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"Norwegische Landschaft [Norwegian Landscape], from Die Kunst Des Radierens [The Art of Etching]", "Alt_Title" : "Norwegian Landscape, from The Art of Etching", "Obj_Title" : "Norwegische Landschaft [Norwegian Landscape], from Die Kunst Des Radierens [The Art of Etching]", "Series_Title" : "", "Disp_Maker_1" : "Edvard Munch", "Sort_Artist" : "Munch, Edvard", "Disp_Dimen" : "17.4 cm x 22.7 cm (6 7/8 in. x 8 15/16 in.)", "Disp_Height" : "17.4 cm", "Disp_Width" : "22.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Norwegian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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"Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "From around 1520 a distinctive style developed in the Danube Valley. Its artists, led by Albrecht Altdorfer, cultivated a self-consciously native style opposite to the classical, Italianate style popular in Nuremberg and Augsburg. Its compositions organic, its forms fluid, and its light supernatural, the style lent itself to expressionism in figural subjects and animism in the rendering of nature. The Danube School is the first in history to explore the metaphoric personality of pure landscape. Altdorfer, followed by Augustin Hirschvogel, was also the first to realize the aptness of etching for conveying the appearance and suggesting the character of nature. A Nuremberg printmaker, Hanns Lautensack brought a distinctively German landscape etching into a third generation. His principal work in the genre is a loose series of twenty plates executed in 1553 and 1554. Having generally deep perspectives with elaborately layered space, these plates impose a more regular structure and professional hand on the dramatic topography and dense growth associated with the Valley. In this plate the principal motifs—the gnarled outcrop, the leafing pollard, the spindly pines, and the dwarfed habitation—are especially clear and knowing citations of the Danube School. With its rich tone and soft luminosity, this very early impression retains something of the mystery and subjectivity of Altdorfer and Hirschvogel. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase with funds provided by M.K. Hage, Jr., the Dean's Associates of the College of Fine Arts, and the Archer M. 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on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1281.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1281.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1281.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1281.tif", "IsPrimary" : "1", "_SurrogateID" : "8865", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16147, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16147", "Disp_Access_No" : "2017.1049", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with the Good Samaritan", "Alt_Title" : "", "Obj_Title" : "Landscape with the Good Samaritan", "Series_Title" : "", "Disp_Maker_1" : "Pierfrancesco Cittadini", "Sort_Artist" : "Cittadini, Pierfrancesco", "Disp_Dimen" : "28.9 cm x 23.4 cm (11 3/8 in. x 9 3/16 in.)", "Disp_Height" : "28.9 cm", "Disp_Width" : "23.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with yellow heightening on orange prepared antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with yellow heightening on orange prepared antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1049.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1049.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1049.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1049.tif", "IsPrimary" : "1", "_SurrogateID" : "5741", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16259, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16259", "Disp_Access_No" : "2017.1336", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A River Landscape with a Figure", "Alt_Title" : "", "Obj_Title" : "A River Landscape with a Figure", "Series_Title" : "", "Disp_Maker_1" : "Marco Ricci", "Sort_Artist" : "Ricci, Marco", "Disp_Dimen" : "39.37 cm x 46.99 cm (15 1/2 in. x 18 1/2 in.)", "Disp_Height" : "39.37 cm", "Disp_Width" : "46.99 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1336.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1336.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1336.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1336.tif", "IsPrimary" : "1", "_SurrogateID" : "2677", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16334, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16334", "Disp_Access_No" : "2017.1338", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1700-1710", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1710", "Disp_Title" : "Landscape with Fishermen and Washerwomen", "Alt_Title" : "", "Obj_Title" : "Landscape with Fishermen and Washerwomen", "Series_Title" : "", "Disp_Maker_1" : "Marco and Sebastiano Ricci", "Sort_Artist" : "Ricci, Marco and Sebastiano", "Disp_Dimen" : "48.9 cm x 36.83 cm (19 1/4 in. x 14 1/2 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "36.83 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Sebastiano’s nephew and regular collaborator, Marco, is an important figure in the development of landscape painting. Generally within the classical tradition of Carracci and Domenichino, he built upon the more moody and textured interpretations of it in the second half of the 17th century, while bringing to bear the luminosity of his native tradition. The result was a new style of pure landscape painting, paralleling and complementing the school’s celebrated view paintings. Marco worked in the major centers of North Italy as well as Venice, twice visited London, and affected the course of the genre across Europe. His work was an important source of picturesque landscape painting in the later 18th century. With its high viewpoint, articulated structure, heavier palette, and lively touch, this landscape recalls earlier, more subjective Baroque landscapes, like those of Salvator Rosa and Alessandro Magnasco. The particularly animated drawing and loaded brushwork in the figures have led to the probable suggestion that they were painted by Sebastiano. One should also note the picture’s exceptionally fine and fresh condition. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Keep in play because we don''t have many 18th C. landscapes Would choose Prodigal Son over this Landscape in background nice, figures among the weakest aspects of this (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1338.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1338.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1338.