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"public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.43-Sheet-2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.43-Sheet-2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.43-Sheet-2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.43-Sheet-2.tif", "IsPrimary" : "1", "_SurrogateID" : "18706", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12200, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12200", "Disp_Access_No" : "2002.442", "_AccNumSort1" : "", "Disp_Create_DT" : "1619", "_Disp_Start_Dat" : "1619", "_Disp_End_Date" : "1619", "Disp_Title" : "Ira [Wrath], from Les Péchés capitaux [The Deadly Sins]", "Alt_Title" : "", 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The skin of this lion will become his most prominent attribute. The weapons left hanging in the tree remind the viewer that he killed the beast with his bare hands. Iolaos, Herakles’ nephew, extends a club over the hero as a gesture of assistance.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund and the James R. Dougherty, Jr. Foundation, 1980", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "ceramic", "Creation_Place2" : "Greek-Attic", "Department" : "", "Obj_Name" : "", "Period" : "Ancient", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.33_front.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.33_front.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.33_front.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.33_front.tif", "IsPrimary" : "1", "_SurrogateID" : "7256", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.33.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.33.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.33.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.33.tif", "IsPrimary" : "0", "_SurrogateID" : "4330", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.33_back.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.33_back.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.33_back.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.33_back.tif", "IsPrimary" : "0", "_SurrogateID" : "4331", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.33_left.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.33_left.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.33_left.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.33_left.tif", "IsPrimary" : "0", "_SurrogateID" : "4332", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.33_right.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.33_right.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.33_right.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.33_right.tif", "IsPrimary" : "0", "_SurrogateID" : "4333", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15895, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15895", "Disp_Access_No" : "2017.1422", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Personification of Venice with a Donor ", "Alt_Title" : "", "Obj_Title" : "Personification of Venice with a Donor ", "Series_Title" : "", "Disp_Maker_1" : "Andrea Michieli, called Andrea Vicentino", "Sort_Artist" : "Vicentino, Andrea Michieli, called Andrea", "Disp_Dimen" : "12.07 cm x 26.04 cm (4 3/4 in. x 10 1/4 in.)", "Disp_Height" : "12.07 cm", "Disp_Width" : "26.04 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk on cream paper", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk on cream paper", "Info_Page_Comm" : "In the second half of the sixteenth century, as Venice’s actual might was waning, personifications of the city paid tribute by dignitaries and leading citizens proliferated. From its subject and horizontal format, this drawing probably prepared part of the decoration of a meeting hall. Integrating the solid construction of Veronese’s style with the rhythmic insistence of Tintoretto’s, Vicentino specialized in such decoration as well as altarpieces across the Veneto. His very regular and refined drawings in pen owe also to the example of Federico Zuccaro. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1422.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1422.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1422.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1422.tif", "IsPrimary" : "1", "_SurrogateID" : "5719", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16068, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16068", "Disp_Access_No" : "2017.948", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Cupid Riding a Lion", "Alt_Title" : "", "Obj_Title" : "Cupid Riding a Lion", "Series_Title" : "", "Disp_Maker_1" : "Circle of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Circle of Luca", "Disp_Dimen" : "24.13 cm x 22.86 cm (9 1/2 in. x 9 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "This drawing is literal in description and coarse in handling.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.948.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.948.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.948.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.948.tif", "IsPrimary" : "1", "_SurrogateID" : "2906", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16160, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16160", "Disp_Access_No" : "2017.1134", "_AccNumSort1" : "", "Disp_Create_DT" : "1760-65", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Design for a Door Handle with a Ship’s Prow", "Alt_Title" : "", "Obj_Title" : "Design for a Door Handle with a Ship’s Prow", "Series_Title" : "", "Disp_Maker_1" : "Ubaldo Gandolfi", "Sort_Artist" : "Gandolfi, Ubaldo", "Disp_Dimen" : "29.4 cm x 20.4 cm (11 9/16 in. x 8 1/16 in.)", "Disp_Height" : "29.4 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and two dilutions of wash over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and two dilutions of wash over black chalk on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1134.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1134.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1134.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1134.tif", "IsPrimary" : "1", "_SurrogateID" : "5788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16210, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16210", "Disp_Access_No" : "2017.1283", "_AccNumSort1" : "", "Disp_Create_DT" : "1717", "_Disp_Start_Dat" : "1717", "_Disp_End_Date" : "1717", "Disp_Title" : "Justice Fulminating the Vices", "Alt_Title" : "", "Obj_Title" : "Justice Fulminating the Vices", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Antonio Pellegrini", "Sort_Artist" : "Pellegrini, Giovanni Antonio", "Disp_Dimen" : "34.6 cm x 32.3 cm (13 5/8 in. x 12 11/16 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "32.