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Wyllys Andrews IV, 1964", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.1.179.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.1.179.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.1.179.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.1.179.tif", "IsPrimary" : "1", "_SurrogateID" : "4900", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6305, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6305", "Disp_Access_No" : "2002.1984", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Figure One", "Alt_Title" : "", "Obj_Title" : "Figure One", "Series_Title" : "", "Disp_Maker_1" : "Jasper Johns", "Sort_Artist" : "Johns, Jasper", "Disp_Dimen" : "45 cm x 32 cm (17 11/16 in. x 12 5/8 in.)", "Disp_Height" : "45 cm", "Disp_Width" : "32 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph on handmade paper", "Support" : "", "Disp_Medium" : "Lithograph on handmade paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1984.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1984.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1984.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1984.tif", "IsPrimary" : "1", "_SurrogateID" : "5407", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6343, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6343", "Disp_Access_No" : "1980.105", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Sem título, da série Monotipias [Untitled, from the series Monotypes]", "Alt_Title" : "Escritura arcaica [Archaic Writing] ", "Obj_Title" : "Sem título, de série Monotipias [Untitled, from the series Monotypes]", "Series_Title" : "Monotypes", "Disp_Maker_1" : "Mira Schendel", "Sort_Artist" : "Schendel, Mira", "Disp_Dimen" : "47.4 cm x 22.9 cm (18 11/16 in. x 9 in.)", "Disp_Height" : "47.4 cm", "Disp_Width" : "22.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil on rice paper", "Support" : "", "Disp_Medium" : "Oil on rice paper", "Info_Page_Comm" : "As a European immigrant to Brazil, a student of philosophy, and a bibliophile, Mira Schendel had more of an affinity to poets, theologians, and scientists than to her fellow Brazilian artists in the 1950s, when Concrete Art dominated her local art scene. A gift of Japanese rice paper in the mid-1960s began an important series of investigations for the artist, and for several years she abandoned painting and began making monotypes like this work. Marks that appear to be sentences, equations, numbers, letters, and punctuation become completely abstract and unable to convey meaning as conventional language, thus signaling the difficulty of communication and translation. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1980", "Copyright_Type" : "edu; promo; web", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Brazilian", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.105.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.105.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.105.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.105.tif", "IsPrimary" : "1", "_SurrogateID" : "3142", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6906, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6906", "Disp_Access_No" : "1997.48.1/19", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Ejercicio final from Gráfica Latinoamericana portfolio", "Alt_Title" : "", "Obj_Title" : "Ejercicio final from Gráfica Latinoamericana portfolio", "Series_Title" : "", "Disp_Maker_1" : "Luis Camnitzer", "Sort_Artist" : "Camnitzer, Luis", "Disp_Dimen" : "75.9 cm x 55.8 cm (29 7/8 in. x 21 15/16 in.)", "Disp_Height" : "75.9 cm", "Disp_Width" : "55.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Screenprint on mylar attached to paper", "Support" : "", "Disp_Medium" : "Screenprint on mylar attached to paper", "Info_Page_Comm" : "Camnitzer created the Uruguayan Torture series while he was in New York, a distant witness to the repression that was taking place in Uruguay. The experience of being physically removed, but emotionally and politically connected to those events resulted in this evocative and disquieting series. Rather than represent torture in an obvious or graphic way, Camnitzer used close-ups of his own body juxtaposed with fragmentary text to encourage viewers to consider their own physical positions and assumptions relative to political violence. 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Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1030.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1030.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1030.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1030.tif", "IsPrimary" : "1", "_SurrogateID" : "6815", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10862, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10862", "Disp_Access_No" : "1982.180.1/2", "_AccNumSort1" : "", "Disp_Create_DT" : "1974-1978", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1978", "Disp_Title" : "Zero cruzeiro", "Alt_Title" : "", "Obj_Title" : "Zero cruzeiro", "Series_Title" : "", "Disp_Maker_1" : "Cildo Meireles", "Sort_Artist" : "Meireles, Cildo", "Disp_Dimen" : "7.1 cm x 15.5 cm (2 13/16 in. x 6 1/8 in.)", "Disp_Height" : "7.1 cm", "Disp_Width" : "15.