.1999_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/592.1999_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/592.1999_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/592.1999_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "4718", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16190, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16190", "Disp_Access_No" : "2017.933", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Sébastien Bourdon", "Sort_Artist" : "Bourdon, Sébastien", "Disp_Dimen" : "32.3 cm x 38.6 cm (12 11/16 in. x 15 3/16 in.)", "Disp_Height" : "32.3 cm", "Disp_Width" : "38.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.933.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.933.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.933.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.933.TIF", "IsPrimary" : "1", "_SurrogateID" : "9314", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16205, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16205", "Disp_Access_No" : "2017.1400", "_AccNumSort1" : "", "Disp_Create_DT" : "mid 1770s", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "The Storyteller", "Alt_Title" : "", "Obj_Title" : "The Storyteller", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Domenico Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Domenico", "Disp_Dimen" : "33.8 cm x 57.1 cm (13 5/16 in. x 22 1/2 in.)", "Disp_Height" : "33.8 cm", "Disp_Width" : "57.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Standing on a chair before a crowd in a piazza, a storyteller points to a portable image that helps illustrate his story. The baroque guitar on his back and the triangle in his female assistant's hand suggest that their performance also involved music. Not everyone is absorbed in his story, however. The young lady in a bright orange dress turns her head to respond to the man in a mask, whose suspicious intentions seem to have been noticed by the wary dog in the foreground. The diverse gestures, facial expressions, and colorful attire of the audience offer a glimpse of a popular carnival activity in eighteenth-century Venice. The low viewpoint and the long horizontal format help the viewer to witness the event at the eye level of the depicted figures, which adds to the sense of reality of the painted scene.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Problematic but keeping in (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1400.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1400.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1400.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1400.tif", "IsPrimary" : "1", "_SurrogateID" : "2661", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16254, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16254", "Disp_Access_No" : "2017.1024", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Noah Leading the Animals into the Ark", "Alt_Title" : "", "Obj_Title" : "Noah Leading the Animals into the Ark", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "39.5 cm x 57.3 cm (15 9/16 in. x 22 9/16 in.)", "Disp_Height" : "39.5 cm", "Disp_Width" : "57.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil on antique laid paper mounted on cradled wood panel", "Support" : "", "Disp_Medium" : "Oil on antique laid paper mounted on cradled wood panel", "Info_Page_Comm" : "This oil sketch reveals two fundamental debts to Netherlandish art. The technique, especially employed in such a loose and summary manner, derives from the frequent preparatory studies of the great Flemish painters, Rubens and Van Dyck, who were active at Genoa early in the century. And the subject responds to the Genoese taste for animal paintings that was acquired from 17th-century Holland. Castiglione rarely essayed animals as such, but many of his habitual historical subjects are pretexts for featuring them. The constancy of his interest and the continuity in these subjects are made clear by the comparison of this study with his large etching from more than a decade later. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Should be on display with conservator''s approval. (FC:jp 4/22/2015)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1024.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1024.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1024.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1024.tif", "IsPrimary" : "1", "_SurrogateID" : "2763", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16312, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16312", "Disp_Access_No" : "2017.1005", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Pastoral Scene", "Alt_Title" : "", "Obj_Title" : "A Pastoral Scene", "Series_Title" : "", "Disp_Maker_1" : "Francesco Casanova", "Sort_Artist" : "Casanova, Francesco", "Disp_Dimen" : "45.72 cm x 58.42 cm (18 in. x 23 in.)", "Disp_Height" : "45.72 cm", "Disp_Width" : "58.42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, brown wash, white heightening and graphite on paper", "Support" : "", "Disp_Medium" : "Black chalk, brown wash, white heightening and graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1005.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1005.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1005.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1005.tif", "IsPrimary" : "1", "_SurrogateID" : "5897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16339, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16339", "Disp_Access_No" : "2017.930", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Presentation in the Temple", "Alt_Title" : "", "Obj_Title" : "Presentation in the Temple", "Series_Title" : "", "Disp_Maker_1" : "Louis de Boulogne, the elder", "Sort_Artist" : "Boulogne, the elder, Louis de", "Disp_Dimen" : "50 cm x 50 cm (19 11/16 in. x 19 11/16 in.)", "Disp_Height" : "50 cm", "Disp_Width" : "50 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas (oval)", "Support" : "", "Disp_Medium" : "Oil on canvas (oval)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Dog is quite wonderful Research artist importance in Oxford Architecture interesting, lighting good Condition issues, conservation issues: Terrible craquelure, needs to be cleaned (FC:jb 4/9/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.930.