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"Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1110.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1110.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1110.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1110.tif", "IsPrimary" : "1", "_SurrogateID" : "5921", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13660, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13660", "Disp_Access_No" : "2002.2574", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with Elisha Mocked, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Landscape with Elisha Mocked, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Copy after Schelte Bolswert", "Sort_Artist" : "Bolswert, Copy after Schelte", "Disp_Dimen" : "35.6 cm x 49.4 cm (14 in. x 19 7/16 in.)", "Disp_Height" : "35.6 cm", "Disp_Width" : "49.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The landscape resembles Bolswert's small mountained landscape (Schneevoogt 233.53.5), except for the group of characters in the lower left. see 2002.2573", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Forms a trio with 2002.2573 and 2002.2140.3/4", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2574.tif", 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canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1367.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1367.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1367.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1367.tif", "IsPrimary" : "1", "_SurrogateID" : "2651", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19569, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19569", "Disp_Access_No" : "2010.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1806", "_Disp_Start_Dat" : "1806", "_Disp_End_Date" : "1806", "Disp_Title" : "The Bear and His Leader", "Alt_Title" : "", "Obj_Title" : "The Bear and His Leader", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "25 cm x 35.5 cm (9 13/16 in. x 14 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "35.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and soft-ground etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and soft-ground etching with hand-coloring", "Info_Page_Comm" : "Charles James Fox, Prime Minister William Pitt’s opposition, was never in the king’s good graces and remained in Pitt’s shadow for most of his political career. Political big wigs Grenville and Sidmouth formed a new ministry after Pitt’s death and named Fox Foreign Secretary and Leader of the House of Commons. Sympathetic to the French, he holds a Phrygian cap, a symbol of the French Revolution. Gillray portrays Fox as a muzzled bear lead by Lord Grenville, dancing to the music played by Lord Sidmouth, suggesting that Fox owes his political status solely to Grenville’s charity. 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Charged with rebuilding society, Lenny’s mission begins when a Bear presents him with a flag and a set of coordinates to guide him on his journey. Depicted here, the scene’s composition recalls the works of Romantic landscape painters like Caspar David Friedrich. In Marshall’s work across various media, nature does not simply provide a backdrop, but also functions as a muse. Lenny’s saga metaphorically refers to both art making and life itself and illustrates the symbiotic relationship between man and nature. 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