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Giovanni Antonio Pellegrini represents eighteenth-century Venetian painting at its most exuberant. He was first trained in Milan with the idiosyncratic Paolo Pagani, but his style depends more on the sensuous and decorative aspects of Sebastiano Ricci. Pellegrini’s drawing is broad and soft, his palette warm and pastel, and his paint handling dense and fluid. Defying gravity, bordering on the caricatural, this painterly virtuosity was a tremendous success across Europe, with the artist called to execute significant fresco cycles and numerous canvases in England, France, and Germany. During a year-long sojourn in Antwerp, Pellegrini carried out three major decorative projects. This painting is an unpublished oil sketch for one of these, a much-admired canvas for the ceiling of the Salle du Petit Collège in the city’s town hall. Appropriate to that setting, it represents the figures of Justice and Prudence crushing two male figures identifiable as Avarice and Deceit. Phosphorescent in color, practically sculpted in paint, this sketch dramatizes the material properties for which Pellegrini was so highly regarded. These properties are conspicuous in the wake of a recent cleaning and relining of the canvas. The Suida-Manning Collection includes two other paintings by Pellegrini: a comparably rich, half-length figure of Bellona from around 1713–1714, and a more summary Venus and Cupid, which may have come from a decorative ensemble. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Frame takes away from object Impressive brushwork Strong contrast between light and dark (FC:jb 4/6/15) Possible medallion hang with two Pellegrinis in middle, with this lower (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1283.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1283.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1283.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1283.tif", "IsPrimary" : "1", "_SurrogateID" : "2634", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16255, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16255", "Disp_Access_No" : "2017.807", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Personification of Venice", "Alt_Title" : "", "Obj_Title" : "A Personification of Venice", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "39.37 cm x 26.67 cm (15 1/2 in. x 10 1/2 in.)", "Disp_Height" : "39.37 cm", "Disp_Width" : "26.67 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and gray wash, gray wash heightened with white, on gray paper", "Support" : "", "Disp_Medium" : "Black chalk, pen and gray wash, gray wash heightened with white, on gray paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.807.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.807.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.807.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.807.tif", "IsPrimary" : "1", "_SurrogateID" : "5892", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16418", "Disp_Access_No" : "2017.915.a", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1495-1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1500", "Disp_Title" : "Saint Jerome", "Alt_Title" : "", "Obj_Title" : "Saint Jerome", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Ambrogio Bevilacqua", "Sort_Artist" : "Bevilacqua, Giovanni Ambrogio", "Disp_Dimen" : "76 cm x 52.5 cm (29 15/16 in. x 20 11/16 in.)", "Disp_Height" : "76 cm", "Disp_Width" : "52.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Tempera with gold leaf on wood panel", "Support" : "", "Disp_Medium" : "Tempera with gold leaf on wood panel", "Info_Page_Comm" : "Saints Augustine and Jerome are two of the fathers of the Western church who are venerated especially for their scholarly roles in laying the foundation of Christian thought. Jerome translated the Bible into Latin, and Augustine authored "Confessions" and "City of God." Emphasizing the two saints’ literary contributions, these paintings represent them engaged in writing. Their identification is reinforced by their attributes: Saint Augustine is wearing the habit of the Augustinian Order, while Saint Jerome is in his red cardinal’s robe and hat alongside a lion. The curvilinear form of the edges and the low viewpoint indicate that the paintings were most likely the upper corners of an altarpiece composed of multiple panels. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Farther away and higher up (FC:jb 4/2/15) Stays in, important and rare (FC 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.915.a.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.915.a.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.915.a.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.915.a.tif", "IsPrimary" : "1", "_SurrogateID" : "4814", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17016, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17016", "Disp_Access_No" : "2004.60", "_AccNumSort1" : "", "Disp_Create_DT" : "19th century reproduction", "_Disp_Start_Dat" : "19", "_Disp_End_Date" : "19", "Disp_Title" : "Lion Cornice", "Alt_Title" : "", "Obj_Title" : "Lion Cornice, from the Archaic Temple of Apollo, Metaponto (?)", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "43.2 cm x 55.9 cm x 22.9 cm (17 in. x 22 in. x 9 in.)", "Disp_Height" : "43.2 cm", "Disp_Width" : "55.9 cm", "Dimen_Extent" : "HWD", "Medium" : "Plaster cast from original from Archaic Temple of Apollo, Metaponto (?) (Bibliotheque Nationale de France, Paris)", "Support" : "", "Disp_Medium" : "Plaster cast from original from Archaic Temple of Apollo, Metaponto (?) (Bibliotheque Nationale de France, Paris)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The William J. Battle Collection of Plaster Casts, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Greek-South Italian (Apulia)", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.60.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.60.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.60.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.60.tif", "IsPrimary" : "1", "_SurrogateID" : "2246", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18578, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18578", "Disp_Access_No" : "2006.159", "_AccNumSort1" : "", "Disp_Create_DT" : "1582", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1582", "Disp_Title" : "Lion Hunt, from the Venationes", "Alt_Title" : "", "Obj_Title" : "Lion Hunt, from the Venationes", "Series_Title" : "", "Disp_Maker_1" : "Hans Bol", "Sort_Artist" : "Bol, Hans", "Disp_Dimen" : "8.4 cm x 22.7 cm (3 5/16 in. x 8 15/16 in.)", "Disp_Height" : "8.4 cm", "Disp_Width" : "22.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.159.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.159.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.159.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.159.tif", "IsPrimary" : "1", "_SurrogateID" : "8315", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18808, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18808", "Disp_Access_No" : "2007.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1550s", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1550", "Disp_Title" : "Saint Jerome in Penitence", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in Penitence", "Series_Title" : "", "Disp_Maker_1" : "Battista Franco", "Sort_Artist" : "Franco, Battista", "Disp_Dimen" : "45.4 cm x 30.7 cm (17 7/8 in. x 12 1/16 in.)", "Disp_Height" : "45.4 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Formed among Michelangelo’s followers in Rome, Franco possessed the most disciplined and idealized drawing of any Venetian artist of the period. He was also the most prolific etcher in sixteenth-century Italy. Most of his prints include engraving and suggest the very regular appearance of works in that technique. This Saint Jerome is one of a number of late efforts that responded to painted examples––here, Titian––and employed etching alone to more varied and personal effect. 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