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.930.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.930.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.930.tif", "IsPrimary" : "1", "_SurrogateID" : "2644", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16378, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16378", "Disp_Access_No" : "2017.1453", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1750-1755", "_Disp_Start_Dat" : "1750", "_Disp_End_Date" : "1755", "Disp_Title" : "Young Noble Couple Playing Cards on a Terrace with Attendants", "Alt_Title" : "", "Obj_Title" : "Young Noble Couple Playing Cards on a Terrace with Attendants", "Series_Title" : "", "Disp_Maker_1" : "Francesco Zugno", "Sort_Artist" : "Zugno, Francesco", "Disp_Dimen" : "61.6 cm x 75.57 cm (24 1/4 in. x 29 3/4 in.)", "Disp_Height" : "61.6 cm", "Disp_Width" : "75.57 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Zugno was one of the closest and best followers of Giovanni Battista Tiepolo. His first training was with Sebastiano Ricci, but completely determining of his style was his long collaboration with the elder Tiepolo. Although his juvenile works have often been confused with the master’s, Zugno’s mature style is readily distinguished by its more delicate description, soft contour, and sweet color. Not just due to temper, this gentle and elegant manner probably reflects some knowledge of the school of Watteau. This lovely picture renders a young couple playing cards under the supervision of an older couple – her guardians? – and with the service of two pages. In such a context, the game serves as a metaphor for courtship. Formally, the picture depends upon Tiepolo’s style of the late 1740s and 1750s. In composition it may be compared with Tiepolo’s Banquet of Cleopatra in Moscow (1747), while in figural rhythm and lightening palette it recalls his frescoes of Henry III in Paris (1750) and canvases of Rinaldo and Armida in Chicago (1755). At just this time, 1754, Zugno was executing a History of Cleopatra in fresco for the Villa Soderini at Nervesa (practically destroyed in the Second World War), and would have been consulting the master’s recent history paintings closely. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1453.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1453.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1453.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1453.tif", "IsPrimary" : "1", "_SurrogateID" : "2676", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16381", "Disp_Access_No" : "2017.1214", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Peasants by a Well", "Alt_Title" : "", "Obj_Title" : "Peasants by a Well", "Series_Title" : "", "Disp_Maker_1" : "Pietro Longhi", "Sort_Artist" : "Longhi, Pietro", "Disp_Dimen" : "62.2 cm x 49.7 cm (24 1/2 in. x 19 9/16 in.)", "Disp_Height" : "62.2 cm", "Disp_Width" : "49.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1214.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1214.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1214.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1214.TIF", "IsPrimary" : "1", "_SurrogateID" : "10397", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16387", "Disp_Access_No" : "2017.1367", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1615", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1620", "Disp_Title" : "Orpheus Charming the Beasts", "Alt_Title" : "", "Obj_Title" : "Orpheus Charming the Beasts", "Series_Title" : "", "Disp_Maker_1" : "Sinibaldo Scorza", "Sort_Artist" : "Scorza, Sinibaldo", "Disp_Dimen" : "65.5 cm x 100.2 cm (25 13/16 in. x 39 7/16 in.)", "Disp_Height" : "65.5 cm", "Disp_Width" : "100.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1367.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1367.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1367.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1367.tif", "IsPrimary" : "1", "_SurrogateID" : "2651", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16393", "Disp_Access_No" : "2017.1304", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650-1655", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1655", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "69.7 cm x 90.7 cm (27 7/16 in. x 35 11/16 in.)", "Disp_Height" : "69.7 cm", "Disp_Width" : "90.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Piola was, with his pupil Gregorio de’ Ferrari, the leading painter in Genoa during the second half of the 17th century. With the catalyst of Pietro da Cortona’s High Baroque cycles, in a manner so fluent as to seem automatic, Piola generalized the lessons of Rubens and Van Dyck’s dynamic naturalism and translated them into the grand scale decoration of the native Genoese tradition. Few palaces in Genoa and scarcely a church in Liguria lack a work with the undulating rhythms, variegated modelling, and softly modulated light that are his trademarks. Piola’s works may not be sound in structure or deep in characterization, but they do convey a ease, even a joy, that are estimable and historically relevant. Although reduced to a small, horizontal format, this picture depends strictly on Giovanni Benedetto Castiglione’s great altarpiece of 1645 for San Luca in Genoa. The setting with a broken column symbolic of the Synagogue, the delightful incorporation of the bacchanalian shepherd and still-life motifs, and the fluid rhythm leading toward the radiant Child are virtual quotations. Soprani, the 17th-century biographer of the Genoese painters, writes that the young Piola was so taken with Castiglione that he learned to imitate his style. One of these imitations, “a very beautiful small panel of the Nativity,” was so successful that even experts equivocated about its authorship. Except for the material of its support, Soprani could have been referring to the present picture. Principally it is the slacker drawing, difficulty with space, as in the interval between the boys and the Virgin, and impatient execution in the background that identify it as a very early work by Piola. The picture is a landmark of the artist’s development and of Genoese painting on the threshold of its greatest achievments. