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Huntington Museum Fund, 1988", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11780, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11780", "Disp_Access_No" : "G1973.7.79", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1972", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1977", "Disp_Title" : "Projekt B 52 für die U.S.A. in Laos + Vietnam: einbetonierte B 52 fliegen im Verband mit ohne Pilot elektronisch Ferngesteuert [Project B-52 for the U.S.A. in Laos and Vietnam: Cast Concrete B-52 Flying in Formation with Pilot-less Electronic Remote Contr", "Alt_Title" : "", "Obj_Title" : "Projekt B 52 für die U.S.A. in Laos + Vietnam: einbetonierte B 52 fliegen im Verband mit ohne Pilot elektronisch Ferngesteuert [Project B-52 for the U.S.A. in Laos and Vietnam: Cast Concrete B-52 Flying in Formation with Pilot-less Electronic Remote Control]", "Series_Title" : "", "Disp_Maker_1" : "Wolf Vostell", "Sort_Artist" : "Vostell, Wolf", "Disp_Dimen" : "87.6 cm x 72.05 cm (34 1/2 in. x 28 3/8 in.)", "Disp_Height" : "87.6 cm", "Disp_Width" : "72.05 cm", "Dimen_Extent" : "Sheet", "Medium" : "Two-color offset lithograph", "Support" : "", "Disp_Medium" : "Two-color offset lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Charles and Dorothy Clark, 1973", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11794, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11794", "Disp_Access_No" : "1989.9.25/27", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1984", "_Disp_Start_Dat" : "1979", "_Disp_End_Date" : "1989", "Disp_Title" : "Overview, from Point of Departure", "Alt_Title" : "", "Obj_Title" : "Overview, from Point of Departure", "Series_Title" : "", "Disp_Maker_1" : "Art Werger", "Sort_Artist" : "Werger, Art", "Disp_Dimen" : "51.1 cm x 38.1 cm (20 1/8 in. x 15 in.)", "Disp_Height" : "51.1 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Intaglio", "Support" : "", "Disp_Medium" : "Intaglio", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Catherine Kernan and Jane Goldman, 1989", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 13955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13955", "Disp_Access_No" : "P1969.17.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Steam Roller", "Alt_Title" : "", "Obj_Title" : "Steam Roller", "Series_Title" : "", "Disp_Maker_1" : "Louis Lozowick", "Sort_Artist" : "Lozowick, Louis", "Disp_Dimen" : "60 cm x 44 cm (23 5/8 in. x 17 5/16 in.)", "Disp_Height" : "60 cm", "Disp_Width" : "44 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "An urban worker stands at the center of an image of urban construction and heavy industry. While the large scale of the machines dominate the canvas, the central placement of the man suggests that he is the focus of the image. Louis Lozowick explored the role of machines in modern American culture and the relationship between machines and humanity. He believed in a "machine aesthetic,” which dictates that art of an industrial society should employ the visual language of industry. The meticulous line in Steam Roller is characteristic of Precisionism, a style of painting that gives works a sharply defined and almost machine-made appearance. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.17.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.17.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.17.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.17.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2515", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13986, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13986", "Disp_Access_No" : "G1976.21.33", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1840-circa 1850", "_Disp_Start_Dat" : "1840", "_Disp_End_Date" : "1850", "Disp_Title" : "The First Ship", "Alt_Title" : "", "Obj_Title" : "The First Ship", "Series_Title" : "", "Disp_Maker_1" : "Joshua Shaw", "Sort_Artist" : "Shaw, Joshua", "Disp_Dimen" : "63.5 cm x 91.4 cm (25 in. x 36 in.)", "Disp_Height" : "63.5 cm", "Disp_Width" : "91.4 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "English", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.33.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.33.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.33.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.33.tif", "IsPrimary" : "1", "_SurrogateID" : "2483", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14116", "Disp_Access_No" : "G1968.92", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Ream", "Alt_Title" : "", "Obj_Title" : "Ream", "Series_Title" : "", "Disp_Maker_1" : "Lee Lozano", "Sort_Artist" : "Lozano, Lee", "Disp_Dimen" : "198 x 244 cm (78 x 96 in.)", "Disp_Height" : "198 cm", "Disp_Width" : "244 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "From 1963 to 1964, Lee Lozano took hardware—screwdrivers, hammers, wrenches—as her pictorial focus. Here, Lozano takes a reamer (a device used to drill holes) as her subject. Ensconced in a male-dominated art world, Lozano preyed on the provocative connotations of tools to poke fun at the chauvinistic climate in which she found herself. The artist manipulated and anthropomorphized her subjects to imbue them with new (often humorous, sexualized) meaning. At the same time, the sci-fi quality of these mechanized images tapped into the popularity of science fiction at that time— in art historian Helen Molesworth’s words, we might think of Lozano’s tool paintings as “cyborg fantasies of a complete merger of body and machine.