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1338.tif", "IsPrimary" : "1", "_SurrogateID" : "2647", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16388", "Disp_Access_No" : "2017.1244", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1670", "_Disp_Start_Dat" : "1665", "_Disp_End_Date" : "1675", "Disp_Title" : "Pan and Daphnis", "Alt_Title" : "", "Obj_Title" : "Pan and Daphnis ", "Series_Title" : "", "Disp_Maker_1" : "Pieter Mulier the younger", "Sort_Artist" : "Mulier the younger, Pieter", "Disp_Dimen" : "65.6 cm x 49.3 cm (25 13/16 in. x 19 7/16 in.)", "Disp_Height" : "65.6 cm", "Disp_Width" : "49.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The beautiful young man holding a panpipe is Daphnis, a Sicilian herdsman and son of Mercury, the god of commerce. It was thought that Daphnis invented pastoral music and that his good looks enchanted many, including Pan, the god of shepherds, flocks, and the wild. Pan wandered the mountains and fields of Arcadia, playing his panpipe, often in lustful chases after nymphs and young men. Here, Pan teaches Daphnis how to play the panpipe as he makes an advance in the guise of instruction. Likely modeled on one of the ancient Roman sculptures discovered in the Renaissance, this painting echoes the ideals of the pastoral lifestyle filled with music and love. Pieter Mulier adds a contemporary touch to the scene through the inclusion of a viol, a string instrument popular in his time.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Dutch", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Would pair well with Lauri works (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1244.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1244.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1244.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1244.tif", "IsPrimary" : "1", "_SurrogateID" : "2658", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16561, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16561", "Disp_Access_No" : "2002.2812", "_AccNumSort1" : "", "Disp_Create_DT" : "1812-1813", "_Disp_Start_Dat" : "1812", "_Disp_End_Date" : "1813", "Disp_Title" : "At Woodrising", "Alt_Title" : "", "Obj_Title" : "At Woodrising", "Series_Title" : "", "Disp_Maker_1" : "John Crome", "Sort_Artist" : "Crome, John", "Disp_Dimen" : "11.2 cm x 26 cm (4 7/16 in. x 10 1/4 in.)", "Disp_Height" : "11.2 cm", "Disp_Width" : "26 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Crome’s significance to landscape art lies in his sensitivity to local identity rather than to a classical or idealized view of nature. In 1803, he founded the Norwich Society of Artists in the East Anglia region of England, signaling a shift away from the major artistic centers and capitals towards the provinces. The group flourished, and by 1823 its annual exhibition featured 4,600 works by 323 different artists. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2812.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2812.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2812.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2812.tif", "IsPrimary" : "1", "_SurrogateID" : "5484", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16787, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16787", "Disp_Access_No" : "2003.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1920", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1920", "Disp_Title" : "Apple Tree (The Blighted Tree, Fairfield or La Pommier)", "Alt_Title" : "", "Obj_Title" : "Apple Tree (The Blighted Tree, Fairfield or La Pommier)", "Series_Title" : "", "Disp_Maker_1" : "John Taylor Arms", "Sort_Artist" : "Arms, John Taylor", "Disp_Dimen" : "18 cm x 20.1 cm (7 1/16 in. x 7 15/16 in.)", "Disp_Height" : "18 cm", "Disp_Width" : "20.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Ian Kennedy, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.34.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.34.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.34.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.34.tif", "IsPrimary" : "1", "_SurrogateID" : "8512", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16812, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16812", "Disp_Access_No" : "2003.59", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Diana and Actaeon, from a series of Fables", "Alt_Title" : "", "Obj_Title" : "Diana and Actaeon, from a series of Fables", "Series_Title" : "", "Disp_Maker_1" : "Jean LePautre", "Sort_Artist" : "LePautre, Jean", "Disp_Dimen" : "23.6 cm x 33.3 cm (9 5/16 in. x 13 1/8 in.)", "Disp_Height" : "23.6 cm", "Disp_Width" : "33.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.59.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.59.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.59.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2003.59.TIF", "IsPrimary" : "1", "_SurrogateID" : "9927", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16843, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16843", "Disp_Access_No" : "2003.80", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 2001", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "2006", "Disp_Title" : "Árbol xilográfico [Printmaking Tree]", "Alt_Title" : "", "Obj_Title" : "Árbol xilográfico [Printmaking Tree]", "Series_Title" : "", "Disp_Maker_1" : "Abel Barroso", "Sort_Artist" : "Barroso, Abel", "Disp_Dimen" : "228.6 cm x 157.5 cm (90 in. x 62 in.)", "Disp_Height" : "228.6 cm", "Disp_Width" : "157.5 cm", "Dimen_Extent" : "installed dimension", "Medium" : "Wood and cardboard installation", "Support" : "", "Disp_Medium" : "Wood and cardboard installation", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Fran Magee and Gallery 106, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "installation", "Creation_Place2" : "Cuban", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.80_detail_1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.80_detail_1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.80_detail_1.tif", 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"Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19425, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19425", "Disp_Access_No" : "2009.28", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1890", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1895", "Disp_Title" : "Un Soir", "Alt_Title" : "", "Obj_Title" : "Un Soir", "Series_Title" : "", "Disp_Maker_1" : "Adolphe Appian", "Sort_Artist" : "Appian, Adolphe", "Disp_Dimen" : "12.1 cm x 18.8 cm (4 3/4 in. x 7 3/8 in.)", "Disp_Height" : "12.1 cm", "Disp_Width" : "18.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Graphite, ink, and scratching on Gillot paper", "Support" : "", "Disp_Medium" : "Graphite, ink, and scratching on Gillot paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Dr. and Mrs. Glen D. 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