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1304.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1304.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1304.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1304.tif", "IsPrimary" : "1", "_SurrogateID" : "2637", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16402, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16402", "Disp_Access_No" : "2017.1006", "_AccNumSort1" : "", "Disp_Create_DT" : "1760s", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1760", "Disp_Title" : "Figures Fleeing a Fire", "Alt_Title" : "", "Obj_Title" : "Figures Fleeing a Fire", "Series_Title" : "", "Disp_Maker_1" : "Francesco Casanova", "Sort_Artist" : "Casanova, Francesco", "Disp_Dimen" : "72.2 cm x 91.5 cm (28 7/16 in. x 36 in.)", "Disp_Height" : "72.2 cm", "Disp_Width" : "91.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Alistair Laing commented on 10-19-07 that the execution seems too impasto for Casanova and that the painting could be by Loutherbourg.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : " ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1006.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1006.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1006.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1006.tif", "IsPrimary" : "1", "_SurrogateID" : "3423", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16424, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16424", "Disp_Access_No" : "2017.1324", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1627-1628", "_Disp_Start_Dat" : "1627", "_Disp_End_Date" : "1628", "Disp_Title" : "Arcadian Landscape", "Alt_Title" : "", "Obj_Title" : "Arcadian Landscape", "Series_Title" : "", "Disp_Maker_1" : "Circle of Nicolas Poussin", "Sort_Artist" : "Poussin, Circle of Nicolas", "Disp_Dimen" : "80.01 cm x 101.6 cm (31 1/2 in. x 40 in.)", "Disp_Height" : "80.01 cm", "Disp_Width" : "101.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting had caused considerable perplexity. Without question it was painted in Rome around 1630 by an ambitious artist who was both extending the development of classical landscape beyond Carracci and Domenichino and applying the lessons of earlier Venetian painting, of compositional device and warm opticality, that had so impressed Rome when, in 1598, the Aldobrandini family brought Titian’s great Bacchanals from Ferrara. No less, the painting represents a coalescing of just the type of ideal mythology that in the 1630s would become Poussin’s undisputed province and in turn a fundamental genre of European painting. A few scholars were willing to attribute this work to Poussin himself. Others, however, argued that it must be the work of a follower: its forms are insufficiently constructed; its blond palette, more typical of Poussin’s work of the mid 1630s, is incompatible with the likely date of the composition; and, most telling, its handling is too even, its finish too slick, for Poussin’s own hand at any stage. Very recently the matter has been settled. The identical composition, but rendered with the innate sense of structure, deep palette, and bold touch of Poussin’s early Roman activity has come to light in an English private collection. The Suida-Manning picture is thus proved to be a replica, probably by one of the circle of French painters who lived and worked with Poussin at just this moment. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with Claude landscape (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1324.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1324.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1324.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1324.tif", "IsPrimary" : "1", "_SurrogateID" : "2641", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16449, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16449", "Disp_Access_No" : "2017.1419", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1585", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1590", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Paolo Veronese", "Sort_Artist" : "Veronese, Workshop of Paolo", "Disp_Dimen" : "104.5 cm x 82.9 cm (41 1/8 in. x 32 5/8 in.)", "Disp_Height" : "104.5 cm", "Disp_Width" : "82.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Of the great Venetian painters of the sixteenth century, Paolo Veronese was the most systematic and subtle in exploring the action, formal implications, and even expressive meanings of light upon color. Early in his development, the forms had been quite arbitrary and the result stylish but implausible. Steadily, his design was regularized according to classical models, his palette reached an unprecedented optical range, and his light became naturalistically descriptive. A small altarpiece probably for private devotion, this picture sets the Virgin and the archangel Gabriel in a handsome loggia, like that of an actual villa by Palladio, with whom the artist often collaborated. It is one of numerous late versions of the subject, with no sign of the workshop participation that had become frequent by then. The highlights have lost little of their energy, coursing across the surfaces and infusing the work with a metaphoric vitality. The figures, however, have been simplified in shape, their cadence slowed and their gesture subdued. And the palette is relatively restricted and uniform in value. In such paintings, the heroic splendor of the artist’s mature style yields to something less calculated and more reflective. The Suida-Manning Collection includes two other paintings from the same period, each a fragment from a larger composition. The composition depends upon a painting by Tintoretto. Infrared examination by Stephen Gritt (Feb. 2010) revealed no variation between underdrawing and execution. 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