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1968", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.92.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.92.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.92.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.92.tif", "IsPrimary" : "1", "_SurrogateID" : "2383", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.92.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.92.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.92.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.92.mp3", "IsPrimary" : "0", "_SurrogateID" : "8449", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14142, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14142", "Disp_Access_No" : "G1968.66", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "UFOs #13", "Alt_Title" : "", "Obj_Title" : "UFOs #13", "Series_Title" : "", "Disp_Maker_1" : "Sidney Gross", "Sort_Artist" : "Gross, Sidney", "Disp_Dimen" : "168 cm x 183 cm (66 1/8 in. x 72 1/16 in.)", "Disp_Height" : "168 cm", "Disp_Width" : "183 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1968", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 14189, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14189", "Disp_Access_No" : "G1968.125", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "American Landscape", "Alt_Title" : "", "Obj_Title" : "American Landscape", "Series_Title" : "", "Disp_Maker_1" : "John Martin Tweddle", "Sort_Artist" : "Tweddle, John Martin", "Disp_Dimen" : "168 cm x 243 cm (66 1/8 in. x 95 11/16 in.)", "Disp_Height" : "168 cm", "Disp_Width" : "243 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In this painting, Tweddle transforms nature into a chaotic urban grid. By bisecting his canvas with a procession of crudely drawn cars, he provides a visual analogue for the manner in which industry has taken over the natural world. Through his frenzied composition, Tweddle offers a parody of U.S. society and its beliefs in the ideals of progress and industrialization.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1968", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.125.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.125.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.125.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.125.tif", "IsPrimary" : "1", "_SurrogateID" : "2328", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14225, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14225", "Disp_Access_No" : "G1964.27", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1955", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1960", "Disp_Title" : "After the Storm", "Alt_Title" : "", "Obj_Title" : "After the Storm", "Series_Title" : "", "Disp_Maker_1" : "Michael Frary", "Sort_Artist" : "Frary, Michael", "Disp_Dimen" : "122 cm x 152.3 cm (48 1/16 in. x 59 15/16 in.)", "Disp_Height" : "122 cm", "Disp_Width" : "152.3 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "Michael Frary spent the early part of his career working in the film industry in Los Angeles. In 1949, he moved to San Antonio, and then joined the faculty at The University of Texas Art Department in 1952. He held a full professorship from 1970 to 1989. His modernist style was strongly influenced by Cubism and Surrealism. Frary also had a keen eye for architecture, and loved to treat it with a blocky and reductive geometry, as he does here. Locally, he is best known for his watercolors and his devotion to the theme of the Texas landscape, as in his series Impressions of the The Big Thicket, Watercolors of the Rio Grande, and Impressions of the Texas Panhandle, each published as books by The University of Texas Press and Texas A&M University Press.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of D.D. Feldman, 1964", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.27.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.27.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.27.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.27.tif", "IsPrimary" : "1", "_SurrogateID" : "2300", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14230, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14230", "Disp_Access_No" : "G1964.22", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1958", "_Disp_Start_Dat" : "1953", "_Disp_End_Date" : "1963", "Disp_Title" : "Night Works", "Alt_Title" : "", "Obj_Title" : "Night Works", "Series_Title" : "", "Disp_Maker_1" : "Donald Leroy Weismann", "Sort_Artist" : "Weismann, Donald Leroy", "Disp_Dimen" : "73.9 cm x 140.3 cm (29 1/8 in. x 55 1/4 in.)", "Disp_Height" : "73.9 cm", "Disp_Width" : "140.3 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil on duck canvas", "Support" : "canvas", "Disp_Medium" : "Oil on duck canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift Of D.D. Feldman, 1964", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.22.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.22.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.22.