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Offset lithograph", "Support" : "", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "Cildo Meireles used preexisting systems of circulation to question symbols of national identity and disseminate subversive messages while evading censorship. In this work, he printed his own “worthless” money by using the same language and general style as regular currency. By stripping away the bill’s exchange value, he revealed its symbolic value. For “Zero cruzeiro,” Meireles substituted national heroes with an Indigenous person from the Krahô tribe on one side and a mental patient on the other. According to the artist, the figures represent marginalized groups “to whom society seems to attribute no value.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Paulo Figueiredo, 1982", "Copyright_Type" : "edu; promo; web", "Disp_Obj_Type" : "print", "Creation_Place2" : "Brazilian", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.180.1-2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.180.1-2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.180.1-2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.180.1-2.tif", "IsPrimary" : "1", "_SurrogateID" : "12475", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10887, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10887", "Disp_Access_No" : "1979.10.2/14", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Portfolio Cover with Untitled (Title Page) from 2 x 5 Hunde (2 x 5 Dogs)", "Alt_Title" : "", "Obj_Title" : "Untitled, from Dogs", "Series_Title" : "", "Disp_Maker_1" : "Dieter Roth", "Sort_Artist" : "Roth, Dieter", "Disp_Dimen" : "49.8 cm x 34.6 cm (19 5/8 in. x 13 5/8 in.)", "Disp_Height" : "49.8 cm", "Disp_Width" : "34.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Four-color offset lithograph on white card laid down on Davey board", "Support" : "", "Disp_Medium" : "Four-color offset lithograph on white card laid down on Davey board", "Info_Page_Comm" : "Two-handed graphic", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Steven Sohacki, 1979", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Swiss", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1979.10.2-14.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1979.10.2-14.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1979.10.2-14.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1979.10.2-14.TIF", "IsPrimary" : "1", "_SurrogateID" : "9888", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11355, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11355", "Disp_Access_No" : "1999.9", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1810", "_Disp_Start_Dat" : "1805", "_Disp_End_Date" : "1815", "Disp_Title" : "Les Malheurs de la vaccine [The Misfortunes of the Vaccine]", "Alt_Title" : "", "Obj_Title" : "Les Malheurs de la vaccine [The Misfortunes of the Vaccine]", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "35.3 cm x 52.6 cm (13 7/8 in. x 20 11/16 in.)", "Disp_Height" : "35.3 cm", "Disp_Width" : "52.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and engraving with hand-coloring", "Info_Page_Comm" : "In the nineteenth century the prestige and influence of doctors rose quite rapidly; however, their newly elevated position in society had its price. Doctors also elicited a degree of hostility which was frequently vented in the work of humorous illustrators, who satirically depicted the various diagnostic and therapeutic methods of their day. Most major discoveries in the field, such as microorganisms as the cause of infection, and anesthesia, were made during the latter part of the century. Prior to that, treatments primarily focused upon diet, emetics, bloodletting, and enemas which more often made patients feel worse and, at times, caused death. The precise meaning of this print is not known; however, within this context, there are a number of possibilities. It could be a satiric comment on a fad for a certain kind of vaccine or the potential side effects of the drug, including addiction. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.9.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.9.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.9.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.9.tif", "IsPrimary" : "1", "_SurrogateID" : "9048", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11935, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11935", "Disp_Access_No" : "2002.110", "_AccNumSort1" : "", "Disp_Create_DT" : "1583", "_Disp_Start_Dat" : "1583", "_Disp_End_Date" : "1583", "Disp_Title" : "Two Putti Seated, Holding a Book of Music (with text), after Polidoro ", "Alt_Title" : "", "Obj_Title" : "Two Putti Seated Holding a Book of Music (with text), after Polidoro (with text) ", "Series_Title" : "", "Disp_Maker_1" : "Cherubino Alberti", "Sort_Artist" : "Alberti, Cherubino", "Disp_Dimen" : "20.5 cm x 11.5 cm (8 1/16 in. x 4 1/2 in.)", "Disp_Height" : "20.5 cm", "Disp_Width" : "11.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.110.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.110.TIF", "PreviewPath" : 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"Obj_Title" : "Frontispiece to the Figurine", "Series_Title" : "", "Disp_Maker_1" : "Salvator Rosa", "Sort_Artist" : "Rosa, Salvator", "Disp_Dimen" : "14.2 cm x 9.4 cm (5 9/16 in. x 3 11/16 in.)", "Disp_Height" : "14.2 cm", "Disp_Width" : "9.4 cm", "Dimen_Extent" : "plate", "Medium" : "Etching ", "Support" : "", "Disp_Medium" : "Etching ", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.225.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.225.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.225.tif", "IIIF_URL": 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