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.22.tif", "IsPrimary" : "1", "_SurrogateID" : "4589", "Image_Type" : "Slide", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14235, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14235", "Disp_Access_No" : "G1964.18", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Oil Field Lights", "Alt_Title" : "", "Obj_Title" : "Oil Field Lights", "Series_Title" : "", "Disp_Maker_1" : "Stephen Thomas Rascoe", "Sort_Artist" : "Rascoe, Stephen Thomas", "Disp_Dimen" : "109.9 cm x 155.25 cm (43 1/4 in. x 61 1/8 in.)", "Disp_Height" : "109.9 cm", "Disp_Width" : "155.25 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift Of D.D. Feldman, 1964", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.18.tif", "IsPrimary" : "1", "_SurrogateID" : "5823", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14437, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14437", "Disp_Access_No" : "1991.327", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Across the Tracks", "Alt_Title" : "", "Obj_Title" : "Across the Tracks", "Series_Title" : "", "Disp_Maker_1" : "Niles Spencer", "Sort_Artist" : "Spencer, Niles", "Disp_Dimen" : "90.8 x 125.4 cm (35 3/4 x 49 3/8 in.)", "Disp_Height" : "90.8 cm", "Disp_Width" : "125.4 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "An industrial complex appears frozen in utter silence and stillness. In Across the Tracks, Niles Spencer presents an industrial scene composed of simple geometric forms deriving from the cylinder and cube. The artist has removed all that is superfluous, which, along with his application of monochromatic grays and browns, shortens the painting’s field of depth", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.327.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.327.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.327.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.327.tif", "IsPrimary" : "1", "_SurrogateID" : "1572", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14490, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14490", "Disp_Access_No" : "1991.260", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Flying Boxes", "Alt_Title" : "", "Obj_Title" : "Flying Boxes", "Series_Title" : "", "Disp_Maker_1" : "James McGarrell", "Sort_Artist" : "McGarrell, James", "Disp_Dimen" : "224.2 cm x 142.8 cm (88 1/4 in. x 56 1/4 in.)", "Disp_Height" : "224.2 cm", "Disp_Width" : "142.8 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 14500, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14500", "Disp_Access_No" : "1991.251", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Approaching Storm, Lane's Cove", "Alt_Title" : "", "Obj_Title" : "Approaching Storm, Lane's Cove", "Series_Title" : "", "Disp_Maker_1" : "Abraham Leon Kroll", "Sort_Artist" : "Kroll, Abraham Leon", "Disp_Dimen" : "66.8 cm x 107.4 cm (26 5/16 in. x 42 5/16 in.)", "Disp_Height" : "66.8 cm", "Disp_Width" : "107.4 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.251.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.251.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.251.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.251.tif", "IsPrimary" : "1", "_SurrogateID" : "1544", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14501, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14501", "Disp_Access_No" : "1991.250", "_AccNumSort1" : "", "Disp_Create_DT" : "1960", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1960", "Disp_Title" : "Captain and Crew", "Alt_Title" : "", "Obj_Title" : "Captain and Crew", "Series_Title" : "", "Disp_Maker_1" : "Karl Knaths", "Sort_Artist" : "Knaths, Karl", "Disp_Dimen" : "104.5 cm x 150.5 cm (41 1/8 in. x 59 1/4 in.)", "Disp_Height" : "104.5 cm", "Disp_Width" : "150.5 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.250.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.250.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.250.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.250.tif", "IsPrimary" : "1", "_SurrogateID" : "7340", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.250.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.250.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.250.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.250.mp3", "IsPrimary" : "0", "_SurrogateID" : "8507", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14620, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14620", "Disp_Access_No" : "1988.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Pursuit of Happiness", "Alt_Title" : "", "Obj_Title" : "Pursuit of Happiness", "Series_Title" : "", "Disp_Maker_1" : "Jane Dickson", "Sort_Artist" : "Dickson, Jane", "Disp_Dimen" : "175.26 cm x 312.4 cm (69 in. x 123 in.)", "Disp_Height" : "175.26 cm", "Disp_Width" : "312.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1988", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.8.tif", "IsPrimary" : "1", "_SurrogateID" : "6405", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14624, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14624", "Disp_Access_No" : "1988.4", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Ca-Lou, 1969: Firing the One O Six", "Alt_Title" : "", "Obj_Title" : "Ca-Lou, 1969: Firing the One O Six", "Series_Title" : "", "Disp_Maker_1" : "David Smith", "Sort_Artist" : "Smith, David", "Disp_Dimen" : "43.2 cm x 25.2 cm (17 in. x 9 15/16 in.)", "Disp_Height" : "43.2 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "Board", "Medium" : "Egg tempera, aluminum and gold leaf on board", "Support" : "Board", "Disp_Medium" : "Egg tempera, aluminum and gold leaf on board on Board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1988", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.4.tif", "IsPrimary" : "1", "_SurrogateID" : "6406", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14707, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14707", "Disp_Access_No" : "1986.38", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1935", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1940", "Disp_Title" : "Oil Well at Sunset", "Alt_Title" : "", "Obj_Title" : "Oil Well at Sunset", "Series_Title" : "", "Disp_Maker_1" : "James Brooks", "Sort_Artist" : "Brooks, James", "Disp_Dimen" : "51.2 cm x 66.4 cm (20 3/16 in. x 26 1/8 in.)", "Disp_Height" : "51.2 cm", "Disp_Width" : "66.4 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. and Mrs. Paul L. White, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.38.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.38.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.38.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.38.tif", "IsPrimary" : "1", "_SurrogateID" : "1399", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14859, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14859", "Disp_Access_No" : "1985.166", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "The Rectangular Format", "Alt_Title" : "", "Obj_Title" : "The Rectangular Format", "Series_Title" : "", "Disp_Maker_1" : "Lee N. Smith III", "Sort_Artist" : "Smith III, Lee N.", "Disp_Dimen" : "177.8 cm x 152.7 cm (70 in. x 60 1/8 in.)", "Disp_Height" : "177.8 cm", "Disp_Width" : "152.7 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil on canvas with construction", "Support" : "canvas", "Disp_Medium" : "Oil on canvas with construction on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1985", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.166.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.166.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.166.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.166.tif", "IsPrimary" : "1", "_SurrogateID" : "1314", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14928, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14928", "Disp_Access_No" : "1984.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "Oil Field Girls", "Alt_Title" : "", "Obj_Title" : "Oil Field Girls", "Series_Title" : "", "Disp_Maker_1" : "Jerry Bywaters", "Sort_Artist" : "Bywaters, Jerry", "Disp_Dimen" : "75.3 cm x 62.2 cm (29 5/8 in. x 24 1/2 in.)", "Disp_Height" : "75.3 cm", "Disp_Width" : "62.2 cm", "Dimen_Extent" : "board", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "Though Jerry Bywaters enjoyed a long and multifaceted career as an artist, writer, critic, teacher, arts administrator, and museum director, he is best remembered today for his participation in the Dallas Nine, an enterprising group of young painters active in the 1930s who helped establish a regional artistic identity for Texas art. Like "Oil Field Girls," Bywaters’s most popular work, their paintings portray local conditions in expressive detail even as they acknowledge a wide range of sophisticated painterly influences gained from the artists’ studies in New York, Mexico City, and Europe. In "Oil Field Girls," Bywaters used a somber palette to describe the bleak and thinly populated west Texas landscape. With its economically depressed vistas, the town (if it can be called that) is clearly godforsaken. By contrast, the women poised to hitch a ride out of those sad environs are vivid and forceful; although they are most likely working as prostitutes, Bywaters made no apparent judgment of them, instead vesting them with a vitality, even ambition, that offers the picture’s only hope. A canny mixture of reportage and editorial commentary, "Oil Field Girls" is a history painting that captures a surprisingly humane narrative of a specific time and place.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1984", "Copyright_Type" : "edu; promo; merch; web", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.1.tif", "IsPrimary" : "1", "_SurrogateID" : "1288", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15018", "Disp_Access_No" : "1982.186", "_AccNumSort1" : "", "Disp_Create_DT" : "1971", "_Disp_Start_Dat" : "1971", "_Disp_End_Date" : "1971", "Disp_Title" : "Gota de agua [Drop of Water]", "Alt_Title" : "Water Drop", "Obj_Title" : "Gota de agua [Drop of Water]", "Series_Title" : "", "Disp_Maker_1" : "Luis Fernando Benedit", "Sort_Artist" : "Benedit, Luis Fernando", "Disp_Dimen" : "44.1 cm x 25.1 cm x 25.1 cm (17 3/8 in. x 9 7/8 in. x 9 7/8 in.)", "Disp_Height" : "44.1 cm", "Disp_Width" : "25.1 cm", "Dimen_Extent" : "HLW", "Medium" : "Plexiglass, plastic tubing, water, and cotton (with metal screws)", "Support" : "", "Disp_Medium" : "Plexiglass, plastic tubing, water, and cotton (with metal screws)", "Info_Page_Comm" : "Benedit’s work of the early 1970s is concerned with the creation and observation of life in scientifically controlled environments. In Gota de agua, a single drop of water, seen through a magnifying glass, reflects and distorts the room around it, including the viewer. Although the work is not overtly political, it is hard not to read a more sinister meaning into this process of observation and control, given the political reality in Latin America in that decade. Like Luis Camnitzer’s prints in this same gallery, the tight perspective and suggestion of experimentation could be read as a response to the specter of torture. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Waldo Rasmussen, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.186.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.186.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.186.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.186.tif", "IsPrimary" : "1", "_SurrogateID" : "1235", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15121, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15121", "Disp_Access_No" : "1977.97", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Mediodía [Noontime]", "Alt_Title" : "[Mediodía]", "Obj_Title" : "Mediodía [Noontime]", "Series_Title" : "", "Disp_Maker_1" : "Antonio Berni", "Sort_Artist" : "Berni, Antonio", "Disp_Dimen" : "198.7 cm x 199 cm (78 1/4 in. x 78 3/8 in.)", "Disp_Height" : "198.7 cm", "Disp_Width" : "199 cm", "Dimen_Extent" : "canvas", "Medium" : "Acrylic and collage", "Support" : "canvas", "Disp_Medium" : "Acrylic and collage on canvas", "Info_Page_Comm" : "Antonio Berni was one of the great painters of social themes and critical commentary in the twentieth century. Although less known internationally, his work merits comparison with that of the Mexican Muralists. Unlike the Muralists, Berni was never part of a large government-sponsored art program. And while he remained committed to themes of social justice shared with the Muralists, he adopted a range of different artistic styles, from his experiments with Surrealism and Socialist Realism in the 1930s, to his subversion of Pop art in the 1960s and 1970s. Like many Latin American artists, Berni moved to New York in the 1970s, escaping political uncertainty and persecution at home in Argentina. He painted Mediodía in New York, and while the subject is clearly Argentine (the sign is in Spanish), the treatment of the professionally painted advertising sign indicates his awareness of American and European Pop art. However, the stark contrast between the brightly colored sign advertising new cars and the humble black and white used in depicting the workers who produce those consumer goods shows an explicit political conscience missing in much American Pop art of the period.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, 1977", "Copyright_Type" : "all approved", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1977.97.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1977.97.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1977.97.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1977.97.tif", "IsPrimary" : "1", "_SurrogateID" : "1166", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15126, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15126", "Disp_Access_No" : "1977.73", "_AccNumSort1" : "", "Disp_Create_DT" : "n.d.", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Magic Bark", "Alt_Title" : "", "Obj_Title" : "Magic Bark", "Series_Title" : "", "Disp_Maker_1" : "Enrique Climent", "Sort_Artist" : "Climent, Enrique", "Disp_Dimen" : "29.8 cm x 61 cm (11 3/4 in. x 24 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "61 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1977", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Mexican", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 15135, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15135", "Disp_Access_No" : "1977.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Early Arctic Exploration Flight", "Alt_Title" : "", "Obj_Title" : "Early Arctic Exploration Flight", "Series_Title" : "", "Disp_Maker_1" : "Robert Hartman", "Sort_Artist" : "Hartman, Robert", "Disp_Dimen" : "84.2 cm x 81.9 cm (33 1/8 in. x 32 1/4 in.)", "Disp_Height" : "84.2 cm", "Disp_Width" : "81.9 cm", "Dimen_Extent" : "Frame", "Medium" : "Acrylic and collage", "Support" : "canvas", "Disp_Medium" : "Acrylic and collage on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Charles and Dorothy Clark, 1977", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1977.29.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1977.29.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1977.29.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1977.29.tif", "IsPrimary" : "1", "_SurrogateID" : "11314", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16628, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16628", "Disp_Access_No" : "2002.2847.1/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Fellow 'Prentices at their Looms, plate I from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Fellow 'Prentices at their Looms, plate I from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "28.3 cm x 43.3 cm (11 1/8 in. x 17 1/16 in.)", "Disp_Height" : "28.3 cm", "Disp_Width" : "43.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.1-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.1-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.1-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.1-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8253", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16844, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16844", "Disp_Access_No" : "2003.81", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 2000", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "2005", "Disp_Title" : "Café internet [Internet Café]", "Alt_Title" : "", "Obj_Title" : "Café internet [Internet Café]", "Series_Title" : "", "Disp_Maker_1" : "Abel Barroso", "Sort_Artist" : "Barroso, Abel", "Disp_Dimen" : "56.8 cm x 76.2 cm (22 3/8 in. x 30 in.)", "Disp_Height" : "56.8 cm", "Disp_Width" : "76.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Fran Magee and Gallery 106, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Cuban", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.81.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.81.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.81.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.81.tif", "IsPrimary" : "1", "_SurrogateID" : "2144", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16845, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16845", "Disp_Access_No" : "2003.82", "_AccNumSort1" : "", "Disp_Create_DT" : "2000", "_Disp_Start_Dat" : "2000", "_Disp_End_Date" : "2000", "Disp_Title" : "Internet de madera [Wooden Internet]", "Alt_Title" : "", "Obj_Title" : "Internet de madera [Wooden Internet]", "Series_Title" : "", "Disp_Maker_1" : "Abel Barroso", "Sort_Artist" : "Barroso, Abel", "Disp_Dimen" : "55.1 cm x 56.5 cm x 38.6 cm (21 11/16 in. x 22 1/4 in. x 15 3/16 in.)", "Disp_Height" : "55.1 cm", "Disp_Width" : "56.5 cm", "Dimen_Extent" : "HWD", "Medium" : "Wood, ink, paper ", "Support" : "", "Disp_Medium" : "Wood, ink, paper ", "Info_Page_Comm" : "Abel Barroso’s work uses humor and a low-tech interpretation of modern communications to comment on contemporary Cuban society and politics. Barroso, who trained as a printmaker, constructs his sculptures from used wood printing blocks that are themselves made from everyday materials such as plywood packing cases. In Internet de madera, the artist has created a “third world Internet” from carved plywood: a printed scroll serves as a “screen” that the viewer/user can move by manually turning the levers on the side. The consumerist use of the Internet is emphasized, though the series of photographs displayed on the “screen” were taken in the street markets in Cuba, thus conflating the fantasy of e-commerce with the reality of everyday transactions. This hybrid Internet machine/cash register is full of comical references to the high-tech global world to which Cubans have little access. For example, a credit card (American credit cards are illegal in Cuba) made of wood and carved with the word fantasía (“fantasy”) and a wooden 3 1/2–inch floppy disk both lie on the keyboard. This eternally unplugged and unconnected Internet machine is a powerful metaphor for Cuba’s place in the world and also a critique of the consumerist fantasies of developed societies", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Fran Magee and Gallery 106, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Cuban", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.82.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.82.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.82.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.82.tif", "IsPrimary" : "1", "_SurrogateID" : "2145", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16869, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16869", "Disp_Access_No" : "2003.89.11/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "Autoretrato en alegría, fiesta y sopa colectiva, from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Alt_Title" : "", "Obj_Title" : "Autoretrato en alegría, fiesta y sopa colectiva, from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Series_Title" : "", "Disp_Maker_1" : "Tonel", "Sort_Artist" : "Tonel", "Disp_Dimen" : "42 cm x 30 cm (16 9/16 in. x 11 13/16 in.)", "Disp_Height" : "42 cm", "Disp_Width" : "30 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "This print from a series of lithographs grew out of the artist’s first experiences of winter as he traveled through Canada and Europe in the 1990s. In the artist’s own words, “Like the texts, the images (all self-portraits) speak of loss, mutilation, encounter, and rupture. The accompanying boleros—a form of Caribbean music intertwined with the lure and sleeplessness of erotic passion, requited or not—set up a virtually sonorous cultural counterpoint with the images of gray, wintry landscapes and bitter, frustrated figures. The bolero supplies a sugary sweet, abundantly smooth musical background to the sordid experiences and disagreements depicted here in hostile cities or messy rooms—locations marked by grotesque and tragic qualities—or in landscapes sketched under lead-gray clouds.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Fran Magee and Gallery 106, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Cuban", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.89.11-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.89.11-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.89.11-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.89.11-12.tif", "IsPrimary" : "1", "_SurrogateID" : "2955", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18182, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18182", "Disp_Access_No" : "2005.203.1/22-22/22", "_AccNumSort1" : "", "Disp_Create_DT" : "2000", "_Disp_Start_Dat" : "2000", "_Disp_End_Date" : "2000", "Disp_Title" : "pull the button [jale el botón]", "Alt_Title" : "", "Obj_Title" : "pull the button [jale el botón]", "Series_Title" : "", "Disp_Maker_1" : "Luis Miguel Suro", "Sort_Artist" : "Suro, Luis Miguel", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Ceramic installation", "Support" : "", "Disp_Medium" : "Ceramic installation", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Venetia Kapernekas, 2005", "Copyright_Type" : "", "Disp_Obj_Type" : "installation", "Creation_Place2" : "Mexican", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", 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